What does it mean to be queer and Asian American at the turn of the century? The writers, activists, essayists, and artists who contribute to this volume consider how Asian American racial identity and queer sexuality interconnect in mutually shaping and complicating ways. Their collective aim (in the words of the editors) is "to articulate a new conception of Asian American racial identity, its heterogeneity, hybridity, and multiplicity -- concepts that after all underpinned the Asian American moniker from its very inception."

Q & A approaches matters of identity from a variety of points of view and academic disciplines in order to explore the multiple crossings of race and ethnicity with sexuality and gender. Drawing together the work  of visual artists, fiction writers, community organizers, scholars, and participants in roundtable discussions, the collection gathers an array of voices and experiences that represent the emerging communities of a queer Asian America. Collectively, these contributors contend that Asian American studies needs to be more attentive to issues of sexuality and that queer studies needs to be more attentive to other aspects of difference, especially race and ethnicity. Vigorously rejecting the notion that a symmetrical relationship between race and homosexuality would weaken lesbian/gay and queer movements, the editors refuse to "believe that  a desirably queer world is one in which we remain perpetual aliens -- queer houseguests -- in a queer nation."

This special issue explores the intersection of queer theory and comics studies. The contributors provide new theories of how comics represent and reconceptualize queer sexuality, desire, intimacy, and eroticism, while also investigating how the comic strip, as a hand-drawn form, queers literary production and demands innovative methods of analysis from the fields of literary, visual, and cultural studies. 

Contributors examine the relationships among reader, creator, and community across a range of comics production, including mainstream superhero comics, independent LGBTQ comics, and avant-garde and experimental feminist narratives. They also address queer forms of identification elicited by the classic X-Men character Rogue, the lesbian grassroots publishing networks that helped shape Alison Bechdel’s oeuvre, and the production of black queer fantasy in the Black Panther comic book series, among other topics. 

Contributors andré carrington, Anthony Michael D’Agostino, Ramzi Fawaz, Margaret Galvan, Yetta Howard, Joshua Abraham Kopin, Kate McCullough, Darieck Scott, Jessica Q. Stark, Shelley Streeby, Rebecca Wanzo

In Queer Activism in India, Naisargi Dave examines the formation of lesbian communities in India from the 1980s to the early 2000s. Based on ethnographic fieldwork conducted with activist organizations in Delhi, a body of letters written by lesbian women, and research with lesbian communities and queer activist groups across the country, Dave studies the everyday practices that constitute queer activism in India.

Dave argues that activism is an ethical practice comprised of critique, invention, and relational practice. Her analysis investigates the relationship between the ethics of activism and the existing social norms and conditions from which activism emerges. Through her study of different networks and institutions, Dave documents how activism oscillates between the potential for new social arrangements and the questions that arise once the activists' goals have been accomplished. Dave's book addresses a relevant and timely phenomenon and makes an important contribution to the anthropology of queer communities, social movements, affect, and ethics.

2020 Choice​ Outstanding Academic Title

In The Queer Aesthetics of Childhood, Hannah Dyer offers a study of how children’s art and art about childhood can forecast new models of social life that redistribute care, belonging, and political value. Dyer suggests that childhood’s cultural expressions offer insight into the persisting residues of colonial history, nation building, homophobia, and related violence. Drawing from queer and feminist theory, psychoanalysis, settler-colonial studies, and cultural studies, this book helps to explain how some theories of childhood can hurt children. Dyer’s analysis moves between diverse sites and scales, including photographs and an art installation, children’s drawings after experiencing war in Gaza, a novel about gay love and childhood trauma, and debates in sex-education. In the cultural formations of art, she finds new theories of childhood that attend to the knowledge, trauma, fortitude and experience that children might possess. In addressing aggressions against children, ambivalences towards child protection, and the vital contributions children make to transnational politics, she seeks new and queer theories of childhood.
 

The Queer Art of Failure is about finding alternatives—to conventional understandings of success in a heteronormative, capitalist society; to academic disciplines that confirm what is already known according to approved methods of knowing; and to cultural criticism that claims to break new ground but cleaves to conventional archives. Jack Halberstam proposes “low theory” as a mode of thinking and writing that operates at many different levels at once. Low theory is derived from eccentric archives. It runs the risk of not being taken seriously. It entails a willingness to fail and to lose one’s way, to pursue difficult questions about complicity, and to find counterintuitive forms of resistance. Tacking back and forth between high theory and low theory, high culture and low culture, Halberstam looks for the unexpected and subversive in popular culture, avant-garde performance, and queer art. Halberstam pays particular attention to animated children’s films, revealing narratives filled with unexpected encounters between the childish, the transformative, and the queer. Failure sometimes offers more creative, cooperative, and surprising ways of being in the world, even as it forces us to face the dark side of life, love, and libido.

