A SCHOLARLY BOOK REPOSITORY76 start with G start with G
Now available for the first time in English translation, this new edition of Gallus Dressler's Praecepta musicae poeticae corrects and expands upon earlier editions of one of the most important sixteenth-century treatments of musical theory and rhetoric. Robert Forgács’ detailed study of the Latin text reveals significant and original insights into the invention of fugues and the composition of opening, middle, and concluding sections. Forgács introduces the reader to Dressler's life and work and the design and sources of Praecepta musicae poeticae, places the treatise more fully in its humanist environment, presents additional classical sources for the text, and relates it to the work of Dressler’s contemporary music theorists. Copious annotations and indexes of words, names, and subjects place the treatise within the broader context of German theoretical discussion, the teaching and practice of music in the sixteenth century, and the musical life of the Lutheran Church.
Topics include childbirth, abortion, and the female body in early modern Germany; the roots of German feminism; gender, class, and medicine during World War I and during the Weimar republic; female homosexuality during the Nazi period; East and West German reconstruction following World War II and the formation of a gendered consumer culture.
This book will stimulate readers to think more deeply about the importance of gender in German history, and prove to be an invaluable resource for those interested in women’s studies and in German and European history.
Contributors. Lynn Abrams, Elizabeth Harvey, Dagmar Herzog, Kate Lacey, Katherine Pence, Ulinka Rublack, Claudia Schoppman, Regina Schulte, Cornelie Usborne, Heide Wunder
Thomas Davey conducted interviews with children both sides of the Wall, participated in their daily lives, collected their drawings, talked with their teachers and families and grew aware of just how attentive children can be to moral and political subtleties of national life. The result is a revealing and dramatic portrait of a young generation coming to terms with complex national and historical circumstances of the two cites of East and West Berlin.
Late Enlightenment philosophers and writers like Herder, Goethe, and Schiller broke with conventions of form and genre to prioritize an idealized, and racially coded, universality. Newly translated literatures from colonial contexts served as the basis for their evaluations of how to contribute to a distinctly “German” national literary tradition, one that valorized modernity and freedom and thus fortified crucial determinants of modern concepts of whiteness. Through close readings of both canonical and less-studied Romantic texts, Stephanie Galasso examines the intimately entwined histories of racialized subjectivity and aesthetic theory and shows how literary genre is both symptomatic and generative of the cultural violence that underpinned the colonial project.
Poetic expression and its generic conventions continue to exert pressure on the framing and reception of the stories that can be told about interpersonal and structural experiences of oppression. Genre, Race, and the Production of Subjectivity in German Romanticism explores how white subjectivity is guarded by symbolic and material forms of violence.
“Stunning. . . . Read this book: in equal measure it will give you hope and trouble your dreams.”—Laura Dassow Walls, author of Henry David Thoreau: A Life and Passage to Cosmos: Alexander von Humboldt’s Shaping of America
Georg Forster (1754–94) was in many ways self-taught and rarely had two cents to rub together, but he became one of the most dynamic figures of the Enlightenment: a brilliant writer, naturalist, explorer, illustrator, translator—and a revolutionary. Granted the extraordinary opportunity to sail around the world as part of Captain James Cook’s fabled crew, Forster touched icebergs, walked the beaches of Tahiti, visited far-flung foreign nations, lived with purported cannibals, and crossed oceans and the equator. Forster recounted the journey in his 1777 book A Voyage Round the World, a work of travel and science that not only established Forster as one of the most accomplished stylists of the time—and led some to credit him as the inventor of the literary travel narrative—but also influenced other German trailblazers of scientific and literary writing, most notably Alexander von Humboldt. A superb essayist, Forster made lasting contributions to our scientific—and especially botanical and ornithological—knowledge of the South Seas.
Having witnessed more egalitarian societies in the southern hemisphere, Forster returned after more than three years at sea to a monarchist Europe entering the era of revolution. When, following the French Revolution of 1789, French forces occupied the German city of Mainz, Forster became a leading political actor in the founding of the Republic of Mainz—the first democratic state on German soil.
In an age of Kantian reason, Forster privileged experience. He claimed a deep connection between nature and reason, nature and politics, nature and revolution. His politics was radical in its understanding of revolution as a natural phenomenon, and in this often overlooked way his many facets—as voyager, naturalist, and revolutionary—were intertwined.
Yet, in the constellation of the Enlightenment’s trailblazing naturalists, scientists, political thinkers, and writers, Forster’s star remains relatively dim today: the Republic of Mainz was crushed, and Forster died in exile in Paris. This book is the source of illumination that Forster’s journey so greatly deserves. Tracing the arc of this unheralded polymath’s short life, Georg Forster explores both his contributions to literature and science and the enduring relationship between nature and politics that threaded through his extraordinary four decades.
In late 1946, Stig Dagerman was assigned by the Swedish newspaper Expressen to report on life in Germany immediately after the fall of the Third Reich. First published in Sweden in 1947, German Autumn, a collection of the articles written for that assignment, was unlike any other reporting at the time. While most Allied and foreign journalists spun their writing on the widely held belief that the German people deserved their fate, Dagerman disagreed and reported on the humanness of the men and women ruined by the war—their guilt and suffering. Dagerman was already a prominent writer in Sweden, but the publication and broad reception of German Autumn throughout Europe established him as a compassionate journalist and led to the long-standing international influence of the book.
Presented here in its first American edition with a compelling new foreword by Mark Kurlansky, Dagerman’s essays on the tragic aftermath of war, suffering, and guilt are as hauntingly relevant today amid current global conflict as they were sixty years ago.
Germany fought three major colonial wars from 1900 to 1908: the Boxer War in China, the Herero and Nama War in Southwest Africa, and the Maji Maji War in East Africa. Recently, historians have emphasized the role of German military culture in shaping the horrific violence of these conflicts, tracing a line from German atrocities in the colonial sphere to those committed by the Nazis during World War II. Susanne Kuss dismantles such claims in a close examination of Germany’s early twentieth-century colonial experience. Despite acts of unquestionable brutality committed by the Kaiser’s soldiers, she finds no direct path from Windhoek, site of the infamous massacre of the Herero people, to Auschwitz.
In German Colonial Wars and the Context of Military Violence Kuss rejects the notion that a distinctive military culture or ethos determined how German forces acted overseas. Unlike rival powers France and Great Britain, Germany did not possess a professional colonial army. The forces it deployed in Africa and China were a motley mix of volunteers, sailors, mercenaries, and native recruits—all accorded different training and motivated by different factors. Germany’s colonial troops embodied no esprit de corps that the Nazis could subsequently adopt.
