front cover of The Drunken Duchess of Vassar
The Drunken Duchess of Vassar
Grace Harriet Macurdy, Pioneering Feminist Classical Scholar
Barbara McManus Judith P. Hallett Christopher Stray
The Ohio State University Press, 2017

In this biography, Barbara McManus recovers the intriguing life story of Grace Harriet Macurdy (1866–1946), Professor of Greek at Vassar College and the first woman classicist to focus her scholarship on the lives of ancient Greco-Roman women. Fondly known as “the Drunken Duchess,” although she never drank alcohol, Macurdy came from a poor family with no social, economic, or educational advantages. Moreover, she struggled with disability for decades after becoming almost totally deaf in her early fifties. Yet she became an internationally known Greek scholar with a long list of publications and close friends as renowned as Gilbert Murray and John Masefield.

Through Macurdy’s eyes and experiences, McManus examines significant issues and developments from the late nineteenth to the mid-twentieth century, such as the opening of higher education to women, the erosion of gender and class barriers in the professions, the delicate balancing act between personal and professional life required of women, the marginalized role of women’s colleges in academic politics, and changes in the discipline and profession of Classics in response to the emerging role of women and new social conditions.

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front cover of Kinesis
Kinesis
The Ancient Depiction of Gesture, Motion, and Emotion
Christina A. Clark, Edith Foster, and Judith P. Hallett, editors
University of Michigan Press, 2015
Donald Lateiner, in his groundbreaking work The Sardonic Smile, presented the first thorough study of nonverbal behavior in Homeric epics, drawing a significant distinction between ancient and modern gesture and demonstrating the intrinsic relevance of this “silent language” to psychological, social, and anthropological studies of the ancient world.

Using Lateiner’s work as a touchstone, the scholars in Kinesis analyze the depiction of emotions, gestures, and other nonverbal cues in ancient Greek and Roman texts and consider the precise language used to depict them. Individual contributors examine genres ranging from historiography and epic to tragedy, philosophy, and vase decoration. They explore evidence as disparate as Pliny’s depiction of animal emotions, Plato’s presentation of Aristophanes’ hiccups, and Thucydides’ use of verb tenses. Sophocles’ deployment of silence is considered, as are Lucan’s depiction of death and the speaking objects of the medieval Alexander Romance.

This collection will be valuable to scholars studying Greek and Roman society and literature, as well as to those who study the imitation of ancient literature in later societies. Jargon is avoided and all passages in ancient languages are translated, making this volume accessible to advanced undergraduates.

Contributors in addition to the volume editors include Jeffrey Rusten, Rosaria Vignolo Munson, Hans-Peter Stahl, Carolyn Dewald, Rachel Kitzinger, Deborah Boedeker, Daniel P. Tompkins, John Marincola, Carolin Hahnemann, Ellen Finkelpearl, Hanna M. Roisman, Eliot Wirshbo, James V. Morrison, Bruce Heiden, Daniel B. Levine, and Brad L. Cook.

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