Though his image is tarnished today by unrepentant anti-Semitism, Richard Wagner (1813–1883) was better known in the nineteenth century for his provocative musical eroticism. In this illuminating study of the composer and his works, Laurence Dreyfus shows how Wagner’s obsession with sexuality prefigured the composition of operas such as Tannhäuser, Die Walküre, Tristan und Isolde, and Parsifal. Daring to represent erotic stimulation, passionate ecstasy, and the torment of sexual desire, Wagner sparked intense reactions from figures like Baudelaire, Clara Schumann, Nietzsche, and Nordau, whose verbal tributes and censures disclose what was transmitted when music represented sex.

Wagner himself saw the cultivation of an erotic high style as central to his art, especially after devising an anti-philosophical response to Schopenhauer’s “metaphysics of sexual love.” A reluctant eroticist, Wagner masked his personal compulsion to cross-dress in pink satin and drench himself in rose perfumes while simultaneously incorporating his silk fetish and love of floral scents into his librettos. His affection for dominant females and surprising regard for homosexual love likewise enable some striking portraits in his operas. In the end, Wagner’s achievement was to have fashioned an oeuvre which explored his sexual yearnings as much as it conveyed—as never before—how music could act on erotic impulse.

In Nazi eyes, the Soviet Union was the “wild east,” a savage region ripe for exploitation, its subhuman inhabitants destined for extermination or helotry. An especially brutal dimension of the German army’s eastern war was its anti-partisan campaign. This conflict brought death and destruction to thousands of Soviet civilians, and has been held as a prime example of ordinary German soldiers participating in the Nazi regime’s annihilation policies.

Ben Shepherd enters the heated debate over the wartime behavior of the Wehrmacht in a detailed study of the motivation and conduct of its anti-partisan campaign in the Soviet Union. He investigates how anti-partisan warfare was conducted, not by the generals, but by the far more numerous, average Germans serving as officers in the field. What shaped their behavior was more complex than Nazi ideology alone. The influence of German society, as well as of party and army, together with officers’ grueling yet diverse experience of their environment and enemy, made them perceive the anti-partisan war in varied ways. Reactions ranged from extreme brutality to relative restraint; some sought less to terrorize the native population than to try to win it over. The emerging picture does not dilute the suffering the Wehrmacht’s eastern war inflicted. It shows, however, that properly judging ordinary Germans’ role in that war is more complicated than is indicated by either wholesale condemnation or wholesale exoneration.

This valuable study offers a nuanced discussion of the diversity of behaviors within the German army, as well as providing a compelling exploration of the war and counterinsurgency operations on the eastern front.

This book is a profound reexamination of the role of the German army, the Wehrmacht, in World War II. Until very recently, the standard story avowed that the ordinary German soldier in World War II was a good soldier, distinct from Hitler's rapacious SS troops, and not an accomplice to the massacres of civilians. Wolfram Wette, a preeminent German military historian, explodes the myth of a "clean" Wehrmacht with devastating clarity.

This book reveals the Wehrmacht's long-standing prejudices against Jews, Slavs, and Bolsheviks, beliefs that predated the prophecies of Mein Kampf and the paranoia of National Socialism. Though the sixteen-million-member German army is often portrayed as a victim of Nazi mania, we come to see that from 1941 to 1944 these soldiers were thoroughly involved in the horrific cleansing of Russia and Eastern Europe. Wette compellingly documents Germany's long-term preparation of its army for a race war deemed necessary to safeguard the country's future; World War II was merely the fulfillment of these plans, on a previously unimaginable scale.

This sober indictment of millions of German soldiers reaches beyond the Wehrmacht's complicity to examine how German academics and ordinary citizens avoided confronting this difficult truth at war's end. Wette shows how atrocities against Jews and others were concealed and sanitized, and history rewritten. Only recently has the German public undertaken a reevaluation of this respected national institution--a painful but necessary process if we are to truly comprehend how the Holocaust was carried out and how we have come to understand it.

Between 1939 and 1945 more than 17,000 Catholic German priests and seminarians were conscripted into Hitler’s Wehrmacht. Men who had devoted their lives to God found themselves advancing the cause of an abhorrent regime. Lauren Faulkner Rossi draws on personal correspondence, official military reports, memoirs, and interviews to present a detailed picture of Catholic priests who served faithfully in the German armed forces in the Second World War. Most of them failed to see the bitter irony of their predicament.