The Thai capital Bangkok is the unrivalled centre of the country’s gay, lesbian, and transgender communities. These communities are among the largest in Southeast Asia, and indeed in the world, and have a diversity, social presence, and historical depth that set them apart from the queer cultures of many neighbouring societies. The first years of the twenty-first century have marked a significant transition moment for all of Thailand’s LGBT cultures, with a multidimensional expansion in the geographical extent, media presence, economic importance, political impact, social standing, and cultural relevance of Thai queer communities. This book analyses the roles of the market and media — especially cinema and the Internet — in these transformations, and considers the ambiguous consequences that the growing commodification and mediatization of queer lives have had for LGBT rights in Thailand. A key finding is that in the early twenty-first century processes of global queering are leading to a growing Asianization of Bangkok’s queer cultures. This book traces Bangkok’s emergence as a central focus of an expanding regional network linking gay, lesbian, and transgender communities in Hong Kong, Singapore, Taiwan, Indonesia, the Philippines and other rapidly developing East and Southeast Asian societies.

Children are thoroughly, shockingly queer, as Kathryn Bond Stockton explains in The Queer Child, where she examines children’s strangeness, even some children’s subliminal “gayness,” in the twentieth century. Estranging, broadening, darkening forms of children emerge as this book illuminates the child queered by innocence, the child queered by color, the child queered by Freud, the child queered by money, and the grown homosexual metaphorically seen as a child (or as an animal), alongside the gay child. What might the notion of a “gay” child do to conceptions of the child? How might it outline the pain, closets, emotional labors, sexual motives, and sideways movements that attend all children, however we deny it?

Engaging and challenging the work of sociologists, legal theorists, and historians, Stockton coins the term “growing sideways” to describe ways of growing that defy the usual sense of growing “up” in a linear trajectory toward full stature, marriage, reproduction, and the relinquishing of childish ways. Growing sideways is a mode of irregular growth involving odd lingerings, wayward paths, and fertile delays. Contending that children’s queerness is rendered and explored best in fictional forms, including literature, film, and television, Stockton offers dazzling readings of works ranging from novels by Henry James, Radclyffe Hall, Virginia Woolf, Djuna Barnes, and Vladimir Nabokov to the movies Guess Who’s Coming to Dinner, The Hanging Garden, Heavenly Creatures, Hoop Dreams, and the 2005 remake of Willy Wonka and the Chocolate Factory. The result is a fascinating look at children’s masochism, their interactions with pedophiles and animals, their unfathomable, hazy motives (leading them at times into sex, seduction, delinquency, and murder), their interracial appetites, and their love of consumption and destruction through the alluring economy of candy.

In Queer Chinese Cultures and Mobilities, John Wei brings light to the germination and movements of queer cultures and social practices in today’s China and Sinophone Asia. While many scholars attribute China’s emergent queer cultures to the neoliberal turn and the global political landscape, Wei refuses to take these assumptions for granted. He finds that the values and pitfalls of the development-induced mobilities and post-development syndromes have conjointly structured and sustained people’s ongoing longings and sufferings under the dual pressure of compulsory familism and compulsory development. While young gay men are increasingly mobilized in their decision-making to pursue sociocultural and socioeconomic capital to afford a queer life, the ubiquitous and compulsory mobilities have significantly reshaped and redefined today’s queer kinship structure, transnational cultural network, and social stratification in China and capitalist Asia. With Queer Chinese Cultures and Mobilities, Wei interrogates the meanings and functions of mobilities at the forefront of China’s internal transformation and international expansion for its great dream of revival, when gender and sexuality have become increasingly mobilized with geographical, cultural, and social class migrations and mobilizations beyond traditional and conventional frameworks, categories, and boundaries.

Proposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, Schoonover and Galt reimagine the scope of queer film studies. The authors move beyond the gay art cinema canon to consider a broad range of films from Chinese lesbian drama and Swedish genderqueer documentary to Bangladeshi melodrama and Bolivian activist video. Schoonover and Galt make a case for the centrality of queerness in cinema and trace how queer cinema circulates around the globe–institutionally via film festivals, online consumption, and human rights campaigns, but also affectively in the production of a queer sensorium. In this account, cinema creates a uniquely potent mode of queer worldliness, one that disrupts normative ways of being in the world and forges revised modes of belonging.

