front cover of Disaster Archaeology
Disaster Archaeology
Richard A Gould
University of Utah Press, 2007
Unlike traditional archaeology, which studies the human past and examines issues of scholarly and popular interest, disaster archaeology is about the aftermath of mass-fatality events and deals with urgent needs such as victim identification and scene investigation. In this context, archaeological skills are an instrument of recovery for the families and others affected by a disaster.

This methodology involves a humanitarian element that often motivates archaeologists to perform this emotionally difficult work, and it requires a commitment to scientifically controlled field recovery and documentation of human remains, personal effects, and other physical evidence. First-hand experiences are described from the World Trade Center, 'The Station' nightclub fire in Rhode Island, and from Hurricane Katrina.

Disaster archaeology involves the meticulous, empirical use of archaeological science as well as emotional sensitivity toward victims and victims’ family and friends. By combining standards of forensic science with state-of-the-art field techniques, archaeologists can decisively affect the outcome of post-disaster investigations and recoveries.
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front cover of Who Owns the Dead?
Who Owns the Dead?
The Science and Politics of Death at Ground Zero
Jay D. Aronson
Harvard University Press, 2016

After September 11, with New Yorkers reeling from the World Trade Center attack, Chief Medical Examiner Charles Hirsch proclaimed that his staff would do more than confirm the identity of the individuals who were killed. They would attempt to identify and return to families every human body part recovered from the site that was larger than a thumbnail. As Jay D. Aronson shows, delivering on that promise proved to be a monumentally difficult task. Only 293 bodies were found intact. The rest would be painstakingly collected in 21,900 bits and pieces scattered throughout the skyscrapers’ debris.

This massive effort—the most costly forensic investigation in U.S. history—was intended to provide families conclusive knowledge about the deaths of loved ones. But it was also undertaken to demonstrate that Americans were dramatically different from the terrorists who so callously disregarded the value of human life.

Bringing a new perspective to the worst terrorist attack in U.S. history, Who Owns the Dead? tells the story of the recovery, identification, and memorialization of the 2,753 people killed in Manhattan on 9/11. For a host of cultural and political reasons that Aronson unpacks, this process has generated endless debate, from contestation of the commercial redevelopment of the site to lingering controversies over the storage of unclaimed remains at the National 9/11 Memorial and Museum. The memory of the victims has also been used to justify military activities in the Middle East that have led to the deaths of an untold number of innocent civilians.

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