In 1852, President Louis Napoleon of France declared that August 15--Napoleon Bonaparte's birthday--would be celebrated as France's national day. Leading up to the creation of the Second Empire, this was the first in a series of attempts to "Bonapartize" his regime and strengthen its popular legitimacy. Across France, public institutions sought to draw local citizens together to celebrate civic ideals of unity, order, and patriotism. But the new sense of French togetherness was fraught with tensions.

Drawing on a wealth of archival evidence, Sudhir Hazareesingh vividly reconstructs the symbolic richness and political complexity of the Saint-Napoleon festivities in a work that opens up broader questions about the nature of the French state, unity and lines of fracture in society, changing boundaries between public and private spheres, and the role of myth and memory in constructing nationhood. The state's Bonapartist identity was at times vigorously contested by local social, political, and religious groups. In various regions, people used the national day to celebrate their own communities and to honor their hometown veterans; but elsewhere, the revival of republican sentiment clashed sharply with imperial attitudes.

Sophisticated and gracefully written, this book offers rich insights into modern French history and culture.

One highly visible example of French influence on the city of Philadelphia is the Benjamin Franklin Parkway, modeled on the Champs-Élysées. In Salut!, Lynn Miller and Therese Dolan trace the fruitful, three-centuries-long relationship between the City of Brotherly Love and France. This detailed volume illustrates the effect of Huguenots settling in Philadelphia and 18-year-old William Penn visiting Paris, all the way up through more recent cultural offerings that have helped make the city the distinctive urban center it is today. 

Salut! provides a magnifique history of Philadelphia seen through a particular cultural lens. The authors chronicle the French influence during colonial and revolutionary times. They highlight the contributions of nineteenth-century French philanthropists, such as Stephen Girard and the Dupont family. And they showcase the city’s vibrant visual arts community featuring works from the Philadelphia Museum of Art, the Rodin Museum, the Barnes Foundation, and the Joan of Arc sculpture, as well as studies of artists Thomas Eakins, Mary Cassatt, and Henry Ossawa Tanner. There is also a profile of renowned Le Bec-Fin chef Georges Perrier, who made Philadelphia a renowned culinary destination in the twentieth century.

With lavish illustrations and enthusiastic text, Salut!celebrates a potpourri of all things French in the Philadelphia region.

A small group of scientists in Paris was among the first in the world to take nuclear fission dead seriously. During one extraordinary year the team wrote a secret patent, sketched a workable device, and persuaded government and industry to underwrite their research.

The year was 1939.

The secret patent was a crude uranium bomb.

The device was a nuclear reactor.

Spencer Weart tells the astonishing story of how a few individuals at laboratory benches unleashed a power that has transformed our world. Weart's riveting account of the origins of nuclear energy--the first to be written by an author who is both physicist and historian--follows developments from Marie Curie's experiments with radium to the late 1940s when her son-in-law, Frédéric Joliot-Curie, launched France's atomic energy program, opening the age of nuclear arms proliferation. Focusing on the French work, which was often only days or even hours apart from similar breakthroughs in the United States and elsewhere, the author probes all parts of the discovery process. He covers not only the crucial steps from laboratory experiment to working reactor and bomb, but also the wider campaign of these French scientist-politicians to secure funds and materials on an unheard-of scale and to govern the outcome of their work through secrecy and patents. A rounded portrait of the French team's interaction with the rest of society, Scientists in Power reveals the close connections among laboratory breakthroughs, industrial and military interests, and the flow of politics and ideology.

The account ranges from lucid explanation of the technical challenges overcome by the scientists to suspenseful stories of escape and covert operations in World War II, such as the airlifting of hundreds of pounds of "heavy water" from Norway to France under the nose of an alerted Luftwaffe. Among the contributions of these scientists, who laid much of the groundwork for the Manhattan Project, are new perceptions about the sociology and politics of science. In short, Scientists in Power affords an outstandingly clear and readable exploration of the relations among science, society, and technology--relations at the fulcrum of modern history.

In 1871 Paris was a city in crisis. Besieged during the Franco-Prussian War, its buildings and boulevards were damaged, its finances mired in debt, and its new government untested. But if Parisian authorities balked at the challenges facing them, entrepreneurs and businessmen did not. Selling Paris chronicles the people, practices, and politics that spurred the largest building boom of the nineteenth century, turning city-making into big business in the French capital.

