front cover of Q & A Queer And Asian
Q & A Queer And Asian
Queer & Asian In America
Alvin Eng
Temple University Press, 1998
What does it mean to be queer and Asian American at the turn of the century? The writers, activists, essayists, and artists who contribute to this volume consider how Asian American racial identity and queer sexuality interconnect in mutually shaping and complicating ways. Their collective aim (in the words of the editors) is "to articulate a new conception of Asian American racial identity, its heterogeneity, hybridity, and multiplicity -- concepts that after all underpinned the Asian American moniker from its very inception."

Q & A approaches matters of identity from a variety of points of view and academic disciplines in order to explore the multiple crossings of race and ethnicity with sexuality and gender. Drawing together the work  of visual artists, fiction writers, community organizers, scholars, and participants in roundtable discussions, the collection gathers an array of voices and experiences that represent the emerging communities of a queer Asian America. Collectively, these contributors contend that Asian American studies needs to be more attentive to issues of sexuality and that queer studies needs to be more attentive to other aspects of difference, especially race and ethnicity. Vigorously rejecting the notion that a symmetrical relationship between race and homosexuality would weaken lesbian/gay and queer movements, the editors refuse to "believe that  a desirably queer world is one in which we remain perpetual aliens -- queer houseguests -- in a queer nation."
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Q&A
Voices from Queer Asian North America
Edited by Martin F. Manalansan IV, Alice Y. Hom, and Kale Bantigue Fajardo
Temple University Press, 2021

First published in 1998, Q & A: Queer in Asian America, edited by David L. Eng and Alice Y. Hom, became a canonical work in Asian American studies and queer studies. This new edition of Q & A is neither a sequel nor an update, but an entirely new work borne out of the progressive political and cultural advances of the queer experiences of Asian North American communities. 

The artists, activists, community organizers, creative writers, poets, scholars, and visual artists that contribute to this exciting new volume make visible the complicated intertwining of sexuality with race, class, gender, and ethnicity. Sections address activism, radicalism, and social justice; transformations in the meaning of Asian-ness and queerness in various mass media issues of queerness in relation to settler colonialism and diaspora; and issues of bodies, health, disability, gender transitions, death, healing, and resilience.

The visual art, autobiographical writings, poetry, scholarly essays, meditations, and analyses of histories and popular culture in the new Q & Agesture to enduring everyday racial-gender-sexual experiences of mis-recognition, micro-aggressions, loss, and trauma when racialized Asian bodies are questioned, pathologized, marginalized, or violated. This anthology seeks to expand the idea of Asian and American in LGBTQ studies.

Contributors: Marsha Aizumi, Kimberly Alidio, Paul Michael (Mike) Leonardo Atienza, Long T. Bui, John Paul (JP) Catungal, Ching-In Chen, Jih-Fei Cheng, Kim Compoc, Sony Coráñez Bolton, D’Lo, Patti Duncan, Chris A. Eng, May Farrales, Joyce Gabiola, C. Winter Han, Douglas S. Ishii, traci kato-kiriyama, Jennifer Lynn Kelly, Mimi Khúc, Anthony Yooshin Kim, Việt Lê, Danni Lin, Glenn D. Magpantay, Leslie Mah, Casey Mecija, Maiana Minahal, Sung Won Park, Thea Quiray Tagle, Emily Raymundo, Vanita Reddy, Eric Estuar Reyes, Margaret Rhee, Thomas Xavier Sarmiento, Pahole Sookkasikon, Amy Sueyoshi, Karen Tongson, Kim Tran, Kay Ulanday Barrett, Reid Uratani, Eric C. Wat, Sasha Wijeyeratne, Syd Yang, Xine Yao, and the editors

