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The Fall of Troy
Quintus Smyrnaeus
Harvard University Press
Quintus was a poet who lived at Smyrna some four hundred years after Christ. His work, in fourteen books, is a bold and generally underrated attempt in Homer's style to complete the story of Troy from the point at which the Iliad closes. Quintus tells us the stories of Penthesilea, the Amazonian queen; Memnon, leader of the Ethiopians; the death of Achilles; the contest for Achilles' arms between Ajax and Odysseus; the arrival of Philoctetes; and the making of the Wooden Horse. The poem ends with the departure of the Greeks and the great storm which by the wrath of heaven shattered their fleet.
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Fame, Money, and Power
The Rise of Peisistratos and "Democratic" Tyranny at Athens
B. M. Lavelle
University of Michigan Press, 2005
"The sixth century is a very contentious time; Fame, Money, and Power unambiguously advances our understanding of Peisistratos and archaic Athens. No one else has tackled so many of the difficult issues that Lavelle has taken on."
--David Tandy, University of Tennessee

"Well researched and engaging, [Fame, Money, and Power] painstakingly builds [its] case for how the various phases of Peisistratos's career developed."
--Tony Podlecki, University of British Columbia


The Athenian "golden age" occurred in the fifth century B.C.E. and was attributed to their great achievements in art, literature, science, and philosophy. However, the most important achievement of the time was the political movement from tyranny to democracy. Though tyranny is thought to be democracy's opposite and deadly enemy, that is not always the case. In Fame, Money, and Power, Brian Lavelle states that the perceived polarity between tyranny and democracy does not reflect the truth in this instance.

The career of the tyrant Peisistratos resembles the careers and successes of early democratic soldier-politicians. As with any democratic political system, Peisistratos' governance depended upon the willingness of the Athenians who conceded governance to him. This book attempts to show how the rise of Peisistratos fits into an essentially democratic system already entrenched at Athens in the earlier sixth century B.C.E.

Emerging from the apparent backwater of eastern Attika, Peisistratos led the Athenians to victory over their neighbors, the Megarians, in a long, drawn out war. That victory earned him great popularity from the Athenians and propelled him along the road to monarchy. Yet, political success at Athens, even as Solon implies in his poems, depended upon the enrichment of the Athenian d?mos, not just fame and popularity. Peisistratos tried and failed two times to "root" his tyranny, his failures owing to a lack of sufficient money with which to appease the demos. Exiled from Athens, he spent the next ten years amassing money to enrich the Athenians and power to overcome his enemies. He then sustained his rule by grasping the realities of Athenian politics. Peisistratos' tyrannies were partnerships with the d?mos, the first two of which failed. His final formula for success, securing more money than his opponents possessed and then more resources for enriching the d?mos, provided the model for future democratic politicians of Athens who wanted to obtain and keep power in fifth-century Athens.
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The Family in Greek History
Cynthia B. Patterson
Harvard University Press, 2001

The family, Cynthia Patterson demonstrates, played a key role in the political changes that mark the history of ancient Greece. From the archaic society portrayed in Homer and Hesiod to the Hellenistic age, the private world of the family and household was integral with and essential to the civic realm.

Early Greek society was rooted not in clans but in individual households, and a man's or woman's place in the larger community was determined by relationships within those households. The development of the city-state did not result in loss of the family's power and authority, Patterson argues; rather, the protection of household relationships was an important element of early public law. The interaction of civic and family concerns in classical Athens is neatly articulated by the examples of marriage and adultery laws. In law courts and in theater performances, violation of marital relationships was presented as a public danger, the adulterer as a sexual thief. This is an understanding that fits the Athenian concept of the city as the highest form of family. The suppression of the cities with the ascendancy of Alexander's empire led to a new resolution of the relationship between public and private authority: the concept of a community of households, which is clearly exemplified in Menander's plays. Undercutting common interpretations of Greek experience as evolving from clan to patriarchal state, Patterson's insightful analysis sheds new light on the role of men and women in Greek culture.

