Do women do science differently? And how about feminists--male or female? The answer to this fraught question, carefully set out in this provocative book, will startle and enlighten every faction in the "science wars."

Has Feminism Changed Science? is at once a history of women in science and a frank assessment of the role of gender in shaping scientific knowledge. Science is both a profession and a body of knowledge, and Londa Schiebinger looks at how women have fared and performed in both instances. She first considers the lives of women scientists, past and present: How many are there? What sciences do they choose--or have chosen for them? Is the professional culture of science gendered? And is there something uniquely feminine about the science women do? Schiebinger debunks the myth that women scientists--because they are women--are somehow more holistic and integrative and create more cooperative scientific communities. At the same time, she details the considerable practical difficulties that beset women in science, where domestic partnerships, children, and other demanding concerns can put women's (and increasingly men's) careers at risk.

But what about the content of science, the heart of Schiebinger's subject? Have feminist perspectives brought any positive changes to scientific knowledge? Schiebinger provides a subtle and nuanced gender analysis of the physical sciences, medicine, archaeology, evolutionary biology, primatology, and developmental biology. She also shows that feminist scientists have developed new theories, asked new questions, and opened new fields in many of these areas.

"...rescues the probing spirit of Marx from the dead hand of Marx-ism. In this bold and argumentative book, Gottlieb joins other contemporary theorists in challenging the primacy of class and relations of production as keys to understanding our collective predicament. The result is an important contribution to left theory- both for its summation of the insights drawn from recent movements and for its provocative confrontation with the wisdom of the past." --Barbara Ehrenreich Can Marxism still serve the American left? History and Subjectivity answers this question by synthesizing the conflicting perspectives of traditional Marxism, Western and neo-Marxism, socialist-feminism, and various minority political movements into a comprehensive and original social theory. In the last seventy years, social change and the failure of leftist movements have made it necessary to transform Marxist theory. Undermined by its own theoretical success, traditional Marxism mistakenly assumed that Marx's understanding of competitive capitalism could be the model for theories of any society. Roger Gottlieb argues convincingly that the transformation of Marxist theory requires a fundamentally new understanding of social primacy. Gottlieb draws on resources from virtually all areas of contemporary radical social theory. This interdisciplinary approach results in a sweeping synthesis of existing Marxist thought and an original and compelling social theory. "Roger Gottlieb has written a very rich and often brilliant book.... [His] general thesis is developed, argued, and tested in the course of an impressive series of reconsiderations of debates in the Marxist tradition--impressive for the sheer breadth of the material mastered, as well as the critical acumen with which Gottlieb finds his way through the thicket of arguments and counter arguments. The result is an always lively, frequently exciting journey through the Marxist tradition, as well as a major contribution to the transformation which Marxism is currently undergoing." --Richard Schmitt "This is a serious and ambitious book. Its attempt to incorporate socialist feminism, and its interesting discussion of the American left are major strengths. It is a distinctive argument, framed within a personal sensibility, which should encourage wide response." --Marx W. Wartofsky

An in-depth study of Jewish religion and law in Israel from a gendered perspective.
 
In Holy Rebellion, Ronit Irshai and Tanya Zion-Waldoks examine social change in Israel through a rigorous analysis of the shifting entanglements of religion, gender, and law in times of cultural transformation. They explore theological, halakhic, political, and sociological processes and show how they interact with one another in ways that advance women’s rights, as well as how they are met with a conservative backlash in the discourses and actions of the rabbinic establishment. Irshai and Zion-Waldoks build on legal philosopher Robert Cover’s 1982 paper “Nomos and Narrative,” which explained how cultural narratives and legal norms are reciprocally enforced or transformed. Expanding on this notion, Irshai and Zion-Waldoks propose a “narrative ripeness test,” an analytic tool that evaluates the relationship between culture and law to assess how and when change within a minority cultural community may be accelerated or hindered by state intervention. 
 
Religious feminisms are emerging around the world, not solely in Israel, and this book helps elucidate how they create enduring and radical change. Many liberal states are also confronting an illiberal backlash and question the multicultural framework’s ability to serve the needs of minorities within minorities. Therefore, the theoretical framework offered by Irshai and Zion-Waldoks is applicable beyond the Israeli case, even as it offers deeper insights into an Israeli society in turmoil.

Feminist philosophers have made important strides in altering the overwhelmingly male-centric discipline of philosophy. Yet, in Nancy Bauer’s view, most are still content to work within theoretical frameworks that are fundamentally false to human beings’ everyday experiences. This is particularly intolerable for a species of philosophy whose central aspiration is to make the world a less sexist place. How to Do Things with Pornography models a new way to write philosophically about pornography, women’s self-objectification, hook-up culture, and other contemporary phenomena. Unafraid to ask what philosophy contributes to our lives, Bauer argues that the profession’s lack of interest in this question threatens to make its enterprise irrelevant.

Bauer criticizes two paradigmatic models of Western philosophizing: the Great Man model, according to which philosophy is the product of rare genius; and the scientistic model, according to which a community of researchers works together to discover once-and-for-all truths. The philosopher’s job is neither to perpetuate the inevitably sexist trope of the philosopher-genius nor to “get things right.” Rather, it is to compete with the Zeitgeist and attract people to the endeavor of reflecting on their settled ways of perceiving and understanding the world.

How to Do Things with Pornography boldly enlists J. L. Austin’s How to Do Things with Words, showing that it should be read not as a theory of speech acts but as a revolutionary conception of what philosophers can do in the world with their words.

Ideal for classroom use, this anthology of original essays by the leading authorities on women’s comedy surveys the disorderly, subversive, and unruly performances of women comics from silent film to contemporary multimedia

Winner, Susan Koppleman Award for Best Anthology, Multi-Authored, or Edited Book in Feminist Studies, Popular and American Culture Associations (PACA), 2017

Amy Schumer, Samantha Bee, Mindy Kaling, Melissa McCarthy, Tig Notaro, Leslie Jones, and a host of hilarious peers are killing it nightly on American stages and screens large and small, smashing the tired stereotype that women aren’t funny. But today’s funny women aren’t a new phenomenon—they have generations of hysterically funny foremothers. Fay Tincher’s daredevil stunts, Mae West’s linebacker walk, Lucille Ball’s manic slapstick, Carol Burnett’s athletic pratfalls, Ellen DeGeneres’s tomboy pranks, Whoopi Goldberg’s sly twinkle, and Tina Fey’s acerbic wit all paved the way for contemporary unruly women, whose comedy upends the norms and ideals of women’s bodies and behaviors.

Hysterical! Women in American Comedy delivers a lively survey of women comics from the stars of the silent cinema up through the multimedia presences of Tina Fey and Lena Dunham. This anthology of original essays includes contributions by the field’s leading authorities, introducing a new framework for women’s comedy that analyzes the implications of hysterical laughter and hysterically funny performances. Expanding on previous studies of comedians such as Mae West, Moms Mabley, and Margaret Cho, and offering the first scholarly work on comedy pioneers Mabel Normand, Fay Tincher, and Carol Burnett, the contributors explore such topics as racial/ethnic/sexual identity, celebrity, stardom, censorship, auteurism, cuteness, and postfeminism across multiple media. Situated within the main currents of gender and queer studies, as well as American studies and feminist media scholarship, Hysterical! masterfully demonstrates that hysteria—women acting out and acting up—is a provocative, empowering model for women’s comedy.