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Queer Diasporas
Cindy Patton and Benigno Sánchez-Eppler, eds.
Duke University Press, 2000
Queer Diasporas presents essays that explore how sexuality and sexual identity change when individuals, ideologies, and media move across literal and figurative boundaries. Speaking from a diverse range of ethnic, racial, and national sites, the contributors to this volume illustrate how queer identity in particular is affected in ways that are as varied and nuanced as the cultural, social, and physical environments themselves.
Incorporating literary analysis, ethnographic research, and theories of diaspora, migration, and transnationalism, the essays in this volume address an impressive range of topics, from the divergent medical and epidemiological understandings of the AIDS pandemic to 1950s lesbian pulp fiction. While one chapter focuses on the appropriation of religious ceremony by gay Filipino immigrants in New York City, another investigates the implicit connection between Jewishness and homosexuality in the work of Freud. The gendering of domestic roles in food preparation and consumption in Japanese society gives way to a discussion of Cuban and Jamaican homoeroticism as seen in the works of Reinaldo Arenas and Claude McKay. Chilean author D’Halmar’s orientalization of Spain as queer space and the hybrid nature of queer ‘zine culture in Quebec are the subject of others. The collection concludes with a monologue by “Walid,” a young gay Arab living in the occupied territory, whose sexual and national identities change according to his sexual and social needs.
Illuminating the complex nature of queerness in the postmodern world, Queer Diasporas contributes to the advancement of gay and lesbian studies. It will be important to those working in cultural, literary, and postcolonial studies.

Contributors. Michele Aina Barale, Daniel Boyarin, Sandra Buckley, Rhonda Cobham, Amir Sumaka’i Fink, Marcie Frank, Martin F. Manalansan IV, Sylvia Molloy, Cindy Patton, Jacob Press, Jennifer Robertson, Benigno Sánchez-Eppler
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Queer Game Studies
Bonnie Ruberg
University of Minnesota Press, 2017

Video games have developed into a rich, growing field at many top universities, but they have rarely been considered from a queer perspective. Immersion in new worlds, video games seem to offer the perfect opportunity to explore the alterity that queer culture longs for, but often sexism and discrimination in gamer culture steal the spotlight. Queer Game Studies provides a welcome corrective, revealing the capacious albeit underappreciated communities that are making, playing, and studying queer games.

These in-depth, diverse, and accessible essays use queerness to challenge the ideas that have dominated gaming discussions. Demonstrating the centrality of LGBTQ issues to the gamer world, they establish an alternative lens for examining this increasingly important culture. Queer Game Studies covers important subjects such as the representation of queer bodies, the casual misogyny prevalent in video games, the need for greater diversity in gamer culture, and reading popular games like Bayonetta, Mass Effect, and Metal Gear Solid from a queer perspective. 

Perfect for both everyday readers and instructors looking to add diversity to their courses, Queer Game Studies is the ideal introduction to the vast and vibrant realm of queer gaming. 

Contributors: Leigh Alexander; Gregory L. Bagnall, U of Rhode Island; Hanna Brady; Mattie Brice; Derek Burrill, U of California, Riverside; Edmond Y. Chang, U of Oregon; Naomi M. Clark; Katherine Cross, CUNY; Kim d’Amazing, Royal Melbourne Institute of Technology; Aubrey Gabel, U of California, Berkeley; Christopher Goetz, U of Iowa; Jack Halberstam, U of Southern California; Todd Harper, U of Baltimore; Larissa Hjorth, Royal Melbourne Institute of Technology; Chelsea Howe; Jesper Juul, Royal Danish Academy of Fine Arts; merritt kopas; Colleen Macklin, Parsons School of Design; Amanda Phillips, Georgetown U; Gabriela T. Richard, Pennsylvania State U; Toni Rocca; Sarah Schoemann, Georgia Institute of Technology; Kathryn Bond Stockton, U of Utah; Zoya Street, U of Lancaster; Peter Wonica; Robert Yang, Parsons School of Design; Jordan Youngblood, Eastern Connecticut State U.

