In Chocolate Islands: Cocoa, Slavery, and Colonial Africa, Catherine Higgs traces the early-twentieth-century journey of the Englishman Joseph Burtt to the Portuguese colony of São Tomé and Príncipe—the chocolate islands—through Angola and Mozambique, and finally to British Southern Africa. Burtt had been hired by the chocolate firm Cadbury Brothers Limited to determine if the cocoa it was buying from the islands had been harvested by slave laborers forcibly recruited from Angola, an allegation that became one of the grand scandals of the early colonial era. Burtt spent six months on São Tomé and Príncipe and a year in Angola. His five-month march across Angola in 1906 took him from innocence and credulity to outrage and activism and ultimately helped change labor recruiting practices in colonial Africa.

This beautifully written and engaging travel narrative draws on collections in Portugal, the United Kingdom, and Africa to explore British and Portuguese attitudes toward work, slavery, race, and imperialism. In a story still familiar a century after Burtt’s sojourn, Chocolate Islands reveals the idealism, naivety, and racism that shaped attitudes toward Africa, even among those who sought to improve the conditions of its workers.

In Illegible Will Hershini Bhana Young engages with the archive of South African and black diasporic performance to examine the absence of black women's will from that archive. Young argues for that will's illegibility, given the paucity of materials outlining the agency of black historical subjects. Drawing on court documents, novels, photographs, historical records, websites, and descriptions of music and dance, Young shows how black will can be conjured through critical imaginings done in concert with historical research. She critically imagines the will of familiar subjects such as Sarah Baartman and that of obscure figures such as the eighteenth-century slave Tryntjie of Madagascar, who was executed in 1713 for attempting to poison her mistress. She also investigates the presence of will in contemporary expressive culture, such as the Miss Landmine Angola beauty pageant, placing it in the long genealogy of the freak show. In these capacious case studies Young situates South African performance within African diasporic circuits of meaning throughout Africa, North America, and South Asia, demonstrating how performative engagement with archival absence can locate that which was never recorded.

Before the collapse of the Soviet Union and the subsequent archival revolution, Aleksandr Solzhenitsyn’s famous “literary investigation” The Gulag Archipelago was the most authoritative overview of the Stalinist system of camps. But modern research is developing a much more thorough and nuanced understanding of the Gulag.  There is a greater awareness of the wide variety of camps, many not isolated in far-off Siberia; prisoners often intermingled with local populations. The forced labor system was not completely distinct from the “free” labor of ordinary Soviet citizens, as convicts and non-prisoners often worked side-by-side. Nor was the Gulag unique when viewed in a global historical context.

Still, the scale and scope of the Soviet Gulag was unprecedented. Intrinsic to Stalinist modernization, the Gulag was tasked with the construction of massive public works, scientific and engineering projects, and such mundane work as road repairs. Along with the collectivization of agriculture, the Soviet economy (including its military exertions in World War II) was in large part dependent on compulsory labor. The camp system took on an outsized economic significance, and the vast numbers of people taken in by zealous secret police were meant to fulfill material, not just political, goals. While the Soviet system lacked the explicitly dedicated extermination camps of its Nazi counterpart, it did systematically extract work from inmates to the verge of death then cynically “released” them to reduce officially reported mortality rates.

In an original turn, the book offers a detailed consideration of the Gulag in the context of the similar camps and systems of internment. Chapters are devoted to the juxtaposition of nineteenth-century British concentration camps in Africa and India, the Tsarist-era system of exile in Siberia, Chinese and North Korean reeducation camps, the post-Soviet penal system in the Russian Federation, and of course the infamous camp system of Nazi Germany. This not only reveals the close relatives, antecedents, and descendants of the Soviet Gulag—it shines a light on a frighteningly widespread feature of late modernity.

Overall, The Soviet Gulag offers fascinating new interpretations of the interrelationship and importance of the Gulag to the larger Soviet political and economic system, and how they were in fact parts of the same entity.