Belying its reputation for Teutonic efficiency, the German military’s conduct of operations in Africa and China was improvisational and often haphazard. Local conditions—geography, climate, the size and capabilities of opposing native populations—determined the nature and extent of the violence German soldiers employed. A deliberate policy of genocide did not guide their actions.
Contributors. Dirk Bönker, Jeff Bowersox, David Ciarlo, Sebastian Conrad, Christian S. Davis, Geoff Eley, Jennifer Jenkins, Birthe Kundus, Klaus Mühlhahn, Bradley Naranch, Deborah Neill, Heike Schmidt, J. P. Short, George Steinmetz, Dennis Sweeney, Brett M. Van Hoesen, Andrew Zimmerman
German Colonialism Revisited brings together military historians, art historians, literary scholars, cultural theorists, and linguists to address a range of issues surrounding colonized African, Asian, and Oceanic people’s creative reactions to and interactions with German colonialism. This scholarship sheds new light on local power dynamics; agency; and economic, cultural, and social networks that preceded and, as some now argue, ultimately structured German colonial rule. Going beyond issues of resistance, these essays present colonialism as a shared event from which both the colonized and the colonizers emerged changed.
The contributions presented here include Fredric Jameson’s “Ramblings in Old Berlin,” Günter Grass’s “Lonesome Capitalism,” and Peter Weiss’s “Aesthetics of Resistance.” Among the topics discussed in the volume are the debate over Holocaust memorials in Germany and the significance of their connections to the German past, the problematic continuity that identifies the new unified Germany with the former Federal Republic; the dangers to women posed by the neoliberal project; the legacy of the avant-garde in today’s media theory; Ars nova and Doktor Faustus; nostalgia for the old German Democratic Republic; and reflections on traumatic memory and history as trauma.
Contributors. Ulrich Baer, Michael Geyer, Günter Grass, Frigga Haug, Julia Hell, Fredric Jameson, Juliet Koss, Andreas Michel, Martin Morris, Arkady Plotnitsky, Pierra Vidal-Naquet, Peter Weiss, James E. Young
This is a book about their paradoxical situation and about the dilemmas all advocates of change face when they become powerful enough to negotiate with the status quo. The critical essays by German social scientists and activists also provide a detailed picture of the dynamics of the German Greens -- where their support has come from, the nature of the competing factions, and the place of feminism. The editors provide a substantial introduction.
The flavor and texture of the Greens -- including their raucous public arguments and their innovative campaign tactics -- are suggested by the political posters included in the book and by a whole section of primary documents.
The documents and the essays (except for one originally written in English) have been translated from the German. The result is to make available to English-speaking readers a view of a complex movement whose very name and color have become synonymous with social action in favor of the environment and the empowerment of people.
Offering the first analytical account of the connection between anti-Semitism and philosophy, Mack begins his exploration by showing how the fundamental thinkers in the German idealist tradition—Kant, Hegel, and, through them, Feuerbach and Wagner—argued that the human world should perform and enact the promises held out by a conception of an otherworldly heaven. But their respective philosophies all ran aground on the belief that the worldly proved incapable of transforming itself into this otherworldly ideal. To reconcile this incommensurability, Mack argues, philosophers created a construction of Jews as symbolic of the "worldliness" that hindered the development of a body politic and that served as a foil to Kantian autonomy and rationality.
In the second part, Mack examines how Moses Mendelssohn, Heinrich Heine, Franz Rosenzweig, and Freud, among others, grappled with being both German and Jewish. Each thinker accepted the philosophies of Kant and Hegel, in varying degrees, while simultaneously critiquing anti-Semitism in order to develop the modern Jewish notion of what it meant to be enlightened—a concept that differed substantially from that of Kant, Hegel, Feuerbach, and Wagner. By speaking the unspoken in German philosophy, this book profoundly reshapes our understanding of it.
Anyone interested in the fate of national ideology and the concept of the individual will benefit from this radical reinterpretation of modern values and the place of modernity in history.
"What François Furet did for French history, Dumont did for anthropology, turning it away from engaged politics and towards the sober study of the modern age." —Mark Lilla, London Review of Books
"There are many fine things in Dumont's study. Beyond any doubt, his cultural anthropology of the modern spirit highlights some of the key energies of the of the last two centuries. . . . [An] impressive . . . detailed analysis." —Martin Swales, Times Higher Education Supplement
"[An] unsettling, rich, demanding, profound study." —Publishers Weekly
Operation Sealion was the codename for the Nazi invasion of Britain that Hitler ordered his generals to plan after France fell in June 1940. Although the plan ultimately never came to fruition, a few sets of the Germans’ detailed strategy documents are housed in the rare book rooms of libraries across Europe. But now the Bodleian Library has made documents from their set available for all to peruse in this unprecedented collection of the invasion planning materials.
The planned operation would have involved landing 160,000 German soldiers along a forty-mile stretch of coast in southeast England. Packets of reconnaissance materials were put together for the invading forces, and the most intriguing parts are now reproduced here. Each soldier was to be given maps and geographical descriptions of the British Isles that broke down the country by regions, aerial photographs pinpointing strategic targets, an extensive listing of British roads and rivers, strategic plans for launching attacks on each region, an English dictionary and phrase book, and even a brief description of Britain’s social composition.
Augmenting the fascinating documents is an informative introduction that sets the materials in their historical and political context. A must-have for every military history buff, German Invasion Plans for the British Isles, 1940 is a remarkable revelation of the inner workings of Hitler’s most famous unrealized military campaign.
German Literature on the Middle East explores the dynamic between German-speaking and Middle Eastern states and empires from the time of the Crusades to the end of the Cold War. This insightful study illuminates the complex relationships among literary and other writings on the one hand, and economic, social, and political processes and material dimensions on the other. Focusing on German-language literary and nonfiction writings about the Middle East (including historical documents, religious literature, travel writing, essays, and scholarship), Nina Berman evaluates the multiple layers of meaning contained in these works by emphasizing the importance of culture contact; a wide web of political, economic, and social practices; and material dimensions as indispensible factors for the interpretive process.