Wehrmacht Priests plumbs the moral justifications of men who were committed to their religious vocation as well as to the cause of German nationalism. In their wartime and postwar writings, these soldiers often stated frankly that they went to war willingly, because it was their spiritual duty to care for their countrymen in uniform. But while some priests became military chaplains, carrying out work consistent with their religious training, most served in medical roles or, in the case of seminarians, in general infantry. Their convictions about their duty only strengthened as Germany waged an increasingly desperate battle against the Soviet Union, which they believed was an existential threat to the Catholic Church and German civilization.

Wehrmacht Priests unpacks the complex relationship between the Catholic Church and the Nazi regime, including the Church’s fierce but futile attempts to preserve its independence under Hitler’s dictatorship, its accommodations with the Nazis regarding spiritual care in the military, and the shortcomings of Catholic doctrine in the face of total war and genocide.

Here is a lively study of marriage and the family during the Reformation, primarily in Gemany and Switzerland, that dispels the commonly held notion of fathers as tyrannical and families as loveless.

Did husbands and wives love one another in Reformation Europe? Did the home and family life matter to most people? In this wide-ranging work, Steven Ozment has gathered the answers of contemporaries to these questions. His subject is the patriarchal family in Germany and Switzerland, primarily among Protestants. But unlike modern scholars from Philippe Ariès to Lawrence Stone, Ozment finds the fathers of early modern Europe sympathetic and even admirable. They were not domineering or loveless men, nor were their homes the training ground for passive citizenry in an age of political absolutism. From prenatal care to graveside grief, they expressed deep love for their wives and children. Rather than a place where women and children were bullied by male chauvinists, the Protestant home was the center of a domestic reform movement against Renaissance antifeminism and was an attempt to resolve the crises of family life. Demanding proper marriages for all women, Martin Luther and his followers suppressed convents and cloisters as the chief institutions of womankind’s sexual repression, cultural deprivation, and male clerical domination. Consent, companionship, and mutual respect became the watchwords of marriage. And because they did, genuine divorce and remarriage became possible among Christians for the first time.

This graceful book restores humanity to the Reformation family and to family history.

In 1934 Theodore Abel went to Germany and offered a prize, under the auspices of Columbia University, for autobiographies of members of the National Socialist movement. The six hundred essays he received constitute the single best source on grassroots opinion within the Nazi Party, and they form the empirical foundation for Abel’s fascinating yet curiously neglected 1938 book. Although a number of scholars have drawn on these reports, Abel’s own treatment has never been surpassed. Of particular value is his presentation of the life histories of a worker, a soldier, an anti-Semite, a middle-class youth, a farmer, and a bank clerk, all of whom explain in their own words why they joined the NSDAP. In the vast literature on National Socialism, no more useful or revealing testimony exists.

In a new Foreword, Thomas Childers discusses how the past half-century of research and writing on Nazi Germany has upheld Abel’s original insights into the broad appeal of the National Socialist movement, thereby reaffirming this work’s enduring value for students of the topic.

As she did in The Return of Martin Guerre, Natalie Zemon Davis here retrieves individual lives from historical obscurity to give us a window onto the early modern world. As women living in the seventeenth century, Glikl bas Judah Leib, Marie de l’Incarnation, and Maria Sibylla Merian, equally remarkable though very different, were not queens or noblewomen, their every move publicly noted. Rather, they were living “on the margins” in seventeenth-century Europe, North America, and South America. Yet these women—one Jewish, one Catholic, one Protestant—left behind memoirs and writings that make for a spellbinding tale and that, in Davis’ deft narrative, tell us more about the life of early modern Europe than many an official history.

All these women were originally city folk. Glikl bas Judah Leib was a merchant of Hamburg and Metz whose Yiddish autobiography blends folktales with anecdotes about her two marriages, her twelve children, and her business. Marie de l’Incarnation, widowed young, became a mystic visionary among the Ursuline sisters and cofounder of the first Christian school for Amerindian women in North America. Her letters are a rich source of information about the Huron, Algonquin, Montagnais, and Iroquois peoples of Quebec. Maria Sibylla Merian, a German painter and naturalist, produced an innovative work on tropical insects based on lore she gathered from the Carib, Arawak, and African women of Suriname. Along the way she abandoned her husband to join a radical Protestant sect in the Netherlands.

Drawing on Glikl’s memoirs, Marie’s autobiography and correspondence, and Maria’s writings on entomology and botany, Davis brings these women to vibrant life. She reconstructs the divergent paths their stories took, and at the same time shows us each amid the common challenges and influences of the time—childrearing, religion, an outpouring of vernacular literature—and in relation to men. The resulting triptych suggests the range of experience, self-consciousness, and expression possible in seventeenth-century Europe and its outposts. It also shows how persons removed from the centers of power and learning ventured in novel directions, modifying in their own way Europe’s troubled and ambivalent relations with other “marginal” peoples.