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Fear of Diversity
The Birth of Political Science in Ancient Greek Thought
Arlene W. Saxonhouse
University of Chicago Press, 1992
This wide-ranging book locates the origin of political science in the everyday world of ancient Greek life, thought, and culture. Arlene Saxonhouse contends that the Greeks, confronted by the puzzling diversity of the physical world, sought a force that would unify, constrain, and explain it. This drive toward unity did more than value the mind over the senses: it led the Greeks to play down the very real complexities—particularly regarding women, the family, and sexuality—in both their political and personal lives.

Saxonhouse opens up fresh understandings of such issues as the Greeks' fear of the feminine and their attempts to ignore the demands that gender, reproduction, and the family inevitably make on the individual.
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Festivals of Attica
An Archaeological Commentary
Erika Simon
University of Wisconsin Press, 2002

The festivals of the Athenian sacred calendar constitute a vital key to classical Greek culture and religion.  Erika Simon sets out here to explicate those complex and often obscure festivals.  By careful marshaling of a variety of proofs from literary, historical, and archaeological sources, she is able to justify some startling conclusions and achieve a comprehensive and truly original synthesis that clarifies, as never before, the probable origins and meanings of the Attic cults.

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Fictions of Sappho, 1546-1937
Joan DeJean
University of Chicago Press, 1989
Considering Sappho as a creature of translation and interpretation, a figment whose features have changed with social mores and aesthetics, Joan DeJean constructs a fascinating history of the sexual politics of literary reception. The association of Sappho with female homosexuality has made her a particularly compelling and yet problematic subject of literary speculation; and in the responses of different cultures to the challenge the poet presents, DeJean finds evidence of the standards imposed on female sexuality through the ages. She focuses largely though not exclusively on the French tradition, where the Sapphic presence is especially pervasive. Tracing re-creations of Sappho through translation and fiction from the mid-sixteenth century to the period just prior to World War II, DeJean shows how these renderings reflect the fantasies and anxieties of each writer as well as the mentalité of his or her day.
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Fields of Wheat, Hills of Blood
Passages to Nationhood in Greek Macedonia, 1870-1990
Anastasia N. Karakasidou
University of Chicago Press, 1997
Deftly combining archival sources with evocative life histories, Anastasia Karakasidou brings welcome clarity to the contentious debate over ethnic identities and nationalist ideologies in Greek Macedonia. Her vivid and detailed account demonstrates that contrary to official rhetoric, the current people of Greek Macedonia ultimately derive from profoundly diverse ethnic and cultural backgrounds. Throughout the last century, a succession of regional and world conflicts, economic migrations, and shifting state formations has engendered an intricate pattern of population movements and refugee resettlements across the region. Unraveling the complex social, political, and economic processes through which these disparate peoples have become culturally amalgamated within an overarchingly Greek national identity, this book provides an important corrective to the Macedonian picture and an insightful analysis of the often volatile conjunction of ethnicities and nationalisms in the twentieth century.

"Combining the thoughtful use of theory with a vivid historical ethnography, this is an important, courageous, and pioneering work which opens up the whole issue of nation-building in northern Greece."—Mark Mazower, University of Sussex
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Figures of Speech
Men and Maidens in Ancient Greece
Gloria Ferrari
University of Chicago Press, 2002
Over the past two hundred years, thousands of ancient Greek vases have been unearthed. Yet these artifacts remain a challenge: what did the images depicted on these vases actually mean to ancient Greek viewers? In this long-awaited book, Gloria Ferrari uses Athenian vases, literary evidence, and other works of art from the Archaic and Classical periods (520-400 B.C.) to investigate what these items can tell us about the ancient Greeks—specifically, their notions of gender.

Ferrari begins by developing a theoretical perspective on visual representation, arguing that artistic images give us access to how their subjects were imagined rather than to the way they really were. For instance, Ferrari's examinations of the many representations of women working wool reveal that these images constitute powerful metaphors—metaphors, she argues, which both reflect and construct Greek conceptions of the ideal woman and her ideal behavior.

From this perspective, Ferrari studies a number of icons representing blameless femininity and ideal masculinity to reevaluate the rites of passage by which girls are made ready for marriage and boys become men. Representations of the nude male body in Archaic statues known as kouroi, for example, symbolize manhood itself and shed new light on the much-discussed institution of paiderastia. And, in Ferrari's hands, imagery equating maidens with arable land and buried treasure provides a fresh view of Greek ideas of matrimony.

