logo for Harvard University Press
Land of the Millrats
Richard M. Dorson
Harvard University Press, 1981

Most of Richard Dorson’s thirty years as folklorist have been spent collecting tales and legends in the remote backcountry, far from the centers of population. For this book he extended his search for folk traditions to one of the most heavily industrialized sections of the United States. Can folklore be found, he wondered, in the Calumet Region of northwest Indiana? Does it exist among the steelworkers, ethnic groups, and blacks in Gary, Whiting, East Chicago, and Hammond?

In his usual entertaining style, Dorson shows that a rich and varied folklore exists in the region. Although it differs from that of rural people, it is equally vital. Much of this urban lore finds expression in conversational anecdotes and stories that deal with pressing issues: the flight from the inner city, crime in the streets, working conditions in the steel mills, the maintenance of ethnic identity, the place of blacks in a predominantly white society. The folklore reveals strongly held attitudes such as the loathing of industrial work, resistance to assimilation, and black adoption of middle-class-white values.

Millworkers and mill executives, housewives, ethnic performers, storekeepers, and preachers tell their stories about the region. The concerns that occupy them affect city dwellers throughout the United States. Land of the Millrats, though it depicts a special place, speaks for much of America.

[more]

front cover of Landscapes of Origin in the Americas
Landscapes of Origin in the Americas
Creation Narratives Linking Ancient Places and Present Communities
Edited and with an introduction by Jessica Joyce Christie
University of Alabama Press, 2009
Landscape is a powerful factor in the operation of memory because of the associations narrators make between the local landscape and the events of the stories they tell. Ancestors and mythological events often become fixed in a specific landscape and act as timeless reference points.

In conventional anthropological literature, "landscape" is the term applied to the meaning local people bestow on their cultural and physical surroundings. In this work, the authors explore the cultural and physical landscapes an individual or cultural group has constructed to define the origins or beginnings of that cultural group as revealed through shared or traditional memory. The cultural landscapes of origins in diverse sites throughout the Americas are investigated through multidisciplinary research, not only to reveal the belief system and mythologies but also to place these origin beliefs in context and relationship to each other. In a continual interaction between the past, present, and future, time is subordinate to place, and history, as defined in Western academic terms, does not exist.



[more]

front cover of The Last Cannibals
The Last Cannibals
A South American Oral History
By Ellen B. Basso
University of Texas Press, 1995

An especially comprehensive study of Brazilian Amazonian Indian history, The Last Cannibals is the first attempt to understand, through indigenous discourse, the emergence of Upper Xingú society. Drawing on oral documents recorded directly from the native language, Ellen Basso transcribes and analyzes nine traditional Kalapalo stories to offer important insights into Kalapalo historical knowledge and the performance of historical narratives within their nonliterate society.

This engaging book challenges the familiar view of biography as a strictly Western literary form. Of special interest are biographies of powerful warriors whose actions led to the emergence of a more recent social order based on restrained behaviors from an earlier time when people were said to be fierce and violent.

From these stories, Basso explores how the Kalapalo remember and understand their past and what specific linguistic, psychological, and ideological materials they employ to construct their historical consciousness. Her book will be important reading in anthropology, folklore, linguistics, and South American studies.

[more]

front cover of Latter-day Lore
Latter-day Lore
Mormon Folklore Studies
Eric A. Eliason
University of Utah Press, 2013
Latter-day Lore gathers nearly thirty seminal works in Mormon folklore scholarship from its beginnings in the late nineteenth century to the present in order to highlight the depth, breadth, and richness of that scholarship. This examination of LDS folklore studies reveals theoretical, methodological, and topical shifts that also reflect shifts in the field at large. Areas for future research are also suggested.
The thorough introduction by the volume editors elucidates the major influences, tensions, and questions shaping the study of Mormon folklore. The book is divided into six parts according to major thematic and topical patterns. The extensive introductory essays preceding each of the six parts provide invaluable historical, cultural, and theoretical contexts to frame the studies that follow: society, symbols, and landscape of regional culture; formative customs and traditions; the sacred and the supernatural; pioneers, heroes, and the historical imagination; humor; and the international contexts of Mormon folklore.
While exploring the ground that scholars have covered over the past century, Eliason and Mould also illuminate those areas of LDS folklore that have been understudied, exposing fertile areas for future research. Providing the most up-to-date and comprehensive survey of Mormon folklore studies available, Latter-day Lore is an indispensible resource for students, scholars, and readers interested in folklore, Mormon studies, anthropology, sociology, literature, and religious studies.

