History records only one peaceful transition of hegemonic power: the passage from British to American dominance of the international order. What made that transition uniquely cooperative and nonviolent? Does it offer lessons to guide policy as the United States faces its own challengers to the order it has enforced since the 1940s? To answer these questions, Kori Schake explores nine points of crisis or tension between Britain and the United States, from the Monroe Doctrine in 1823 to the establishment of the unequal “special relationship” during World War II.
Over this period, Safe Passage shows, the United States gradually changed the rules that Britain had established at its imperial height. It was able to do so peacefully because, during the crucial years, Britain and the United States came to look alike to each other and different from other nations. Britain followed America’s lead in becoming more democratic, while the United States, because of its conquest of the American West, developed an imperial cast of mind. Until the end of World War II, both countries paid more attention to their cumulative power relative to other states in the order than to their individual power relative to each other.
The factors that made the Anglo-American transition peaceful, notably the convergence in their domestic ideologies, are unlikely to apply in future transitions, Schake concludes. We are much more likely to see high-stake standoffs among competing powers attempting to shape the international order to reflect the starkly different ideologies that prevail at home.
Bewigged, muscular and for his day unusually tall, adorned in soiled, rumpled clothes, beset by involuntary tics, opinionated, powered in his conversation by a prodigious memory and intellect, Samuel Johnson (1709–1784) was in his life a literary and social icon as no other age has produced. “Johnsonianissimus,” as Boswell called him, became in the hands of his first biographers the rationalist epitome and sage of Enlightenment. These clichés—though they contain elements of truth—distort the complexity of the public and private Johnson. Peter Martin portrays a Johnson wracked by recriminations, self-doubt, and depression—a man whose religious faith seems only to have deepened his fears. His essays, scholarship, biography, journalism, travel writing, sermons, fables, as well as other forms of prose and poetry in which he probed himself and the world around him, Martin shows, constituted rational triumphs against despair and depression. It is precisely the combination of enormous intelligence and frank personal weakness that makes Johnson’s writing so compelling.
Benefiting from recent critical scholarship that has explored new attitudes toward Johnson, Martin’s biography gives us a human and sympathetic portrait of Dr. Johnson. Johnson’s criticism of colonial expansion, his advocacy for the abolition of slavery, his encouragement of women writers, his treatment of his female friends as equals, and his concern for the underprivileged and poor make him a very “modern” figure. The Johnson that emerges from this enthralling biography, published for the tercentenary of Johnson’s birth, is still the foremost figure of his age but a more rebellious, unpredictable, flawed, and sympathetic figure than has been previously known.
He was a servant to the public, a writer for hire. He was a hero, an author adding to the glory of his nation. But can a writer be both hack and hero? The career of Samuel Johnson, recounted here by Lawrence Lipking, proves that the two can be one. And it further proves, in its enduring interest for readers, that academic fashions today may be a bit hasty in pronouncing the "death of the author."
A book about the life of an author, about how an author is made, not born, Lipking's Samuel Johnson is the story of the man as he lived--and lives--in his work. Tracing Johnson's rocky climb from anonymity to fame, in the course of which he came to stand for both the greatness of English literature and the good sense of the common reader, the book shows how this life transformed the very nature of authorship.
Beginning with the defiant letter to Chesterfield that made Johnson a celebrity, Samuel Johnson offers fresh readings of all the writer's major works, viewed through the lens of two ongoing preoccupations: the urge to do great deeds--and the sense that bold expectations are doomed to disappointment. Johnson steers between the twin perils of ambition and despondency. Mounting a challenge to the emerging industry that glorified and capitalized on Shakespeare, he stresses instead the playwright's power to cure the illusions of everyday life. All Johnson's works reveal his extraordinary sympathy with ordinary people. In his groundbreaking Dictionary, in his poems and essays, and in The Lives of the English Poets, we see Johnson becoming the key figure in the culture of literacy that reaches from his day to our own.
Undocumented migration is a huge global phenomenon, yet little is known about the reality of life for those involved. Sans Papiers combines a contemporary account of the theoretical and policy debates with an in-depth exploration of the lived experiences of undocumented migrants in the UK from Zimbabwe, China, Brazil, Ukraine and Turkish Kurdistan.
Built around their voices, the book provides a unique understanding of migratory processes, gendered experiences and migrant aspirations. Moving between the uniqueness of individual experience and the search for commonalities, the book explores the ambiguities and contradictions of being an undocumented migrant.
With its insights into personal experiences alongside analysis of wider policy issues, Sans Papiers will have wide appeal for students, academics, policy-makers and practitioners.
In this book, Robin Hackett examines portrayals of race, class, and sexuality in modernist texts by white women to argue for the existence of a literary device that she calls “Sapphic primitivism.” The works vary widely in their form and content and include Olive Schreiner’s proto-modernist exploration of New Womanhood, The Story of an African Farm; Virginia Woolf’s high modernist “play-poem,” The Waves; Sylvia Townsend Warner’s historical novel, Summer Will Show; and Willa Cather’s Southern pastoral, Sapphira and the Slave Girl. In each, blackness and working-class culture are figured to represent sexual autonomy, including lesbianism, for white women. Sapphic primitivism exposes the ways several classes of identification were intertwined with the development of homosexual identities at the turn of the century. Sapphic primitivism is not, however, a means of disguising lesbian content. Rather, it is an aesthetic displacement device that simultaneously exposes lesbianism and exploits modern, primitivist modes of self-representation. Hackett’s revelations of the mutual interests of those who study early twentieth-century constructions of race and sexuality and twenty-first-century feminists doing anti-racist and queer work are a major contribution to literary studies and identity theory.
