The Catholic Enlightenment: A Global Anthology presents readers with accessible, translated selections from the writings of fifteen major Catholic Enlightenment authors. These early modern authors include women, priests, lay intellectuals, and bishops. Twelve of these figures are being brought into English for the first time. The purpose of the volume is to provide students, scholars, and interested non-specialists with a single point of departure to delve into the primary sources of the Catholic Enlightenment. This anthology shows the geographical and intellectual diversity of the Catholic Enlightenment, while also demonstrating significant threads of commonality in intellectual orientation. One strength of this volume is the geographical spread of the figures considered. Included are Catholic thinkers from England, the United States, Mexico, Spain, Portugal, Brazil, France, Portugal, and the Italian and German-speaking lands. Another strength of this volume is the breadth of subject matter treated – it features pastoral letters, mystical tracts, pedagogical treatises, political manifestos, and theological works. These texts elucidate Catholic Enlightenment views on topics such as the history of women’s education, liturgy and devotions, and the relationship between church and state. The co-editors, Ulrich Lehner and Shaun Blanchard, have assembled a team of international scholars from Europe and the Americas for this exciting project. Lehner is one of the central scholars behind the renewed interest in the Catholic Enlightenment. He co-edits the volume, contributes to the introduction, and introduces and translates two significant German-speaking figures. Shaun Blanchard, who has recently published a monograph on radical Catholic Enlightenment figures, also co-edits, contributes selections from two English-speaking figures and has completed the first English translation of a section of Lodovico Muratori’s landmark On the Regulated Devotion of a Christian since 1789.

Muslims in the Movies provides a series of essays that explore the portrayal and reception of Muslims in Euro-American film, transnational productions, and global national cinemas. The volume brings together a group of internationally recognized experts to introduce Muslims in the films of Europe, North America, Australia, Iran, Egypt, North Africa, Saudi Arabia, Nigeria, India, Indonesia, and the Philippines. The interdisciplinary collection explores issues of identity, cultural production, and representation through the depiction of Muslims on screen and how audiences respond to these images. Together, the essays operate as an introduction to the subject of Muslims and film for new readers while also serving as new works of critical analysis for scholars of cinema.