Winner of a Catholic Media Association Book Award

The forgotten history of American terrorists who, in the name of God, conspired to overthrow the government and formed an alliance with Hitler.

On January 13, 1940, FBI agents burst into the homes and offices of seventeen members of the Christian Front, seizing guns, ammunition, and homemade bombs. J. Edgar Hoover’s charges were incendiary: the group, he alleged, was planning to incite a revolution and install a “temporary dictatorship” in order to stamp out Jewish and Communist influence in the United States. Interviewed in his jail cell, the front’s ringleader was unbowed: “All I can say is—long live Christ the King! Down with Communism!”

In Nazis of Copley Square, Charles Gallagher provides a crucial missing chapter in the history of the American far right. The men of the Christian Front imagined themselves as crusaders fighting for the spiritual purification of the nation, under assault from godless Communism, and they were hardly alone in their beliefs. The front traced its origins to vibrant global Catholic theological movements of the early twentieth century, such as the Mystical Body of Christ and Catholic Action. The front’s anti-Semitism was inspired by Sunday sermons and by lay leaders openly espousing fascist and Nazi beliefs.

Gallagher chronicles the evolution of the front, the transatlantic cloak-and-dagger intelligence operations that subverted it, and the mainstream political and religious leaders who shielded the front’s activities from scrutiny. Nazis of Copley Square is a grim tale of faith perverted to violent ends, and a warning for those who hope to curb the spread of far-right ideologies today.

Fascism was the first and prime instance of a modern political religion. Rereading signs, symbols, cults, and myths, Italy's leading scholar of Fascism offers a new history of Italian nationalism as a civic religion, albeit in its extreme form, and of Italian Fascism as a vital catalyst for contemporary mass politics. Emilio Gentile decodes Italy culturally, going beyond political and social dimensions that explain Italy's Fascist past in terms of class, or the cynicism of its leaders, or modernizing and expansionist ambitions.

By looking back at the Risorgimento's civic and moral renewal of the Italians as a free people educated in the faith and worship of a "national religion," at the jarring countereffects of the secularized nation-state not trusting mass political mobilization, and at Fascism's retrieval of history from Rome, the French Revolution, and Romanticism, Gentile reconstructs the cultural configurations of a sacred politics. He shows how Mussolini used the concept of propaganda as a project in civic pedagogy, and how the Fascists thus cultivated a new consciousness that filled the void left by the decline of traditional religion. Fascism mobilized the masses through spectacle and public ceremony in an effort to conquer and shape the mentality and customs of a still emerging nation.