Scale and Scope is Alfred Chandler’s first major work since his Pulitzer Prize–winning The Visible Hand. Representing ten years of research into the history of the managerial business system, this book concentrates on patterns of growth and competitiveness in the United States, Germany, and Great Britain, tracing the evolution of large firms into multinational giants and orienting the late twentieth century’s most important developments.
This edition includes the entire hardcover edition with the exception of the Appendix Tables.
Many have told of the East India Company’s extraordinary excesses in eighteenth-century India, of the plunder that made its directors fabulously wealthy and able to buy British land and titles, but this is only a fraction of the story. When one of these men—Warren Hastings—was put on trial by Edmund Burke, it brought the Company’s exploits to the attention of the public. Through the trial and after, the British government transformed public understanding of the Company’s corrupt actions by creating an image of a vulnerable India that needed British assistance. Intrusive behavior was recast as a civilizing mission. In this fascinating, and devastating, account of the scandal that laid the foundation of the British Empire, Nicholas Dirks explains how this substitution of imperial authority for Company rule helped erase the dirty origins of empire and justify the British presence in India.
The Scandal of Empire reveals that the conquests and exploitations of the East India Company were critical to England’s development in the eighteenth century and beyond. We see how mercantile trade was inextricably linked with imperial venture and scandalous excess and how these three things provided the ideological basis for far-flung British expansion. In this powerfully written and trenchant critique, Dirks shows how the empire projected its own scandalous behavior onto India itself. By returning to the moment when the scandal of empire became acceptable we gain a new understanding of the modern culture of the colonizer and the colonized and the manifold implications for Britain, India, and the world.
Recent scholarship has revealed that pioneering Victorian scientists endeavored through voluminous writing to raise public interest in science and its implications. But it has generally been assumed that once science became a profession around the turn of the century, this new generation of scientists turned its collective back on public outreach. Science for All debunks this apocryphal notion.
Peter J. Bowler surveys the books, serial works, magazines, and newspapers published between 1900 and the outbreak of World War II to show that practicing scientists were very active in writing about their work for a general readership. Science for All argues that the social environment of early twentieth-century Britain created a substantial market for science books and magazines aimed at those who had benefited from better secondary education but could not access higher learning. Scientists found it easy and profitable to write for this audience, Bowler reveals, and because their work was seen as educational, they faced no hostility from their peers. But when admission to colleges and universities became more accessible in the 1960s, this market diminished and professional scientists began to lose interest in writing at the nonspecialist level.
Eagerly anticipated by scholars of scientific engagement throughout the ages, Science for All sheds light on our own era and the continuing tension between science and public understanding.
Traces the Early Evolution of Britain’s System of Scientific Advice
In twenty-first-century Britain, scientific advice to government is highly organized, integrated across government departments, and led by a chief scientific adviser who reports directly to the prime minister. But at the end of the eighteenth century, when Roland Jackson’s account begins, things were very different. With this book, Jackson turns his attention to the men of science of the day—who derived their knowledge of the natural world from experience, observation, and experiment—focusing on the essential role they played in proffering scientific advice to the state, and the impact of that advice on public policy. At a time that witnessed huge scientific advances and vast industrial development, and as the British state sought to respond to societal, economic, and environmental challenges, practitioners of science, engineering, and medicine were drawn into close involvement with politicians. Jackson explores the contributions of these emerging experts, the motivations behind their involvement, the forces that shaped this new system of advice, and the legacy it left behind. His book provides the first detailed analysis of the provision of scientific, engineering, and medical advice to the nineteenth-century British government, parliament, the civil service, and the military.The surprising history of the scientific method—from an evolutionary account of thinking to a simple set of steps—and the rise of psychology in the nineteenth century.
The idea of a single scientific method, shared across specialties and teachable to ten-year-olds, is just over a hundred years old. For centuries prior, science had meant a kind of knowledge, made from facts gathered through direct observation or deduced from first principles. But during the nineteenth century, science came to mean something else: a way of thinking.
The Scientific Method tells the story of how this approach took hold in laboratories, the field, and eventually classrooms, where science was once taught as a natural process. Henry M. Cowles reveals the intertwined histories of evolution and experiment, from Charles Darwin’s theory of natural selection to John Dewey’s vision for science education. Darwin portrayed nature as akin to a man of science, experimenting through evolution, while his followers turned his theory onto the mind itself. Psychologists reimagined the scientific method as a problem-solving adaptation, a basic feature of cognition that had helped humans prosper. This was how Dewey and other educators taught science at the turn of the twentieth century—but their organic account was not to last. Soon, the scientific method was reimagined as a means of controlling nature, not a product of it. By shedding its roots in evolutionary theory, the scientific method came to seem far less natural, but far more powerful.
