front cover of Big House, Little House, Back House, Barn
Big House, Little House, Back House, Barn
The Connected Farm Buildings of New England
Thomas C. Hubka
Brandeis University Press, 2022
A classic work on farm buildings made by nineteenth-century New Englanders refreshed with a new introduction.
 
Big House, Little House, Back House, Barn portrays the four essential components of the stately and beautiful connected farm buildings made by nineteenth-century New Englanders that stand today as a living expression of a rural culture, offering insights into the people who made them and their agricultural way of life. A visual delight as well as an engaging tribute to our nineteenth-century forebears, this book, first published nearly forty years ago, has become one of the standard works on regional farmsteads in America. This new edition features a new preface by the author.
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front cover of Big House, Little House, Back House, Barn
Big House, Little House, Back House, Barn
The Connected Farm Buildings of New England
Thomas C. Hubka
University Press of New England, 2004
“Big house, little house, back house, barn”—this rhythmic cadence was sung by nineteenth-century children as they played. It also portrays the four essential components of the farms where many of them lived. The stately and beautiful connected farm buildings made by nineteenth-century New Englanders stand today as a living expression of a rural culture, offering insights into the people who made them and their agricultural way of life. A visual delight as well as an engaging tribute to our nineteenth-century forebears, this book has become one of the standard works on regional farmsteads in America.
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front cover of The Old Barn Book
The Old Barn Book
A Field Guide to North American Barns & Other Farm Structures
Noble, Allen G
Rutgers University Press, 1996
Barns give character to the countryside. Their structures reflect the ethnic heritage of a region's settlers and the nature of the land itself. With The Old Barn Book, you'll be able to spot the difference between a Dutch barn and a Swedish barn, a barn for cows and a barn for tobacco. You'll find out why some barns have hipped roofs and others gables, why some have doors at the end and others have them on the side, why some are wood and some are stone, why some are round. Whether you are nostalgic for farm life or like to drive out in the country or want to join in the barn preservation movement, you will find this book an indispensable guide.
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front cover of Technology and Place
Technology and Place
Sustainable Architecture and the Blueprint Farm
By Steven A. Moore
University of Texas Press, 2001

Developing "sustainable" architectural and agricultural technologies was the intent behind Blueprint Farm, an experimental agricultural project designed to benefit farm workers displaced by the industrialization of agriculture in the Rio Grande Valley of Texas. Yet, despite its promise, the very institutions that created Blueprint Farm terminated the project after just four years (1987-1991).

In this book, Steven Moore demonstrates how the various stakeholders' competing definitions of "sustainability," "technology," and "place" ultimately doomed Blueprint Farm. He reconstructs the conflicting interests and goals of the founders, including Jim Hightower and the Texas Department of Agriculture, Laredo Junior College, and the Center for Maximum Potential Building Systems, and shows how, ironically, they unwittingly suppressed the self-determination of the very farm workers the project sought to benefit. From the instructive failure of Blueprint Farm, Moore extracts eight principles for a regenerative architecture, which he calls his "nonmodern manifesto."

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front cover of Tennessee Log Buildings
Tennessee Log Buildings
A Folk Tradition
John B. Rehder
University of Tennessee Press, 2012
Drawing on more than four decades of research, Tennessee Log Buildings examines one of the Volunteer State’s most precious—and fast-disappearing—traditions. From the pioneer era through the mid–twentieth century, folk builders in Tennessee used logs to construct cabins, barns, other outbuildings, schools, and churches. In warm, accessible prose that often makes this deeply researched work read like guidebook, John Rehder explores the varied styles and architectural characteristics of these fascinating structures, including their floor plans, the types of timber used, and the different notches that were cut into the logs to secure the structures.
    Profusely illustrated with over one hundred images, Tennessee Log Houses traces the evolution of log houses from one-room (or single-pen) dwellings to more elaborate homes of various types, such as saddlebags, Cumberland houses, dogtrots, and two-story I-houses. Rehder discusses the historic settlement patterns and building traditions that led to this variety of house types and identifies their particular occurrences throughout the state by drawing on surveys conducted in forty-two counties by teams working for the Tennessee Historical Commission (THC). Similarly, he explores disparate barn and outbuilding types, including the distinctive cantilever barns that are found predominantly in East Tennessee. Sprinkled throughout the book are engaging anecdotes that convey just what it is like to conduct field research in remote rural areas. Rehder also describes in detail a number of the state’s exceptional log places, among them Wynnewood, an enormous structure in Middle Tennessee which dates back to the early nineteenth century and which suffered severe tornado damage in 2008.
    As the author notes, many of the buildings originally identified in the THC investigations have now vanished completely while others are in serious disrepair. Thus, this book not only offers an instructive and delightful look at a key part of Tennessee’s heritage but also makes an eloquent plea for its preservation.

Until his death in 2011, JOHN B. REHDER was a professor of geography at the University of Tennessee, Knoxville. He first joined the UT faculty in 1967. He was the author of Appalachian Folkways, which won the Pioneer America Society’s Fred B. Kniffen Book Award in 2004, and Delta Sugar: Louisiana’s Vanishing Plantation Landscape, which won the Vernacular Architecture Forum’s 2000 Abbott Lowell Cummings Award.

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