This analysis of literary and related writing reveals that German views about the Middle East evolved over the centuries and that various forms of action toward the Middle East differed substantially as well. Ideas about religion, culture, race, humanism, nation, and modernity, which emerged successively but remain operative to this day, have fashioned Germany's changed attitudes toward the Middle East. Exploring the interplay between textual discourses and social, political, and economic practices and materiality, German Literature on the Middle East offers insights that challenge accepted approaches to the study of literature, particularly approaches that insist on the centrality of the linguistic construction of the world. In addition, Berman presents evidence that the German encounter with the Middle East is at once distinct and yet at the same time characterized by patterns shared with other European countries. By addressing the individual nature of the German encounter in the larger European context, this study fills a considerable gap in current scholarship.
The interdisciplinary approach of German Literature on the Middle East will be of interest to the humanities in general, and specifically to scholars of German studies, comparative literature, Middle Eastern studies, and history.
Nina Berman is Professor of Comparative Studies at The Ohio State University.
Jacket image: Map of Europe by Giovanni Magini, from his “Geography.” Venice, [1598]. From the University of Michigan Map Library.
Political Map of the World, April 2008. From the University of Texas Perry-Castañeda Library, Map Collection.
-Russell Berman, Stanford University
"Intellectually rigorous and conceptually nuanced, Todd Kontje's German Orientalisms is a valuable contribution to the debate on identity politics in German cultural history. Through an erudite and insightful analysis of the German fictions of a broadly defined 'Orient' from the Middle Ages to the present, Kontje illustrates how German literature situated itself within a 'symbolic geography,' whose coordinates are defined by both its representations of the Orient and its affiliation with the Occident. German Orientalisms offers not only an admirable synthesis of the scholarship on German linguistic and cultural nationalism but also sophisticated interpretive strategies for a better understanding of our perceptions and misconceptions of alterity."
-Azade Seyhan, Bryn Mawr College
"This is a fascinating topic, and the book opens new scholarly vistas. In an age of increased specialization, Kontje takes a macro view, looking at German literature almost
from its beginnings to the present, from Wolfram to Özdamar. He also has the courage to link his well-researched work to topics like globalization, the culture wars, and canon formation. He doesn't merely proclaim literature's importance, he shows by example how the literary imagination-creative as it is, dodging dogmatism, and able to confound ideologies-can thrive in an era of cultural studies."
-Sara Friedrichsmeyer, University of Cincinnati
Todd Kontje's German Orientalisms offers a fresh examination of the role of the East in German literary imagination, ranging from the Middle Ages to the present. In its wide historical sweep, this book offers important new insights into many of the most famous writers in the German language, from Goethe to Thomas Mann to Günter Grass.
Building on Edward Said's Orientalism-which defined Orientalism as a form of Western knowledge directly linked to imperial power-Kontje offers a more nuanced version as seen through the lens of German literature of the last thousand years.
Said's focus was on British and French Orientalists-two nations with colonial interests in the East. Germany was different in that it had no stake in the Orient. Far from diminishing an Orientalist perspective, however, the absence of a German empire in the East produced a peculiarly German brand of Orientalism, one in which German writers alternated between identification with the rest of Europe and allying themselves with parts of the East against the West.
Above all, Kontje asks how German writers conceived of their place in "the land of the center" (das Land der Mitte) and how their literary works help to create the imagined community of the German nation.
The German Patient takes an original look at fascist constructions of health and illness, arguing that the idea of a healthy "national body"---propagated by the Nazis as justification for the brutal elimination of various unwanted populations---continued to shape post-1945 discussions about the state of national culture. Through an examination of literature, film, and popular media of the era, Jennifer M. Kapczynski demonstrates the ways in which postwar German thinkers inverted the illness metaphor, portraying fascism as a national malady and the nation as a body struggling to recover. Yet, in working to heal the German wounds of war and restore national vigor through the excising of "sick" elements, artists and writers often betrayed a troubling affinity for the very biopolitical rhetoric they were struggling against. Through its exploration of the discourse of collective illness, The German Patient tells a larger story about ideological continuities in pre- and post-1945 German culture.
Jennifer M. Kapczynski is Assistant Professor of Germanic Languages and Literatures at Washington University in St. Louis. She is the coeditor of the anthology A New History of German Cinema.
Cover art: From The Murderers Are Among Us (1946). Reprinted courtesy of the Deutsche Kinemathek.
"A highly evocative work of meticulous scholarship, Kapczynski's deftly argued German Patient advances the current revaluation of Germany's postwar reconstruction in wholly original and even exciting ways: its insights into discussions of collective sickness and health resonate well beyond postwar Germany."
---Jaimey Fischer, University of California, Davis
"The German Patient provides an important historical backdrop and a richly specific cultural context for thinking about German guilt and responsibility after Hitler. An eminently readable and engaging text."
---Johannes von Moltke, University of Michigan
"This is a polished, eloquently written, and highly informative study speaking to the most pressing debates in contemporary Germany. The German Patient will be essential reading for anyone interested in mass death, genocide, and memory."
---Paul Lerner, University of Southern California
Surrounding this indisputable phenomena, questions of the role and place of a "popular" German culture continue to trigger heated debate. Embraced by some as a welcome means to break out of the German monocultural mind-set, American-shaped "pop" culture is rejected by others as "polluting" established values, leveling necessary differentiation, and ultimately being driven by a capitalist consumer society rather than by moral or aesthetic standards.
This collaborative volume addresses a number of intriguing questions: What do Germans envisage when they speak of the "Americanization" of their literature and music? How do artists respond to today's media culture? What does this mean for the current political dimension of German-American relations? Can one speak meaningfully of an "Americanized" German culture? In addressing these and other questions, this work fills a gap in existing scholarship by investigating German popular culture from a multidisciplinary, international perspective.
Contributors to this volume:
Winfried Fluck, Gerd Gemünden, Lutz Koepnick, Barbara Kosta, Sara Lennox, Thomas Meinecke, Uta Poiger, Matthias Politycki, Thomas Saunders, Eckhard Schumacher, Marc Silberman, Frank Trommler, Sabine von Dirke
Many observers have underscored the reemergence of Germany as Europe's central power. After four decades of division, they contend, Germany is once again fully sovereign; without the strictures of bipolarity, its leaders are free to define and pursue national interests in East and West. From this perspective, the reunified Germany faces challenges not unlike those of its unified predecessor a century earlier.
The German Problem Transformed rejects this formulation. Thomas Banchoff acknowledges post-reunification challenges, but argues that postwar changes, not prewar analogies, best illuminate them. The book explains the transformation of German foreign policy through a structured analysis of four critical postwar junctures: the cold war of the 1950s, the détente of the 1960s and 1970s, the new cold war of the early 1980s, and the post-cold war 1990s. Each chapter examines the interaction of four factors--international structure and institutions, foreign policy ideas, and domestic politics--in driving the direction of German foreign policy at a key turning point.