This book reveals the origin of a fundamental modern concept. Once seen as a natural adaptation, the method soon became a symbol of science’s power over nature, a power that, until recently, has rarely been called into question.
The Scots Irish were one of early Pennsylvania’s largest non-English immigrant groups. They were stereotyped as frontier ruffians and Indian haters. In The Scots Irish of Early Pennsylvania, historian Judith Ridner insists that this immigrant group was socio-economically diverse. Servants and free people, individuals and families, and political exiles and refugees from Ulster, they not only pioneered new frontier settlements, but also populated the state’s cities—Philadelphia and Pittsburgh—and its towns, such as Lancaster, Easton, and Carlisle.
Ridner provides a much-overdue synthesis and reassessment of this immigrant group, tracing a century of Scotch-Irish migration from 1720 to 1820. These men and women brought their version of Ulster to the colonies in their fierce commitments to family, community, entrepreneurship, Presbyterianism, republican politics, and higher education. The settlements they founded across the state, including many farms, businesses, meetinghouses, and colleges, ensured that Pennsylvania would be their cradle in America, and these settlements stand as powerful testaments to their legacy to the state’s history and development.
Filmmakers have long been drawn to the Gothic with its eerie settings and promise of horror lurking beneath the surface. Moreover, the Gothic allows filmmakers to hold a mirror up to their own age and reveal society's deepest fears. Franco Zeffirelli's Jane Eyre, Francis Ford Coppola's Bram Stoker's Dracula, and Kenneth Branagh's Hamlet are just a few examples of film adaptations of literary Gothic texts. In this ground-breaking study, Lisa Hopkins explores how the Gothic has been deployed in these and other contemporary films and comes to some surprising conclusions. For instance, in a brilliant chapter on films geared to children, Hopkins finds that horror resides not in the trolls, wizards, and goblins that abound in Harry Potter, but in the heart of the family.
Screening the Gothic offers a radical new way of understanding the relationship between film and the Gothic as it surveys a wide range of films, many of which have received scant critical attention. Its central claim is that, paradoxically, those texts whose affiliations with the Gothic were the clearest became the least Gothic when filmed. Thus, Hopkins surprises readers by revealing Gothic elements in films such as Sense and Sensibility and Mansfield Park, as well as exploring more obviously Gothic films like The Mummy and The Fellowship of the Ring. Written in an accessible and engaging manner, Screening the Gothic will be of interest to film lovers as well as students and scholars.
A Complete Recreation of the Deadliest Medieval Arm
Dominating medieval battlefields for more than two centuries but requiring long and arduous practice to command, the English war bow and its battle shaft are the symbols of the rise of British power in Europe. Despite being crafted for hundreds of years and wielded by generations of archers, no example of the war bow—the military version of the longbow—exists, outside of a single broken limb. Now for the first time, expert craftsmen use all available evidence including applied archaeology to unlock the secrets of the English war bow. Historian Hugh D. H. Soar is joined by Mark Stretton, master blacksmith, and Joseph Gibbs, bowyer, in order to demonstrate how a war bow and its associated arrow heads and shafts may have been constructed and used. In addition to showing the complete manufacture of a bow from tree selection to stringing and how specialized arrowheads were forged and attached to shafts, Secrets of the English War Bow provides information on the actual performance of the war bow, including the bow's effectiveness against various materials and, for the first time, its use against moving targets, since bows were often drawn against mounted soldiers. Armed with this new information, Soar provides an analysis of both successes and failures of the war bow in several important battles. Illustrated in color and black and white, Secrets of the English War Bow provides an invaluable service for those interested in medieval military history, archery, and technology.
“[Fanis] demonstrates an impressive ability to travel nimbly between abstract theoretical concepts and a messy reality. In each one of the case study chapters, her analysis is rich, thoughtful, and imaginative.”
—Ido Oren, University of Florida
The Gothic drama came at a critical moment in the history of the theater, of British culture, and of European politics in the shadow of France’s revolution and the fall of Napoleon. It offered playwrights a medium to express the prevailing ideological tensions of romanticism and revolution, and also responded to a growing and changing theater audience.
In a wide-ranging introduction, Cox explores Gothic drama’s links with romanticism and its relation to other social and ideological shifts of the day. The texts are presented so as to reflect the dual life of dramatic works—on the stage and on the page. The plays are annotated and accompanied by biographic and bibliographic sketches.
Includes The Kentish Barons, by Francis North; Julia of Louvain; or, Monkish Cruelty, by J.C. Cross; The Castle Spectre, by Matthew G. Lewis; The Captive, by Matthew G. Lewis; De Monfort, by Joanna Baillie; Bertram; or, The Castle of St. Aldobrand, by C.R. Maturin; and Presumption; or, The Fate of Frankenstein, by R.B. Peake.
In thirteen original essays, the contributors examine the movement in relation to artistic practice, public funding, and the transnational art market and consider its legacy for today’s artists and activists. The volume includes a unique catalog of images, an extensive list of suggested readings, and a descriptive timeline situating the movement vis-à-vis relevant artworks and films, exhibitions, cultural criticism, and political events from 1960 to 2000. A dynamic living archive of conversations, texts, and images, Shades of Black will be an essential resource.
