A SCHOLARLY BOOK REPOSITORY13 start with Q start with Q
Based on the true story of a shameful episode in north Texas history, Quakertown draws on the rich texture of the South—the Pecan Creek running along the edges of Quakertown, the remarkable and rare white lilac, and the rising tensions marking each nod and greeting. With strength and a deep wisdom of heart, Martin carves out the delicate story of two families—one white and one black—and the child whose birth brought a gift of forgiveness.
Suffused with Martin’s deep compassion and profound humanity, Quakertown is an unforgettable novel from a master of American prose.
May Kennedy McCord, lovingly nicknamed “First Lady of the Ozarks” and “Queen of the Hillbillies,” spent half a century sharing the history, songs, and stories of her native Ozarks through newspaper columns, radio programs, and music festivals. Though her work made her one of the twentieth century’s preeminent folklorists, McCord was first and foremost an entertainer—at one time nearly as renowned as the hills she loved.
Despite the encouragement of her contemporaries, McCord never published a collection of her work. In 1956, Vance Randolph wrote to her, “If you didn’t have such a mental block against writing books, I could show you how to make a book out of extracts from your columns. It would be very little work, and sell like hotcakes. . . . I could write a solemn little introduction, telling the citizens what a fine gal you are! The hell of it is, most of the readers know all about you.” In Queen of the Hillbillies, editors Patti McCord and Kristene Sutliff at last bring together the best of McCord’s published and previously unpublished writings to share her knowledge, humor, and inimitable spirit with a new generation of readers.
These comics are created by queer artists for queer audiences and with the intent for queer self-expression and representation. Social science researchers spoke to diverse members of LGBTQ+ communities to explore their beliefs about and experiences of compassion. Fifteen queer comics were commissioned to illustrate those stories, making the process of creating each comic a unique collaboration between researchers and artists, blending data exploring the meanings of compassion for queer folks with the creativity, passion, and understanding of a queer comic artist.
These stories reflect not only the harsh realities that many queer people face but they also uplift queer voices, illustrate strength, and capture queer resolve to make life more compassionate. Queer people, living in a cis-heteronormative world, often face experiences of marginalization, discrimination, stigma, trauma, and invisibility in everyday life. Queer Compassion shows that its titular emotion can be the bridge that brings understanding and creates community connections — a bridge that is particularly needed at this time.
A brilliantly savage story, Queer People is, according to Budd Schulberg, “a racy testament to an era as totally vanished as the civilization of the Aztecs,” and if not the Hollywood novel is “at least a truly seminal work.”
Today’s readers will recognize in this long-forgotten Hollywood novel the seeds of three longer-lived ones, The Day of the Locust, What Makes Sammy Run?,and The Last Tycoon. They may also recognize Whitey, the hero of the Grahams’ novel, as a forerunner of F. Scott Fitzgerald’s Pat Hobby.
The central figure in the novel is an archetypal newspaper reporter who drifts to Hollywood. Whitey discovers the social microcosm of the studio-people, and finds himself in his element. He penetrates strange places and encounters queer people—the story conference, the three-day party, the titans and the moguls. When a murder ends his interlude he leaves Hollywood as casually as he discovered it.
Originally published in 1930 Queer People was a scandalous roman à clef, irreverent to the “industry,” and totally amoral—qualities lacking in later Hollywood fiction. Hence itis at once an important social document and an exciting original work.
These outstanding texts exemplify the glittering variety of styles, themes, settings, and subjects addressed by openly queer authors who write in German today. They explore identity, sexuality, history, fantasy, loss, and discovery. Their authors, narrators, and characters explore gender nonconformity and living queer everywhere from city centers to rural communities. They are gay, lesbian, bisexual, trans, and nonbinary. They are exiles, immigrants, and travelers through time and space.
Witty, titillating, and a delight to read, Quertext opens up new worlds of experience for readers interested in queer life beyond the Anglophone world.
Featuring work by Jürgen Bauer • Ella Blix • Claudia Breitsprecher • Lovis Cassaris • Gunther Geltinger • Joachim Helfer • Odile Kennel • Friedrich Kröhnke • Anja Kümmel • Marko Martin • Hans Pleschinski • Christoph Poschenrieder • Peter Rehberg • Michael Roes • Sasha Marianna Salzmann • Angela Steidele • Antje Rávik Strubel • Alain Claude Sulzer • Antje Wagner • J. Walther • Tania Witte • Yusuf Yeşilöz
Anthony Powell’s universally acclaimed epic A Dance to the Music of Time offers a matchless panorama of twentieth-century London. Now, for the first time in decades, readers in the United States can read the books of Dance as they were originally published—as twelve individual novels—but with a twenty-first-century twist: they’re available only as e-books.
A Question of Upbringing (1951) introduces us to the young Nick Jenkins and his housemates at boarding school in the years just after World War I. Boyhood pranks and visits from relatives bring to life the amusements and longueurs of schooldays even as they reveal characters and traits that will follow Jenkins and his friends through adolescence and beyond: Peter Templer, a rich, passionate womanizer; Charles Stringham, aristocratic and louche; and Kenneth Widmerpool, awkward and unhappy, yet strikingly ambitious. By the end of the novel, Jenkins has finished university and is setting out on a life in London; old ties are fraying, new ones are forming, and the first steps of the dance are well underway.
