Listen to a short interview with Karen Ordahl KuppermanHost: Chris Gondek | Producer: Heron & Crane
Captain John Smith's 1607 voyage to Jamestown was not his first trip abroad. He had traveled throughout Europe, been sold as a war captive in Turkey, escaped, and returned to England in time to join the Virginia Company's colonizing project. In Jamestown migrants, merchants, and soldiers who had also sailed to the distant shores of the Ottoman Empire, Africa, and Ireland in search of new beginnings encountered Indians who already possessed broad understanding of Europeans. Experience of foreign environments and cultures had sharpened survival instincts on all sides and aroused challenging questions about human nature and its potential for transformation.
It is against this enlarged temporal and geographic background that Jamestown dramatically emerges in Karen Kupperman's breathtaking study. Reconfiguring the national myth of Jamestown's failure, she shows how the settlement's distinctly messy first decade actually represents a period of ferment in which individuals were learning how to make a colony work. Despite the settlers' dependence on the Chesapeake Algonquians and strained relations with their London backers, they forged a tenacious colony that survived where others had failed. Indeed, the structures and practices that evolved through trial and error in Virginia would become the model for all successful English colonies, including Plymouth.
Capturing England's intoxication with a wider world through ballads, plays, and paintings, and the stark reality of Jamestown--for Indians and Europeans alike--through the words of its inhabitants as well as archeological and environmental evidence, Kupperman re-creates these formative years with astonishing detail.
Jane Austen completed only six novels, but enduring passion for the author and her works has driven fans to read these books repeatedly, in book clubs or solo, while also inspiring countless film adaptations, sequels, and even spoofs involving zombies and sea monsters. Austen’s lasting appeal to both popular and elite audiences has lifted her to legendary status. In Jane Austen’s Cults and Cultures, Claudia L. Johnson shows how Jane Austen became “Jane Austen,” a figure intensely—sometimes even wildly—venerated, and often for markedly different reasons.
John Aubrey (1626–97) was one of the best-connected scholars and antiquaries in the great decades of the British scientific revolution. He is remembered as a pioneer historian and the father of English life-writing, whose Brief Lives remains a lasting portrait of a generation of eminent thinkers and nobles. But Aubrey’s intellectual interests were much broader. He was one of the first Fellows of the Royal Society, and he was acquainted with leading scientists of the generation of Robert Hooke and Isaac Newton. Aubrey championed Hooke’s geological theories, radical for the time, that proposed the organic origin of fossils. In addition, Aubrey was a keen mathematician and an early donor to the Ashmolean Museum of Art and Archaeology and the Bodleian Library. Extensively illustrated, John Aubrey and the Advancement of Learning presents all of Aubrey’s varied interests and pursuits in their intellectual milieu. Published to celebrate the 350th anniversary of the Royal Society, this is the first accessible and illustrated guide to Aubrey’s many diverse achievements as a biographer, natural philosopher and scientist, and antiquary.
A rare example of musical scholarship from the Tudor period, in translation and fully annotated
John Dygon was the prior of St. Augustine’s monastery in Canterbury when Henry VIII boldly dissolved the English Catholic Church during the 1530s and reorganized it under royal control. Only a single copy of Dygon’s manuscript on music theory has survived, held by Trinity College, Cambridge. This volume will be the first publication of these two treatises, providing both a scholarly transcription and English translation.
Dygon’s treatise provides a rare and important example of musical scholarship from the early Tudor period, demonstrating the status of music education at the time, the affiliations of English scholarship with music study in Europe, and the music that was actually performed in England. The treatises address questions of musical notation, especially regarding rhythmic proportions, as well as practical issues about performance. Theodor Dumitrescu’s introduction situates Dygon’s treatises within the larger history of European music, paying close attention to its borrowings from and adaptations of prior treatises.
More than any other person, Jack C. Ellis notes, John Grierson, a Scot, was responsible for the documentary film as it has developed in English-speaking countries.
While in the United States in the 1920s, Grierson first applied the term documentary to Robert Flaherty's Moana. In 1927, Grierson returned to Britain, where he was hired to promote the marketing of products of the British Empire. The first practical application of Grierson’s theory of documentary film was Drifters, a 1929 short feature about herring fishing in the North Sea. That success led Grierson to establish the Empire Marketing Board Film Unit (later the General Post Office Film Unit).