Contributors. Stanley Abe, Jawad Al-Nawab, Rasheed Araeen, David A. Bailey, Adelaide Bannerman, Ian Baucom, Dawoud Bey, Sonia Boyce, Allan deSouza, Jean Fisher, Stuart Hall, Lubaina Himid, Naseem Khan, susan pui san lok, Kobena Mercer, Yong Soon Min, Keith Piper, Zineb Sedira, Gilane Tawadros, Leon Wainwright, Judith Wilson
Shadow Lives reveals the unseen side of the '9/11 wars': their impact on the wives and families of men incarcerated in Guantanamo, or in prison or under house arrest in Britain and the US. Victoria Brittain shows how these families have been made socially invisible and a convenient scapegoat for the state in order to exercise arbitrary powers under the cover of the 'War on Terror'.
A disturbing exposé of the perilous state of freedom and democracy in our society, the book reveals how a culture of intolerance and cruelty has left individuals at the mercy of the security services’ unverifiable accusations and punitive punishments.
Both a j'accuse and a testament to the strength and humanity of the families, Shadow Lives shows the methods of incarceration and social control being used by the British state and gives a voice to the families whose lives have been turned upside down. In doing so it raises urgent questions about civil liberties which no one can afford to ignore.
One of the most important voices of the Harlem Renaissance, Claude McKay is largely recognized for his work during the 1920s, which includes a major collection of poems, Harlem Shadows, as well as a critically acclaimed novel, Home to Harlem. But McKay was never completely comfortable with his literary reputation during this period. Throughout his world travels, he saw himself as an English lyricist.
In this compelling examination of the life and works of this complex poet, novelist, journalist, and short story writer, Josh Gosciak sheds light on McKay’s literary contributions beyond his interactions with Harlem Renaissance artists and writers. Working within English literary traditions, McKay crafted a verse out of hybridity and diaspora. Gosciak shows how he reinvigorated a modern pastoral through his encounters with some of the major aesthetic and political movements of the late Victorian and early modern periods.
Exploring new archival material as well as many of McKay’s lesser known poetic works, TheShadowed Country provides a unique interpretation of the writings of this major author.
Understanding the challenges of corporate governance is central to our comprehension of the economic dynamics driving corporations today. Among the most important institutions in capitalism today, corporations and joint-stock companies had their origins in Europe during the seventeenth and eighteenth centuries. And as they became more prevalent, the issue of internal governance became more pressing. At stake—and very much contested—was the allocation of rights and obligations among shareholders, directors, and managers.
This comprehensive account of the development of corporate governance in Britain and Ireland during its earliest stages highlights the role of political factors in shaping the evolution of corporate governance as well as the important debates that arose about the division of authority and responsibility. Political and economic institutions confronted similar issues, including the need for transparency and accountability in decision making and the roles of electors and the elected, and this book emphasizes how political institutions—from election procedures to assemblies to annual reporting—therefore provided apt models upon which companies drew readily. Filling a gap in the literature on early corporate economy, this book provides insight into the origins of many ongoing modern debates.
In Shelley and His Readers, the first full-length critical analysis of the dialogue between Shelley's poetry and its contemporary reviewers, Kim Wheatley argues that Shelley's idealism can be recovered through the study of his poetry's reception. Incorporating extensive research in major early-nineteenth-century British periodicals, Wheatley integrates a reception-based methodology with careful textual analysis to demonstrate that the early reception of Shelley's work registers the immediate impact of the poet's increasingly idealistic passion for reforming the world.
Wheatley examines Shelley's poetry within the context of Romantic-era "paranoid politics," a simultaneously empowering and disabling dynamic in which the reviewers employ a heightened language of defensiveness and persecution that paints their adversaries as Satanic rebels against orthodoxy. This "paranoid style" displays a preoccupation with the efficacy of the printed word and singles out radical writers such as Shelley as sources of social contamination.
Using Shelley's Queen Mab to illustrate his early radicalism, Wheatley demonstrates that the poet, like his contemporary reviewers, is caught up in paranoid rhetoric. Failing to challenge the assumptions underlying the paranoid style-conspiracy and contagion-in this poem Shelley takes merely a defiant, oppositional stance. However, Shelley's later poems, exemplified by Prometheus Unbound and Adonais, circumvent the reviewers' rhetoric through their boldly experimental language, a process registered by the reviewers' own responses. These less explicitly political poems transcend the dynamics of cultural paranoia by shifting to an apolitical conception of the aesthetic. In collaboration with its early readers, Shelley's poetry thus moves momentarily beyond paranoid politics.
The final chapter of this study argues that the posthumous reception of Adonais uniquely replicates the elegiac moves and complex idealism of the poem, concluding with a discussion of how the Shelley circle aestheticized the poet after his death.
Shelley and His Readers offers a new approach to the question of how to recuperate Romantic idealism in the face of challenges from both deconstructive and historicist criticism. Its innovative use of reception-based analysis will make this book invaluable not only to specialists of the Romantic period but also to anyone interested in new developments in literary criticism.
