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An Ecstasy of Folly
Prophecy and Authority in Early Christianity
Laura Nasrallah
Harvard University Press, 2003

Who is a true prophet? Who has real access to divine realms of knowledge? Early Christian communities accused each other’s prophets of madness and of making false claims to divine knowledge. This book argues that early Christians did not seek to answer questions about true prophecy or to define madness and rationality, but rather used this discourse in order to control knowledge, to establish their own authority, and to define Christian identity. Christians launched these arguments in the context of the Greco-Roman world, where prophecy, visions, ecstasy, and dreams—all considered part of the same phenomenon—were the subject of cutting-edge philosophical, medical, and even political debates.

Early Christian prophecy has usually been interpreted according to a model which explains that at its origins, Christianity was characterized by vibrant spiritual gifts which declined as church order and institutions developed. Arguing that a model of struggle informed by feminist theory and postcolonial criticism provides a better framework for understanding early Christian texts, this work clarifies how early Christian arguments about rationality, madness, and the role of spiritual gifts in history are attempts to negotiate authority and to define religious identity in the midst of many competing forms of Christianity. Laura Nasrallah uses New Testament and early third-century texts to trace the rhetoric of this debate—rhetoric that is still alive today as communities across the globe struggle to define religious identity.

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The Folly and the Madness
The Civil War Letters of Captain Orlando S. Palmer, Fifteenth Arkansas Infantry
Thomas W. Cutrer
University of Tennessee Press, 2023
With a closeness perhaps unique to siblings orphaned young, Orlando and Artimisia “Missie” Palmer exchanged intimate letters throughout their lives. These letters (interspersed with additional letters from Oliver Kennedy, the Palmers’ first cousin) offer a clear and entertaining window into the life and times of a junior Confederate officer serving in the Western Theater of the Civil War.

Though he initially felt Americans would see “the folly and the madness” of going to war, Orlando enlisted as a private in what would become Company H of the First (later Fifteenth) Arkansas Infantry, informing his sister that he had volunteered “not for position, not for a name, but from patriotic motivation.” However, he was ambitious enough to secure an appointment as Maj. Gen. William Joseph Hardee’s personal secretary; he then rose to become his regiment’s sergeant major, his company’s first lieutenant, and later captain and brigade adjutant. Soldier letters typically report only what can be observed at the company level, but Palmer’s high-ranking position offers a unique view of strategic rather than tactical operations.

Palmer’s letters are not all related to his military experience, though, and the narrative is enhanced by his nuanced reflections on courtship customs and personal relationships. For instance, Palmer frequently attempts to entertain Missie with witticisms and tales of his active romantic life: “We have so much to do,” he quips, “that we have no time to do anything save to visit the women.   I am in love with several dozen of them and am having
a huge time generally.”

The Folly and the Madness adds depth to the genre of Civil War correspondence and provides a window into the lives of ordinary southerners at an extraordinary time.
 
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From the Ballroom to Hell
Grace and Folly in Nineteenth-Century Dance
Elizabeth Aldrich
Northwestern University Press, 1991
During the 1800s, dance and etiquette manuals provided ordinary men and women with the keys to becoming gentlemen and ladies—and thus advancing in society. Why dance? To the insecure and status-oriented upper middle class, the ballroom embodied the perfect setting in which to demonstrate one's fitness for membership in genteel society.

From the Ballroom to Hell collects over 100 little-known excerpts from dance, etiquette, beauty, and fashion manuals from the nineteenth century. Included are instructions for performing various dances, as well as musical scores, costume patterns, and the proper way to hold one's posture, fork, gloves, and fan. While of particular interest to dancers, dance historians, and choreographers, anyone fascinated by the ways and mores of the period will find From the Ballroom to Hell an endearing and informative glimpse of America's past.
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Hope and Folly
The United States and UNESCO, 1945-1985
William Preston Jr., Edward S. Herman, and Herbert I. SchillerIntroduction by Ellen Ray and William H. SchappSean MacBride
University of Minnesota Press, 1989

Hope and Folly was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Created in a burst of idealism after World War II, the United Nations Educational, Scientific, and Cultural Organization (UNESCO) existed for forty years in a state of troubled yet often successful collaboration with one of its founders and benefactors, the United States. In 1980, UNESCO adopted the report of a commission that surveyed and criticized the dominance, in world media, of the United States, Japan, and a handful of European countries. The report also provided the conceptual underpinnings for what was later called the New World Information and Communication Order, a general direction adopted by UNESCO to encourage increased Third World participation in world media. This direction - it never became an official program - ultimately led to the United States's withdrawal from UNESCO in 1984.

Hope and Folly is an interpretive chronicle of U.S./ UNESCO relations. Although the information debated has garnered wide attention in Europe and the Third World, there is no comparable study in the English language, and none that focuses specifically on the United States and the broad historical context of the debate. In the first three parts, William Preston covers the changing U.S./ UNESCO relationship from the early cold war years through the period of anti-UNESCO backlash, as well as the politics of the withdrawal. Edward Herman's section is an interpretive critique of American media coverage of the withdrawal, and Herbert Schiller's is a conceptual analysis of conflicts within the United States's information policies during its last years in UNESCO. The book's appendices include an analysis of Ed Bradley's notorious "60 Minutes" broadcast on UNESCO.

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front cover of The Praise of Folly
The Praise of Folly
Desiderius Erasmus
University of Michigan Press, 1958
A satire on the pretensions of Erasmus's contemporaries in the Church and philosophy
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