In 1939, Grierson moved to Canada, leaving behind a legacy of some sixty British filmmakers who spread his ideas and techniques to other countries. In Canada, he progressed beyond national concerns to global problems. The National Film Board of Canada stands as the largest and most impressive monument to Grierson's concepts and actions in regard to the use of film by governments in communicating with citizens.
Ellis examines Grierson's accomplishments in detail, probing the complexities of Grierson's motivations and personality. His subject, a true titan in the world of documentary film, was the first filmmaker to use public and private institutional sponsorship—not the box office—to pay for his films. He also employed nontraditional distribution techniques, going outside the movie theaters to reach audiences in schools and factories, union halls, and church basements. Essentially, Grierson created documentary film and established an audience for it.
This is an analysis of the first 10 post—Cold War novels of one of the most significant ethicists in contemporary fiction.
This book challenges distinctions between “popular” and “serious” literature by recognizing le Carré as one of the most significant ethicists in contemporary fiction, contributing to an overdue reassessment of his literary stature. Le Carré’s ten post–Cold War novels constitute a distinctive subset of his espionage fiction in their response to the momentous changes in geopolitics that began in the 1990s. Through a close reading of these novels, Snyder traces how—amid the “War on Terror” and transnationalism—le Carré weighs what is at stake in this conflict of deeply invested ideologies.
Until 1860 John Ruskin's writings were primarily about art and architecture; but his belief that good art can flourish only in a society that is sound and healthy led him inevitably to a preoccupation with social and economic problems, the dominant concern of his later writings. James Clark Sherburne provides in this volume a detailed and long overdue re-examination of Ruskin's social and economic perceptions and, for the first time, systematically places these perceptions in their nineteenth-century intellectual context.
Ruskin's eloquence and the strength of his moral, aesthetic, and social convictions established him as one of the most influential of Victorian writers. His writings, however, are not easily categorized and many of his important insights occur as digressions in discussions of other topics. Mr. Sherburne succeeds in ordering and clarifying the rich chaos of Ruskin's social thought without denying that wholeness which is, paradoxically, its salient feature. He discovers the source of Ruskin's social criticism in his early writings. He then follows Ruskin's interest as it shifts from economic theory to the problems of exploitation, war, imperialism, the means of social reform, and the construction of the welfare state.
Ruskin's remarkably early vision of the possibility of economic abundance, his anticipation of its social and personal implications, his much disparaged critique of classical economics, his pioneering attention to the role of the consumer and the quality of consumption, his anxious portrayal of the effects of industrialism on the environment, his critique of English educational methods, and his farsighted proposals for public management of industry and transport are among the many aspects of Ruskin's thought examined by Mr. Sherburne. What emerges is an original and exhaustive study of a dimension of Ruskin's work which, though much neglected, is particularly relevant to contemporary concerns.
"He was a man of fair learning, and more than average accomplishment; not at all intolerant of opinions at issue with his own; in religion a Dissenter of the class still prevalent in New England: in his tastes scholarly and refined, not ill read in general literature, prone to social enjoyments, a reasonably good critic of what he saw, altogether an excellent example of the class of men out of whom the fathers and founders of that great republic sprang..."
-Charles Dickens, in summing up the character of Samuel Curwen
This unabridged two-volume edition of Samuel Curwen's journal supersedes the only version previously available to historians: a fragmentary and inaccurate mid-nineteenth-century work published by George Atkinson Ward, which nevertheless was celebrated by Charles Dickens.
Andrew Oliver, combining painstaking documentation with an abundance of illustrations, provides a colorful, complete work which ranks as a valuable source of English social history from 1775 to 1784. It was during these years that Curwen, a Salem merchant, after fleeing from the harassment incurred by his loyalist activities, migrated to England and kept this journal. A man small in size, physically timid, mentally brave, and remarkably injudicious, Curwen felt that he was "unhappily though unjustly ranked" as a tory. Thus his observations and thoughts are useful in understanding the attitudes and experiences of the loyalist exiles.