A Short History of Parliament was first published in 1953. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
A berserk elephant gunned down in the heart of London, a machine for composing Latin hexameters, and the original rock band (1841)—these are but three of the sights that London curiosity–seekers from every walk of life paid to see from the Elizabethan era to the mid–Victorian period. Examining hundreds of the wonderfully varied exhibitions that culminated in the Crystal Palace of 1851, this generously illustrated book sheds light on a vast and colorful expanse of English social history that has thus far remained wholly unsurveyed.
Drawing on a wealth of never-before-used information, Mr. Altick traces London exhibitions as they evolved from the display of relics in pre-Reformation churches, through the collections of eighteenth-century virtuosi, to the first science museums and public art galleries. He also narrates for the first time the history of the panorama and diorama as an influential genre of nineteenth-century popular art. At every point, the London shows are linked to the prevailing intellectual atmosphere and to trends in public taste.
The material is fresh and fascinating; the range--from freaks to popular science, from the funeral effigies at Westminster Abbey to Madame Tussaud's waxworks--impressive. Like the exhibitions that best served the Victorian ideal of mass culture, The Shows of London is both entertaining and informative.
Immortalized in The Last of the Mohicans, the True Story of a Pivotal Battle in the British and French War for the North American Continent
The opening years of the French and Indian War were disastrous for the British. In 1755 General Braddock’s troops were routed at the Battle of Monongahela and by the middle of 1756 Fort Oswego on Lake Ontario had fallen. Hindered by quarrelsome provincial councils, incompetent generals, and the redcoats’ inability to adapt to wilderness warfare, Britain was losing the war. In 1757 the 35th Regiment of Foot stepped into the breach. A poorly trained assortment of conscripts, old soldiers, and convicted criminals led by Lieutenant Colonel George Monro, the regiment was destined to take center stage in the most controversial event of the war. Fort William Henry on the southern shore of New York’s Lake George was a key fortification supporting British interests along the frontier with French America. Monro and his regiment occupied the fort in the spring of 1757 while Britain planned its attack on the key French fortress at Louisbourg, Nova Scotia. Learning that most of Britain’s military resources were allocated to Louisbourg, the French launched a campaign along the weakened frontier. French Commander Louis-Joseph de Montcalm and his American Indian allies laid siege to Fort William Henry; Monro could not hold out and was forced to surrender. As part of the terms, the British regiment, colonial militia, and their camp followers would be allowed safe passage to nearby Fort Edward. The French watched in horror, however, as their Indian allies attacked the British column after it left the fort, an episode that sparked outrage and changed the tactics of the war.
Seen through the eyes of participants such as Louis Antoine de Bougainville, a scholarly young aide-de-camp, Jabez Fitch, an amiable Connecticut sergeant, and Kisensik, a proud Nipissing chief whose father once met Louis XIV in the marbled halls of Versailles, The Siege of Fort William Henry: A Year on the Northeastern Frontier uses contemporary newspaper reports, official documents, private letters, and published memoirs to bring the narrative to life. From Indian councils on the banks of the Saint Lawrence River and bustling military camps in northern New York to the narrative’s bloody denouement on the shores of Lake George, the reader is immersed in the colorful, yet brutal world of eighteenth-century northeastern America.
This powerful interpretation of English history provides a completely new framework for understanding how Britain emerged in the eighteenth century as a major international power.
John Brewer’s brilliant analysis makes clear that the drastic increase in Britain's military involvement (and success) in Europe and the expansion of her commercial and imperial interests would not have happened without a concurrent radical increase in taxation, along with a surge in deficit financing and the growth of a substantial public administration. Warfare and taxes reshaped the English economy, and at the heart of these dramatic changes lay an issue that is still very much with us today: the tension between a nation's aspirations to be a major power and fear of the domestic consequences of such an ambition—namely, the loss of liberty.
Following in the footsteps of Napoleon's army, Europeans invaded Egypt in the early nineteenth century to gaze in wonder at the massive, inscrutable remains of its ancient civilizations. One of these travelers was a twenty-four-year-old Englishman, John Gardner Wilkinson. His copious observations of ancient and modern Egyptian places, artifacts, and lifeways, recorded in such widely read publications as Manners and Customs of the Ancient Egyptians and Handbook for Travellers in Egypt, made him the leading early Victorian authority on ancient Egypt and paved the way for thc scientific study of Egyptology.
In this first full-scale biography of Wilkinson (1797-1875), Jason Thompson skillfully portrays both the man and his era. He follows Wilkinson during his initial sojourn in Egypt (1821-1833) as Wilkinson immersed himself in a contemporary Egyptian lifestyle and in study of its ancient past. He shows Wilkinson in his circle of friends—among them Edward William Lane, Robert Hay and Frederick Catherwood. And he traces how Wilkinson continued to use his Egyptian material in the decades following his return to England.
With the rise of professional Egyptology in the middle and later nineteenth century, Sir Gardner Wilkinson came to be viewed as an amateur and his popularity diminished. Drawing upon recently opened sources, Thompson returns Wilkinson to his rightful place within centuries of Egyptian scholarship and assesses both the vision and the limitations of his work. The result is a compelling portrait of a Victorian "gentleman-scholar" and his cultural milieu.
Sir Humphry Davy (1778-1829) was a leading and controversial member of the international scientific community. Davy's publications received all the publicity available to an early nineteenth-century scholar. For that reason the history of his publications is of interest not only for what it reveals of Davy but for what it tells about the fate of scientific news during this period.