[more]

front cover of Legendary Ladies of Texas
Legendary Ladies of Texas
Francis Edward Abernethy
University of North Texas Press, 1994

front cover of Legends and Life in Texas
Legends and Life in Texas
Folklore from the Lone Star State, in Stories and Song
Kenneth L. Untiedt
University of North Texas Press, 2017

front cover of Legends and Lore of Southern Illinois
Legends and Lore of Southern Illinois
John W. Allen
Southern Illinois University Press, 1963

In the 1950s and ‘60s, John W. Allen told the people of southern Illinois about themselves—about their region, its history, and its folkways—in his series of newspaper articles, “It Happened in Southern Illinois.” Each installment of the series depicted a single item of interest—a town, a building, an enterprise, a person, an event, a custom. Originally published in 1963, Legends & Lore of Southern Illinois brings together a selection of these articles preserving a valuable body of significant local history and cultural lore.

During territorial times and early statehood, southern Illinois was the most populous and most influential part of the state. But the advent of the steamboat and the building of the National Road made the lands to the west and north more easily accessible, and the later settlers struck out for the more expansive and fertile prairies. The effect of this movement was to isolate that section of the state known as Egypt and halt its development, creating what Allen termed “an historical eddy.” Bypassed as it was by the main current of westward expansion and economic growth, its culture changed very slowly. Methods, practices, and the tools of the pioneer continued in use for a long time. The improved highways and better means of communication of the twentieth century brought a marked change upon the region, and daily life no longer differed materially from that of other areas.

Against such a cultural and historical backdrop, Mr. Allen wrote these sketches of the people of southern Illinois—of their folkways and beliefs, their endeavors, successes, failures, and tragedies, and of the land to which they came. There are stories here of slaves and their masters, criminals, wandering peddlers, politicians, law courts and vigilantes, and of boat races on the rivers. Allen also looks at the region’s earlier history, describing American Indian ruins, monuments, and artifacts as well as the native population’s encounters with European settlers.

Many of the vestiges of the region’s past culture have all but disappeared, surviving only in museums and in the written record. This new paperback edition of Legends & Lore of Southern Illinois brings that past culture to life again in Allen’s descriptive, engaging style.

[more]

logo for University of Manitoba Press
Legends of the Capilano
E. Pauline Johnson
University of Manitoba Press, 2023

front cover of Legends of the Common Stream
Legends of the Common Stream
John Hanson Mitchell
University of Massachusetts Press, 2021
For over twenty years, John Hanson Mitchell has visited Beaver Brook almost daily. This small, slow-flowing Massachusetts stream was of vital importance for early settlers and an indispensable resource for the Native peoples who lived and fished along its shores, but it has been largely forgotten in our own time. Revisiting the river's oxbows, bends, and marshes over the course of a year, Legends of the Common Stream combines a natural history of Beaver Brook with a study of the people who lived on this land and a meandering, but stunning, examination of the myths and legends that can help us to better understand humanity's relationship to the natural world.

While Mitchell never leaves the brook's shores, he draws from a range of traditions and takes readers on excursions to regions and cultures across the globe and across time, making the case that our contemporary separation from nature goes hand in hand with our alienation from the world of myth. This book seeks to restore these broken relationships and offers the reminder that while cultures may come and go, the stream goes on forever.
[more]

front cover of Legends of the Northern Paiute
Legends of the Northern Paiute
as told by Wilson Wewa
Wilson Wewa
Oregon State University Press, 2017
Legends of the Northern Paiute shares and preserves twenty-one original and previously unpublished Northern Paiute legends, as told by Wilson Wewa, a spiritual leader and oral historian of the Warm Springs Paiute. These legends were originally told around the fires of Paiute camps and villages during the “story-telling season” of winter in the Great Basin of the American West. They were shared with Paiute communities as a way to pass on tribal visions of the “animal people” and the “human people,” their origins and values, their spiritual and natural environment, and their culture and daily lives. 
 
The legends in this volume were recorded, transcribed, reviewed, and edited by Wilson Wewa and James Gardner. Each legend was recorded, then read and edited out loud, to respect the creativity, warmth, and flow of Paiute storytelling. The stories selected for inclusion include familiar characters from native legends, such as Coyote, as well as intriguing characters unique to the Northern Paiute, such as the creature embodied in the Smith Rock pinnacle, now known as Monkey Face, but known to the Paiutes in Central Oregon as Nuwuzoho the Cannibal.
 
