front cover of Narrative Theory Unbound
Narrative Theory Unbound
Queer and Feminist Interventions
Robyn Warhol and Susan S. Lanser
The Ohio State University Press, 2015
Under the bold banner of Narrative Theory Unbound: Queer and Feminist Interventions, editors Robyn Warhol and Susan S. Lanser gather a diverse spectrum of queer and feminist challenges to the theory and interpretation of narrative. The first edited collection to bring feminist, queer, and narrative theories into direct conversation with one another, this anthology places gender and sexuality at the center of contemporary theorizing about the production, reception, forms, and functions of narrative texts.   
 
Through twenty-one essays prefaced by a cogent history of the field, Narrative Theory Unbound offers new perspectives on narrative discourse and its constituent elements; on intersectional approaches that recognize race, religion, and national culture as integral to understanding sexuality and gender; on queer temporalities; on cognitive research; and on lifewriting in graphic, print, and digital constellations. Exploring genres ranging from reality TV to fairy tales to classical fiction, contributors explore the thorny, contested relationships between feminist and queer theory, on the one hand, and between feminist/queer theory and contemporary narratologies, on the other. Rather than aiming for cohesiveness or conclusiveness, the collection stages open-ended debates designed to unbind the assumptions that have kept gender and sexuality on the periphery of narrative theory.
[more]

front cover of The Nation Writ Small
The Nation Writ Small
African Fictions and Feminisms, 1958-1988
Susan Z. Andrade
Duke University Press, 2011
In The Nation Writ Small, Susan Z. Andrade focuses on the work of Africa’s first post-independence generation of novelists, explaining why male writers came to be seen as the voice of Africa’s new nation-states, and why African women writers’ commentary on national politics was overlooked. Since Africa’s early female novelists tended to write about the family, while male authors often explicitly addressed national politics, it was assumed that the women writers were uninterested in the nation and the public sphere. Challenging that notion, Andrade argues that the female authors engaged national politics through allegory. In their work, the family stands for the nation; it is the nation writ small. Interpreting fiction by women, as well as several feminist male authors, she analyzes novels by Flora Nwapa and Buchi Emecheta (Nigeria); novellas by Ousmane Sembène, Mariama Bâ, and Aminata Sow Fall (Senegal); and bildungsromans by Tsitsi Dangarembga (Zimbabwe), Nuruddin Farah (Somalia), and Assia Djebar (Algeria). Andrade reveals the influence of Africa’s early women novelists on later generations of female authors, and she highlights the moment when African women began to write about macropolitics explicitly rather than allegorically.
[more]

front cover of No More Separate Spheres, Volume 70
No More Separate Spheres, Volume 70
Cathy N. Davidson
Duke University Press
Much criticism of nineteenth-century American literature written during the last quarter century has been structured by the concept of “separate spheres,” a construction that often is recreated in contemporary critical practice. The contributors to this special issue examine and contest the way the category of gender—male versus female, extending to include, for example, the oppositions between public and private, worldly and domestic—has organized critical discussion regarding the formulation of American literature. Challenging the separate spheres model, these essays ask how other categories complicate this paradigm, especially with regard to issues of race, sexuality, class, region, religion, and occupation.
In No More Separate Spheres! both established and new scholars look at the changing categories of analysis—from seventies feminism to nineties postcolonialism—that have shaped this discussion. In her introduction, Cathy N. Davidson assesses the state of criticism with regard to the separate spheres debate, and sets a constructive and often provocative tone for the rest of the volume. While one essay provides an overview of the multiple fronts on which the post-separate spheres model of criticism has been engaged, others offer perspectives that either support of directly confront and critique this model. Rather than seeking to establish yet another critical formula based on the opposition of binary terms, this special issue of American Literature will help move the debate to the next level.

Contributors. José F. Aranda, Lauren Berlant, Lawrence Buell, Judith Fetterley, Amy Kaplan, You-me Park, Marjorie Pryse, Gail Wald

[more]

front cover of Not All Dead White Men
Not All Dead White Men
Classics and Misogyny in the Digital Age
Donna Zuckerberg
Harvard University Press, 2018

A Times Higher Education Book of the Week

A virulent strain of antifeminism is thriving online that treats women’s empowerment as a mortal threat to men and to the integrity of Western civilization. Its proponents cite ancient Greek and Latin texts to support their claims—from Ovid’s Ars Amatoria to Seneca and Marcus Aurelius—arguing that they articulate a model of masculinity that sustained generations but is now under siege. Not All Dead White Men reveals that some of the most controversial and consequential debates about the legacy of the ancients are raging not in universities but online.

“A chilling account of trolling, misogyny, racism, and bad history proliferated online by the Alt-Right… Zuckerberg makes a persuasive case for why we need a new, more critical, and less comfortable relationship between the ancient and modern worlds in this important and very timely book.”
—Emily Wilson, translator of The Odyssey

“Explores how ideas about Ancient Greece and Rome are used and misused by antifeminist thinkers today.”
Time

“Zuckerberg presciently analyzes these communities’…embrace of stoicism as a self-help tool to gain confidence, jobs, and girlfriends. Their adoration of men like Marcus Aurelius, Epictetus, and Ovid…is founded in a limited and distorted interpretation of ancient philosophy…lending heft and authority to sexism and abuse.”
The Nation

“Traces the application—and misapplication—of classical authors and texts in online communities that see feminism as a threat.”
Bitch Media

[more]

front cover of Novel Bodies
Novel Bodies
Disability and Sexuality in Eighteenth-Century British Literature
Jason S. Farr
Bucknell University Press, 2019
Novel Bodies examines how disability shapes the British literary history of sexuality. Jason Farr shows that various eighteenth-century novelists represent disability and sexuality in flexible ways to reconfigure the political and social landscapes of eighteenth-century Britain. In imagining the lived experience of disability as analogous to—and as informed by—queer genders and sexualities, the authors featured in Novel Bodies expose emerging ideas of able-bodiedness and heterosexuality as interconnected systems that sustain dominant models of courtship, reproduction, and degeneracy. Further, Farr argues that they use intersections of disability and queerness to stage an array of contemporaneous debates covering topics as wide-ranging as education, feminism, domesticity, medicine, and plantation life. In his close attention to the fiction of Eliza Haywood, Samuel Richardson, Sarah Scott, Maria Edgeworth, and Frances Burney, Farr demonstrates that disabled and queer characters inhabit strict social orders in unconventional ways, and thus opened up new avenues of expression for readers from the eighteenth century forward.


Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
[more]


Send via email Share on Facebook Share on Twitter