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Queer in Russia
A Story of Sex, Self, and the Other
Laurie Essig
Duke University Press, 1999
In Queer in Russia Laurie Essig examines the formation of gay identity and community in the former Soviet Union. As a sociological fieldworker, she began her research during the late 1980s, before any kind of a public queer identity existed in that country. After a decade of conducting interviews, as well as observing and analyzing plays, books, pop music, and graffiti, Essig presents the first sustained study of how and why there was no Soviet gay community or even gay identity before perestroika and the degree to which this situation has—or has not—changed.
While male homosexual acts were criminalized in Russia before 1993, women attracted to women were policed by the medical community, who saw them less as criminals than as diseased persons potentially cured by drug therapy or transsexual surgery. After describing accounts of pre-perestroika persecution, Essig examines the more recent state of sexual identities in Russia. Although the fall of communism brought new freedom to Russian queers, there are still no signs of a mass movement forming around the issue, and few identify themselves as lesbians or gay men, even when they are involved in same-sex relations. Essig does reveal, however, vibrant manifestations of gay life found at the local level—in restaurants, discos, clubs, and cruising strips, in newspapers, journals, literature, and the theater. Concluding with a powerful exploration of the surprising affinities between some of Russia’s most prominent nationalists and its queers, Queer in Russia fills a gap in both Russian and cultural studies.
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Queer Kinship
Race, Sex, Belonging, Form
Tyler Bradway and Elizabeth Freeman, editors
Duke University Press, 2022
The contributors to this volume assert the importance of queer kinship to queer and trans theory and to kinship theory. In a contemporary moment marked by the rising tides of neoliberalism, fascism, xenophobia, and homo- and cis-nationalism, they approach kinship as both a horizon and a source of violence and possibility. The contributors challenge dominant theories of kinship that ignore the devastating impacts of chattel slavery, settler colonialism, and racialized nationalism on the bonds of Black and Indigenous people and people of color. Among other topics, they examine the “blood tie” as the legal marker of kin relations, the everyday experiences and memories of trans mothers and daughters in Istanbul, the outsourcing of reproductive labor in postcolonial India, kinship as a model of governance beyond the liberal state, and the intergenerational effects of the adoption of Indigenous children as a technology of settler colonialism. Queer Kinship pushes the methodological and theoretical underpinnings of queer theory forward while opening up new paths for studying kinship.

Contributors. Aqdas Aftab, Leah Claire Allen, Tyler Bradway, Juliana Demartini Brito, Judith Butler, Dilara Çalışkan, Christopher Chamberlin, Aobo Dong, Brigitte Fielder, Elizabeth Freeman, John S. Garrison, Nat Hurley, Joseph M. Pierce, Mark Rifkin, Poulomi Saha, Kath Weston
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Queer Korea
Todd A. Henry, editor
Duke University Press, 2020
Since the end of the nineteenth century, the Korean people have faced successive waves of foreign domination, authoritarian regimes, forced dispersal, and divided development. Throughout these turbulent times, “queer” Koreans were ignored, minimized, and erased in narratives of their modern nation, East Asia, and the wider world. This interdisciplinary volume challenges such marginalization through critical analyses of non-normative sexuality and gender variance. Considering both personal and collective forces, the contributors extend individualized notions of queer neoliberalism beyond those typically set in Western queer theory. Along the way, they recount a range of illuminating topics, from shamanic rituals during the colonial era and B-grade comedy films under Cold War dictatorship to female masculinity among today’s youth and transgender confrontations with the resident registration system. More broadly, Queer Korea offers readers new ways of understanding the limits and possibilities of human liberation under exclusionary conditions of modernity in Asia and beyond.