This book will be of interest to scholars and students of German history, German politics, and European international relations, as well as policymakers and the interested public.
Thomas Banchoff is Assistant Professor of Government, Georgetown University.
Fascination with the evil of the Nazi regime has not diminished in the decades since Hitler assumed power in Germany, but the story of internal resistance to Nazism has not been as fully realized as have the innumerable tales of horror. In this compact book Peter Hoffmann examines the growing recognition by some Germans in the 1930s of the malign nature of the Nazi regime, the ways in which these people became involved in the resistance, and the views of those who staked their lives in the struggle against tyranny and murder.
The earliest postwar accounts of the resistance by survivors and witnesses were followed by a variety of investigations and evaluations. Peter Hoffrnann here presents a complete reconstruction of this baffling and intriguing story. After several decades of study of the German resistance to Nazism, he has unlocked the secrets of its inner history. Hoffmann recounts the methods of Hitler's rise to power in the tumultuous days of January and February 1933, the consolidation of his power as a result of the Röhm Massacre in 1934, and his growing criminality as evidenced by the rape of Czechoslovakia and the pogrom of 1938. The author describes the several attempts in 1938 and during the war years to dislodge Hitler from within; the desperation of the luckless opponents over the carnage of war and the mass murders that threatened to engulf them; and finally, the attempt to assassinate Hitler on July 20, 1944. Throughout, he probes the motives of the resisters. Some, for example, found it difficult to justify assassination, even for the purpose of bringing an end to mass killing. Hoffmann examines and discounts the accusation that the principal motive of those who resisted was to preserve their class privileges. The resisters, he concludes, acted not so much in the hope of personal gain as from a moral obligation to challenge the evils they saw before them.
In confrontation and sometimes cooperation with men over their place in the colonial project, German women launched nationalist and colonialist campaigns for increased settlement and new state policies. Wildenthal analyzes recently accessible Colonial Office archives as well as mission society records, periodicals, women’s memoirs, and fiction to show how these women created niches for themselves in the colonies. They emphasized their unique importance for white racial “purity” and the inculcation of German culture in the family. While pressing for career opportunities for themselves, these women also campaigned against interracial marriage and circulated an image of African and Pacific women as sexually promiscuous and inferior. As Wildenthal discusses, the German colonial imaginary persisted even after the German colonial empire was no longer a reality. The women’s colonial movement continued into the Nazi era, combining with other movements to help turn the racialist thought of the late-nineteenth and early-twentieth centuries into the hierarchical evaluation of German citizens as well as colonial subjects.
Students and scholars of women’s history, modern German history, colonial politics and culture, postcolonial theory, race/ethnicity, and gender will welcome this groundbreaking study.
This innovative perspective has implications for understanding not only the rise of fascism and Nazism in Germany but also the rise and fall of the New Left in the United States and Europe, which was occurring at the time of Mosse’s writing. A new critical introduction by Sarah Wobick-Segev, research associate at the University of Hamburg, places Mosse’s work in its historical and intellectual contexts and draws lessons for students and scholars today.
The promise of cheap land and fertile soil in rural areas and emerging industries in cities attracted three major waves of German-speaking immigrants to Illinois in search of freedom and economic opportunities. Before long the state was dotted with German churches, schools, cultural institutions, and place names. German churches served not only as meeting places but also as a means of keeping language and culture alive. Names of Illinois cities and towns of German origin include New Baden, Darmstadt, Bismarck, and Hamburg. In Chicago, many streets, parks, and buildings bear German names, including Altgeld Street, Germania Place, Humboldt Park, and Goethe Elementary School. Some of the most lively and ubiquitous organizations, such as Sängerbunde, or singer societies, and the Turnverein, or Turner Society, also preserved a bit of the Fatherland.
Exploring the complex and ever-evolving German American identity in the growing diversity of Illinois’s linguistic and ethnic landscape, this book contextualizes their experiences and corrects widely held assumptions about assimilation and cultural identity. Federal census data, photographs, lively biographical sketches, and newly created maps bring the complex story of German immigration to life. The generously illustrated volume also features detailed notes, suggestions for further reading, and an annotated list of books, journal articles, and other sources of information.
Why did ordinary Germans vote for Hitler? In this dramatically plotted book, organized around crucial turning points in 1914, 1918, and 1933, Peter Fritzsche explains why the Nazis were so popular and what was behind the political choice made by the German people.
Rejecting the view that Germans voted for the Nazis simply because they hated the Jews, or had been humiliated in World War I, or had been ruined by the Great Depression, Fritzsche makes the controversial argument that Nazism was part of a larger process of democratization and political invigoration that began with the outbreak of World War I.
The twenty-year period beginning in 1914 was characterized by the steady advance of a broad populist revolution that was animated by war, drew strength from the Revolution of 1918, menaced the Weimar Republic, and finally culminated in the rise of the Nazis. Better than anyone else, the Nazis twisted together ideas from the political Left and Right, crossing nationalism with social reform, anti-Semitism with democracy, fear of the future with hope for a new beginning. This radical rebelliousness destroyed old authoritarian structures as much as it attacked liberal principles.
The outcome of this dramatic social revolution was a surprisingly popular regime that drew on public support to realize its horrible racial goals. Within a generation, Germans had grown increasingly self-reliant and sovereign, while intensely nationalistic and chauvinistic. They had recast the nation, but put it on the road to war and genocide.
In one concise volume, Hagen Schulze brilliantly conveys the full sweep of German history, from the days of the Romans to the fall of the Berlin Wall. A story two thousand years in the making, it rings with battle, murmurs with intrigue, and hums with the music of everyday life. This richly various legacy, often overshadowed and distorted by the nation's recent past, offers a hopeful answer to the perennial question of what kind of country Germany is and will be.
From the revolt of the indigenous tribes against Roman domination, Schulze leads us through the events that have defined a nation at the center of European culture--the Thirty Years' War and the decline of the Holy Roman Empire, Luther's Reformation and Bismarck's attendance at the birth of modern Germany, the Great War and its aftermath, the nationalistic megalomania under Hitler, the division of the nation after World War II and its reunification. Throughout, we see what these developments have meant for the German people, in the arena of private life and on the stage of world history. A lavish array of illustrations provides a lively counterpoint to Schulze's elegantly written narrative.