For more than a century it was assumed that the nine-volume Collected Works of Sir Humphry Davy represented the definitive statement of his contributions. That collection does include the major works on which Davy's fame depends; however, many papers were omitted. This annotated bibliography lists Davy's published writings that appeared during his lifetime and posthumously.
Translations of Davy's papers and reports of his experimental findings printed prior to the official versions are included. Critical reviews in journals not exclusively devoted to scientific subjects have also been catalogued. These translations, reports, and reviews, which frequently forced Davy to further publication, round out the history of his publishing. Through a guide to the location of the first reports of Davy's papers, it is possible to trace the diffusion of scientific news and its reception on the Continent. Fullmer indicates the accuracy of the translations and shows how the changes made by continental editors often distorted Davy's views, and acerbated a scientific atmosphere already ripe with controversy.
This is the first biography of Sir Walter Mildmay, who dutifully served Queen Elizabeth I for thirty years as Chancellor of the Exchequer. Sir Walter Mildmay and Tudor Government, by Stanford E. Lehmberg, brings Mildmay into proper historical perspective alongside other prominent Tudor leaders.
Virtually none of Mildmay’s writings had been printed, and his activities had not been studied, partly because of the inaccessibility of necessary materials. In the mid-twentieth century, however, the Northamptonshire Record Office was able to acquire family papers, of which Lehmberg happily took advantage. These, together with materials in the British Museum and the Public Record Office, yield a detailed account of Mildmay’s contributions to English financial administration.
But Mildmay was not merely an Exchequer official. As a Member of Parliament he gained towering stature; his model orations and indefatigable work in committees provided invaluable leadership from 1576 to 1589. As a Privy Councillor he was twice sent on important embassies to Mary, Queen of Scots; he gave carefully considered advice about Scottish and Dutch affairs; and he was called on to examine numerous minor matters. As a trusted administrator he helped oversee the great recoinage of 1560. As a private citizen deeply concerned for good learning and true religion he founded Emmanuel College, Cambridge, and engaged in other philanthropic enterprises. By the time of his death in 1589 he had led a full and dedicated life serving his country and his Queen.
Into Lehmberg’s scholarly, readable volume have been blended aspects of Mildmay’s public life and his associations with historically famous contemporaries, discriminately selected segments of his speeches, elements of his personal philosophy, and the achievements and failures of his political life. Enhancing the value of this study are carefully annotated footnotes and a complementary bibliography. Tudor specialists as well as lay readers will undoubtedly profit from this significant biography.
The Sixty Years' War for the Great Lakes contains twenty essays concerning not only military and naval operations, but also the political, economic, social, and cultural interactions of individuals and groups during the struggle to control the great freshwater lakes and rivers between the Ohio Valley and the Canadian Shield. Contributing scholars represent a wide variety of disciplines and institutional affiliations from the United States, Canada, and Great Britain.
Collectively, these important essays delineate the common thread, weaving together the series of wars for the North American heartland that stretched from 1754 to 1814. The war for the Great Lakes was not merely a sideshow in a broader, worldwide struggle for empire, independence, self-determination, and territory. Rather, it was a single war, a regional conflict waged to establish hegemony within the area, forcing interactions that divided the Great Lakes nationally and ethnically for the two centuries that followed.
Winner of the Jerry H. Bentley Book Prize, World History Association
The success of the English colony of Barbados in the seventeenth century, with its lucrative sugar plantations and enslaved African labor, spawned the slave societies of Jamaica in the western Caribbean and South Carolina on the American mainland. These became the most prosperous slave economies in the Anglo-American Atlantic, despite the rise of enlightened ideas of liberty and human dignity. Slave Law and the Politics of Resistance in the Early Atlantic World reveals the political dynamic between slave resistance and slaveholders’ power that marked the evolution of these societies. Edward Rugemer shows how this struggle led to the abolition of slavery through a law of British Parliament in one case and through violent civil war in the other.
In both Jamaica and South Carolina, a draconian system of laws and enforcement allowed slave masters to maintain control over the people they enslaved, despite resistance and recurrent slave revolts. Brutal punishments, patrols, imprisonment, and state-sponsored slave catchers formed an almost impenetrable net of power. Yet slave resistance persisted, aided and abetted by rising abolitionist sentiment and activity in the Anglo-American world. In South Carolina, slaveholders exploited newly formed levers of federal power to deflect calls for abolition and to expand slavery in the young republic. In Jamaica, by contrast, whites fought a losing political battle against Caribbean rebels and British abolitionists who acted through Parliament.
Rugemer’s comparative history spanning two hundred years of slave law and political resistance illuminates the evolution and ultimate collapse of slave societies in the Atlantic World.
More than fifty years before the question of slavery launched the United States into the bloody turmoil of the American Civil War, Britain wrestled passionately with the same issues. A flood of pamphlets published by both abolitionists and slavery proponents fueled the debate, and they are now collected here in this fascinating volume in commemoration of the Abolition of the Slave Trade Act, 1807.
