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Born a German Jew in 1915, Rudy Baum was eighty-six years old when he sealed the garage door of his Dallas home, turned on the car ignition, and tried to end his life. After confronting her father’s attempted suicide, Karen Baum Gordon, Rudy’s daughter, began a sincere effort to understand the sequence of events that led her father to that dreadful day in 2002. What she found were hidden scars of generational struggles reaching back to the camps and ghettos of the Third Reich.

In The Last Letter: A Father’s Struggle, a Daughter’s Quest, and the Long Shadow of the Holocaust, Gordon explores not only her father’s life story, but also the stories and events that shaped the lives of her grandparents—two Holocaust victims that Rudy tried in vain to save in the late 1930s and early years of World War II. This investigation of her family’s history is grounded in eighty-eight letters written mostly by Julie Baum, Rudy’s mother and Karen’s grandmother, to Rudy between November 1936 and October 1941. In five parts, Gordon examines pieces of these well-worn, handwritten letters and other archival documents in order to discover what her family experienced during the Nazi period and the psychological impact that reverberated from it in the generations that followed.

Part of the Legacies of War series, The Last Letter is a captivating family memoir that spans events from the 1930s and Hitler’s rise to power, through World War II and the Holocaust, to the present-day United States. In recreating the fatal journeys of her grandparents and tracing her father’s efforts to save them an ocean away in America, Gordon discovers the forgotten fragments of her family’s history and a vivid sense of her own Jewish identity. By inviting readers along on this journey, Gordon manages to honor victim and survivor alike and shows subsequent generations—now many years after the tragic events of World War II—what it means to remember.

This gonzo-style metamemoir follows Chuck Kinder on a wild tour of the back roads of his home state of West Virginia, where he encounters Mountain State legends like Sid Hatfield, Dagmar, Robert C. Byrd, the Mothman, Chuck Yeager, Soupy Sales, Don Knotts, and Jesco White, the “Dancing Outlaw.”

Mathieu Etchiberri wants nothing more than to leave his family’s Arizona sheep ranch and go to college, but his father insists that he take over the ranch instead. Then his father is killed in an accident, and Matt discovers that he is not the heir to the ranch. So he travels to the French Pyrenees from which his father and grandparents came to settle the questions about his legacy. Instead, he discovers a vast Basque family and a mystery that drove his father to America and still festers in the mountain village. As Matt resolves the mystery of his family, he also discovers his Basque roots and learns the nature of love of family, responsibility, and the tension between individual desires and the needs of a community.

Matt’s journey to manhood takes place in a vividly depicted landscape populated by lively, memorable characters. This is the powerful story of a young man’s search for an identity that encompasses two cultures and one complex, scattered family.

In Chad Abushanab’s debut poetry collection, The Last Visit, he carefully and compassionately explores a family broken by alcoholism and abuse. These poems trace the trajectory of an adolescent living with a violent father struggling with addiction, and recount both the abused child’s perspective and his attempts to reckon with his past as he reaches adulthood, chronicling his own struggles with substance abuse and the reverberations of trauma in his life. Amid the violence and hurt, Abushanab’s verse renders moments of compassion—even the least sympathetic figures are shown to be grappling with their flaws, and the narrator struggles to find compassion and move beyond the memories and habits that haunt him. These well-crafted poems explore how the past shapes us and how difficult it can be to leave behind.

Focusing on Florence, Thomas Kuehn demonstrates the formative
influence of law on Italian society during the Renaissance,
especially in the spheres of family and women. Kuehn's use
of legal sources along with letters, diaries, and
contemporary accounts allows him to present a compelling
image of the social processes that affected the shape and
function of the law.

The numerous law courts of Italian city-states
constantly devised and revised statutes. Kuehn traces the
permutations of these laws, then examines their use by
Florentines to arbitrate conflict and regulate social
behavior regarding such issues as kinship, marriage,
business, inheritance, illlegitimacy, and gender. Ranging
from one man's embittered denunciation of his father to
another's reaction to his kinsmen's rejection of him as
illegitimate, Law, Family, and Women provides
fascinating evidence of the tensions riddling family life in
Renaissance Florence. Kuehn shows how these same tensions,
often articulated in and through the law, affected women. He
examines the role of the mundualdus—a male legal guardian
for women—in Florence, the control of fathers over their
married daughters, and issues of inheritance by and through
women. An ambitious attempt to reformulate the agenda of
Renaissance social history, Kuehn's work will be of value to
both legal anthropologists and social historians.

Thomas Kuehn is professor of history at Clemson
University.

