The Western Mediterranean is home to more than 10,000 plant species, which makes it one of the most important regions in the world for biodiversity. This book is the most comprehensive and up-to-date guide to Western Mediterranean wildflowers, covering southern Europe from the Portuguese Algarve to Italy, and Morocco to Tunisia in North Africa, along with all the islands in between. It features 2,500 plants, and its more than 800 line drawings and color photographs make it the ideal companion for field identification.
 

First published in 1958, this compendium on the history of flowers has lost almost none of its bloom. With a flair for research and citation, E. Buckner Hollingsworth draws on folklore, poetry, annals of medicine, and gardening manuals to report essential historical information on the domestication of garden favorites before they were grown as ornamental plants. Organized by species, Flower Chronicles brims with literary and historical references, anecdotes, and digressions on the lives of merchants, housewives, perfumers, and surgeons. Though she writes with a light touch, Hollingsworth tackles Greek literature, Shakespeare, De Quincey, and Herrick.

A tremendously entertaining and charming book, not only for its richness of information but because Hollingsworth clearly enjoys her material, Flower Chronicles has an antiquarian feel about it-with line drawings, woodcuts, and translations from the Greek—but the text never feels dated. Out of print for nearly thirty years, Flower Chronicles reemerges as a garden literature classic.

"With humor and literary taste, Mrs. Hollingworth has compiled an astonishing amount of scholarly yet entertaining material from her studies in archaeology and mythology and her researches in ancient pharmacopeias, botanies, cookbooks, herbals, and stillroom books."-New Yorker

"Mrs. Hollingsworth writes gaily and quotes from old books, with a wonderful taste for the curious English of Elizabethan gardeners, and sharp notice of what poets and translators of talent have set down. To this she has added the excitement of discovery of forms not noticed by her predecessors."-New York Herald Tribune Book Review

Gardens are sites that can be at one and the same time admired works of art and valuable pieces of real estate. As the first account in English to be wholly based on contemporary Chinese sources, this innovative, beautifully illustrated book grounds the practices of garden-making in Ming dynasty China (1368–1644) firmly in the social and cultural history of the day.
Who owned Ming gardens? Who visited them? How were they represented in words, in paintings, and in visual culture generally, and what meanings did these representations hold at different levels of Chinese society? How did the discourse of gardens intersect with other discourses such as those of aesthetics, agronomy, geomancy, and botany? By examining the gardens of the city of Suzhou from a number of different angles, Craig Clunas provides a rich picture of a complex cultural phenomenon—one that was of crucial importance to the self-fashioning of the Ming elite.
Drawing on a wide range of recent work in cultural theory, the author provides for the first time a historical and materialist account of Chinese garden culture, and replaces broad generalizations and orientalist fantasy with a convincing picture of the garden’s role in social life. Fruitful Sites will appeal to all students of China’s cultural history, to students of garden history from any part of the world, to art historians, and to readers engaged in Asian and cultural studies.

Gardens are sites that can be at one and the same time admired works of art and valuable pieces of real estate. As the first account in English to be wholly based on contemporary Chinese sources, this beautifully illustrated book grounds the practices of garden-making in Ming Dynasty China (1369–1644) firmly in the social and cultural history of the day.

Who owned gardens? Who visited them? How were they represented in words, in paintings and in visual culture generally, and what meanings did these representations hold at different levels of Chinese society? Drawing on a wide range of recent work in cultural theory, Craig Clunas provides for the first time a historical and materialist account of Chinese garden culture, and replaces broad generalizations and orientalist fantasy with a convincing picture of the garden's role in social life.