The conventional idea of the commons—a resource managed by the community that uses it—might appear anachronistic as global capitalism attempts to privatize and commodify social life. Against these trends, contemporary queer energies have been directed toward commons-forming initiatives from activist provision of social services to the maintenance of networks around queer art, protest, public sex, and bar cultures that sustain queer lives otherwise marginalized by heteronormative society and mainstream LGBTQ politics. This issue forges a connection between the common and the queer, asking how the category “queer” might open up a discourse that has emerged as one of the most important challenges to contemporary neoliberalization at both the theoretical and practical level.

Contributors look to radical networks of care, sex, and activism present within diverse queer communities including HIV/AIDS organizing, the Wages for Housework movement, New York’s Clit Club community, and trans/queer collectives in San Francisco. The issue also includes a dossier of shorter contributions that offer speculative provocations about the radicalism of queer commonality across time and space, from Gezi Park uprisings in Turkey to future visions of collectivity outside of the internet.     

Contributors
Arlen Austin, Zach Blas, Gavin Butt, Beth Capper, Ashon Crawley, Amalle Dublon, Macarena Gomez-Barris, Christina Hanhardt, Diarmuid Hester, Nadja Millner-Larsen, José Esteban Muñoz, Cenk Ozbay, Evren Savci, Eric Stanley

Queer Diasporas presents essays that explore how sexuality and sexual identity change when individuals, ideologies, and media move across literal and figurative boundaries. Speaking from a diverse range of ethnic, racial, and national sites, the contributors to this volume illustrate how queer identity in particular is affected in ways that are as varied and nuanced as the cultural, social, and physical environments themselves.
Incorporating literary analysis, ethnographic research, and theories of diaspora, migration, and transnationalism, the essays in this volume address an impressive range of topics, from the divergent medical and epidemiological understandings of the AIDS pandemic to 1950s lesbian pulp fiction. While one chapter focuses on the appropriation of religious ceremony by gay Filipino immigrants in New York City, another investigates the implicit connection between Jewishness and homosexuality in the work of Freud. The gendering of domestic roles in food preparation and consumption in Japanese society gives way to a discussion of Cuban and Jamaican homoeroticism as seen in the works of Reinaldo Arenas and Claude McKay. Chilean author D’Halmar’s orientalization of Spain as queer space and the hybrid nature of queer ‘zine culture in Quebec are the subject of others. The collection concludes with a monologue by “Walid,” a young gay Arab living in the occupied territory, whose sexual and national identities change according to his sexual and social needs.
Illuminating the complex nature of queerness in the postmodern world, Queer Diasporas contributes to the advancement of gay and lesbian studies. It will be important to those working in cultural, literary, and postcolonial studies.

Contributors. Michele Aina Barale, Daniel Boyarin, Sandra Buckley, Rhonda Cobham, Amir Sumaka’i Fink, Marcie Frank, Martin F. Manalansan IV, Sylvia Molloy, Cindy Patton, Jacob Press, Jennifer Robertson, Benigno Sánchez-Eppler

In the repressive context of East European Communist regimes, how did young girls and boys come to realize their sexuality? What did they do with that self-awareness—and later on, as adults, what strategies did they employ in their dealings with the regime? Queer Encounters with Communist Power answers these questions as it interweaves a groundbreaking queer oral history project with meticulous, original research into the discourse on homosexuality and transsexuality in Czechoslovakia from 1948 to 1989.

Contrary to expectations, the book reveals that despite the Czechoslovak Communist regime’s brutality in many areas of life, the state did not carry out a hateful or seditious campaign against homosexual and non-heterosexual people. Rather, the official state sexology offices functioned from the late 1970s onward as essentially the first gay clubs in socialist Czechoslovakia. Interweaving the memories of non-heterosexual Czech women born between 1929 and 1952, Věra Sokolová’s study both enriches and challenges existing scholarship on lesbian and gay history during this era, promising to radically change the way we view gender, sexuality, and everyday life during East European socialism.

American culture is at war over "family values." And with the issue of gay and lesbian marriage often at the center of this discourse, notable thinkers like Andrew Sullivan, William Eskridge, Urvashi Vaid, and Torie Osborn have engaged in the battle. But why, Valerie Lehr asks, debate over the right of gays to take part in a socially defined institution designed to perpetuate inequalities among people?

The flaw in the fight for gay and lesbian marriage rights, argues Lehr in Queer Family Values, lies in its failure to call into question the forms of oppression -- gender, racial, and economic -- that lead society to privilege the nuclear family. Lehr calls for activists to counter conservative discourses that see the nuclear family -- what Lehr considers a socially defined institution that works to maintain, in various ways, inequalities among people -- as the only responsible and mature family alternative. She asks for an approach to family issues and individual liberty that challenges power rather than demands access to privilege. She advocates social policies that enhance the freedom of all people, not simply those gay and lesbian adults seeking to be part of the dominant vision of family in our society.