As it follows the threads of German language, nationalism, and culture to the present day, this dramatic account provides ample reassurance that recent history will not repeat itself. Germany: A New History will prove indispensable to our understanding of Germany, past and present, and the future of Europe.
Historian Gilad Margalit eloquently fills a tragic gap in the historical record with this sweeping examination of the plight of Gypsies in Germany before, during, and since the era of the Third Reich.
Germany and Its Gypsies reveals the painful record of the official treatment of the German Gypsies, a people whose future, in the shadow of Auschwitz, remains uncertain. Margalit follows the story from the heightened racism of the nineteenth century to the National Socialist genocidal policies that resulted in the murder of most German Gypsies, from the shifting attitudes in the two Germanys in 1945 through reunification and up to the present day.
Drawing upon a rich variety of sources, Margalit considers the pivotal historic events, legal arguments, debates, and changing attitudes toward the status of the German Gypsies and shines a vitally important light upon the issue of ethnic groups and their victimization in society. The result is a powerful and unforgettable testament.
Using documents only recently available, this pioneering book explores the interaction of German, British, French, and American policy at a time when the great depression and the growing political power of the Nazis had created a European crisis—the only such crisis between 1910 and 1941 in which the United States played a leading role.
The author uses contemporary records to rectify the later accounts of such participants as Herbert Hoover, Julius Curtius, and Paul Schmidt. He describes the negotiations of the major powers arising out of the Austro-German plans for a customs union, and relates this problem to the question of terminating reparations and war debts. He shows how the Governor of the Bank of England directed British foreign policy into bitter opposition to France and how the German government sought to exploit the German private debt to Wall Street.
Edward Bennett comes to the conclusion that the Brüning government, contrary to widely held opinion, received fully as much help as it deserved, while the Western powers were already showing the disunity and irresponsibility which proved so disastrous in later years. Although primarily a diplomatic history, this book also offers fresh information on pre-Hitler Germany, MacDonald's Britain, the Hoover administration, and the early career of Pierre Laval.
Moving away from state-centered and Marxist approaches to the study of the European monetary integration process, Karl Kaltenthaler offers a new analytical framework to assess the dynamics within and among the participating countries. Using official and unofficial documents as well as interviews with players ranging from presidents of the Bundesbank to functionaries in the trade unions, Kaltenthaler argues that the number of decision makers negotiating policy and their accountability to interest groups, political parties, government ministries, and Germany’s central bank have made Germany’s fluctuations in policy inevitable. Germany and the Politics of Europe’s Money examines twenty years of German policy through an analysis of four key episodes: the creation of the European Monetary System, the creation of the Franco-German Economic and Financial Council, the establishment of policy toward the European Monetary Union, and the institutional transformation of the EMS in the 1990s. It thus brings a new understanding to Germany’s dynamic policies and the political forces behind them.
Beginning with Bismarck's forging of a nation with "iron and blood," Gatzke tells of Germany's relentless struggle for domination in Europe and in the West, its defeat in two world wars, its division, East Germany's travail, and West Germany's search for identity as a modern democratic state.
A discerning statement about Germany and other nations, this book reevaluates for the general reader and the historian the impact of rapid industrialization, the origins of the world wars, the question of war guilt, the decade of Weimar democracy, and the rise and fall of Hitler. Gatzke looks anew at the economic miracle in West Germany and the consequences of making prosperity the cornerstone of a new republic.
It is to the realities of these German characteristics as an evolving nation-state that Gatzke relates American foreign policy and perceptions. He recounts the American fluctuations, from favorable to hostile to friendly, as Germany's policies and fortunes changed, and he places the division of Germany in historical perspective.
Analyzes the German role in Central American domestic and international relations
Using previously untapped resources including private collections, the records of cultural institutions, and federal and state government archives, Schoonover analyzes the German role in Central American domestic and international relations.Of the four countries most active in independent Central America-Britain, the United States, France, and Germany- historians know the least about the full extent of the involvement of the Germans.German colonial expansion was based on its position as an industrialized state seeking economic well-being and security in a growing world market. German leaders were quick to recognize that ties to the cheap labor of overseas countries could compensate for some of the costs and burdens of conceding material and social privileges to their domestic labor force. The Central American societies possessed limited resource bases; smaller and poorly educated populations; and less capital, communications, and technological development than Germany. They saw the borrowing of development as a key to their social, economic, and political progress. Wary Central American leaders also saw the influx of German industrialists as assurance against excessive U.S. presence in their political economies and cultures.
Although the simplistic bargain to trade economic development for cheap labor appeared to succeed in the short term, complex issues of German domestic unemployment and social disorder filtered to Central American countries and added to their own burdens. By 1929, Germany had recovered most of its pre-World War I economic position.
Adolf Hitler, writing in Mein Kampf, was scathing in his condemnation of German propaganda in the First World War, declaring that Germany had failed to recognize propaganda as a weapon of the first order. This despite the fact that propaganda had been regarded, arguably for the first time, as an intrinsic part of the war effort.
David Welch has written the first book to fully examine German society — politics, propaganda, public opinion, and total war — in the Great War. Drawing on a wide range of sources — from posters, newspapers, journals, film, parliamentary debates, police and military reports, and private papers — Welch argues that the moral collapse of Germany was due less to the failure to disseminate propaganda than to the inability of the military authorities and the Kaiser to reinforce this propaganda, and to acknowledge the importance of public opinion in forging an effective link between leadership and the people.
This new edition of a best-selling history of Germany, originally published in 1976, includes the great watershed of 1989–90 and its aftermath. With twelve maps, a chronology of events, and an updated bibliographical essay, Germany: A Short History provides a thorough introduction to German history from antiquity to the present.
Officials mingled in the lobby of the Oktyabrskaia Hotel--shaking hands, sipping champagne, signing their names--and Germany was united. In this undramatic fashion, the international community closed the book on the drama of divided Germany. But nothing so momentous could be quite so quiet and uncomplicated, as this volume makes strikingly clear. This is the first book to go behind the scenes through access to still not opened archives in many countries. Germany Unified and Europe Transformed discloses the moves and maneuvers that ended the Cold War division of Europe.