Ladette Randolph understands her life best through the houses she has inhabited. From the isolated farmhouse of her childhood, to the series of houses her family occupied in small towns across Nebraska as her father pursued his dream of becoming a minister, to the equally small houses she lived in as a single mother and graduate student, houses have shaped her understanding of her place in the world and served as touchstones for a life marked by both constancy and endless cycles of change.

On September 12, 2001, Randolph and her husband bought a dilapidated farmhouse on twenty acres outside Lincoln, Nebraska, and set about gutting and rebuilding the house themselves. They had nine months to complete the work. The project, undertaken at a time of national unrest and uncertainty, led Randolph to reflect on the houses of her past and the stages of her life that played out in each, both painful and joyful. As the couple struggles to bring the dilapidated house back to life, Randolph simultaneously traces the contours of a life deeply shaped by the Nebraska plains, where her family has lived for generations, and how those roots helped her find the strength to overcome devastating losses as a young adult. Weaving together strands of departures and arrivals, new houses and deep roots, cycles of change and the cycles of the seasons, Leaving the Pink House is a richly layered and compelling memoir of the meaning of home and family, and how they can never really leave us, even if we leave them.

The compelling story of a teenage girl caught up in the throes of the McCarthy era.

Margaret Fuchs was thirteen in June 1955 when she learned that her parents had been Communists while working for the U.S. government in the 1930s and '40s. This book chronicles the years during which her parents were exposed and her father was subpoenaed before the House Un-American Activities Committee. Eventually he named names, and subsequently lost his job as a law professor at American University, and was blacklisted from teaching ever again. Legacy of a False Promise also details the author's quest as an adult to learn whether or not her parents ever spied for the Soviet Union.

Based on eight years of research using family records, FBI files, American University archives, personal interviews, and the recently declassified Venona cables, Legacy of a False Promise offers unique insights into the McCarthy Era. Most "red-diaper babies" who have written on the subject had parents who refused to give in to HUAC's demands. Singer's work instead recounts the shame and series of betrayals that her father's decision to name names brought to her family. Furthermore, it explores the campaign of the liberal anti-Communist movement to publicize its political position while defending a fired ex-Communist professor, the nature and activities of secret Communist underground cells, and the motivation of New Deal government workers who spied for the Soviets.

This is a poignant meditation on family secrets, father-daughter relationships in times of crisis, teenage loneliness in the midst of trauma, and the effects of parents' actions on the lives of their children. It also serves as a timely reminder of the dangers of sacrificing civil liberties in the name of national security.

In Letters from Limbo, voices of the dead reach the living through various means, including the titular letters, revealing experiences harrowing and mysterious, and exploring limbo as an abode of souls as well as a state of entrapment and intermediacy. Fluent in many modes—lyric to documentary—the poet commands varied poetic forms. That we dwell in metaphorical limbos by virtue of our unpredictable earthly sojourn is a haunting truth this book both illuminates and celebrates.

In this study, Weisberg uses levirate marriage (an institution that involves the union of a man and the widow of his childless brother) as described in biblical law and explicated in rabbinic Judaism as a lens to examine the status of women and attitudes toward marriage, sexuality, and reproduction in early Jewish society. While marriage generally marks the beginning of a new family unit, levirate comes into play when a family’s life is cut short. As such, it offers an opportunity to study the family at a moment of breakdown and restructuring. With her discussion rooted in rabbinic sources and commentary, Weisberg explores kinship structure and descent, the relationship between a family unit created through levirate marriage and the extended family, and the roles of individuals within the family. She also considers the position of women, asking whether it is through marriage or the bearing of children that a woman becomes part of her husband’s family, and to what degree a married woman remains part of her natal family. She argues that rabbinic responses to levirate suggest that a family is an evolving entity, one that can preserve itself through realignment and redefinition.

"Generations of men and women have stood on these beaches, listened to water rushing over these basalt rocks, and picked wild blueberries here well before I sailed into the Bayfield harbor. The families of those men and women are still here, tethered to a place where they can slip behind their ancestor’s eyes and take in essentially the same view."
—from the Introduction
In 2007, Mary Dougherty and her family moved from St. Paul to the tiny Bayfield Peninsula, surrounded by the waters of Lake Superior and Chequamegon Bay in far northwestern Wisconsin. There they set out to live their lives against a backdrop of waterfalls, beaches, farm stands, and a quintessential small town of 487 people. Through recipes, stories, and photos, this book explores what it means to nourish a family and a community. As Mary Dougherty incorporates what is grown and raised in northern Wisconsin into her family’s favorite dishes, she continues a cultural tradition begun by immigrants hundreds of years ago. The result is a one-of-a-kind collection of globally and regionally inspired recipes featuring local cheeses, meats, and produce from the farmers in and around Bayfield—pho made with beef bones from a farm in Mellen, Indian meatballs with curry powder made in Washburn, chowder with corn and potatoes from a farm stand in Ashland. As she knits herself into the Bayfield community, Dougherty comes to more fully grasp the intricate relationship between food and community.