Alexia Yates traces the emergence of a commercial Parisian housing market, as private property owners, architects, speculative developers, and credit-lending institutions combined to finance, build, and sell apartments and buildings. Real estate agents and their innovative advertising strategies fed these new residential spaces into a burgeoning marketplace. Corporations built empires with tens of thousands of apartments under management for the benefit of shareholders. By the end of the nineteenth century, the Parisian housing market caught the attention of the wider public as newspapers began reporting its ups and downs.

The forces that underwrote Paris’s creation as the quintessentially modern metropolis were not only state-centered or state-directed but also grew out of the uncoordinated efforts of private actors and networks. Revealing the ways housing and property became commodities during a crucial period of urbanization, Selling Paris is an urban history of business and a business history of a city that transforms our understanding of both.

The story of the improbable campaign that created America’s most enduring monument.

The Statue of Liberty is an icon of freedom, a monument to America’s multiethnic democracy, and a memorial to Franco-American friendship. That much we know. But the lofty ideals we associate with the statue today can obscure its turbulent origins and layers of meaning. Francesca Lidia Viano reveals that history in the fullest account yet of the people and ideas that brought the lady of the harbor to life.

Our protagonists are the French sculptor Frédéric Auguste Bartholdi and his collaborator, the politician and intellectual Édouard de Laboulaye. Viano draws on an unprecedented range of sources to follow the pair as they chase their artistic and political ambitions across a global stage dominated by imperial rivalry and ideological ferment. The tale stretches from the cobblestones of northeastern France, through the hallways of international exhibitions in London and Paris, to the copper mines of Norway and Chile, the battlegrounds of the Franco-Prussian War, the deserts of Egypt, and the streets of New York. It features profound technical challenges, hot air balloon rides, secret “magnetic” séances, and grand visions of a Franco-American partnership in the coming world order. The irrepressible collaborators bring to their project the high ideals of liberalism and republicanism, but also crude calculations of national advantage and eccentric notions adopted from orientalism, freemasonry, and Saint-Simonianism.

As entertaining as it is illuminating, Sentinel gives new flesh and spirit to a landmark we all recognize but only dimly understand.

Presented for the first time in English, the recently discovered early manuscripts of the twentieth century’s most towering literary figure offer uncanny glimpses of his emerging genius and the creation of his masterpiece.

One of the most significant literary events of the century, the discovery of manuscript pages containing early drafts of Marcel Proust’s In Search of Lost Time put an end to a decades-long search for the Proustian grail. The Paris publisher Bernard de Fallois claimed to have viewed the folios, but doubts about their existence emerged when none appeared in the Proust manuscripts bequeathed to the Bibliothèque Nationale in 1962. The texts had in fact been hidden among Fallois’s private papers, where they were found upon his death in 2018. The Seventy-Five Folios and Other Unpublished Manuscripts presents these folios here for the first time in English, along with seventeen other brief unpublished texts. Extensive commentary and notes by the Proust scholar Nathalie Mauriac Dyer offer insightful critical analysis.

Characterized by Fallois as the “precious guide” to understanding Proust’s masterpiece, the folios contain early versions of six episodes included in the novel. Readers glimpse what Proust’s biographer Jean-Yves Tadié describes as the “sacred moment” when the great work burst forth for the first time. The folios reveal the autobiographical extent of Proust’s writing, with traces of his family life scattered throughout. Before the existence of Charles Swann, for example, we find a narrator named Marcel, a testament to what one scholar has called “the gradual transformation of lived experience into (auto)fiction in Proust’s elaboration of the novel.”

Like a painter’s sketches and a composer’s holographs, Proust’s folios tell a story of artistic evolution. A “dream of a book, a book of a dream,” Fallois called them. Here is a literary magnum opus finding its final form.

When war broke out between France and Prussia in the summer of 1870, one of the first targets of the invading German armies was Strasbourg. From August 15 to September 27, Prussian forces bombarded this border city, killing hundreds of citizens, wounding thousands more, and destroying many historic buildings and landmarks. For six terror-filled weeks, “the city at the crossroads” became the epicenter of a new kind of warfare whose indiscriminate violence shocked contemporaries and led to debates over the wartime protection of civilians.

The Siege of Strasbourg recovers the forgotten history of this crisis and the experiences of civilians who survived it. Rachel Chrastil shows that many of the defining features of “total war,” usually thought to be a twentieth-century phenomenon, characterized the siege. Deploying a modern tactic that traumatized city-dwellers, the Germans purposefully shelled nonmilitary targets. But an unintended consequence was that outsiders were prompted to act. Intervention by the Swiss on behalf of Strasbourg’s beleaguered citizens was a transformative moment: the first example of wartime international humanitarian aid intended for civilians.

