Detroit in the 1960s was a city with a pulse: people were marching in step with Martin Luther King, Jr., dancing in the street with Martha and the Vandellas, and facing off with city police. Through it all, Motown provided the beat. This book tells the story of Motown--as both musical style and entrepreneurial phenomenon--and of its intrinsic relationship to the politics and culture of Motor Town, USA.

As Suzanne Smith traces the evolution of Motown from a small record company firmly rooted in Detroit's black community to an international music industry giant, she gives us a clear look at cultural politics at the grassroots level. Here we see Motown's music not as the mere soundtrack for its historical moment but as an active agent in the politics of the time. In this story, Motown Records had a distinct role to play in the city's black community as that community articulated and promoted its own social, cultural, and political agendas. Smith shows how these local agendas, which reflected the unique concerns of African Americans living in the urban North, both responded to and reconfigured the national civil rights campaign.

Against a background of events on the national scene--featuring Martin Luther King, Jr., Langston Hughes, Nat King Cole, and Malcolm X--Dancing in the Street presents a vivid picture of the civil rights movement in Detroit, with Motown at its heart. This is a lively and vital history. It's peopled with a host of major and minor figures in black politics, culture, and the arts, and full of the passions of a momentous era. It offers a critical new perspective on the role of popular culture in the process of political change.

This book contains two volumes of African American folk tales collected by J. Mason Brewer.

The stories included in Dog Ghosts are as varied as the Texas landscape, as full of contrasts as Texas weather. Among them are tales that have their roots deeply imbedded in African, Irish, and Welsh mythology; others have parallels in pre-Columbian Mexican tradition, and a few have versions that can be traced back to Chaucer's England. All make delightful reading. The title Dog Ghosts is drawn from the unique stories of dog spirits which Dr. Brewer collected in the Red River bottoms and elsewhere in Texas.

The Word on the Brazos is a delightful collection of "preacher tales" from the Brazos River bottom in Texas. J. Mason Brewer worked side by side with field hands in the Brazos bottoms; he lived in their homes, worshipped in their churches, and shared the moments of relaxation in which laughter held full sway.

Many of the tales these people told were related to religion—both "good religion" and "bad religion." Some of them concerned preachers and their families, while others were stories told in pulpits. Mr. Brewer has set all of these stories down in authentic yet easily readable dialect. They will delight all who are interested in the historic culture of rural African-American Texans, as well as those who simply enjoy fine humorous stories skillfully told.