Since his assassination in 1865, Lincoln has been diagnosed with no less than seventeen conditions by doctors, historians, and researchers, including congestive heart failure, epilepsy, Marfan syndrome, and mercury poisoning. Schroeder-Lein offers objective scrutiny of the numerous speculations and medical mysteries that continue to be associated with the president’s physical and mental health, from the recent interest in testing Lincoln’s DNA and theories that he was homosexual, to analysis of the deep depressions, accidents, and illnesses that plagued his early years. Set within the broader context of the prevailing medical knowledge and remedies of the era, Lincoln and Medicine takes into account new perspectives on the medical history of Abraham Lincoln and his family, offering an absorbing and informative view into a much-mythologized, yet underinvestigated, dimension of one of the nation’s most famous leaders.

Best of the Best by the Univeristy Press Books for Public and Secondary School Libraries, 2013

 The forty-two entries in this spirited collection present the best reflections of Lincoln as thinker, reader, writer, and orator by those whose lives intertwined with his or those who had direct contact with eyewitnesses. Bush focuses on Lincoln’s literary interests, reading, and work as a writer as well as the evolving debate about his religious views that became central to his memory. Along with a star-struck Walt Whitman writing of Lincoln’s “inexpressibly sweet” face and manner, Elizabeth Keckly’s description of a bereaved Lincoln, “genius and greatness weeping over love’s idol lost,” and William Stoddard’s report of the “cheery, hopeful, morning light” on Lincoln’s face after a long night debating the fate of the nation, the volume includes selections from works by famous contemporary figures such as Hawthorne, Douglass, Stowe, Lowell, Twain, and Lincoln himself in addition to lesser-known selections that have been nearly lost to history. Each entry is introduced by a headnote that places the selection in historical and cultural context; explanatory endnotes provide information about people and places. A comprehensive introduction and a detailed chronology of Lincoln’s eventful life round out the volume.

 

Bush’s thoughtful collection reveals Lincoln as a man of letters who crafted some of the most memorable lines in our national vocabulary, explores the striking mythologization of the martyred president that began immediately upon his death, and then combines these two themes to illuminate Lincoln’s place in public memory as the absolute embodiment of America’s mythic civil religion. Beyond providing the standard fare of reminiscences about the rhetorically brilliant backwoodsman from the “Old Northwest,” Lincoln in His Own Time also maps a complex genealogy of the cultural work and iconic status of Lincoln as quintessential scribe and prophet of the American people.

Photography is usually written about from the point of view of either the photographer or the viewer. Living with His Camera offers a perspective rarely represented—that of the photographed subject. Dick Blau has been making art photographs of the people he lives with for more than thirty years; cultural theorist Jane Gallop has been living with him—and his camera—for twenty years.

Living with His Camera is Gallop’s nuanced meditation on photography and the place it has in her private life and in her family. A reflection on family, it attempts—like Blau’s photographs themselves—to portray the realities of family life beyond the pieties of conventional representations. Living with His Camera is about some of the most pressing issues of visuality and some of the most basic issues of daily life. Gallop considers intimate photographs of moments both dramatic and routine: of herself giving birth to son Max or crying in the midst of an argument with Blau, pouring herself cereal as Max colors at the breakfast table, or naked, sweeping the floor. With her trademark candor, humor, and critical acumen, Gallop mixes personal reflection with close readings of Roland Barthes’s Camera Lucida, Susan Sontag’s On Photography, Kathryn Harrison’s novel Exposure, and Pierre Bourdieu’s Photography.

Presenting his photographs and her text, Living with His Camera is a portrait of a couple whose professional activity is part of their private lives and whose private life is viewed through their professional gazes. While most of us set aside rigorous thought when we turn to the sentimental realm of home life, Gallop and Blau look at each other not only with great affection but also with the keen focus of a sharp, critical gaze.

A journey with the novels that shape our emotions, our romances, and ourselves

Part memoir, part imagined history, this unique personal essay depicts the intimate experience of childhood bereavement, lost love affairs, and the complicated realities of motherhood and marriage. Framed by an extended train journey, author Sophie Ratcliffe turns to the novels, novelists, and heroines who have shaped her emotional and romantic landscapes. She transports us with her to survey the messiness of everyday life, all while reflecting on steam propulsion and pop songs, handbags and honeymoons, Anna Karenina and Anthony Trollope, former lovers and forgotten muses. Frank, funny, tender, and transporting, Loss, A Love Story asks why we fall in, and out, of love—and how we might understand doing so amid the ongoing upheavals and unwritten futures of the twenty-first century.   