Innovative, thought-provoking, and insightful throughout, Figures of Speech is a powerful demonstration of how the study of visual images as well as texts can reshape our understanding of ancient Greek culture.
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Finding Italy
Travel, Nation, and Colonization in Vergil's Aeneid
K. F. B. Fletcher
University of Michigan Press, 2014

Finding Italy explores the journey of the Romans’ ancestor Aeneas and his fellow Trojans from their old home, Troy, to their new country, Italy, narrated in Vergil’s epic poem Aeneid. K. F. B. Fletcher argues that a main narrative theme is patriotism, specifically the problem of how one comes to love one’s new country. The various directions Aeneas receives throughout the first half of the poem are meant to create this love, explaining both to Aeneas and to Vergil’s readers how they should respond to the new, unified Italy synonymous with Rome. These directions come from the gods, or from people close to Aeneas who have divine connections, and they all serve to instill an emotional connection to the land, creating a mental image of Italy that tells him far more about his destination than merely its location, and ultimately making him fall in love with Italy enough to fight for it soon after his arrival. The poem thus dramatizes the birth of nationalism, as Italy is only a concept to Aeneas throughout his trip; these directions do not describe Italy as it is at the time of Aeneas’ journey, but as an ideal to be realized by Aeneas and his descendants, reaching its final, perfect form under Augustus Caesar.

Finding Italy provides a very detailed reading of the directions Aeneas receives by situating them within their relevant contexts: ancient geography, Greek colonization narratives, prophecy, and ancient views of wandering. Vergil draws on all of these concepts to craft instructions that create in Aeneas an attachment to Italy before he ever arrives, a process that dramatizes a key emotional problem in the late first century BCE in the wake of the Social and Civil Wars: how to balance the love of one's modest birthplace with the love of Rome, the larger city that now encompasses it.

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The First European
A History of Alexander in the Age of Empire
Pierre Briant
Harvard University Press, 2017

The exploits of Alexander the Great were so remarkable that for centuries after his death the Macedonian ruler seemed a figure more of legend than of history. Thinkers of the European Enlightenment, searching for ancient models to understand contemporary affairs, were the first to critically interpret Alexander’s achievements. As Pierre Briant shows, in the minds of eighteenth-century intellectuals and philosophes, Alexander was the first European: a successful creator of empire who opened the door to new sources of trade and scientific knowledge, and an enlightened leader who brought the fruits of Western civilization to an oppressed and backward “Orient.”

In France, Scotland, England, and Germany, Alexander the Great became an important point of reference in discourses from philosophy and history to political economy and geography. Voltaire, Montesquieu, and Robertson asked what lessons Alexander’s empire-building had to teach modern Europeans. They saw the ancient Macedonian as the embodiment of the rational and benevolent Western ruler, a historical model to be emulated as Western powers accelerated their colonial expansion into Asia, India, and the Middle East.

For a Europe that had to contend with the formidable Ottoman Empire, Alexander provided an important precedent as the conqueror who had brought great tyrants of the “Orient” to heel. As The First European makes clear, in the minds of Europe’s leading thinkers, Alexander was not an aggressive militarist but a civilizing force whose conquests revitalized Asian lands that had lain stagnant for centuries under the lash of despotic rulers.

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The Folds of Parnassos
Land and Ethnicity in Ancient Phokis
By Jeremy McInerney
University of Texas Press, 2000

Independent city-states (poleis) such as Athens have been viewed traditionally as the most advanced stage of state formation in ancient Greece. By contrast, this pioneering book argues that for some Greeks the ethnos, a regionally based ethnic group, and the koinon, or regional confederation, were equally valid units of social and political life and that these ethnic identities were astonishingly durable.

Jeremy McInerney sets his study in Phokis, a region in central Greece dominated by Mount Parnassos that shared a border with the panhellenic sanctuary at Delphi. He explores how ecological conditions, land use, and external factors such as invasion contributed to the formation of a Phokian territory. Then, drawing on numerous interdisciplinary sources, he traces the history of the region from the Archaic age down to the Roman period. McInerney shows how shared myths, hero cults, and military alliances created an ethnic identity that held the region together over centuries, despite repeated invasions. He concludes that the Phokian koinon survived because it was founded ultimately on the tenacity of the smaller communities of Greece.