Philip Zelikow and Condoleezza Rice, who served in the White House during these years, have combed a vast number of documents and other sources in German and Russian as well as English. They also interviewed the major actors in the drama--George Bush, Hans-Dietrich Genscher, Eduard Shevardnadze, James Baker, Anatoly Chernyayev, Brent Scowcroft, Horst Teltschik, and many others. Their firsthand accounts merge to create a complete, detailed, and powerfully immediate picture of what happened. The book takes us into Gorbachev's world, illuminating why the Soviet leader set such cataclysmic forces in motion in the late 1980s and how these forces outstripped his plans. We follow the tense debates between Soviet and East German officials over whether to crush the first wave of German protesters--and learn that the opening of the Berlin Wall was in fact one of the greatest bureaucratic blunders in human history. The narrative then reveals the battle for the future of East Germany as it took shape between West German Chancellor Helmut Kohl and the reform Communist leader, Hans Modrow--East Germany's "little Gorbachev." Zelikow and Rice show how Kohl and George Bush held off the reactions of governments throughout Europe so that Kohl could awaken East Germans to the possibility of reunification on his terms. Then the battle over the future of the NATO alliance began in earnest.
The drama that would change the face of Europe took place largely backstage, and this book lets us in on the strategies and negotiations, the nerve-racking risks, last-minute decisions, and deep deliberations that brought it off. It is the most authoritative depiction of contemporary statecraft to appear in decades.
Officials mingled in the lobby of the Oktyabrskaia Hotel--shaking hands, sipping champagne, signing their names--and Germany was united. In this undramatic fashion, the international community closed the book on the drama of divided Germany. But nothing so momentous could be quite so quiet and uncomplicated, as this volume makes strikingly clear. This is the first book to go behind the scenes through access to still not opened archives in many countries. Germany Unified and Europe Transformed discloses the moves and maneuvers that ended the Cold War division of Europe.
Philip Zelikow and Condoleezza Rice, who served in the White House during these years, have combed a vast number of documents and other sources in German and Russian as well as English. They also interviewed the major actors in the drama--George Bush, Hans-Dietrich Genscher, Eduard Shevardnadze, James Baker, Anatoly Chernyayev, Brent Scowcroft, Horst Teltschik, and many others. Their firsthand accounts merge to create a complete, detailed, and powerfully immediate picture of what happened. The book takes us into Gorbachev's world, illuminating why the Soviet leader set such cataclysmic forces in motion in the late 1980s and how these forces outstripped his plans. We follow the tense debates between Soviet and East German officials over whether to crush the first wave of German protesters--and learn that the opening of the Berlin Wall was in fact one of the greatest bureaucratic blunders in human history. The narrative then reveals the battle for the future of East Germany as it took shape between West German Chancellor Helmut Kohl and the reform Communist leader, Hans Modrow--East Germany's "little Gorbachev." Zelikow and Rice show how Kohl and George Bush held off the reactions of governments throughout Europe so that Kohl could awaken East Germans to the possibility of reunification on his terms. Then the battle over the future of the NATO alliance began in earnest.
The drama that would change the face of Europe took place largely backstage, and this book lets us in on the strategies and negotiations, the nerve-racking risks, last-minute decisions, and deep deliberations that brought it off. It is the most authoritative depiction of contemporary statecraft to appear in decades.
In Germany’s Ancient Pasts, Brent Maner offers a vivid portrait of the development of antiquarianism and archaeology, the interaction between regional and national history, and scholarly debates about the use of ancient objects to answer questions of race, ethnicity, and national belonging. While excavations in central Europe throughout the eighteenth and nineteenth centuries fed curiosity about the local landscape and inspired musings about the connection between contemporary Germans and their “ancestors,” antiquarians and archaeologists were quite cautious about using archaeological evidence to make ethnic claims. Even during the period of German unification, many archaeologists emphasized the local and regional character of their finds and treated prehistory as a general science of humankind. As Maner shows, these alternative perspectives endured alongside nationalist and racist abuses of prehistory, surviving to offer positive traditions for the field in the aftermath of World War II. A fascinating investigation of the quest to turn pre- and early history into history, Germany’s Ancient Pasts sheds new light on the joint sway of science and politics over archaeological interpretation.
Now for the first time, a survey of the country's natural and cultural landscapes is available in one volume. Essays by leading scholars of history, geography, and the social sciences move beyond the Green movement to uncover the enduring yet ever-changing cultural patterns, social institutions, and geographic factors that have sustained Germany's relationship to its land.
Unlike the American environmental movement, which is still dominated by debates about wilderness conservation and the retention of untouched spaces, discussions of the German landscape have long recognized human impact as part of the "natural order." Drawing on a variety of sites as examples, including forests, waterways, the Autobahn, and natural history museums, the essays demonstrate how environmental debates in Germany have generally centered on the best ways to harmonize human priorities and organic order, rather than on attempts to reify wilderness as a place to escape from industrial society.
Germany's Nature is essential reading for students and professionals working in the fields of environmental studies, European history, and the history of science and technology.
How does a country reconstitute itself as a functioning democracy after a period of dictatorship? The new community may execute, imprison, or temporarily disenfranchise some citizens, but it will be unable to exclude all who supported the fallen regime. Political reconciliation must lay the groundwork for political trust. Democracy offers the compromised--and many who were more than just compromised--a second chance.
In this new book, Anne Sa'adah explores twentieth-century Germany's second chances. Drawing on evidence from intellectual debates, trials, literary works, controversies about the actions of public figures, and partisan competition, Sa'adah analyzes German responses to the problem of reconciliation after 1945 and again after 1989. She depicts the frustrations, moral and political ambiguities, and disappointments inherent to even successful processes of democratization. She constantly underscores the difficult trade-off between achieving a modicum of justice and securing the legitimacy and stability of the new regime. A strategy of reconciliation emphasizing outward conformity to democratic norms and behavior, she argues, has a greater chance of sustaining a new and fragile democracy than do more direct attempts to punish past misdeeds and alter people's inner convictions.
While conventional definitions locate colonial space overseas, Kristin Kopp argues that it was possible to understand both distant continents and adjacent Eastern Europe as parts of the same global periphery dependent upon Western European civilizing efforts. However, proximity to the source of aid translated to greater benefits for Eastern Europe than for more distant regions.
As Engel shows, in his search for the truth of Jewish mysticism Scholem molded the vast literature of Jewish mystical lore into a rich assortment of stories that unveiled new truths about the modern condition. Positioning Scholem’s work and life within early twentieth-century Germany, Palestine, and later the state of Israel, Engel intertwines Scholem’s biography with his historiographical work, which stretches back to the Spanish expulsion of Jews in 1492, through the lives of Rabbi Isaac Luria and Sabbatai Zevi, and up to Hasidism and the dawn of the Zionist movement. Through parallel narratives, Engel touches on a wide array of important topics including immigration, exile, Zionism, World War One, and the creation of the state of Israel, ultimately telling the story of the realizations—and failures—of a dream for a modern Jewish existence.
