This volume grew out of a National Bureau of Economic Research conference on exchange rates held in Bellagio, Italy, in 1982. In it, the world's most respected international monetary economists discuss three significant new views on the economics of exchange rates - Rudiger Dornbusch's overshooting model, Jacob Frenkel's and Michael Mussa's asset market variants, and Pentti Kouri's current account/portfolio approach. Their papers test these views with evidence from empirical studies and analyze a number of exchange rate policies in use today, including those of the European Monetary System.

This volume, presenting some of the finest new research on exchange rates and international macroeconomics, contains  papers and critical commentary by thirty-two leading economists. Taken together, these papers provide sound evidence about the effects of real and monetary factors on exchange rates  and extend the analyses of exchange rates and international macroeconomics by outlining the kinds of behavior and institutional arrangements that can be incorporated into such analyses.

Both empirical and theoretical research are represented, and the contributors analyze such issues as the performance of various models of exchange rate determination, the role of risk and speculation in the forward market for foreign exchange, the rational expectations hypothesis in such markets,  the performance of monetary policy in ten industrial countries, the role that labor market contracts play in exchange rate policies, the effect of  he oil shocks on the evolution of exchange rates, and the output cost of bringing down inflation in the open economy.

The essays brought together in this volume share a common objective: To bring a unifying methodological approach to the analysis of financial problems in developing, open economies. While the primary focus is on contemporary Latin America, the methods employed and the lessons learned are of wider applicability. The papers address the financial integration issue from three different perspectives. In some cases, a country study is the vehicle for an econometric investigation of a particular external linkage. In other cases, an individual country's experience suggests an economic model in which the stylized facts may be analyzed and developed. A third direction is unabashedly theoretical and formulates more general principles which are broadly applicable rather than country-specific.

As the globalization of financial markets continues, we urgently need to understand the crises that have plagued these markets and the policies best suited to preventing such crises in the future. In this book, a prominent group of economists and policymakers blend conceptual analysis and policy discussion in seven well-integrated papers, analyzing the nature of capital flows, alternative exchange-rate regimes, and the roles of international financial institutions.

After a guided tour by the editor and a historical exploration, some of the world's leading theorists and policy analysts examine the benefits and pitfalls of capital movements and controls. In the second portion, papers examine the recent experiences of Argentina and Mexico, with Charles Calomiris—whose proposals for a new world financial architecture have elicited wide attention—contributing a response. The volume concludes with a roundtable discussion of the report of the International Financial Institutions Advisory Commission, in which the chair of the commission, Allan H. Meltzer, both comments on the report and responds to questions about it.

The material presented here will become a standard reference for analysts, policymakers, and the interested general public.

Contributors:
Leonardo Auernheimer, Matthew Bishop, Michael D. Bordo, Charles Calomiris, Guillermo A. Calvo, Augustin Carstens, Michael P. Dooley, Pablo E. Guidotti, T. Britton Harris, John P. Lipsky, Guillermo Ortiz Martinez, Allan H. Meltzer, Andrew Powell, Rene Stulz, Carl E. Walsh

In Odd Man Out, Carol Armstrong offers an important study of Edgar Degas's work and reputation. Armstrong grapples with contradictory portrayals of Degas as odd man out within the modernist canon: he was a realist whom realists rejected; he was a storyteller in pictures who did not satisfy novelist-critics; he painted modern life yet was no modernist; he belonged to the impressionist group yet was no impressionist. She confronts these and other contradictions by analyzing the critical vocabularies used to describe Degas's work.

By reading several groups of the artist's images through the lens of a sequence of critical texts, Armstrong shows how our critical and popular expectations of Degas are overturned and subverted. Each of these groups of images is matched to different interpretive moves, each highlighting distinct themes: economics and vocation; narrative and semiotics; gender and corporeality; and the author and self. Armstrong's provocative analysis celebrates the tantalizing qualities of the artist's elusive career: the pluralism of his work, its conflation of positivistic and negational tactics, the modern and the traditional, the abstract and the representational.


"A lucid and searching study. . . . Armstrong has produced one of the most elegant and persuasive examples of the historian's use of 19th-century art criticism. In the process, she has achieved a reading of the artist which makes a difference to the way we understand the difference of Degas himself."—Neil McWilliam, Times Higher Education Supplement

"This is a brilliant, original, and beautifully articulated study. Carol Armstrong's scholarship is impressive in its richness, ambition, and sophistication: Degas's works have rarely been given such detailed, penetrating, and suggestive readings as those offered in this book."—Linda Nochlin, Yale University

"With brilliant insight and incisive analytical intelligence, Carol Armstrong introduces new ways to conceptualize the structural ambiguities of Degas's work. Her subtle and probing readings clarify the fundamental contrariness of Degas's images—their disturbing negativity, their anti-modern modernism. Odd Man Out catapults the criticism of Degas from the hinterlands of traditional art history to the foreground of contemporary critical theory in both literature and the visual arts."—Charles Bernheimer, University of Pennsylvania

During the twentieth century, foreign-exchange intervention was sometimes used in an attempt to solve the fundamental trilemma of international finance, which holds that countries cannot simultaneously pursue independent monetary policies, stabilize their exchange rates, and benefit from free cross-border financial flows. Drawing on a trove of previously confidential data, Strained Relations reveals the evolution of US policy regarding currency market intervention, and its interaction with monetary policy. The authors consider how foreign-exchange intervention was affected by changing economic and institutional circumstances—most notably the abandonment of the international gold standard—and how political and bureaucratic factors affected this aspect of public policy.