Preeminent medieval scholar Georges Duby argues that the structure of sexual relationships took its cue from the family and from feudalism—both bastions of masculinity—as he reveals the role of women, what they represented, and what they were in the Middle Ages.

Beautifully written in Duby's characteristically nuanced and powerful style, this collection is an ideal entree into Duby's thinking about marriage and the diversities of love, spousal decorum, family structure, and their cultural context in bodily and spiritual values. Love and Marriage in the Middle Ages will be of great interest to students in social and cultural history, medieval and early modern history, and women's studies, as well as those interested in the nature of social life in the Middle Ages.

Georges Duby (1919-1996) was a member of the Académie française and for many years held the distinguished chair in medieval history at the Collège de France. His books include The Three Orders; The Age of Cathedrals; The Knight, the Lady, and the Priest; Love and Marriage in the Middle Ages; and History Continues, all published by the University of Chicago Press.

In praise of diversity, Jessie Grearson and Lauren Smith offer Love in a Global Village: A Celebration of Intercultural Families in the Midwest, an account of the triumphs of fifteen intercultural families and the perseverance of their relationships in midwestern America. The couples recount their courtships, their adventures and difficulties, and their individual choices to create families and build lives together despite differences of race, language, religion, and culture.

Welcomed into homes in towns like Kalona, Iowa, and Springfield, Missouri, Grearson and Smith introduce readers to unexpected fusions of culture in middle America. By focusing on small communities where intercultural relationships are exceptions rather than the norm, Smith and Grearson offer affirmation that multicultural households can endure and flourish almost anywhere.

Love Letter to Who Owns the Heavens considers the way that the absence of touch—in acts of war via the drone, in acts of love via the sext, in aesthetics itself—abstracts the human body, transforming it into a proxy for the real.
“What love poem / could be written when men can no longer / look up?” this book asks, always in a state of flux between doubt and belief—in wars, in gods, in fathers, in love. Through epistolary addresses to these figures of power and others, these poems attempt to make bodies concrete and dangerous, immediate and addressable, once again.

Poetry. Asian American Studies. LUCKY FISH travels along a lush current—a confluence of leaping vocabulary and startling formal variety, with upwelling gratitude at its source: for love, motherhood, "new hope," and the fluid and rich possibilities of words themselves. With an exuberant appetite for "my morning song, my scurry-step, my dew," anchored in complicated human situations, this astounding young poet's third collection of poems is her strongest yet.

“I decide that from now on we should listen to him. His lip may be deflated and his left side paralyzed, but he knows. And he has made terrible mistakes. But he knows. He knows. We are lucky that way.”

Lucky That Way, a nuanced, richly engaging memoir, chronicles the joys and tribulations of a daughter who rediscovers her father as he nears the end of his life. Ernie Gerhardt, an artist and teacher, is largely estranged from his five children, but when he suffers a debilitating stroke, his daughter Pamela must fly to Las Vegas to tend to him. When she arrives to find Ernie newly and shockingly fragile, she is hit by an unexpected wave of tenderness.

As she watches over him in intensive care, she recalls turning points in her family history—the early death of her mother and her father’s turn to heavy drinking--and reflects on the idiosyncrasies that make an imperfect and unique family, on what it means to become old, on what happens when parents are no longer the caregivers but the cared-for, and on how a family copes with their responsibility to the elderly.

Written in a crisp, engaging style, the story is less about the drudgery of finding the right mix of medicines, at-home caregivers, and rehabilitation centers and more about the emotional ramifications of caring for the sick under the weight of sometimes flawed attachments.

People make mistakes, grow old, get sick, and pass on from this world. Lucky That Way examines the irritations and comforts of contemporary family bonds. Gerhardt sifts through the complicated, multi-layered relationships for both wry comedy and high drama and records a string of triumphs and mishaps as Ernie and his five adult children struggle to manage his life and find meaning before their time runs out.

The emerging theme of imperfect humans struggling with life's great mysteries will strike a chord of recognition with the tens of thousands of Baby-Boomers and Gen-Xers who are currently facing similar circumstances with their elderly loved ones. Pamela Gerhardt’s heartfelt story about a family coming to terms with their aging father’s illness and imminent death takes readers on an emotional roller coaster that highlights love, loss, humor, and sadness.

This darkness is not the scary one, 
it’s the one before the sun comes up, 
the one you can still breathe in.