"Anthony Powell is the best living English novelist by far. His admirers are addicts, let us face it, held in thrall by a magician."—Chicago Tribune
"A book which creates a world and explores it in depth, which ponders changing relationships and values, which creates brilliantly living and diverse characters and then watches them grow and change in their milieu. . . . Powell's world is as large and as complex as Proust's."—Elizabeth Janeway, New York Times
"One of the most important works of fiction since the Second World War. . . . The novel looked, as it began, something like a comedy of manners; then, for a while, like a tragedy of manners; now like a vastly entertaining, deeply melancholy, yet somehow courageous statement about human experience."—Naomi Bliven, New Yorker
“The most brilliant and penetrating novelist we have.”—Kingsley Amis
“There is no other work in the annals of European fiction that attempts meticulously to recreate half a century of history, decade by decade, with anything like the emotional precision or details of Powell’s twelve volumes. Neither Balzac’s panorama of the Restoration, nor Zola’s chronicles of the Second Empire, nor Proust’s reveries in the Belle Epoque can match a comparable span of time, an attention to variations within it, or a compositional intricacy capable of uniting them into a single narrative. . . . The elegance of this artifice was only compatible with comedy.”—Perry Anderson
With quirky humor and wry insight, Swiss author Judith Keller’s micro-fictions unravel the fabric of daily life. She delves into the aporia of language by taking idiomatic expressions literally, unpacking the multiple meanings of words, and confounding expectations. Seven Zurich tram stops provide the framework for these familiar yet absurd portraits of passers-by, fellow passengers on the tram, the unemployed and the overemployed, the innocent and the suspicious, young mothers and confused elderly. The reader is taken on a journey through the city and offered glimpses of people going more or less successfully about their lives. These deceptively banal glimpses, however, show us more than we expect—they turn the lens back on us, puncture our complacency and ask, "Who are you to judge?"
The characters are hapless and far-fetched, trying to find their footing on shifting ground and grateful for what happiness they can find. In just a sentence or two, Keller unlocks metaphysical trapdoors. The Questionable Ones offers a collection of snapshots that reveal the extraordinary lurking inside the ordinary and the ordinary at the core of the extraordinary.
"T.M. McNally's stories are compact, complex, artful and truthful miracles of humanity and language-strong coffee for these narcoleptic times."
-Pam Houston, author of Waltzing the Cat
"Like good blues, these stories don't strain but seem to erupt from the heart, organic as blood."
-Ann Cummins, author of Red Ant House
"Quick is as bold as it is breakneck, part battle and part sermon, fiction meant for high ground and high heaven."
-Lee K. Abbott, author of Wet Places at Noon
From the author of Until Your Heart Stops and Almost Home, Quick is T. M. McNally's collection of powerful and starkly honest stories of American life.
The stories in Quick are complex, sometimes harsh, yet always unafraid of the dark truths many of the characters are forced to confront. Dense and layered, these miniature and compact sagas endow their often damaged characters with uncommon brilliance. Themes of love, loss, addiction, and courage roam freely throughout, and the author sets an unforgettable and palpable tone that is exceedingly spare yet faceted with views of the richness beneath the surface of everyday life.
In these stories of magic and memory, clustered around a resort hotel in a small Virginia community, Cary Holladay takes the reader on an excursion through the changes wrought by time on the community and its visitors. From the quiet of a rural forest to the rhythms of rock and roll, The Quick-Change Artist is at once whimsical and hard-edged, dizzying in its matter-of-fact delivery of the fantastic.
Romance, a sense of place and belonging, and the supernatural—especially in the lives of children coming of age—offer windows into worlds beyond the ordinary throughout The Quick-Change Artist. In the title story, a young chambermaid is in love with a foreign magician who performs at the hotel where she works. In “Heaven,” set during the 1918 flu epidemic, a struggling mother and son rely on the support of their fortune-telling plow horse. The narrator of “Jane’s Hat” recalls a childhood enlivened by an unusual school principal and a friend who starts finding beauty everywhere.
Horses and the people who love them, wanderers and those who feed them, creatures that disappear and those who search for them: these are stories with a constant heart.
"Quicksand and Passing are novels I will never forget. They open up a whole world of experience and struggle that seemed to me, when I first read them years ago, absolutely absorbing, fascinating, and indispensable."--Alice Walker
"Discovering Nella Larsen is like finding lost money with no name on it. One can enjoy it with delight and share it without guilt." --Maya Angelou
"A hugely influential and insightful writer." --The New York Times
"Larsen's heroines are complex, restless, figures, whose hungers and frustrations will haunt every sensitive reader. Quicksand and Passing are slender novels with huge themes." -- Sarah Waters
"A tantalizing mix of moral fable and sensuous colorful narrative, exploring female sexuality and racial solidarity."-Women's Studies International Forum
Rutgers' all-time bestselling book, Nella Larsen's novels Quicksand (1928) and Passing (1929) document the historical realities of Harlem in the 1920s and shed a bright light on the social world of the black bourgeoisie. The novels' greatest appeal and achievement, however, is not sociological, but psychological. As noted in the editor's comprehensive introduction, Larsen takes the theme of psychic dualism, so popular in Harlem Renaissance fiction, to a higher and more complex level, displaying a sophisticated understanding and penetrating analysis of black female psychology.
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