Contributors. Pei Jean Chen, John (Song Pae) Cho, Chung-kang Kim, Todd A. Henry, Merose Hwang, Ruin, Layoung Shin, Shin-ae Ha, John Whittier Treat
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Queer Legacies
Stories from Chicago’s LGBTQ Archives
John D'Emilio
University of Chicago Press, 2020
The variety of LGBTQ life in Chicago is too abundant and too diverse to be contained in a single place. But since 1981, the Gerber/Hart Library and Archives has striven to do just that, amassing a wealth of records related to the city’s gay, lesbian, bisexual, transgender, and queer-identified people and organizations. In Queer Legacies, John D’Emilio—a pioneering scholar in the field—digs deep into Gerber/Hart’s collection to unearth a kaleidoscopic look at the communities built by generations of LGBTQ people. Excavated from one of the country’s most important, yet overlooked, LGBTQ archives, D’Emilio’s entertaining and enthusiastic essays range in focus from politics and culture to social life, academia, and religion. He gives readers an inclusive and personal look at fifty years of a national fight for visibility, recognition, and equality led by LGBTQ Americans who, quite literally, made history. In these troubled times, it will surely inspire a new generation of scholars and activists.
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Queer Networks
Ray Johnson's Correspondence Art
Miriam Kienle
University of Minnesota Press, 2023

How the queer correspondence art of Ray Johnson disrupted art world conventions and anticipated today’s highly networked culture


Once regarded as “New York’s most famous unknown artist,” Ray Johnson was a highly visible outlier in the art world, his mail art practice reflecting the changing social relations and politics of queer communities in the 1960s. A vital contribution to the growing scholarship on this enigmatic artist, Queer Networks analyzes how Johnson’s practice sought to undermine the dominant mechanisms of the art market and gallery system in favor of unconventional social connections.

 

Utilizing the postal service as his primary means of producing and circulating art, Johnson cultivated an international community of friends and collaborators through which he advanced his idiosyncratic body of work. Applying both queer theory and network studies, Miriam Kienle explores how Johnson’s radical correspondence art established new modes of connectivity that fostered queer sensibilities and ran counter to the conventional methods by which artists were expected to develop their reputation.

                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     

While Johnson was significantly involved with the Pop, conceptual, and neo-Dada art movements, Queer Networks crucially underscores his resistance to traditional art historical systems of categorization and their emphasis on individual mastery. Highlighting his alternative modes of community building and playful antagonism toward art world protocols, Kienle demonstrates how Ray Johnson’s correspondence art offers new ways of envisioning togetherness in today’s highly commodified and deeply networked world.

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Queer Twin Cities
Twin Cities GLBT Oral History Project
University of Minnesota Press, 2010
The Twin Cities is home to one of the largest and most vital GLBT populations in the nation-and one of the highest percentages of gay residents in the country. Drawn from the pioneering work of the Twin Cities GLBT Oral History Project-a collective organization of students, scholars, and activists devoted to documenting and interpreting the lives of GLBT people in Minneapolis and St. Paul-Queer Twin Cities is a uniquely critical collection of essays on Minnesota's vibrant queer communities, past and present.
 
A rich blend of oral history, archival research, and ethnography, Queer Twin Cities uses sexuality to chart connections between people's lives in Minnesota. Topics range from turn-of-the-century Minneapolis amid moral reform-including the highly publicized William Williams murder trial and efforts to police Bridge Square, aka "skid row"-to northern Minnesota and the importance of male companionship among lumber workers, and to postwar life, when the increased visibility of queer life went hand in hand with increased regulation, repression, and violence. Other essays present a portrait of early queer spaces in the Twin Cities, such as Kirmser's Bar, the Viking Room, and the Persian Palms, and the proliferation of establishments like the Dugout and the 19 Bar. Exploring the activism of GLBT/Two-Spirit indigenous people, the antipornography movements of the 1980s, and the role of gay men in the gentrification of Minneapolis neighborhoods, this volume brings the history of queer life and politics in the Twin Cities into fascinating focus.
 
Engaging and revelatory, Queer Twin Cities offers a critical analysis of local history and community and fills a glaring omission in the culture and history of Minnesota, looking not only to a remarkable past, but to our collective future.
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