front cover of The Speaking Stone
The Speaking Stone
Stories Cemeteries Tell
Michael Griffith
University of Cincinnati Press, 2021

The Speaking Stone: Stories Cemeteries Tell is a literary love letter to the joys of wandering graveyards. While working on a novel, author and longtime Cincinnati resident Michael Griffith starts visiting Spring Grove Cemetery and Arboretum, the nation’s third-largest cemetery. Soon he’s taking almost daily jaunts, following curiosity and accident wherever they lead. The result is this fascinating collection of essays that emerge from chance encounters with an interesting headstone, odd epitaph, unusual name, or quirk of memory. Researching obituaries, newspaper clippings, and family legacies, Griffith uncovers stories of race, feminism, art, and death.

Rather than sticking to the cemetery’s most famous, or infamous, graves, Griffith stays true to the principle of ramble and incidental discovery. The result is an eclectic group of subjects, ranging from well-known figures like the feminist icon and freethinker Fanny Wright to those much less celebrated— a spiritual medium, a temperance advocate, a young heiress who died under mysterious circumstances. Nearly ninety photos add dimension and often an element of playfulness.

The Speaking Stone examines what endures and what does not, reflecting on the vanity and poignancy of our attempt to leave monuments that last. In doing so, it beautifully weaves connections born out of the storyteller’s inquisitive mind.

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front cover of Trophy
Trophy
A Novel
Michael Griffith
Northwestern University Press, 2011
Vada Prickett is a 29-year-old Hose Associate at a car wash in South Carolina, and Darla, the woman he loves, is about to marry his friend, rival, and life-long neighbor, Wyatt Yancey. Vada has “spent his life waiting for the thing to get a proper start.” But it will never get that start, for Vada, as this wildly original novel opens, is being crushed to death by Wyatt’s latest animal trophy, a stuffed grizzly bear Vada has been helping him to smuggle—against Darla’s wishes—into Wyatt’s house. 

It turns out that the cliché is true—at the moment of death, your life does flash before your eyes. Trophy, the account of a man’s final, fleeting instant on earth, joins Vada as he attempts to make that flash last as long as possible. As he lies dying, too soon and too absurdly, Vada tries to unravel the mysteries of his life. He first bargains with God, then rages against the dying of the light. Exhausted, Vada proceeds to prolong, in every way available to a man in his dire circumstances, the time he has remaining. 

Just beneath Griffith’s dark humor and witty take on our present-day culture lies a meditation on memory and identity and the power of language over both.
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