Analyzing recent works on family, gender, race, and class, Lehr shapes a theory of rights, freedom, and democracy that can liberate us from the strictures of conservative hegemony. She also provides practical examples of how activists can work for a more compassionate and caring society. She devotes a chapter, for example, to the responsibilities activists have to lesbian and gay youths, who -- unlike other children, who might find refuge from social injustice at home -- most often find in the traditional American home homophobia and isolation. Asserting that family care should be seen as a community function, Queer Family Values offers an alternative political strategy focused not on gaining rights, but on enhancing democracy and equality in private life.

In the first collection of its kind, twenty-three scholars, artists, and critics forecast the impact of queer theory on the future of sexuality. Arguing that queer theory is poised to transform society’s perception of gender itself, this thoroughly interdisciplinary anthology locates itself at the forefront of various debates both inside and outside the academy.
    From the history of gay and lesbian studies to the emergence of video bars, from an interview with playwright Cherrie Moraga to a photo record of 1950s gay Los Angeles, these original essays tackle the past, present, and future of queer sexuality from all directions. Queer Frontiers brings together the most vital and energetic voices around; whether promising young scholar or veteran of gay activism, each contributor is helping to move the debate into uncharted territory.

Martyred saints, Moors, Jews, viragoes, hermaphrodites, sodomites, kings, queens, and cross-dressers comprise the fascinating mosaic of historical and imaginative figures unearthed in Queer Iberia. The essays in this volume describe and analyze the sexual diversity that proliferated during the period between the tenth and the sixteenth centuries when political hegemony in the region passed from Muslim to Christian hands.
To show how sexual otherness is most evident at points of cultural conflict, the contributors use a variety of methodologies and perspectives and consider source materials that originated in Castilian, Latin, Arabic, Catalan, and Galician-Portuguese. Covering topics from the martydom of Pelagius to the exploits of the transgendered Catalina de Erauso, this volume is the first to provide a comprehensive historical examination of the relations among race, gender, sexuality, nation-building, colonialism, and imperial expansion in medieval and early modern Iberia. Some essays consider archival evidence of sexual otherness or evaluate the use of “deviance” as a marker for cultural and racial difference, while others explore both male and female homoeroticism as literary-aesthetic discourse or attempt to open up canonical texts to alternative readings.
Positing a queerness intrinsic to Iberia’s historical process and cultural identity, Queer Iberia will challenge the field of Iberian studies while appealing to scholars of medieval, cultural, Hispanic, gender, and gay and lesbian studies.

Contributors. Josiah Blackmore, Linde M. Brocato, Catherine Brown, Israel Burshatin, Daniel Eisenberg, E. Michael Gerli, Roberto J. González-Casanovas, Gregory S. Hutcheson, Mark D. Jordan, Sara Lipton, Benjamin Liu, Mary Elizabeth Perry, Michael Solomon, Louise O. Vasvári, Barbara Weissberger

In Queer in Russia Laurie Essig examines the formation of gay identity and community in the former Soviet Union. As a sociological fieldworker, she began her research during the late 1980s, before any kind of a public queer identity existed in that country. After a decade of conducting interviews, as well as observing and analyzing plays, books, pop music, and graffiti, Essig presents the first sustained study of how and why there was no Soviet gay community or even gay identity before perestroika and the degree to which this situation has—or has not—changed.
While male homosexual acts were criminalized in Russia before 1993, women attracted to women were policed by the medical community, who saw them less as criminals than as diseased persons potentially cured by drug therapy or transsexual surgery. After describing accounts of pre-perestroika persecution, Essig examines the more recent state of sexual identities in Russia. Although the fall of communism brought new freedom to Russian queers, there are still no signs of a mass movement forming around the issue, and few identify themselves as lesbians or gay men, even when they are involved in same-sex relations. Essig does reveal, however, vibrant manifestations of gay life found at the local level—in restaurants, discos, clubs, and cruising strips, in newspapers, journals, literature, and the theater. Concluding with a powerful exploration of the surprising affinities between some of Russia’s most prominent nationalists and its queers, Queer in Russia fills a gap in both Russian and cultural studies.

In August 1934, young Cyril L. wrote to his friend Billy about all the exciting men he had met, the swinging nightclubs he had visited, and the vibrant new life he had forged for himself in the big city. He wrote, "I have only been queer since I came to London about two years ago, before then I knew nothing about it." London, for Cyril, meant boundless opportunities to explore his newfound sexuality. But his freedom was limite: he was soon arrested, simply for being in a club frequented by queer men.

