front cover of Eclogues and Georgics
Eclogues and Georgics
Vergil, Translated by James Bradley Wells
University of Wisconsin Press, 2022
James Bradley Wells combines creative practice and intimate knowledge of contemporary poetry and classical antiquity in this thought-provoking new translation of two early works by ancient Rome’s most well-known and most esteemed poet, Vergil’s Eclogues and Georgics. With its emphasis on the musicality of English, Wells’s translations honor the original spirit of Latin poetry as both a written and performance-based art form.
 
The accompanying introductory essays situate Vergil’s poems in a rich literary tradition. Wells provides historical context and literary analysis of these two works, eschewing facile interpretations of these oft examined texts and ensconcing them in the society and culture from which they originated. These annotated essays, a pronunciation guide, and a glossary, alongside Wells’s bold vision for what translation choices can reveal, guide readers as they explore this ancient and famously difficult poetry.
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front cover of Every Species of Hope
Every Species of Hope
Georgics, Haiku, and Other Poems
Michael J. Rosen
The Ohio State University Press, 2017
In his first book of poetry in twenty years, Michael J. Rosen captures life in the foothills of the Appalachians. Every Species of Hope: Georgics, Haiku, and Other Poems uses a variety of poetic forms, as well as Rosen’s own pen-and-ink drawings, to give voice to the predicaments of living among other creatures who share a plot of land we think we claim as home. The poems are an attempt at homeostasis: that balancing act every creature works at every hour of every day—a way of living peacefully, expending the right energy in the most productive ways, avoiding or deflecting trouble, gravitating toward sources of fulfillment and contentment.
 
At the center of this book is a suite of poems inspired by Virgil’s Georgics, or “poems of pastoral instruction.” In Rosen’s case, he is more the student than the teacher. Likewise, five short sections of haiku continue his meditation on—or mediation of—art and nature. As he has written, “Haiku provides a brief and mirror-like calm in the choppy waters—in the undertow—of current events: a stillness in time where more than our singular lives can be reflected.”
 
 
Illustrated with two dozen pages from the author’s own journal, Every Species of Hope is the consummation of decades of observation, humility, and awe. 
 
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