Set primarily in England and sparked throughout with engaging reports on personalities, places, and even the weather, the journal traces Curwen's nine years of exile. It also briefly details his departure from Salem, his short and alarming sojourn in Philadelphia where he found the political climate no less unfavorable, and his subsequent sea voyage to England.
The Journal of Samuel Curwen, Loyalist is the first in a series of Loyalist Papers, a long-term program to be undertaken independently by a number of publishers in Britain, Canada, and the United States. The program will locate, gather, and make available documents that place in perspective those Americans who, at the time of the Revolution, remained loyal to the Crown.
The year’s best articles from the leading on-line source of new research on the Revolution and Founding eras
The Journal of the American Revolution, Annual Volume 2022, presents the journal’s best historical research and writing over the past calendar year. The volume is designed for institutions, scholars, and enthusiasts to provide a convenient overview of the latest research and scholarship in American Revolution and Founding Era studies. This year's articles are:
Massachusettensis and Novanglus: The Last Great Debate Prior to the War by James M. Smith
Wampum Belts to Canada: Stockbridge Indian Ambassadors’ Dangerous 1775 Peace Mission by Mark R. Anderson
Ethan Allen’s “Motley Parcel of Soldiery” at Montreal by Mark R. Anderson
The Devil at the Helm: A Quote That Went Astray by Don N. Hagist
Thomas Knowlton’s Revolution by David Price
Major Robert Rogers and the American Revolution by Scott M. Smith
La Petite Guerre and Indian Irregular Manner of War: Siblings, But Not Twins by Brian Gerring
George Washington and the First Mandatory Immunization by Richard J. Werther
French Adventurers, Patriots, and Pretentious Imposters in the Fight for American Independence by Arthur S. Lefkowitz
The Cherokee-American War from the Cherokee Perspective by Jordan Baker
The Numerical Strength of George Washington’s Army During the 1777 Philadelphia Campaign by Gary Ecelbarger and Michael C. Harris
A Reconsideration of Continental Army Numerical Strength at Valley Forge by Gary Ecelbarger and Michael C. Harris
American Indians at Valley Forge by Joseph Lee Boyle
The Discovery of a Letter from a Soldier of the First Rhode Island Regiment by Christian McBurney
“The Predicament We Are In”: How Paperwork Saved the Continental Army by Mike Matheny
Sir Henry Clinton’s Generalship by John Ferling
The Varick Transcripts and the Preservation of the War by Justin McHenry
“A Mere Youth”: James Monroe’s Revolutionary War by John A. Ruddima
Haitian Soldiers at the Siege of Savannah by Robert S. Davis
George Washington’s Culper Spy Ring: Separating Fact from Fiction by Bill Bleyer
Texas, Cattle, Cowboys, Ranchers, Indian Raids, and the American Revolution by George Kotlik
The Odyssey of Loyalist Colonel Samuel Bryan by Douglas R. Dorney, Jr.
“She Had Gone to the Army . . . to Her Husband”: Judith Lines’s Unremarked Life by John U. Rees
The Yorktown Tragedy: George Washington’s Slave Roundup by Gregory J. W. Urwin
Such as are Absolutely Free: Benjamin Thompson’s Black Troopers by Todd W. Braisted
The King of Sweden: Friendly Foe of the United States by Richard Werther
Shifting Indian Policy of the Articles of Confederation by John DeLee
Justice, Mercy, and Treason: John Marshall’s and Mercy Otis Warren’s Treatments of Benedict Arnold by Ray Mirante
A Chance Amiss: George Washington and the Fiasco of Spain’s Gift Diplomacy by Elisa Vargas
The Constitutional Convention Debates the Electoral College by Jason Yonce
Respected Citizen of Washington City: The Mystery of Will Costin, Freed Mount Vernon Slave by David O. Stewart
The Impeachment of Senator William Blount by Andrew A. Zellers-Frederick
Instinctive Temporary Unity: Examining Public Opinion During the Whiskey Rebellion by Jonathan Curran
“Good and Sufficient Testimony”: The Development of the Revolutionary War Pension Plan by Michael Barbieri
By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans.
Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to rock’s inextricably interracial artistic enterprise.
According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.
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