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Folktales in Homer’s Odyssey
Denys L. Page
Harvard University Press, 1973

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The Founders and the Classics
Greece, Rome, and the American Enlightenment
Carl J. Richard
Harvard University Press, 1995

Is our Greek and Roman heritage merely allusive and illusory? Or were our founders, and so our republican beginnings, truly steeped in the stuff of antiquity? So far largely a matter of generalization and speculation, the influence of Greek and Roman authors on our American forefathers finally becomes clear in this fascinating book-the first comprehensive study of the founders’ classical reading.

Carl J. Richard begins by examining how eighteenth-century social institutions in general and the educational system in particular conditioned the founders to venerate the classics. He then explores the founders’ various uses of classical symbolism, models, “antimodels,” mixed government theory, pastoralism, and philosophy, revealing in detail the formative influence exerted by the classics, both directly and through the mediation of Whig and American perspectives. In this analysis, we see how the classics not only supplied the principal basis for the U.S. Constitution but also contributed to the founders’ conception of human nature, their understanding of virtue, and their sense of identity and purpose within a grand universal scheme. At the same time, we learn how the classics inspired obsessive fear of conspiracies against liberty, which poisoned relations between Federalists and Republicans.

The shrewd ancients who molded Western civilization still have much to teach us, Richard suggests. His account of the critical role they played in shaping our nation and our lives provides a valuable lesson in the transcendent power of the classics.

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Four Comedies
Aristophanes
University of Michigan Press, 1969
Contains Lysistrata, The Congresswomen, The Acharnians, and The Frogs
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Fragments
Aegeus–Meleager
Edited and Translated by Christopher Collard and Martin Cropp
Harvard University Press

Lost works by ancient Greece’s third great tragedian.

Eighteen of the ninety or so plays composed by Euripides between 455 and 406 BC survive in a complete form and are included in the preceding six volumes of the Loeb Euripides. A further fifty-two tragedies and eleven satyr plays, including a few of disputed authorship, are known from ancient quotations and references and from numerous papyri discovered since 1880. No more than one-fifth of any play is represented, but many can be reconstructed with some accuracy in outline, and many of the fragments are striking in themselves. The extant plays and the fragments together make Euripides by far the best known of the classic Greek tragedians.

This edition, in a projected two volumes, offers the first complete English translation of the fragments together with a selection of testimonia bearing on the content of the plays. The texts are based on the recent comprehensive edition of R. Kannicht. A general Introduction discusses the evidence for the lost plays. Each play is prefaced by a select bibliography and an introductory discussion of its mythical background, plot, and location of the fragments, general character, chronology, and impact on subsequent literary and artistic traditions.

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Fragments
Oedipus–Chrysippus. Other Fragments
Euripides
Harvard University Press

Lost works by ancient Greece’s third great tragedian.

Eighteen of the ninety or so plays composed by Euripides between 455 and 406 BC survive in a complete form and are included in the preceding six volumes of the Loeb Euripides. A further fifty-two tragedies and eleven satyr plays, including a few of disputed authorship, are known from ancient quotations and references and from numerous papyri discovered since 1880. No more than one-fifth of any play is represented, but many can be reconstructed with some accuracy in outline, and many of the fragments are striking in themselves. The extant plays and the fragments together make Euripides by far the best known of the classic Greek tragedians.

This edition, in a projected two volumes, offers the first complete English translation of the fragments together with a selection of testimonia bearing on the content of the plays. The texts are based on the recent comprehensive edition of R. Kannicht. A general Introduction discusses the evidence for the lost plays. Each play is prefaced by a select bibliography and an introductory discussion of its mythical background, plot, and location of the fragments, general character, chronology, and impact on subsequent literary and artistic traditions.