Wewa’s apprenticeship to Northern Paiute culture began when he was about six years old. These legends were passed on to him by his grandmother and other tribal elders. They are now made available to future generations of tribal members, and to students, scholars, and readers interested in Wewa’s fresh and authentic voice. These legends are best read and appreciated as they were told—out loud, shared with others, and delivered with all of the verve, cadence, creativity, and humor of original Paiute storytellers on those clear, cold winter nights in the high desert.
[more]

front cover of Lies to Live By
Lies to Live By
Lois Beardslee
Michigan State University Press, 2003

Lies To Live By brings together two selections of stories by Ojibwe storyteller Lois Beardslee. “Lies to Live By,” a series of interdependent tales, reflects the storyteller’s role in interpreting traditional stories for contemporary audiences, while preserving traditions based not in mysticism but in pragmatism. In “Calm Days,” three generations—the narrator, her grandfather, and her son—spend a week together on a remote island during the course of which they demonstrate the continuity of Ojibwe life. Together these stories weave the contemporary and the traditional to show how cultural diversity can be preserved even as cultural boundaries are transcended.

[more]

front cover of The Life and Traditions of the Red Man
The Life and Traditions of the Red Man
A rediscovered treasure of Native American literature
Joseph Nicolar
Duke University Press, 2007
Joseph Nicolar’s The Life and Traditions of the Red Man tells the story of his people from the first moments of creation to the earliest arrivals and eventual settlement of Europeans. Self-published by Nicolar in 1893, this is one of the few sustained narratives in English composed by a member of an Eastern Algonquian-speaking people during the nineteenth century. At a time when Native Americans’ ability to exist as Natives was imperiled, Nicolar wrote his book in an urgent effort to pass on Penobscot cultural heritage to subsequent generations of the tribe and to reclaim Native Americans’ right to self-representation. This extraordinary work weaves together stories of Penobscot history, precontact material culture, feats of shamanism, and ancient prophecies about the coming of the white man. An elder of the Penobscot Nation in Maine and the grandson of the Penobscots’ most famous shaman-leader, Old John Neptune, Nicolar brought to his task a wealth of traditional knowledge.

The Life and Traditions of the Red Man has not been widely available until now, largely because Nicolar passed away just a few months after the printing of the book was completed, and shortly afterwards most of the few hundred copies that had been printed were lost in a fire. This new edition has been prepared with the assistance of Nicolar’s descendants and members of the Penobscot Nation. It includes a summary history of the tribe; an introduction that illuminates the book’s narrative strategies, the aims of its author, and its key themes; and annotations providing historical context and explaining unfamiliar words and phrases. The book also contains a preface by Nicolar’s grandson, Charles Norman Shay, and an afterword by Bonnie D. Newsom, former Director of the Penobscot Nation’s Department of Cultural and Historic Preservation. The Life and Traditions of the Red Man is a remarkable narrative of Native American culture, spirituality, and literary daring.

[more]

front cover of Life's Journey—Zuya
Life's Journey—Zuya
Oral Teachings from Rosebud
Albert White Hat Sr
University of Utah Press, 2012

“Our people are very lucky to be here,” says Albert White Hat Sr. He has lived through a time when Indians were sent to boarding schools and were not permitted to practice their own rituals. Although the Lakota people can practice their beliefs openly once again, things have changed and old ways have been forgotten. As a teacher at Sinte Gleska University in South Dakota, White Hat seeks to preserve the link the Lakota people have with their past. In Life’s Journey—Zuya, White Hat has collected and translated the stories of medicine men, retaining the simplicity of their language so as not to interpret their words through a Western lens. This is Zuya, oral history that is lived and handed down over the generations.

White Hat also shares stories from his own experience. Using anecdotes he shows not only how the Lakota lifestyle has been altered but also how Lakota words have begun to take on new meanings that lack their original connotations and generate a different picture of Lakota philosophy. Language, interwoven with history, tells the people where they came from and who they are. By gathering the traditions and ceremonies in a single volume, with the history of how they evolved, he has secured the meaning of these practices for futre generations. Filled with warmth and humor, Life’s Journey—Zuya is an enjoyable and enlightening read.

[more]

front cover of Listening For A Life
Listening For A Life
A Dialogic Ethnography of Bessie Eldreth through Her Songs and Stories
Patricia Sawin
Utah State University Press, 2004
In one sense a folklorist's portrayal of a notable folk artist's life and art, Listening for a Life is equally a rethinking of the processes involved in such work, not only in how the folklorist conveys her subject but in how her subject constitutes and performs herself into being through dialogue with others: those present, those once present, those imagined and anticipated.

Drawing on Bahktinian and feminist theory, Sawin pushes forward our understanding of the interactive roles of ethnographer and subject and in the process gives us a deeper understanding of folk singer and storyteller Bessie Eldreth and her greatest art, herself.

[more]

front cover of Living Folklore, 2nd Edition
Living Folklore, 2nd Edition
An Introduction to the Study of People and Their Traditions
Martha Sims and Martine Stephens
Utah State University Press, 2011

Living Folklore is a comprehensive, straightforward introduction to folklore as it is lived, shared and practiced in contemporary settings. Drawing on examples from diverse American groups and experiences, this text gives the student a strong foundation—from the field's history and major terms to theories and interpretive approaches.

