In 1979, a Kekchi Maya Indian accidentally discovered the entrance to Naj Tunich, a deep cave in the Maya Mountains of El Peten, Guatemala. One of the world's few deep caves that contain rock art, Naj Tunich features figural images and hieroglyphic inscriptions that have helped to revolutionize our understanding of ancient Maya art and ritual.

In this book, Andrea Stone takes a comprehensive look at Maya cave painting from Preconquest times to the Colonial period. After surveying Mesoamerican cave and rock painting sites and discussing all twenty-five known painted caves in the Maya area, she focuses extensively on Naj Tunich. Her text analyzes the images and inscriptions, while photographs and line drawings provide a complete visual catalog of the cave art, some of which has been subsequently destroyed by vandals.

This important new body of images and texts enlarges our understanding of the Maya view of sacred landscape and the role of caves in ritual. It will be important reading for all students of the Maya, as well as for others interested in cave art and in human relationships with the natural environment.

Presenting the results of six years of archaeological survey and excavation in and around the Maya kingdom of El Zotz, An Inconstant Landscape paints a complex picture of a dynamic landscape over the course of almost 2,000 years of occupation. El Zotz was a dynastic seat of the Classic period in Guatemala. Located between the renowned sites of Tikal and El Perú-Waka’, it existed as a small kingdom with powerful neighbors and serves today as a test-case of political debility and strength during the height of dynastic struggles among the Classic Maya.
 
In this volume, contributors address the challenges faced by smaller polities on the peripheries of powerful kingdoms and ask how subordination was experienced and independent policy asserted. Leading experts provide cutting-edge analysis in varied topics and detailed discussion of the development of this major site and the region more broadly. The first half of the volume contains a historical narrative of the cultural sequence of El Zotz, tracing the changes in occupation and landscape use across time; the second half provides deep technical analyses of material evidence, including soils, ceramics, stone tools, and bone.
 
The ever-changing, inconstant landscapes of peripheral kingdoms like El Zotz reveal much about their more dominant—and better known—neighbors. An Inconstant Landscape offers a comprehensive, multidisciplinary view of this important but under-studied site, an essential context for the study of the Classic Maya in Guatemala, and a premier reference on the subject of peripheral kingdoms at the height of Maya civilization.
 
Contributors: Timothy Beach, Nicholas Carter, Ewa Czapiewska-Halliday, Alyce de Carteret, William Delgado, Colin Doyle, James Doyle, Laura Gámez, Jose Luis Garrido López, Yeny Myshell Gutiérrez Castillo, Zachary Hruby, Melanie Kingsley, Sheryl Luzzadder-Beach, Cassandra Mesick Braun, Sarah Newman, Rony Piedrasanta, Edwin Román, and Andrew K. Scherer
 

Indigenous Bodies, Maya Minds examines tension and conflict over ethnic and religious identity in the K’iche’ Maya community of San Andrés Xecul in the Guatemalan Highlands and considers how religious and ethnic attachments are sustained and transformed through the transnational experiences of locals who have migrated to the United States.

Author C. James MacKenzie explores the relationship among four coexisting religious communities within Highland Maya villages in contemporary Guatemala—costumbre, traditionalist religion with a shamanic substrate; “Enthusiastic Christianity,” versions of Charismaticism and Pentecostalism; an “inculturated” and Mayanized version of Catholicism; and a purified and antisyncretic Maya Spirituality—with attention to the modern and nonmodern worldviews that sustain them. He introduces a sophisticated set of theories to interpret both traditional religion and its relationship to other contemporary religious options, analyzing the relation among these various worldviews in terms of the indigenization of modernity and the various ways modernity can be apprehended as an intellectual project or an embodied experience.

Indigenous Bodies, Maya Minds investigates the way an increasingly plural religious landscape intersects with ethnic and other identities. It will be of interest to Mesoamerican and Mayan ethnographers, as well as students and scholars of cultural anthropology, indigenous cultures, globalization, and religion.

Indigenous Women and Violence offers an intimate view of how settler colonialism and other structural forms of power and inequality created accumulated violences in the lives of Indigenous women. This volume uncovers how these Indigenous women resist violence in Mexico, Central America, and the United States, centering on the topics of femicide, immigration, human rights violations, the criminal justice system, and Indigenous justice. Taking on the issues of our times, Indigenous Women and Violence calls for the deepening of collaborative ethnographies through community engagement and performing research as an embodied experience. This book brings together settler colonialism, feminist ethnography, collaborative and activist ethnography, emotional communities, and standpoint research to look at the links between structural, extreme, and everyday violences across time and space.

Indigenous Women and Violence is built on engaging case studies that highlight the individual and collective struggles that Indigenous women face from the racial and gendered oppression that structures their lives. Gendered violence has always been a part of the genocidal and assimilationist projects of settler colonialism, and it remains so today. These structures—and the forms of violence inherent to them—are driving criminalization and victimization of Indigenous men and women, leading to escalating levels of assassination, incarceration, or transnational displacement of Indigenous people, and especially Indigenous women.

This volume brings together the potent ethnographic research of eight scholars who have dedicated their careers to illuminating the ways in which Indigenous women have challenged communities, states, legal systems, and social movements to promote gender justice. The chapters in this book are engaged, feminist, collaborative, and activism focused, conveying powerful messages about the resilience and resistance of Indigenous women in the face of violence and systemic oppression.

Contributors: R. Aída Hernández-Castillo, Morna Macleod, Mariana Mora, María Teresa Sierra, Shannon Speed, Lynn Stephen, Margo Tamez, Irma Alicia Velásquez Nimatuj

 

The Itzaj Maya language is a member of the Yukatekan Maya language family spoken in the lowlands of Guatemala, Mexico, and Belize, a family that includes Maya, Mopan, and Lakantum. Many classic Maya hieroglyphic texts were written in an earlier form of these languages, as were many important colonial documents. In addition to being a valuable record of ancient language, Andrew Hofling’s Itzaj Maya Grammar contributes greatly to the study of these older documents.

This exemplary grammar completes a basic documentation that began with Itzaj Maya Texts and Itzaj Maya-Spanish-English Dictionary. It’s coverage of the linguistic structures of Itzaj includes the phonological, morphophonological, and syntactic structures. Each morphological and grammatical construction is carefully explained, with additional examples of each construction included.

Itzaj Maya Grammar is a landmark contribution to the study of discourse in Maya language. When used with Hofling’s previous texts, it provides a thoroughly dynamic documentation of the language, useful to all interested in the study of Yukatejan languages or linguistics.