Cyril's story is Matt Houlbrook's point of entry into the queer worlds of early twentieth-century London. Drawing on previously unknown sources, from police reports and newspaper exposés to personal letters, diaries, and the first queer guidebook ever written, Houlbrook here explores the relationship between queer sexualities and modern urban culture that we take for granted today. He revisits the diverse queer lives that took hold in London's parks and streets; its restaurants, pubs, and dancehalls; and its Turkish bathhouses and hotels—as well as attempts by municipal authorities to control and crack down on those worlds. He also describes how London shaped the culture and politics of queer life—and how London was in turn shaped by the lives of queer men. Ultimately, Houlbrook unveils the complex ways in which men made sense of their desires and who they were. In so doing, he mounts a sustained challenge to conventional understandings of the city as a place of sexual liberation and a unified queer culture.

A history remarkable in its complexity yet intimate in its portraiture, Queer London is a landmark work that redefines queer urban life in England and beyond.

In Queer Marxism in Two Chinas Petrus Liu rethinks the relationship between Marxism and queer cultures in mainland China and Taiwan. Whereas many scholars assume the emergence of queer cultures in China signals the end of Marxism and demonstrates China's political and economic evolution, Liu finds the opposite to be true. He challenges the persistence of Cold War formulations of Marxism that position it as intellectually incompatible with queer theory, and shows how queer Marxism offers a nonliberal alternative to Western models of queer emancipation. The work of queer Chinese artists and intellectuals not only provides an alternative to liberal ideologies of inclusion and diversity, but demonstrates how different conceptions of and attitudes toward queerness in China and Taiwan stem from geopolitical tensions. With Queer Marxism in Two Chinas Liu offers a revision to current understandings of what queer theory is, does, and can be.

 

The tyrannies of sexual normativity have been widely denounced in queer theory. Heteronormativity, homonormativity, family values, marriage, and monogamy have all been objects of sustained queer critique, most often in purely oppositional form: as antinormativity. The contributors to this special issue ask a seemingly simple question of this critical code: can queer theory proceed without a primary allegiance to antinormativity? These essays offer an affirmative answer either by rethinking normativity or eschewing it altogether in order to redirect the intellectual and political energies of the field. 

Over the last several decades, queer sexualities, tourism industry marketing, tourist practices, and consumption patterns have converged to produce burgeoning outlets for the mobility of queer subjects. In the first collection ever devoted to scholarly articles on queer tourism, this special double issue of GLQ highlights the connections between political economy and sexuality and contributes to an emgerging body of literature on queer sexualities and globalization.
Essays explore a range of geographical areas and cover topics that include an autoethnographic account of a queer traveler in Cuba, the development of gay and lesbian tourism in Madrid and Mexico, and gay and lesbian tourist events such as World Pride 2001 in Rome. The collection also includes an essay focusing on lesbian tourism—a study of the history of lesbian tourism on Eresos, Lesvos.

Contributors. Lionel Cantú, Gabriel Giorgi, Venetia Kantsa, Lawrence La Fountain-Stokes, Michael Luongo, Kevin Markwell, Jasbir Kaur Puar, Dereka Rushbrook

Until now, queer theory has largely been silent about questions of race, especially when considered in an international context. Much postcolonial theory has been silent about questions regarding gender and sexuality. This special issue of Social Text explores the relations between race and queer sexuality by focusing on the politics of transgression in a transnational world.
In the first section of this issue, Race and Queer Sexuality, international authors address topics ranging from Asian American queer identity and its relation to transnational and diasporic concerns to homophobia and its relationship to black nationalism in South Africa. Other subjects include, sexuality, race, and public space; lesbian pedagogy and the nation in Latin America; and an analysis of cross-race and cross-gender drag in the work of L.A. drag queen Vaginal Creme Davis. In the second section, The Politics of Transgression, contributors focus on transgression and its relationship to power and history. One essay explores Irish immigration in the U.S. and the Irish female body as a figure of transnational contagion and blood panic, while another focuses on Oscar Wilde, race, and queer sexuality. Other pieces include a meditation on British filmmaker and writer Derek Jarman’s film, Blue.
Race and Queer Sexuality confronts the limitations of prior work in queer theory while providing a starting point for discussion of race, queer sexuality, and the politics of transgression that will be part of queer theory of the future.

