front cover of Chronic Conditions, Fluid States
Chronic Conditions, Fluid States
Chronicity and the Anthropology of Illness
Manderson, Lenore
Rutgers University Press, 2010
Chronic Conditions, Fluid States explores the uneven impact of chronic illness and disability on individuals, families, and communities in diverse local and global settings. To date, much of the social as well as biomedical research has treated the experience of illness and the challenges of disease control and management as segmented and episodic. Breaking new ground in medical anthropology by challenging the chronic/acute divide in illness and disease, the editors, along with a group of rising scholars and some of the most influential minds in the field, address the concept of chronicity, an idea used to explain individual and local life-worlds, question public health discourse, and consider the relationship between health and the globalizing forces that shape it.
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front cover of Sonic City
Sonic City
Making Rock Music and Urban Life in Singapore
Steve Ferzacca
National University of Singapore Press, 2020
The basement of a veteran shopping mall located in the central business district of Singapore affords opportunities to a group of amateur and semi-professional musicians, of different ethnicities, ages, and generations to make a sonic way of life. Based on five years of deep participatory experience, this multi-modal (text, musical composition, social media, performance) sonic ethnography is centered around a community of noisy people who make rock music within the constraints of urban life in Singapore. The heart and soul of this community is English Language rock and roll music pioneered in Singapore by several members of the 1960s legendary “beats and blues” band, The Straydogs, who continue to engage this community in a sonic way of life.
 
Grounded in debates from sound studies, Ferzacca draws on Bruno Latour’s ideas of the social—continually emergent, constantly in-the-making, “associations of heterogeneous elements” of human and non-human “mediators and intermediaries”—to portray a community entangled in the confounding relations between vernacular and national heritage projects. Music shops, music gear, music genres, sound, urban space, neighborhoods, State presence, performance venues, practice spaces, regional travel, local, national, regional, and sonic histories afford expected and unexpected opportunities for work, play, and meaning, in the contemporary music scene in this Southeast Asian city-state. The emergent quality of this deep sound is fiercely cosmopolitan, yet entirely Singaporean. What emerges is a vernacular heritage drawing upon Singapore’s unique place in Southeast Asian and world history.
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