Weaving firsthand accounts of suffering and resilience through her narrative, Chrastil examines the myriad ethical questions surrounding what is “legal” in war and what rights civilians trapped in a war zone possess. The implications of the siege of Strasbourg far exceed their local context, to inform the dilemmas that haunt our own age—in which collateral damage and humanitarian intervention have become a crucial part of our strategic vocabulary.

By exploring the life and work of the influential feminist thinker Simone de Beauvoir, this book shows how each of us lives within political and social structures that we can--and must--play a part in transforming. It argues that Beauvoir’s careful examination of her own existence can also be understood as a dynamic method for political thinking.

As the contributors illustrate, Beauvoir's political thinking proceeds from the bottom up, using examples from individual lives as the basis for understanding and transforming our collective existence. For example, she embraced her responsibility as a French citizen as making her complicit in the French war against Algeria.  Here, she sees her role as an oppressor.  In other contexts, she looks to the lives of individual women, including herself, to understand the dimensions of gender inequality. 

This volume’s six tightly connected essays home in on the individual’s relationship to community, and how one’s freedom interacts with the freedom of other people. Here, Beauvoir is read as neither a liberal nor a communitarian. The authors focus on her call for individuals to realize their freedom while remaining consistent with ethical obligations to the community. Beauvoir's account of her own life and the lives of others is interpreted as a method to understand individuals in relations to others, and as within structures of personal, material, and political oppression. Beauvoir's political thinking makes it clear that we cannot avoid political action. To do nothing in the face of oppression denies freedom to everyone, including oneself.

In a new work anticipating the bicentennial of the French Revolution, Patrice Higonnet demonstrates why the American and French Revolutions, although roughly contemporaneous and inspired by many of the same ideals, followed utterly different trajectories: the Americans proceeded to stabilize and build upon their revolution, while the French stumbled from bloodbath to republic to empire to monarchy again.

Eighteenth-century American society, individualistic to a degree, nevertheless managed to ground its politics in communitarian philosophy and to deny the existence of social cleavages, thus creating a pluralist ideology that successfully balanced the two strains. In contrast, argues Higonnet, individualistic politics in France collapsed in 1791 for lack of a foundation, and French society drifted toward terrorism as the rival claims of libertarian and communitarian principles struggled on the national scene. Higonnet works out these ideas in a learned and persuasive new perspective on the two major democratic revolutions of the eighteenth century.

This is a book for serious readers of history that can also refresh college courses in American history, French history, the history of revolutions, comparative studies, intellectual history, and the history of the eighteenth century in the Western world.

Although the Paris Commune of 1871 has been the subject of voluminous writing, especially on the place of the uprising in the development of socialist thought and practice, little was previously done on provincial communal movements.

First published in 1971, this book offers an exploration of the insurrection as part of the nationwide struggle for municipal and departmental liberties, bringing to the fore the Commune's relationship to the broader historical problem of the consolidation and future character of the Third Republic, especially in the provinces. Greenberg thus sees the event as part of a long developing effort to decentralize political power in France.

The picturesque town of Dreux, 60 miles west of Paris, quietly entered history in 1821, when Victor Hugo won the hand of his beloved there. Another century and a half would pass before the town made history again, but this time there was nothing quiet about it. In 1983, Jean-François Le Pen’s National Front candidates made a startling electoral gain in the Dreux region. Its liberal traditions had ended abruptly. With the radical right controlling the municipal council and the deputy mayor’s office, Dreux became the forerunner of neofascist advances all across the nation. How could it happen?

A trained historian, Françoise Gaspard was born in Dreux and served as the city’s socialist mayor from 1977 to 1983. She brings this experience to bear in her study, giving us an evocative picture of the town in all its particularity and at the same time fitting it into the broader context. Local history, collective memory, political life, the role of personality, partisanship, and rumor, the claims of newcomers and oldtimers, Muslims and Catholics: Gaspard sifts through these factors as she crafts a clear and rousing account of the conditions that brought the National Front to power. Viewed amid the explosive consequences of recent demographic and economic transformations, Dreux, with a population of about 30,000, is facing big-city problems: class conflict, unemployment, racism. This is a book about the decline of small-town “virtues” and, more ominously, the democratic ideal in France. With its disturbing implications for other European nations and the United States, it could well be a parable for our time.