Living Folklore moves beyond genres and classifications, and encourages students who are new to the field to see the study of folklore as a unique approach to understanding people, communities, and day-to-day artistic communication.

This revised edition incorporates new examples, research, and theory along with added discussion of digital and online folklore.

[more]

front cover of Living Folklore
Living Folklore
Introduction to the Study of People and their Traditions
Martha Sims and Martine Stephens
Utah State University Press, 2005

Living Folklore is a comprehensive, straightforward introduction to folklore as it is lived, shared and practiced in contemporary settings. Drawing on examples from diverse American groups and experiences, this text gives the student a strong foundation—from the field’s history and major terms to theories, interpretive approaches, and fieldwork.

Many teachers of undergraduates find the available folklore textbooks too complex or unwieldy for an introductory level course. It is precisely this criticism that Living Folklore addresses; while comprehensive and rigorous, the book is specifically intended to meet the needs of those students who are just beginning their study of the discipline. Its real strength lies in how it combines carefully articulated foundational concepts with relevant examples and a student-oriented teaching philosophy.

[more]

front cover of Living with Stories
Living with Stories
Telling, Re-telling, and Remembering
Schneider, William
Utah State University Press, 2008
In essays about communities as varied as Alaskan Native, East Indian, Palestinian, Mexican, and African American, oral historians, folklorists, and anthropologists look at how traditional and historical oral narratives live through re-tellings, gaining meaning and significance in repeated performances, from varying contexts, through cultural and historical knowing, and due to tellers' consciousness of their audiences.
[more]

front cover of Looking for Lost Lore
Looking for Lost Lore
Studies in Folklore, Ethnology, and Iconography
George E. Lankford
University of Alabama Press, 2008
All students of the past bump into what seem to be impenetrable walls and are left looking longingly beyond the barrier for the lore that seems hopelessly lost. This book is an argument that all that information is not necessarily lost. It may just need a different approach–perhaps multidisciplinary, perhaps a new method, or maybe just with a new hypothesis for testing. Vanished societies have left behind masses of raw data, but it is up to us to discover new ways to look through these windows into the past.
 
Especially in light of the growing relationship—and tensions—between cultural traditions and scientific inquiry, Lankford’s breadth of knowledge, long-term engagement with the issues, and excellent writing style bring clarity to this issue. It is not an easy process, but it is engaging. Any puzzle-solver will find this sort of historical detective work worth the effort.
[more]

front cover of The Lost Gold Mine of Juan Mondragón
The Lost Gold Mine of Juan Mondragón
A Legend from New Mexico performed by Melaquías Romero
Edited by Charles L. Briggs and Julián Josué Vigil
University of Arizona Press, 1990
Spanish and English version of Historia de la mina perdida de Juan Mondragón, with editorial matter in English. Includes bibliographical references (p. [249-262]) and index.
[more]

logo for University of Tennessee Press
Lucky Joe's Namesake
The Extraordinary Life and Observations of Joe Wilson
Fred Bartenstein
University of Tennessee Press, 2017

Joe Wilson (1938-2015), a native of rural East Tennessee, was a civil rights activist, self-educated scholar, founder/administrator of nationally important roots music enterprises, and was legendary for his colorful writing and opinions. Lucky Joe’s Namesake, a companion to Roots Music in America: Collected Writings of Joe Wilson (also published by the University of Tennessee Press), brings us Wilson’s life and observations, mostly in his own words.

From humble mountain beginnings, Wilson’s career progressed through Nashville, Tennessee; Birmingham, Alabama; and New York City, before settling him for twenty-eight years near the seats of power in Washington, D.C. as the executive director of the National Council for the Traditional Arts. In that role, he developed a national model for folk festival presentations, stalked the halls of federal representatives seeking support for traditional artists, and filled concert venues throughout the world with audiences eager to experience the work of master folk musicians.  A powerful advocate on behalf of agrarian values, social justice, artistic authenticity, and cultural democracy, Joe wrote in an engaging, humorous, and memorable style.

This eclectic anthology is filled with Joe Wilson’s brilliant published writing for magazines, books, and newspapers as well as privately circulated unpublished works, including an extended autobiographical essay. Readers are sure to benefit from Wilson’s lessons and artful ruminations culled from a lifetime of devotion to music and cultural and social activism.

Fred Bartenstein teaches country and bluegrass music history at the University of Dayton. He is the editor of Bluegrass Bluesman: Josh Graves, a Memoir and coauthor and editor of The Bluegrass Hall of Fame: Inductee Biographies, 1991–2014.

[more]


Send via email Share on Facebook Share on Twitter