Happel primarily lived and worked in the vigorous port city of Hamburg, which was a “media center” in terms of the access it offered to a wide library of books in public and private collections.  Hamburg’s port status meant it buzzed with news and information, and Happel drew on this flow of data in his novels. His books deal with many topics of current interest—national identity formation, gender and sexualities, Western European encounters with neighbors to the East, confrontations with non-European and non-Western powers and cultures—and they feature multiple media, including news reports, news collections, and travel writings. As a result, Happel’s use of contemporary source material in his novels feeds our current interest in the impact of the production of knowledge on seventeenth-century narrative. Mediating Culture in the Seventeenth-Century German Novel explores the narrative wealth and multiversity of Happel’s work, examines Happel’s novels as illustrative of seventeenth-century novel writing in Germany, and investigates the synergistic relationship in Happel’s writings between the booming print media industry and the evolution of the German novel.

How can you fathom a bottomless abyss? How can you capture ineffable beauty in words? How do you narrate the master of all stories? These are the challenges that  seasoned poet Konrad von Würzburg set himself when at the end of the 13th century he composed his account of the Trojan War from a multitude of sources.   Konrad has long been recognized as an exceptionally self-conscious author who frequently reflects on the nature, status and function of poetry, and who at times appears more concerned with the sparkling surface of his discourse than with the events he narrates. Taking these observations as a starting point, this study presents the first comprehensive treatment of metapoetics in the Trojanerkrieg. Focusing on traditional and often discussed loci of metapoetic significance, it also uncovers the far-reaching network of explicit and implicit metapoetic expression that permeates the text on every level - even though its multifaceted imagery and arguments resist translation into the language of formal literary theory. The fact that Konrad’s metapoetic vocabulary regularly draws on imagery of religious origin offers a new perspective from which to address the controversial question of the Christian author’s attitude towards the pagan splendour of the narrated world. In highlighting the pitfalls of metapoetic interpretation and mapping out possible conceptualizations of textuality, language and poetry in Middle High German poetry as well as the relationship between secular and religious literature, this study also makes a broader contribution to medieval literary studies.