Winner of a Catholic Media Association Book Award

A revelatory account of the nouvelle théologie, a clerical movement that revitalized the Catholic Church’s role in twentieth-century French political life.

Secularism has been a cornerstone of French political culture since 1905, when the republic formalized the separation of church and state. At times the barrier of secularism has seemed impenetrable, stifling religious actors wishing to take part in political life. Yet in other instances, secularism has actually nurtured movements of the faithful. Soldiers of God in a Secular World explores one such case, that of the nouvelle théologie, or new theology. Developed in the interwar years by Jesuits and Dominicans, the nouvelle théologie reimagined the Church’s relationship to public life, encouraging political activism, engaging with secular philosophy, and inspiring doctrinal changes adopted by the Second Vatican Council in the 1960s.

Nouveaux théologiens charted a path between the old alliance of throne and altar and secularism’s demand for the privatization of religion. Envisioning a Church in but not of the public sphere, Catholic thinkers drew on theological principles to intervene in political questions while claiming to remain at arm’s length from politics proper. Sarah Shortall argues that this “counter-politics” was central to the mission of the nouveaux théologiens: by recoding political statements in the ostensibly apolitical language of doctrine, priests were able to enter into debates over fascism and communism, democracy and human rights, colonialism and nuclear war. This approach found its highest expression during the Second World War, when the nouveaux théologiens led the spiritual resistance against Nazism. Claiming a powerful public voice, they collectively forged a new role for the Church amid the momentous political shifts of the twentieth century.

The notion of battles as the irreducible building blocks of war demands a single verdict of each campaign—victory, defeat, stalemate. But this kind of accounting leaves no room to record the nuances and twists of actual conflict. In Somme: Into the Breach, the noted military historian Hugh Sebag-Montefiore shows that by turning our focus to stories of the front line—to acts of heroism and moments of both terror and triumph—we can counter, and even change, familiar narratives.

Planned as a decisive strike but fought as a bloody battle of attrition, the Battle of the Somme claimed over a million dead or wounded in months of fighting that have long epitomized the tragedy and folly of World War I. Yet by focusing on the first-hand experiences and personal stories of both Allied and enemy soldiers, Hugh Sebag-Montefiore defies the customary framing of incompetent generals and senseless slaughter. In its place, eyewitness accounts relive scenes of extraordinary courage and sacrifice, as soldiers ordered “over the top” ventured into No Man’s Land and enemy trenches, where they met a hail of machine-gun fire, thickets of barbed wire, and exploding shells.

Rescuing from history the many forgotten heroes whose bravery has been overlooked, and giving voice to their bereaved relatives at home, Hugh Sebag-Montefiore reveals the Somme campaign in all its glory as well as its misery, helping us to realize that there are many meaningful ways to define a battle when seen through the eyes of those who lived it.

In this inventive book, Peter Fritzsche explores how Europeans and Americans saw themselves in the drama of history, how they took possession of a past thought to be slipping away, and how they generated countless stories about the sorrowful, eventful paths they chose to follow.

In the aftermath of the French Revolution, contemporaries saw themselves as occupants of an utterly new period. Increasingly disconnected from an irretrievable past, worried about an unknown and dangerous future, they described themselves as indisputably modern. To be cast in the new time of the nineteenth century was to recognize the weird shapes of historical change, to see landscapes scattered with ruins, and to mourn the remains of a bygone era.

Tracing the scars of history, writers and painters, revolutionaries and exiles, soldiers and widows, and ordinary home dwellers took a passionate, even flamboyant, interest in the past. They argued politics, wrote diaries, devoured memoirs, and collected antiques, all the time charting their private paths against the tremors of public life. These nostalgic histories take place on battlefields trampled by Napoleon, along bucolic English hedges, against the fairytale silhouettes of the Grimms' beloved Germany, and in the newly constructed parlors of America's western territories.

This eloquent book takes a surprising, completely original look at the modern age: our possessions, our heritage, and our newly considered selves.

During World War I, Britain and France imported workers from their colonies to labor behind the front lines. The single largest group of support labor came not from imperial colonies, however, but from China. Xu Guoqi tells the remarkable story of the 140,000 Chinese men recruited for the Allied war effort.