Through a lifetime of passionate scholarship, Gershom Scholem (1897–1982) uncovered the “domains of tradition hidden under the debris of centuries” and made the history of Jewish mysticism and messianism comprehensible and relevant to current Jewish thought.
In this paperback edition of his definitive book on Scholem’s work, David Biale has shortened and rearranged his study for the benefit of the general reader and the student. A new introduction and new passages in the main text highlight the pluralistic character of Jewish theology as seen by Scholem, the place of the Kabbalah in debates over Zionism versus assimilation, and the interpretation of Kafka as a Jewish writer.
In The Gestation of German Biology, historian of ideas John Zammito presents a different version of the emergence of the field, one that takes on both Foucault and Mayr and emphasizes the scientific progress throughout the eighteenth century that led to the recognition of the need for a special science. The embrace of the term biology around 1800, Zammito shows, was the culmination of a convergence between natural history and human physiology that led to the development of comparative physiology and morphology—the foundations of biology. Magisterial in scope, Zammito’s book offers nothing less than a revisionist history of the field, with which anyone interested in the origins of biology will have to contend.
Under the Third Reich, Nazi Germany undertook an unprecedented effort to refashion the city of Łódź. Home to prewar Poland’s second most populous Jewish community, this was to become a German city of enchantment—a modern, clean, and orderly showcase of urban planning and the arts. Central to the undertaking, however, was a crime of unparalleled dimension: the ghettoization, exploitation, and ultimate annihilation of the city’s entire Jewish population.
Ghettostadt is the terrifying examination of the Jewish ghetto’s place in the Nazi worldview. Exploring ghetto life in its broadest context, it deftly maneuvers between the perspectives and actions of Łódź’s beleaguered Jewish community, the Germans who oversaw and administered the ghetto’s affairs, and the “ordinary” inhabitants of the once Polish city. Gordon Horwitz reveals patterns of exchange, interactions, and interdependence within the city that are stunning in their extent and intimacy. He shows how the Nazis, exercising unbounded force and deception, exploited Jewish institutional traditions, social divisions, faith in rationality, and hope for survival to achieve their wider goal of Jewish elimination from the city and the world. With unusual narrative force, the work brings to light the crushing moral dilemmas facing one of the most significant Jewish communities of Nazi-occupied Eastern Europe, while simultaneously exploring the ideological underpinnings and cultural, economic, and social realities within which the Holocaust took shape and flourished.
This lucid, powerful, and harrowing account of the daily life of the “new” German city, both within and beyond the ghetto of Łódź, is an extraordinary revelation of the making of the Holocaust.
Germany, which brutalized its neighbors in Europe for centuries, has mostly escaped the ghosts of the past, while Japan remains haunted in Asia. The most common explanation for this difference is that Germany knows better how to apologize; Japan is viewed as “impenitent.” Walter F. Hatch rejects the conventional wisdom and argues that Germany has achieved reconciliation with neighbors by showing that it can be a trustworthy partner in regional institutions like the European Union and NATO; Japan has never been given that opportunity (by its dominant partner, the U.S.) to demonstrate such an ability to cooperate. This book rigorously defends the argument that political cooperation—not discourse or economic exchange—best explains Germany’s relative success and Japan’s relative failure in achieving reconciliation with neighbors brutalized by each regional power in the past. It uses paired case studies (Germany-France and Japan-South Korea; Germany-Poland and Japan-China) to gauge the effect of these competing variables on public opinion over time. With numerous charts, each of the four empirical chapters illustrates the powerful causal relationship between institution building and interstate reconciliation.
"Written in a clear and elegant style, The Ghosts of Berlin is not just another colorless architectural history of the German capital. . . . Mr. Ladd's book is a superb guide to this process of urban self-definition, both past and present."—Katharina Thote, Wall Street Journal
"If a book can have the power to change a public debate, then The Ghosts of Berlin is such a book. Among the many new books about Berlin that I have read, Brian Ladd's is certainly the most impressive. . . . Ladd's approach also owes its success to the fact that he is a good storyteller. His history of Berlin's architectural successes and failures reads entertainingly like a detective novel."—Peter Schneider, New Republic
"[Ladd's] well-written and well-illustrated book amounts to a brief history of the city as well as a guide to its landscape."—Anthony Grafton, New York Review of Books
These words from the memoirs Glikl bas Leib wrote in Yiddish between 1691 and 1719 shed light on the life of a devout and worldly woman. Writing initially to seek solace in the long nights of her widowhood, Glikl continued to record the joys and tribulations of her family and community in an account unique for its impressive literary talents and strong invocation of self. Through intensely personal recollections, Glikl weaves stories and traditional tales that express her thoughts and beliefs. While influenced by popular Yiddish moral literature, Glikl’s frequent use of first person and the significance she assigns her own life experience set the work apart. Informed by fidelity to the original Yiddish text, this authoritative new translation is fully annotated to explicate Glikl’s life and times, offering readers a rich context for appreciating this classic work.
A society’s traditions and culture, Alexander argues, have a much greater effect on property rights. Laws must aim, then, to change cultural ideas of property, rather than deem whether one has the right to own it. Ultimately, Alexander builds a strong case for improving American takings law by borrowing features from the laws of other countries—particularly those laws based on the idea that owning property not only confers rights, but also entails responsibilities to society as a whole.
For German philosophers at the turn of the nineteenth century, beautiful works of art acted as beacons of freedom, instruments of progress that could model and stimulate the moral autonomy of their beholders. Amid the Revolutionary and Napoleonic wars, Germans struggled to uphold these ideals as they contended with the destruction of art collections, looting, and questions about cultural property. As artworks fell prey to the violence they were supposed to transcend, some began to wonder how art could deliver liberation if it could also quickly become a spoil of war. Alice Goff considers a variety of works—including forty porphyry columns from the tomb of Charlemagne, the Quadriga from the Brandenburg Gate in Berlin, the Laocoön group from Rome, a medieval bronze reliquary from Goslar, a Last Judgment from Danzig, and the mummified body of an official from the Rhenish hamlet of Sinzig—following the conflicts over the ownership, interpretation, conservation, and exhibition of German collections during the Napoleonic period and its aftermath.
