“Dark violence and piebald absurdity share an uncertain border, and now and then some mythmaker on his day off, like Grubb, manages to write within this certainty. A fine book, written for the hell of it, which is a splendid reason.”—Time

Set in the Appalachian backcountry in the midst of the Great Depression, Fools’ Parade traces the adventures of three ex-convicts who become involved in a wild and woolly chase along the Ohio River.

Convicted murderer Mattie Appleyard has just served forty-seven years in Glory Penitentiary. His release puts him in possession of a check for $25,452.32—the result of his having salted away his meager earnings in the Prisoner’s Work-and-Hope Savings Plan of the local bank. With his friends Johnny Jesus and Lee Cottrill, he plans to open a general store that will compete with the company store in Stonecoal, West Virginia.

Unfortunately, banker Homer Grindstaff, prison guard Uncle Doc Council, and Sheriff Duane Ewing have no intention of allowing Mattie to realize his ambitions. Mattie’s efforts to cash his check set a deadly pursuit in motion and introduce the reader to a host of colorful characters and a vividly recreated regional and historical background. Good and evil meet head-on in this novel that is, by turns, warm and humorous, rousing and tumultuous.

The Author: Davis Grubb (1919–1980) was the author of ten published novels, the most famous of which was Night of the Hunter. Both that book and Fools’ Parade, originally published in 1969, were made into motion pictures.

Hailing from the small river town of Moundsville, West Virginia, Davis Grubb (1919–1980) became a key figure in the canon of Appalachian literature. The author of ten novels and dozens of short stories and radio plays, Grubb’s writings, as Tom Douglass observes, “catalogued his life”—and a turbulent life it was, marked by the traumatic loss of both the family home and his father during the Great Depression, the overbearing affections of his mother, the fear of failure, painful struggles with alcohol and drug abuse, profligate spending, and a conflicted sexuality.

Grubb originally aspired to be a visual artist but, thwarted by color blindness, turned to writing instead, honing his skills in the advertising industry. Today he is best remembered for his first novel, The Night of the Hunter (1953), a gripping story of a Depression-era serial killer and his pursuit of two young children along the Ohio River. This book spent twenty-eight weeks on The New York Times best-seller list and became the basis for a classic film directed by Charles Laughton, starring Robert Mitchum, Shelley Winters, and Lillian Gish. While his subsequent work never achieved that same level of popularity, the fierce thematic oppositions he set forth in his debut novel—between love and hate, good and evil, the corrupt and the pure, the rich and the poor—would inform his entire oeuvre. Although Grubb’s career took him to the great cities of New York, Philadelphia, and Los Angeles, his work was always rooted in key emblems of his Appalachian childhood—the river, the state penitentiary, and the largest Indian mound east of the Mississippi, all in his native Moundsville.

In his works, Douglass asserts, Grubb was “an avenging angel, righting the wrongs of the past in his own life, in his own country, and putting trust in his own vision of divine love.” Off the page, he was riven by personal demons, “more than once in danger of losing his life to self-annihilation and to the self-accusation that he was a fallen angel.” This biography, the first ever written of Grubb, captures his life and work in all their intriguing complexity.

THOMAS E. DOUGLASS, an associate professor of English at East Carolina University, is the author of A Room Forever: The Life, Work, and Letters of Breece D’J Pancake. He is also the fiction editor for the University of Tennessee Press’s Appalachian Echoes series.