Contributors. Judith Butler, David Eng, Licia Fiol-Mata, Judith Halberstam, Phillip Brian Harper, Neville Hoad, Rachel Holmes, Don Kulick, Tim Lawrence, Rosalind Morris, José Esteban Muñoz, Ben Singer, David Valentine, Priscilla Wald, Riki Anne Wilchins

The Twin Cities is home to one of the largest and most vital GLBT populations in the nation-and one of the highest percentages of gay residents in the country. Drawn from the pioneering work of the Twin Cities GLBT Oral History Project-a collective organization of students, scholars, and activists devoted to documenting and interpreting the lives of GLBT people in Minneapolis and St. Paul-Queer Twin Cities is a uniquely critical collection of essays on Minnesota's vibrant queer communities, past and present.
 

A rich blend of oral history, archival research, and ethnography, Queer Twin Cities uses sexuality to chart connections between people's lives in Minnesota. Topics range from turn-of-the-century Minneapolis amid moral reform-including the highly publicized William Williams murder trial and efforts to police Bridge Square, aka "skid row"-to northern Minnesota and the importance of male companionship among lumber workers, and to postwar life, when the increased visibility of queer life went hand in hand with increased regulation, repression, and violence. Other essays present a portrait of early queer spaces in the Twin Cities, such as Kirmser's Bar, the Viking Room, and the Persian Palms, and the proliferation of establishments like the Dugout and the 19 Bar. Exploring the activism of GLBT/Two-Spirit indigenous people, the antipornography movements of the 1980s, and the role of gay men in the gentrification of Minneapolis neighborhoods, this volume brings the history of queer life and politics in the Twin Cities into fascinating focus.
 

Engaging and revelatory, Queer Twin Cities offers a critical analysis of local history and community and fills a glaring omission in the culture and history of Minnesota, looking not only to a remarkable past, but to our collective future.

Queer Visibility in Post-socialist Cultures explores the public constructions of gay, lesbian, and queer identities, as well as ways of thinking about sexuality and gender, in post-socialist cultures across the European region formerly known as the Eastern bloc. Featuring eleven essays by scholars and activist researchers focusing on Slovakia, the Czech Republic, Hungary, Poland, Croatia, Serbia, Bulgaria, Romania, Belarus, and Russia, the collection encompasses a wide range of fields, including gender and sexuality studies, Eastern European studies, media and film studies, sociology, and cultural anthropology. Together, the essays reveal a paradigm of visibility politics centered on the vexed interaction between the post-socialist notions of queerness in activist strategies and the nationalist, mainstream representations of non-normative sexualities.

From the 1969 rebellion at Stonewall to recent battles over same-sex marriage, Gay Liberation in the United States has always been closely associated with the political left. But in recent years, Gay Liberation has taken a dramatic turn toward the right. And gaycons, as they were once archly referred to in the Nation, have taken politics and the media by storm. New Republic columnist Andrew Sullivan, for instance, is one of the most popular bloggers on the Internet. Writer Bruce Bawer, meanwhile, is celebrated for his incisive criticism of gay culture and its connections with camp and diva worship.

Queer Wars limns this new gay right, offering the first extended consideration of gay conservatism and its more trenchant critics. Here celebrated historian of gay culture Paul Robinson draws particular attention to three features of this new political movement. First, he explores how gay conservatives have rejected the idea that commitment to gay freedom should involve equal dedication to the causes of other marginalized people, be they racial minorities, women, or the poor. Second, Robinson demonstrates why gay conservatives embrace more traditional gender ideals—why they are hostile to effeminacy among men and mannishness among women. Finally, exploring the support for sexual restraint among gay conservatives, Robinson dissects their condemnation of promiscuity and their assault on behavior they deem dissolute.

Timely and rich in suggestive propositions, Queer Wars will prove to be essential reading for anyone interested in gay culture and contemporary politics.

In Queer/Early/Modern, Carla Freccero, a leading scholar of early modern European studies, argues for a reading practice that accounts for the queerness of temporality, for the way past, present, and future time appear out of sequence and in dialogue in our thinking about history and texts. Freccero takes issue with New Historicist accounts of sexual identity that claim to respect historical proprieties and to derive identity categories from the past. She urges us to see how the indeterminacies of subjectivity found in literary texts challenge identitarian constructions and she encourages us to read differently the relation between history and literature. Contending that the term “queer,” in its indeterminacy, points the way toward alternative ethical reading practices that do justice to the aftereffects of the past as they live on in the present, Freccero proposes a model of “fantasmatic historiography” that brings together history and fantasy, past and present, event and affect.