Written during the 1780s and 1790s, the pamphlets confront the issues surrounding slavery, such as the Rights of Man, the economic health of the British colonies, poverty in England, and, most prominently, the economic and moral condition of the African slaves. The authors on both sides of the debate—including such prominent figures as the eventual King William IV, Sir John Gladstone (father of the future Prime Minister William Gladstone), and the leading abolitionist William Wilberforce—draw upon biblical scriptures to justify their positions, providing illuminating insights into the theological debates of the time as well. Also included in the volume are an excerpt of abolitionist James Ramsay’s journal and an informative introduction that places the writings in their historical and social contexts. The Slave Trade Debate is an essential resource for scholars of transatlantic slavery and British history.
Unlike African slavery in Europe and the Americas, slavery in the Sudan and other parts of Africa persisted well into the twentieth century. Sudanese slaves served Sudanese masters until the region was conquered by the Turks, who practiced slavery on a larger, institutional scale. When the British took over the Sudan in 1898, they officially emancipated the slaves, yet found it impossible to replace their labor in the country’s economy.
This pathfinding study explores the process of emancipation and the development of wage labor in the Sudan under British colonial rule. Ahmad Sikainga focuses on the fate of ex-slaves in Khartoum and on the efforts of the colonial government to transform them into wage laborers. He probes into what colonial rule and city life meant for slaves and ex-slaves and what the city and its people meant for colonial officials.
This investigation sheds new light on the legacy of slavery and the status of former slaves and their descendants. It also reveals how the legacy of slavery underlies the current ethnic and regional conflicts in the Sudan. It will be vital reading for students of race relations and slavery, colonialism and postcolonialism, urbanization, and labor history in Africa and the Middle East.
In a work of sweep and ambition, James Fichter explores how American trade proved pivotal to the evolution of capitalism in the United States and helped to shape the course of the British Empire.
Before the American Revolution, colonial merchants were part of a trading network that spanned the globe. After 1783, U.S. merchants began trading in the East Indies independently, creating a new class of investor-capitalists and the first generation of American millionaires. Such wealth was startling in a country where, a generation earlier, the most prosperous Americans had been Southern planters. This mercantile elite brought its experience and affluence to other sectors of the economy, helping to concentrate capital and create wealth, and paving the way for the modern business corporation.
Conducted on free trade principles, American trade in Asia was so extensive that it undermined the monopoly of the British East India Company and forced Britain to open its own free trade to Asia. The United States and the British Empire thus converged around shared, Anglo-American free-trade ideals and financial capitalism in Asia. American traders also provided a vital link to the Atlantic world for Dutch Java and French Mauritius, and were at the vanguard of Western contact with Polynesia and the Pacific Northwest.
Based on an impressive array of sources from Europe, Asia, Africa, and the United States, this pathbreaking book revolutionizes our understanding of the early American economy in a global context and the relationship between the young nation and its former colonial master.
The image of the naval sailor is that of an enigmatic but compelling figure, a globe-trotting adventurer, swaggering and irresponsible in port but swift to flex the national muscle at sea and beyond. Appealing as this popular image may be, scant effort has been expended to reveal the truth behind the stereotype.
Thanks to Christopher McKee's groundbreaking work, it is now possible to hear from sailors themselves--in this case, those who served in Great Britain's Royal Navy during the first half of the twentieth century. McKee has scoured sailors' unpublished diaries, letters, memoirs, and oral interviews to uncover the lives and secret thoughts of British men of the lower deck. From working-class childhoods teetering on the edge of poverty to the hardships of finding civilian employment after leaving the navy; from sexual initiation in the brothels of Oran and Alexandria to the terror of battle, the former sailors speak with candor about all aspects of naval life: the harsh discipline and deep comradeship, the shipboard homoeroticism, the pleasures and temptations of world travel, and the responsibilities of marriage and family.
McKee has shaped the first authentic model of the naval enlisted experience, an account not crafted by officers or civilian reformers but deftly told in the sailors' own voices. The result is a poignant and complex portrait of lower-deck lives.
In this first U.S. edition of a classic work of comparative legal scholarship, Alan Watson argues that law fails to keep step with social change, even when that change is massive. To illustrate the ways in which law is dysfunctional, he draws on the two most innovative western systems, of Rome and England, to show that harmful rules continue for centuries. To make his case, he uses examples where, in the main, "the law benefits no recognizable group or class within the society (except possibly lawyers who benefit from confusion) and is generally inconvenient or positively harmful to society as a whole or to large or powerful groups within the society."
Widely respected for his "fearless challenge of the accepted or dominant view and his own encyclopedic knowledge of Roman law" (The Encyclopedia of Historians and Historical Writing), Watson considers the development of law in global terms and across the centuries. His arguments centering on how societies borrow from other legal systems and the continuity of legal systems are particularly instructive for those interested in legal development and the development of a common law for the European Union.
postamble();In Some Intellectual Consequences of the English Revolution, Christopher Hill takes up themes that have emerged from a lifetime’s investigation into the causes of the English Revolution. However, Hill does more than analyze the origins of the Revolution. He examines the ways the seeds of change sown during the revolution, grew into transformative politics in the period following the restoration of the monarchy in 1660.