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Fragments of Death, Fables of Identity
An Athenian Anthropography
Eleni Panourgia
University of Wisconsin Press, 1996

The death of her grandfather sets Neni Panourgiá and her readers on a path through the rituals of mourning and memory in modern urban Greece. Blending emotional richness and intellectual rigor, the anthropologist returns home in this exploration of kinship and identity within her own family and native city of Athens. What emerges is not only a new anthropological view of contemporary Greek culture, but also a reflective consideration of the self and subject.
    Following men and women grappling with questions of mortality, Panourgiá moves through the streets and neighborhoods of Athens, seaside resorts and pistachio groves, the corridors and rooms of the Cancer Institute, wakes in apartments and observances in cemeteries. She mingles popular culture, venerable traditions, and contemporary theory as she considers how individuals define their identity as Athenians, as members of a family, as subjects of a polity, in sickness and in health, in death or in mourning. Memory is their guide as it negotiates their relationships with a personal, collective, and cultural past—and the memory of many deaths challenges and reaffirms, deconstructs and reconstructs who they are.
    As intellectually ambitious as it is moving, Fragments of Death, Fables of Identity reconfigures the subject and object of anthropological study and recasts the line where experience ends and analysis begins.
 

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Fragments of Old Comedy, Volume I
Alcaeus to Diocles
Ian C. Storey
Harvard University Press, 2011

Laughter in stitches.

The era of Old Comedy (ca. 485 – ca. 380 BC), when theatrical comedy was created and established, is best known through the extant plays of Aristophanes, but there were many other poets whose comedies survive only in fragments. This new Loeb edition, the most extensive selection of the fragments available in English, presents the work of more than fifty-five poets, including Cratinus and Eupolis, the other members (along with Aristophanes) of the canonical Old Comic triad.

For each poet and play there is an introduction, and for many there are brief notes and recent bibliography. Also included are a selection of ancient testimonia to Old Comedy, nearly one hundred unattributed fragments (both book and papyri), and descriptions of thirty vase paintings illustrating Old Comic scenes. The texts are based on the monumental edition of Kassel and Austin, updated to reflect the latest scholarship. The complete Loeb Fragments of Old Comedy is in three volumes.

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Fragments of Old Comedy, Volume II
Diopeithes to Pherecrates
Ian C. Storey
Harvard University Press, 2011

Laughter in stitches.

The era of Old Comedy (ca. 485 – ca. 380 BC), when theatrical comedy was created and established, is best known through the extant plays of Aristophanes, but there were many other poets whose comedies survive only in fragments. This new Loeb edition, the most extensive selection of the fragments available in English, presents the work of more than fifty-five poets, including Cratinus and Eupolis, the other members (along with Aristophanes) of the canonical Old Comic triad.

For each poet and play there is an introduction, and for many there are brief notes and recent bibliography. Also included are a selection of ancient testimonia to Old Comedy, nearly one hundred unattributed fragments (both book and papyri), and descriptions of thirty vase paintings illustrating Old Comic scenes. The texts are based on the monumental edition of Kassel and Austin, updated to reflect the latest scholarship. The complete Loeb Fragments of Old Comedy is in three volumes.

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Fragments of Old Comedy, Volume III
Philonicus to Xenophon. Adespota
Ian C. Storey
Harvard University Press, 2011

Laughter in stitches.

The era of Old Comedy (ca. 485 – ca. 380 BC), when theatrical comedy was created and established, is best known through the extant plays of Aristophanes, but there were many other poets whose comedies survive only in fragments. This new Loeb edition, the most extensive selection of the fragments available in English, presents the work of more than fifty-five poets, including Cratinus and Eupolis, the other members (along with Aristophanes) of the canonical Old Comic triad.

For each poet and play there is an introduction, and for many there are brief notes and recent bibliography. Also included are a selection of ancient testimonia to Old Comedy, nearly one hundred unattributed fragments (both book and papyri), and descriptions of thirty vase paintings illustrating Old Comic scenes. The texts are based on the monumental edition of Kassel and Austin, updated to reflect the latest scholarship. The complete Loeb Fragments of Old Comedy is in three volumes.

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From a Year in Greece
By Frederic Will
University of Texas Press, 1967

In this book, the reader is privileged to take a leisurely and thoroughly enjoyable trip through the Greece of the mid-twentieth century, led by a poet-narrator who is a comfortable and engaging guide and complemented by the artwork of John Guerin.