Combining feminist theory, queer theory, psychoanalysis, deconstruction, and literary criticism, Freccero takes up a series of theoretical and historical issues related to debates in queer theory, feminist theory, the history of sexuality, and early modern studies. She juxtaposes readings of early and late modern texts, discussing the lyric poetry of Petrarch, Louise Labé, and Melissa Ethridge; David Halperin’s take on Michel Foucault via Apuleius’s The Golden Ass and Boccaccio’s Decameron; and France’s domestic partner legislation in connection with Marguerite de Navarre’s Heptameron. Turning to French cleric Jean de Léry’s account, published in 1578, of having witnessed cannibalism and religious rituals in Brazil some twenty years earlier and to the twentieth-century Brandon Teena case, Freccero draws on Jacques Derrida’s concept of spectrality to propose both an ethics and a mode of interpretation that acknowledges and is inspired by the haunting of the present by the past.

Queering Gay and Lesbian Studies is a broadly interdisciplinary study that considers a key dilemma in gay and lesbian studies through the prism of identity and its discontents: the field studies has modeled itself on ethnic studies programs, perhaps to be intelligible to the university community, but certainly because the ethnic studies route to programs is well established.  Since this model requires a stable and identifiable community, gay and lesbian studies have emphasized stable and knowable identities.  The problem, of course is that sexuality is neither stable, tidy, nor developmental.  With the advent of queer theory, there are now other perspectives available that frequently find themselves at odds with traditional gay and lesbian studies. 
In this pioneering new study, Thomas Piontek provides a critical analysis of the development of gay and lesbian studies alongside the development of queer theory, the disputes between them, and criticism of their activities from both in and outside of the gay academic community. Examining disputes about transgendering, gay male promiscuity, popular culture, gay history, political activism, and non-normative sexual practices, Piontek argues that it is vital to queer gay and lesbian studies--opening this emerging discipline to queer critical interventions without, however, further institutionalizing queer theory.
 

Queering the Color Line transforms previous understandings of how homosexuality was “invented” as a category of identity in the United States beginning in the late nineteenth century. Analyzing a range of sources, including sexology texts, early cinema, and African American literature, Siobhan B. Somerville argues that the emerging understanding of homosexuality depended on the context of the black/white “color line,” the dominant system of racial distinction during this period. This book thus critiques and revises tendencies to treat race and sexuality as unrelated categories of analysis, showing instead that race has historically been central to the cultural production of homosexuality.
At about the same time that the 1896 Supreme Court Plessy v. Ferguson decision hardened the racialized boundary between black and white, prominent trials were drawing the public’s attention to emerging categories of sexual identity. Somerville argues that these concurrent developments were not merely parallel but in fact inextricably interrelated and that the discourses of racial and sexual “deviance” were used to reinforce each other’s terms. She provides original readings of such texts as Havelock Ellis’s late nineteenth-century work on “sexual inversion,” the 1914 film A Florida Enchantment, the novels of Pauline E. Hopkins, James Weldon Johnson’s Autobiography of an Ex-Coloured Man, and Jean Toomer’s fiction and autobiographical writings, including Cane. Through her analyses of these texts and her archival research, Somerville contributes to the growing body of scholarship that focuses on discovering the intersections of gender, race, and sexuality.
Queering the Color Line will have broad appeal across disciplines including African American studies, gay and lesbian studies, literary criticism, cultural studies, cinema studies, and gender studies.

Queering the Public Sphere in Mexico and Brazil is a groundbreaking comparative analysis of the historical development and contemporary dynamics of LGBT activism in Latin America’s two largest democracies. Rafael de la Dehesa focuses on the ways that LGBT activists have engaged with the state, particularly in alliance with political parties and through government health agencies in the wake of the AIDS crisis. He examines this engagement against the backdrop of the broader political transitions to democracy, the neoliberal transformation of state–civil society relations, and the gradual consolidation of sexual rights at the international level. His comparison highlights similarities between sexual rights movements in Mexico and Brazil, including a convergence on legislative priorities such as antidiscrimination laws and the legal recognition of same-sex couples. At the same time, de la Dehesa points to notable differences in the tactics deployed by activists and the coalitions brought to bear on the state.

De la Dehesa studied the archives of activists, social-movement organizations, political parties, religious institutions, legislatures, and state agencies, and he interviewed hundreds of individuals, not only LGBT activists, but also feminists, AIDS and human-rights activists, party militants, journalists, academics, and state officials. He marshals his prodigious research to reveal the interplay between evolving representative institutions and LGBT activists’ entry into the political public sphere in Latin America, offering a critical analysis of the possibilities opened by emerging democratic arrangements, as well as their limitations. At the same time, exploring activists’ engagement with the international arena, he offers new insights into the diffusion and expression of transnational norms inscribing sexual rights within a broader project of liberal modernity. Queering the Public Sphere in Mexico and Brazil is a landmark examination of LGBT political mobilization.

