front cover of Goodbye, Brazil
Goodbye, Brazil
Émigrés from the Land of Soccer and Samba
Maxine L. Margolis
University of Wisconsin Press, 2013
Brazil, a country that has always received immigrants, only rarely saw its own citizens move abroad. Beginning in the late 1980s, however, thousands of Brazilians left for the United States, Japan, Portugal, Italy, and other nations, propelled by a series of intense economic crises. By 2009 an estimated three million Brazilians were living abroad—about 40 percent of them in the United States.
            Goodbye, Brazil is the first book to provide a global perspective on Brazilian emigration. Drawing and synthesizing data from a host of sociological and anthropological studies, preeminent Brazilian immigration scholar Maxine L. Margolis surveys and analyzes this greatly expanded Brazilian diaspora, asking who these immigrants are, why they left home, how they traveled abroad, how the Brazilian government responded to their exodus, and how their host countries received them. Margolis shows how Brazilian immigrants, largely from the middle rungs of Brazilian society, have negotiated their ethnic identity abroad. She argues that Brazilian society abroad is characterized by the absence of well-developed, community-based institutions—with the exception of thriving, largely evangelical Brazilian churches.
    Margolis looks to the future as well, asking what prospects at home and abroad await the new generation, children of Brazilian immigrants with little or no familiarity with their parents' country of origin. Do Brazilian immigrants develop such deep roots in their host societies that they hesitate to return home despite Brazil's recent economic boom—or have they become true transnationals, traveling between Brazil and their adopted lands but feeling not quite at home in either one?
[more]

front cover of Goodbye, Flicker
Goodbye, Flicker
Poems
Carmen Giménez Smith
University of Massachusetts Press, 2012
This distinctive collection introduces a new type of mythmaking, daring in its marriage of fairy tale tropes with American mundanities. Conspiratorial, Goodbye, Flicker describes the interior life of a girl whose prince is a deadbeat dad and whose escape into a fantasy world is also an escape into language, beauty, and the surreal.
[more]

front cover of Goodbye, My Tribe
Goodbye, My Tribe
An Evangelical Exodus
Vic Sizemore
University of Alabama Press, 2020
Goodbye, My Tribe: An Evangelical Exodus is Vic Sizemore’s collection of personal essays chronicling two simultaneous transformations. One is the gathering of unconnected—and nonpolitical—evangelical congregations across the nation into the political juggernaut called the Religious Right; the other is the author’s own coming to terms with the emotional and spiritual trauma of his life deep inside fundamentalist Christianity, and his struggle to free himself from its grasp. Sizemore, whose father was a preacher and professor at a small West Virginia Bible college, attended Liberty University in Lynchburg, Virginia, arguably the crucible of American evangelical Christianity.
 
Sizemore began writing these essays with the aim of exploring and understanding what happened when the mythology of his “tribe” crumbled from beneath his feet. He draws heavily on his upbringing and his family history as a framework for how his “tribe” of white evangelicals have found ways to reconcile Christianity with what the author finds to be troubling stances on many social issues, among them race, gender, sexuality, materialism, anti-intellectualism, and white supremacy.
 
In a clear-eyed and eloquent voice, Sizemore grapples movingly with his own bewilderment and chagrin as he struggles to reconcile the essential philosophical and moral decay that he believes many evangelicals have come to embrace. His insights, arranged topically and thematically and told through graceful and accessible prose, toggle between memoir and literary journalism, along a spectrum that touches on history, philosophy, theology, and personal reflections.

.
[more]

front cover of Goodbye, Ramona
Goodbye, Ramona
Montserrat Roig, Translated by Megan Berkobien and María Cristina Hall
Fum d'Estampa Press, 2022

Montserrat Roig’s first novel, Goodbye, Ramona (1972), is a powerhouse story told through the points of view of three generations of women from the same family. Opening with scenes of a pregnant woman looking for her husband after the bombing of Barcelona’s Coliseum, Goodbye, Ramona explores the role of family, women’s relationships with men, the influence the weight of history and events out of women’s control have on them, and the silence in which women live their lives. Sweeping and dynamic, the historical and social mosaic of late nineteenth- and early twentieth-century Spain is seen through the lives and experiences of these female characters.

[more]

front cover of Goodbye, Silver Sister
Goodbye, Silver Sister
Poems
Jeanne Foster
Northwestern University Press, 2015

Goodbye, Silver Sister, Jeanne Foster’s second collection of po­ems, opens with a series of poems about a girl coming of age in pre-Katrina New Orleans, informed and haunted by the magic of the city. The powerful Pearl River forms the dividing line be­tween adulthood and other worlds, both geographic and existen­tial: “death, divorce, and the thousand other ways I would lose faith in the breastplate of love.”

The collection is also an elegy for and tribute to the poet’s par­ents, who met in the WPA Artists’ Project. Through her poems she keeps them alive and is also able to say good-bye. Like the work of her mentor, James Wright, these poems reach far beyond the personal in their willingness to look at the un­seemly sides of being human within the context of a profound spiritual search.

[more]

front cover of Goodbye to Poplarhaven
Goodbye to Poplarhaven
Recollections of a Utah Boyhood
Edward A. Geary
University of Utah Press, 2017
“‘Nothing is nicer,’ Grandpa used to say, ‘than a full barn and a full granary.’ He might have said a full cellar too, for the rows of bottled fruit loomed on the shelves in the dim light, and the aroma of apples filled the nostrils. We could sit down at the dinner table knowing where everything on it had come from, and the process by which it had been prepared. We had before us and around us tangible evidence of the interconnection of things, of tilling, and seedtime, and harvest, of process and product, work and reward. Abundance is what remained when the threshing was done and the mellow Utah autumn slid gradually into winter, abundance in the storehouse for man and beast, evidence that we reap as we have sown. And abundance in the memory which lasts long after the barn and granary are empty hulks, for sometimes we also reap where others have sown.”—from chapter sixteen 
 
[more]

front cover of Starting with Goodbye
Starting with Goodbye
A Daughter's Memoir of Love after Loss
Lisa Romeo
University of Nevada Press, 2018
Starting with Goodbye begins with loss and ends with love, as a midlife daughter rediscovers her enigmatic father after his death. Lisa has little time for grief, but when her dead dad drops in for “conversations,” his absent presence invites Lisa to examine why the parent she had turned away from in life now holds her spellbound.

Lisa reconsiders the affluent upbringing he financed (filled with horses, lavish vacations, bulging closets), and the emotional distance that grew when he retired to Las Vegas and she remained in New Jersey where she and her husband earn moderate incomes. She also confronts death rituals, navigates new family dynamics, while living both in memory and the unfolding moment.

In this brutally honest yet compelling portrayal and tribute, Lisa searches for meaning, reconciling the Italian-American father—self-made textile manufacturer who liked newspapers, smoking, Las Vegas craps tables, and solitude—with the complex man she discovers influenced everything, from career choice to spouse.

By forging a new father-daughter “relationship,” grief is transformed to hopeful life-affirming redemption. In poignant, often lyrical prose, this powerful, honest book proves that when we dare to love the parent who challenged us most, it’s never too late.
[more]


Send via email Share on Facebook Share on Twitter