Frederic Will recounts his odyssey: from Austria through Yugoslavia, across the northern Greek border, from Salonika to Athens and the Aegean Sea, to the site of remnants of Old Greece in Smyrna, Pergamum, and Ephesus, and finally to the monasteries on Mount Athos.

The author not only presents vivid descriptions of the towns and people in contemporary Greece but also conveys the still-present aura of the ancient Greek deities, in both the ruins and the modern cities. Witness the following passage written at Salonika, in Northern Greece, Will’s first stop of importance:

The sense-binding, sense-shaping ocean is omnipresent there. It is visible from nearly any point in the city. You only need to go up to your second story—if you have one. There is that pure, rhythmic, bounded but boundless element, spread somewhere at the bottom of the street. The same vision glimmers or stirs at the end of nearly every east-west-running street. Many townsmen spend much of their time promenading along the harbor. They seem to be subliminally magnetized to the sea.

I spent several weeks there. During that time I would often go up to the crowning Venetian walls, and look down onto Salonika and its harbor. From there Salonika’s deep dependence on the ocean became a fact proved by eyesight. The city is built on the half-moon-shaped plain of the Axios River. Two images came to me repeatedly: that Salonika is an amphitheater facing the ocean; or that she is a lover, reaching to embrace the ocean. Here are the hot, white (or cream-colored) buildings of the city; there is the element they thirst for.

Will gives a great deal of fascinating information but gives it gracefully and without excess. Above all, the narrative is suffused with the atmosphere, the emotions, and the beauty of Greece. The author has said he intends for this work to dramatize, not to instruct. Actually, it does both.

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From Roman to Early Christian Thessalonikē
Studies in Religion and Archaeology
Laura Nasrallah
Harvard University Press, 2010
This volume brings together international scholars of religion, archaeologists, and scholars of art and architectural history to investigate social, political, and religious life in Roman and early Christian Thessalonikē, an important metropolis in the Hellenistic, Roman, and early Christian periods and beyond. This volume is the first broadly interdisciplinary investigation of Roman and early Christian Thessalonikē in English and offers new data and new interpretations by scholars of ancient religion and archaeology. The book covers materials usually treated by a broad range of disciplines: New Testament and early Christian literature, art historical materials, urban planning in antiquity, material culture and daily life, and archaeological artifacts from the Roman to the late antique period.
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From Villain to Hero
Odysseus in Ancient Thought
Silvia Montiglio
University of Michigan Press, 2011

Praise for Silvia Montiglio

"[A] brilliant and important book. . . . "
---Journal of Religion, on Silence in the Land of Logos

"[A]n invigorating reevaluation of both the ancient symbolic landscape and our preconceptions of it."
---American Journal of Philology, on Wandering in Ancient Greek Culture
 
 Best known for his adventures during his homeward journey as narrated in Homer's Odyssey, Odysseus remained a major figure and a source of inspiration in later literature, from Greek tragedy to Dante's Inferno to Joyce's Ulysses. Less commonly known, but equally interesting, are Odysseus' "wanderings" in ancient philosophy: Odysseus becomes a model of wisdom for Socrates and his followers, Cynics and Stoics, as well as for later Platonic thinkers. From Villain to Hero: Odysseus in Ancient Thought follows these wanderings in the world of ancient Greek and Roman philosophy, retracing the steps that led the cunning hero of Homeric epic and the villain of Attic tragedy to become a paradigm of the wise man.

From Villain to Hero explores the reception of Odysseus in philosophy, a subject that so far has been treated only in tangential or limited ways. Diverging from previous studies, Montiglio outlines the philosophers' Odysseus across the spectrum, from the Socratics to the Middle Platonists. By the early centuries CE, Odysseus' credentials as a wise man are firmly established, and the start of Odysseus' rehabilitation by philosophers challenges current perceptions of him as a villain. More than merely a study in ancient philosophy, From Villain to Hero seeks to understand the articulations between philosophical readings of Odysseus and nonphilosophical ones, with an eye to the larger cultural contexts of both. While this book is the work of a classicist, it will also be of interest to students of philosophy, comparative literature, and reception studies.

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