These laborers, mostly illiterate peasants from north China, came voluntarily and worked in Europe longer than any other group. Xu explores China’s reasons for sending its citizens to help the British and French (and, later, the Americans), the backgrounds of the workers, their difficult transit to Europe—across the Pacific, through Canada, and over the Atlantic—and their experiences with the Allied armies. It was the first encounter with Westerners for most of these Chinese peasants, and Xu also considers the story from their perspective: how they understood this distant war, the racism and suspicion they faced, and their attempts to hold on to their culture so far from home.

In recovering this fascinating lost story, Xu highlights the Chinese contribution to World War I and illuminates the essential role these unsung laborers played in modern China’s search for a new national identity on the global stage.

Winner of the Louis Gottschalk Prize, American Society for Eighteenth-Century Studies
A Financial Times Best History Book of the Year
A Choice Outstanding Academic Title of the Year

Rebecca L. Spang, who revolutionized our understanding of the restaurant, has written a new history of money. It uses one of the most infamous examples of monetary innovation, the assignats—a currency initially defined by French revolutionaries as “circulating land”—to demonstrate that money is as much a social and political mediator as it is an economic instrument. Following the assignats from creation to abandonment, Spang shows them to be subject to the same slippages between policies and practice, intentions and outcomes, as other human inventions.

“This is a quite brilliant, assertive book.”
—Patrice Higonnet, Times Literary Supplement

“Brilliant…What [Spang] proposes is nothing less than a new conceptualization of the revolution…She has provided historians—and not just those of France or the French Revolution—with a new set of lenses with which to view the past.”
—Arthur Goldhammer, Bookforum

“[Spang] views the French Revolution from rewardingly new angles by analyzing the cultural significance of money in the turbulent years of European war, domestic terror and inflation.”
—Tony Barber, Financial Times

Finalist for the 2021 Army Historical Foundation Distinguished Writing Awards in Unit Histories
Americans Face the Horror of a Modern European War for the First Time  
When America entered World War I in April 1917, state National Guard units had never planned to mobilize for this kind of war, and the men who made up the hometown companies of each regiment never imagined that they would be asked to fight in what was then the most savage war in human history—they were “innocents” being thrown into a horrendous European conflagration. Made up of companies from ten Ohio towns, the 166th Infantry Regiment became part of the famous 42nd Division, known as the “Rainbow Division.” They were the third American division to arrive in France, where they fought courageously in the trenches at Lunéville and Baccarat before being a key part of the American effort in the Second Battle of the Marne and the Saint Mihiel and Meuse-Argonne offensives. Despite their initial lack of training in modern warfare and weapons, the 166th Infantry compiled an impressive combat record. However, that record came at a terrible cost, with the regiment suffering over two thousand casualties in just nine months of fighting. While they battled the Germans, these hometown Guardsmen lived in trenches and foxholes for weeks at a time, while subsisting on canned beef and coffee amid near constant rain, deep mud, rats, and body lice that made their lives miserable. Because of poor planning and leadership from higher headquarters, they were often asked to achieve impossible objectives amid withering enemy machine-gun fire without proper logistics or artillery support. Yet, despite these challenges, they would persevere, overcome, and emerge victorious.
    Using regimental histories and the letters and diaries of the soldiers who fought in France, Suddenly Soldiers: The 166th Infantry Regiment in World War I by author and historian Robert Thompson tells the compelling story of the young men—“citizen soldiers”—who have always borne the cost of America’s freedom with quiet courage.

Winner of the 2023 Leo Gershoy Award

2023 Winner of The David H. Pinkney Prize 

Honorable Mention for The Mediterranean Seminar Best Book Prize 2023

Winner of the 2022 Kenshur Prize 

Shortlisted for Apollo Magazine's 2022 Book of the Year

This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV.

Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France.

With an abundant selection of startling images, many never before published, The Sun King at Sea emphasizes the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV’s reign.

Mediation, monarchy, and Louis XIV's attempts to legitimize his reign

In order to assert his divine right, Louis XIV missed no opportunity to identify himself as God’s representative on earth. However, in Sunspots and the Sun King Ellen McClure explores the contradictions inherent in attempting to reconcile the logical and mystical aspects of divine right monarchy. McClure analyzes texts devoted to definitions of sovereignty, presents a meticulous reading of Louis XIV’s memoirs to the crown prince, and offers a novel analysis of diplomats and ambassadors as the mediators who preserved and transmitted the king’s authority. McClure asserts that these discussions, ranging from treatises to theater, expose incommensurable models of authority and representation permeating almost every aspect of seventeenth-century French culture.