Queering the Renaissance offers a major reassessment of the field of Renaissance studies. Gathering essays by sixteen critics working within the perspective of gay and lesbian studies, this collection redraws the map of sexuality and gender studies in the Renaissance. Taken together, these essays move beyond limiting notions of identity politics by locating historically forms of same-sex desire that are not organized in terms of modern definitions of homosexual and heterosexual.
The presence of contemporary history can be felt throughout the volume, beginning with an investigation of the uses of Renaissance precedents in the 1986 U.S. Supreme Court decision Bowers v. Hardwick, to a piece on the foundations of 'our' national imaginary, and an afterword that addresses how identity politics has shaped the work of early modern historians. The volume examines canonical and noncanonical texts, including highly coded poems of the fifteenth-century Italian poet Burchiello, a tale from Marguerite de Navarre's Heptameron, and Erasmus's letters to a young male acolyte. English texts provide a central focus, including works by Spenser, Shakespeare, Bacon, Donne, Beaumont and Fletcher, Crashaw, and Dryden. Broad suveys of the complex terrains of friendship and sodomy are explored in one essay, while another offers a cross-cultural reading of the discursive sites of lesbian desire.

Contributors. Alan Bray, Marcie Frank, Carla Freccero, Jonathan Goldberg, Janet Halley, Graham Hammill, Margaret Hunt, Donald N. Mager, Jeff Masten, Elizabeth Pittenger, Richard Rambuss, Alan K. Smith, Dorothy Stephens, Forrest Tyler Stevens, Valerie Traub, Michael Warner

This special double issue of GLQ explores the interface between queerness and migration, challenging heterosexist and heteronormative assumptions that often underpin traditional migration scholarship. Refusing to treat queer migrants as a homogeneous group, the issue insists that sexuality scholarship must rethink the role of migration in constructing heterogeneous sexual identities, communities, politics, and practices. Considering queer migration to the United States, from the Philippines, and between Australia and Asia, Russia and Israel, and France and the Dominican Republic, contributors critically examine how sexuality shapes all migration processes and experiences.

The issue, featuring essays by both established and emerging scholars, situates queer migration within global processes of colonization, globalization, capitalism, nationalism, and slavery. One contributor argues that a queer Atlantic history emerged during the Middle Passage experience of slavery, connecting this history to the contemporary movement of Haitian refugees and Dominican migrant laborers. Another contributor considers how the policing of queer migrant bodies and of “unnatural offenses” by colonial administrations in the Nicobar and Andaman islands ultimately reconfigured the ecology of the entire Indian Ocean archipelago. Still another contributor theorizes how gay couples composed of young Asian émigrés and considerably older white citizens negotiate Australian immigration policy to subvert dominant forms of nationalism and citizenship embedded in long histories of inequality between Australia and Asia. Other essays explore how transgender histories and theories transform queer migration scholarship; how “queer complicities” with contemporary neoliberal migration politics uphold regimes of violence and inequality; and how migration regimes and settlement policies in various parts of the world identify individuals as “queer,” “deviant,” or “abnormal” within racial, gender, class, cultural, and geopolitical hierarchies.

Contributors. Bobby Benedicto, Carlos Ulises Decena, Kale Bantigue Fajardo, Maja Horn, Adi Kuntsman, Eithne Luibhéid, Clare Sears, Omise’eke Natasha Tinsley, Kath Weston, Audrey Yue

This special issue asks how LGBTQ literary production has evolved in response to the dramatic transformations in queer life that have taken place since the early 1990s. Taking inspiration from “QUEERS READ THIS!”—a leaflet distributed at the 1990 New York Pride March by activist group Queer Nation—the contributors to this issue theorize what such an impassioned command would look like today: in light of our current social and political realities, what should queers read now and how are they reading and writing texts? The contributors offer innovative and timely approaches to the place, function, and political possibilities of LGBTQ literature in the wake of AIDS, gay marriage, the rise of institutional queer theory, the ascendancy of transgender rights, the #BlackLivesMatter movement, and the 2016 election. The authors reconsider camp aesthetics in the Trump era, uncover long-ignored histories of lesbian literary labor, reconceptualize contemporary black queer literary responses to institutional violence and racism, and query the methods by which we might forge a queer-of-color literary canon. This issue frames LGBTQ literature as not only a growing list of texts, but as a vast range of reading attitudes, affects, contexts, and archives that support queer ways of life. 

Contributors: Aliyyah Abdur-Rahman, Cynthia Barounis, Tyler Bradway, Ramzi Fawaz, Jennifer James, Martin Joseph Ponce, Natalie Prizel, Shanté Paradigm Smalls, Samuel Solomon.