front cover of Frozen Fauna of the Mammoth Steppe
Frozen Fauna of the Mammoth Steppe
The Story of Blue Babe
R. Dale Guthrie
University of Chicago Press, 1990
Frozen mammals of the Ice Age, preserved for millennia in the tundra, have been a source of fascination and mystery since their first discovery over two centuries ago. These mummies, their ecology, and their preservation are the subject of this compelling book by paleontologist Dale Guthrie. The 1979 find of a frozen, extinct steppe bison in an Alaskan gold mine allowed him to undertake the first scientific excavation of an Ice Age mummy in North America and to test theories about these enigmatic frozen fauna.

The 36,000-year-old bison mummy, coated with blue mineral crystals, was dubbed "Blue Babe." Guthrie conveys the excitement of its excavation and shows how he made use of evidence from living animals, other Pleistocene mummies, Paleolithic art, and geological data. With photographs and scores of detailed drawings, he takes the reader through the excavation and subsequent detective work, analyzing the animal's carcass and its surroundings, the circumstances of its death, its appearance in life, the landscape it inhabited, and the processes of preservation by freezing. His examination shows that Blue Babe died in early winter, falling prey to lions that inhabited the Arctic during the Pleistocene era.

Guthrie uses information gleaned from his study of Blue Babe to provide a broad picture of bison evolutionary history and ecology, including speculations on the interactions of bison and Ice Age peoples. His description of the Mammoth Steppe as a cold, dry, grassy plain is based on an entirely new way of reading the fossil record.
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front cover of The Nature of Paleolithic Art
The Nature of Paleolithic Art
R. Dale Guthrie
University of Chicago Press, 2005
The cave paintings and other preserved remnants of Paleolithic peoples shed light on a world little known to us, one so deeply embedded in time that information about it seems unrecoverable. While art historians have wrestled with these images and objects, very few scientists have weighed in on Paleolithic art as artifacts of a complex, living society. R. Dale Guthrie is one of the first to do so, and his monumental volume The Nature of Paleolithic Art is a landmark study that will change the shape of our understanding of these marvelous images.

With a natural historian's keen eye for observation, and as one who has spent a lifetime using bones and other excavated materials to piece together past human behavior and environments, Guthrie demonstrates that Paleolithic art is a mode of expression we can comprehend to a remarkable degree and that the perspective of natural history is integral to that comprehension. He employs a mix of ethology, evolutionary biology, and human universals to access these distant cultures and their art and artifacts. Guthrie uses innovative forensic techniques to reveal new information; estimating, for example, the ages and sexes of some of the artists, he establishes that Paleolithic art was not just the creation of male shamans.

With more than 3,000 images, The Nature of Paleolithic Art offers the most comprehensive representation of Paleolithic art ever published and a radical (and controversial) new way of interpreting it. The variety and content of these images—most of which have never been available or easily accessible to nonspecialists or even researchers—will astonish you. This wonderfully written work of natural history, of observation and evidence, tells the great story of our deepest past.
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