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The Neoliberal Self in Bollywood
Cinema, Popular Culture, and Identity
Namrata Rele Sathe
Intellect Books, 2024
An exploration of the consequences of unbridled expansion of neoliberal values within India through the lens of popular film and culture.

The neoliberal self, far from being a stable marker of urban, liberal, millennial Indian identity, is replete with contradictions and oppositions. This study of the unstable neoliberal identity lays bare the sense of precarity and inherent inequality that neoliberal regimes confer upon their subjects.

This analysis draws upon theories of feminist media studies, popular culture analyses, and film studies to critique mainstream Hindi cinema texts produced in the last two decades. Rele Sathe also examines a variety of peripheral subjects and texts, including the film star, the urban space, web series, YouTube videos, and social media content.
 
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Networked Reenactments
Stories Transdisciplinary Knowledges Tell
Katie King with a foreword by Donna Haraway
Duke University Press, 2012
Since the 1990s, the knowledge, culture, and entertainment industries have found themselves experimenting, not altogether voluntarily, with communicating complex information across multiple media platforms. Against a backdrop of competing national priorities, changing technologies, globalization, and academic capitalism, these industries have sought to reach increasingly differentiated local audiences, even as distributed production practices have made the lack of authorial control increasingly obvious. As Katie King describes in Networked Reenactments, science-styled television—such as the Secrets of Lost Empires series shown on the PBS program Nova—demonstrates how new technical and collaborative skills are honed by television producers, curators, hobbyists, fans, and even scholars. Examining how transmedia storytelling is produced across platforms such as television and the web, she analyzes what this all means for the humanities. What sort of knowledge projects take up these skills, attending to grain of detail, evoking affective intensities, and zooming in and out, representing multiple scales, as well as many different perspectives? And what might this mean for feminist transdisciplinary work, or something sometimes called the posthumanities?
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A New Dawn for the Second Sex
Women's Freedom Practices in World Perspective
Karen Vintges
Amsterdam University Press, 2017
To what extent is Simone de Beauvoir's study The Second Sex still relevant? From her work it emerges that patriarchy is a many-headed monster. Over the past decades, various heads of this monster have been slayed: important breakthroughs have been achieved by and for women in law, politics, and economics. Today, however, we witness movements in the opposite direction, such as a masculinist political revival in different parts of the world, the spread of the neoliberal myth of the Super Woman, the rise of transnational networks of trafficking in women and children, and a new international 'Jihadism'. This suggests that patriarchy is indeed a Hydra: a multi-headed monster that grows several new heads every time one head is cut off. Since different - often hybrid - heads of patriarchy dominate in different settings, feminism requires a variety of strategies. Women's movements all over the world today are critically creating new models of self and society in their own contexts. Drawing on notions of Beauvoir, as well as Michel Foucault, this book outlines a 'feminism in a new key' which consists of women's various freedom practices, each hunting the Hydra in their own key - but with mutual support.
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Notes on Nowhere
Feminism, Utopian Logic, and Social Transformation
Jennifer Burwell
University of Minnesota Press, 1997

Notes on Nowhere was first published in 1997. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The term utopia implies both "good place" and "nowhere." Since Sir Thomas More wrote Utopia in 1516, debates about utopian models of society have sought to understand the implications of these somewhat contradictory definitions. In Notes on Nowhere, author Jennifer Burwell uses a cross section of contemporary feminist science fiction to examine the political and literary meaning of utopian writing and utopian thought.

Burwell provides close readings of the science fiction novels of five feminist writers-Marge Piercy, Sally Gearhart, Joanna Russ, Octavia Butler, and Monique Wittig-and poses questions central to utopian writing: Do these texts promote a tradition in which narratives of the ideal society have been used to hide rather than reveal violence, oppression, and social divisions? Can a feminist critical utopia offer a departure from this tradition by using utopian narratives to expose contradiction and struggle as central aspects of the utopian impulse? What implications do these questions have for those who wish to retain the utopian impulse for emancipatory political uses?

As one way of answering these questions, Burwell compares two "figures" that inform utopian writing and social theory. The first is the traditional abstract "revolutionary" subject who contradicts existing conditions and who points us to the ideal body politic. The second, "resistant," subject is partial, concrete, and produced by conditions rather than operating outside of them. In analyzing contemporary changes in the subject's relationship to social space, Burwell draws from and revises "standpoint approaches" that tie visions of social transformation to a group's position within existing conditions.

By exploring the dilemmas, antagonisms, and resolutions within the critical literary feminist utopia, Burwell creates connections to a similar set of problems and resolutions characterizing "nonliterary" discourses of social transformation such as feminism, gay and lesbian studies, and Marxism. Notes on Nowhere makes an original, significant, and persuasive contribution to our understanding of the political and literary dimensions of the utopian impulse in literature and social theory.

Jennifer Burwell teaches in the Department of English at Wesleyan University in Connecticut.

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Nothing to Lose But Our Chains
Work and Resistance in Twenty-First-Century Britain
Jane Hardy
Pluto Press, 2021

Capitalism is a dynamic system, continually adapting itself to exploit workers in new ways. In Britain today, the gig economy is its newest form, expressed through precarious contracts and the supposed atomization of workers. In this book, Jane Hardy argues that despite capitalism’s best efforts to stop us, we can always find ways to fight it.

Through a range of case studies, from cleaners to university lecturers, Hardy looks at how workers are challenging employers’ assaults in the neoliberal workplace, comparing these new actions to a long history of British working class struggle. She explores the historic role of migrants in the British workforce, from the Windrush generation to more recent arrivals from the European Union, as well as placing womens’ collective action center stage. Analysing the rise of robotics and artificial intelligence, she refutes claims that we are entering a post-capitalist society.

Nothing to Lose But Our Chains is an optimistic exploration into the power of the working class, showing that no matter what tools capitalism uses, it can always be resisted.

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Nothing to Lose But Our Chains
Work and Resistance in Twenty-First-Century Britain
Jane Hardy
Pluto Press, 2021

Capitalism is a dynamic system, continually adapting itself to exploit workers in new ways. In Britain today, the gig economy is its newest form, expressed through precarious contracts and the supposed atomization of workers. In this book, Jane Hardy argues that despite capitalism’s best efforts to stop us, we can always find ways to fight it.

Through a range of case studies, from cleaners to university lecturers, Hardy looks at how workers are challenging employers’ assaults in the neoliberal workplace, comparing these new actions to a long history of British working class struggle. She explores the historic role of migrants in the British workforce, from the Windrush generation to more recent arrivals from the European Union, as well as placing womens’ collective action center stage. Analysing the rise of robotics and artificial intelligence, she refutes claims that we are entering a post-capitalist society.

Nothing to Lose But Our Chains is an optimistic exploration into the power of the working class, showing that no matter what tools capitalism uses, it can always be resisted.

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