front cover of God's Country or Devil's Playground
God's Country or Devil's Playground
The Best Nature Writing from the Big Bend of Texas
Edited by Barney Nelson
University of Texas Press, 2002

The dramatic desert landscapes of the Big Bend country along the Texas-Mexico border reminded historian Walter Prescott Webb of "an earth-wreck in which a great section of country was shaken down, turned over, blown up, and set on fire." By contrast, naturalist Aldo Leopold considered the region a mountainous paradise in which even the wild Mexican parrots had no greater concern than "whether this new day which creeps slowly over the canyons is bluer or golder than its predecessors, or less so." Whether it impresses people as God's country or as the devil's playground, the Big Bend typically evokes strong responses from almost everyone who lives or visits there.

In this anthology of nature writing, Barney Nelson gathers nearly sixty literary perspectives on the landscape and life of the Big Bend region, broadly defined as Trans-Pecos Texas and northern Chihuahua, Mexico. In addition to Leopold and Webb, the collection includes such well-known writers as Edward Abbey, Mary Austin, Roy Bedichek, and Frederick Olmsted, as well as a wide range of voices that includes explorers, trappers, cowboys, ranch wives, curanderos, college presidents, scientists, locals, tourists, historians, avisadores, and waitresses. Following a personal introduction by Barney Nelson, the pieces are grouped thematically to highlight the distinctive ways in which writers have responded to the Big Bend.

[more]

front cover of God's Country, Uncle Sam's Land
God's Country, Uncle Sam's Land
Faith and Conflict in the American West
Todd M. Kerstetter
University of Illinois Press, 2005
While many studies of religion in the West have focused on the region's diversity, freedom, and individualism, Todd M. Kerstetter brings together the three most glaring exceptions to those rules to explore the boundaries of tolerance as enforced by society and the U.S. government.

God's Country, Uncle Sam's Land analyzes Mormon history from the Utah Expedition and Mountain Meadows Massacre of 1857 through subsequent decades of federal legislative and judicial actions aimed at ending polygamy and limiting church power. It also focuses on the Lakota Ghost Dancers and the Wounded Knee Massacre in South Dakota (1890), and the Branch Davidians in Waco, Texas (1993). In sharp contrast to the mythic image of the West as the "Land of the Free," these three tragic episodes reveal the West as a cultural battleground--in the words of one reporter, "a collision of guns, God, and government." Asking important questions about what happens when groups with a deep trust in their differing inner truths meet, Kerstetter exposes the religious motivations behind government policies that worked to alter Mormonism and extinguish Native American beliefs.

[more]

front cover of James Oliver Curwood
James Oliver Curwood
God's Country and the Man
Judith A. Eldridge
University of Wisconsin Press, 1993

    When the wounded bear he faced on a mountain ledge that day turned aside, James Curwood felt that he had been spared. From this encounter he became an avid conservationist. He wrote relentlessly—magazine stories and books and then for the new medium of motion pictures. Like many authors of his time, he was actively involved in movie-making until the plight of the forests and wildlife in his home state of Michigan turned his energies toward conservation.
    A man ahead of his time, and quickly forgotten after his death in 1927, his gift of himself to his readers and to nature has finally come to be appreciated again two generations later.

[more]


Send via email Share on Facebook Share on Twitter