Hill argues that the intellectual heritage of the English Revolution was mixed. While he acknowledges its achievements, he also depicts some of its failings. Consequently, he challenges the view that radical notions faded with the Restoration, suggesting instead, that they continued in pervasive and subtle ways throughout the course of English and American history. The apparent similarity between the England of 1640 and that of 1660 is shown to be illusory. Each period’s institutions survived but the social context had changed. In this way, Hill demonstrates how intellectual consequences cannot be separated from the social and economic factors of the nation that produced them. He concludes that historians should turn their attention to the “unofficial” radical heritage that is less easy to comprehend, though no less important.
This is a highly readable and provocative account by one of the world’s foremost historians.
As we enter a new millennium ruled by technology, will poetry still matter? The Song of the Earth answers eloquently in the affirmative. A book about our growing alienation from nature, it is also a brilliant meditation on the capacity of the writer to bring us back to earth, our home.
In the first ecological reading of English literature, Jonathan Bate traces the distinctions among "nature," "culture," and "environment" and shows how their meanings have changed since their appearance in the literature of the eighteenth century. An intricate interweaving of climatic, topographical, and political elements poetically deployed, his book ranges from greenhouses in Jane Austen's novels to fruit bats in the poetry of Les Murray, by way of Thomas Hardy's woodlands, Dr. Frankenstein's Creature, John Clare's birds' nests, Wordsworth's rivers, Byron's bear, and an early nineteenth-century novel about an orangutan who stands for Parliament. Though grounded in the English Romantic tradition, the book also explores American, Central European, and Caribbean poets and engages theoretically with Rousseau, Adorno, Bachelard, and especially Heidegger.
The model for an innovative and sophisticated new "ecopoetics," The Song of the Earth is at once an essential history of environmental consciousness and an impassioned argument for the necessity of literature in a time of ecological crisis.
In October 1656 James Nayler, a prominent Quaker leader--second only to George Fox in the nascent movement--rode into Bristol surrounded by followers singing hosannas in deliberate imitation of Jesus' entry into Jerusalem. In Leo Damrosch's trenchant reading this incident and the extraordinary outrage it ignited shed new light on Cromwell's England and on religious thought and spirituality in a turbulent period.
Damrosch gives a clear picture of the origins and early development of the Quaker movement, elucidating the intellectual foundations of Quaker theology. A number of central issues come into sharp relief, including gender symbolism and the role of women, belief in miraculous cures, and--particularly in relation to the meaning of the entry into Bristol--"signs of the in-dwelling spirit." Damrosch's account of the trial and savage punishment of Nayler for blasphemy exposes the politics of the Puritan response, the limits to Cromwellian religious liberalism.
The Sorrows of the Quaker Jesus is at once a study of antinomian religious thought, of an exemplary individualist movement that suddenly found itself obliged to impose order, and of the ways in which religious and political ideas become intertwined in a period of crisis. It is also a vivid portrait of a fascinating man.
Sound Authorities shows how experiences of music and sound played a crucial role in nineteenth-century scientific inquiry in Britain.
In Sound Authorities, Edward J. Gillin focuses on hearing and aurality in Victorian Britain, claiming that the development of the natural sciences in this era cannot be understood without attending to the study of sound and music.
During this time, scientific practitioners attempted to fashion themselves as authorities on sonorous phenomena, coming into conflict with traditional musical elites as well as religious bodies. Gillin pays attention to sound in both musical and nonmusical contexts, specifically the cacophony of British industrialization. Sound Authorities begins with the place of acoustics in early nineteenth-century London, examining scientific exhibitions, lectures, spectacles, workshops, laboratories, and showrooms. He goes on to explore how mathematicians mobilized sound in their understanding of natural laws and their vision of a harmonious ordered universe. In closing, Gillin delves into the era’s religious and metaphysical debates over the place of music (and humanity) in nature, the relationship between music and the divine, and the tensions between spiritualist understandings of sound and scientific ones.
From the Bible’s “Canst thou raise leviathan with a hook?” to Captain Ahab’s “From Hell’s heart I stab at thee!,” from the trials of Job to the legends of Sinbad, whales have breached in the human imagination as looming figures of terror, power, confusion, and mystery.
In the twentieth century, however, our understanding of and relationship to these superlatives of creation underwent some astonishing changes, and with The Sounding of the Whale, D. Graham Burnett tells the fascinating story of the transformation of cetaceans from grotesque monsters, useful only as wallowing kegs of fat and fertilizer, to playful friends of humanity, bellwethers of environmental devastation, and, finally, totems of the counterculture in the Age of Aquarius. When Burnett opens his story, ignorance reigns: even Nature was misclassifying whales at the turn of the century, and the only biological study of the species was happening in gruesome Arctic slaughterhouses. But in the aftermath of World War I, an international effort to bring rational regulations to the whaling industry led to an explosion of global research—and regulations that, while well-meaning, were quashed, or widely flouted, by whaling nations, the first shot in a battle that continues to this day. The book closes with a look at the remarkable shift in public attitudes toward whales that began in the 1960s, as environmental concerns and new discoveries about whale behavior combined to make whales an object of sentimental concern and public adulation.
A sweeping history, grounded in nearly a decade of research, The Sounding of the Whale tells a remarkable story of how science, politics, and simple human wonder intertwined to transform the way we see these behemoths from below.
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