Goethe and His Publishers organizes for the first time the myriad details of Goethe's career in print. Director of the German publishing company Suhrkamp Verlag, Siegfried Unseld brings a singular perspective to this biography, focusing our attention on an essential component of Goethe's literary endeavors: his relationship to his publishers. Carefully examining each work, Unseld covers the range of Goethe's oeuvre, from first anonymous publications to eventual monumental editions brought out by Johann Friedrich Cotta, the most renowned publisher of his day.
Unseld sifts through the rich correspondence between Goethe and his publishers, as well as letters to and from friends, colleagues, and contemporaries. Analyzing publishing contracts, draft contracts, and historical documents, Unseld reveals the tremendous energy Goethe exerted on behalf of his manuscripts. During negotiations he was sometimes circumspect and reserved, other times demanding and assertive. These exchanges not only shed new light on Goethe's complex character but also show how he changed the author's role in the publishing process. Thus, this work offers a penetrating study on the intricate and many-tiered relations between author and publisher, then and today.
Goethe and His Publishers celebrates Goethe's works, his life, and his times, from the viewpoint of a publisher today. Written by an individual who has devoted much of his life to the study of the poet whom he reveres, such a personal approach not only forms an excellent introduction to Goethe's work but helps restore Goethe to his rightful place in the world of letters.
While Goethe’s Italian Journey is a classic piece of travel writing, it was the product of his only extended physical journey. The majority, rather, were of the mind, taken amid the pages of books by others. In his reading, Goethe was the prototypical eighteenth-century armchair traveler, developing knowledge of places both near and far through the words and eyewitness accounts of others. In Goethe: Journeys of the Mind, Nancy Boerner and Gabrielle Bersier explore what it was that made the great writer distinct from his peers and offer insight into the ways that Goethe was able to explore the cultures and environments of places he never saw with his own eyes.
"A brilliant juxtaposition of life and thought. . . . The sympathy of this pictorial biography is rivaled by few books on Nietzsche."—Charles M. Stang, Boston Book Review
"[A] distinguished addition to the Nietzsche-friendly corpus."—Alain de Botton, Los Angeles Times Book Review
"An odd and oddly endearing record of Nietzsche's travels."—John Banville, New York Review of Books
Franco-German cultural exchange reached its height at the 1937 Paris World’s Fair, where the Third Reich worked to promote an illusion of friendship between the two countries. Through the prism of this decisive event, Grand Illusion examines the overlooked relationships among Nazi elites and French intellectuals. Their interaction, Karen Fiss argues, profoundly influenced cultural production and normalized aspects of fascist ideology in 1930s France, laying the groundwork for the country’s eventual collaboration with its German occupiers.
Tracing related developments across fine arts, film, architecture, and mass pageantry, Fiss illuminates the role of National Socialist propaganda in the French decision to ignore Hitler’s war preparations and pursue an untenable policy of appeasement. France’s receptiveness toward Nazi culture, Fiss contends, was rooted in its troubled identity and deep-seated insecurities. With their government in crisis, French intellectuals from both the left and the right demanded a new national culture that could rival those of the totalitarian states. By examining how this cultural exchange shifted toward political collaboration, Grand Illusion casts new light on the power of art to influence history.
“This is an absolute triumph—ideas, lives, and the dramas of the twentieth century are woven together in a feat of storytelling. A masterpiece.”
—Edmund de Waal, ceramic artist and author of The White Road
The impact of Walter Gropius can be measured in his buildings—Fagus Factory, Bauhaus Dessau, Pan Am—but no less in his students. I. M. Pei, Paul Rudolph, Anni Albers, Philip Johnson, Fumihiko Maki: countless masters were once disciples at the Bauhaus in Berlin and at Harvard. Between 1910 and 1930, Gropius was at the center of European modernism and avant-garde society glamor, only to be exiled to the antimodernist United Kingdom during the Nazi years. Later, under the democratizing influence of American universities, Gropius became an advocate of public art and cemented a starring role in twentieth-century architecture and design.
Fiona MacCarthy challenges the image of Gropius as a doctrinaire architectural rationalist, bringing out the visionary philosophy and courage that carried him through a politically hostile age. Pilloried by Tom Wolfe as inventor of the monolithic high-rise, Gropius is better remembered as inventor of a form of art education that influenced schools worldwide. He viewed argument as intrinsic to creativity. Unusually for one in his position, Gropius encouraged women’s artistic endeavors and sought equal romantic partners. Though a traveler in elite circles, he objected to the cloistering of beauty as “a special privilege for the aesthetically initiated.”
Gropius offers a poignant and personal story—and a fascinating reexamination of the urges that drove European and American modernism.
Dagmar Reese, however, depicts another picture of life in the BDM. She explores how and in what way the National Socialists were successful in linking up with the interests of contemporary girls and young women and providing them a social life of their own. The girls in the BDM found latitude for their own development while taking on responsibilities that integrated them within the folds of the National Socialist state.
"At last available in English, this pioneering study provides fresh insights into the ways in which the Nazi regime changed young 'Aryan' women's lives through appeals to female self-esteem that were not obviously defined by Nazi ideology, but drove a wedge between parents and children. Thoughtful analysis of detailed interviews reveals the day-to-day functioning of the Third Reich in different social milieus and its impact on women's lives beyond 1945. A must-read for anyone interested in the gendered dynamics of Nazi modernity and the lack of sustained opposition to National Socialism."
--Uta Poiger, University of Washington
"In this highly readable translation, Reese provocatively identifies Nazi girls league members' surprisingly positive memories and reveals significant implications for the functioning of Nazi society. Reaching across disciplines, this work is for experts and for the classroom alike."
--Belinda Davis, Rutgers University
Dagmar Reese is The Moses Mendelssohn Zentrum Potsdam researcher on the DFG-project "Georg Simmels Geschlechtertheorien im ‚fin de siecle' Berlin", 2004
William Templer is a widely published translator from German and Hebrew and is on the staff of Rajamangala University of Technology Srivijaya.
This first publication of their correspondence, which includes twenty-five previously unknown Strauss letters, offers a portrait of two men who were as antithetical in their musical means and goals as in their temperaments and personalities, but who exercised a strong fascination for one another. These sixty-three letters show both composers advancing in their careers as they battled against adverse conditions in the musical world at the turn of the century. They present Mahler's energetic support of Strauss's Symphonia Domestica, which Mahler conducted in 1904 and, in turn, Strauss's championing of Mahler's music, especially the Second and Third Symphonies.
The correspondence is fully annotated and is supplemented with a major essay by Herta Blaukopf.
"Unfailingly absorbing. . . . An indispensable addition to the literature on these composers."—Norman Del Mar, Times Literary Supplement
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