People who flyfish know that a favorite river bend, a secluded spot in moving waters, can feel like home—a place you know intimately and intuitively. In prose that reads like the flowing current of a river, scholar and essayist George Handley blends nature writing, local history, theology, environmental history, and personal memoir in his new book Home Waters: A Year of Recompenses on the Provo River.

Handley’s meditations on the local Provo River watershed present the argument that a sense of place requires more than a strong sense of history and belonging, it requires awareness and commitment. Handley traces a history of settlement along the Provo that has profoundly transformed the landscape and yet neglected its Native American and environmental legacies. As a descendent of one of the first pioneers to irrigate the area, and as a witness to the loss of orchards, open space, and an eroded environmental ethic, Handley weaves his own personal and family history into the landscape to argue for sustainable belonging. In avoiding the exclusionist and environmentally harmful attitudes that come with the territorial claims to a homeland, the flyfishing term, “home waters,” is offered as an alternative, a kind of belonging that is informed by deference to others, to the mysteries of deep time, and to a fragile dependence on water. While it has sometimes been mistakenly assumed that the Mormon faith is inimical to good environmental stewardship, Handley explores the faith’s openness to science, its recognition of the holiness of the creation, and its call for an ethical engagement with nature. A metaphysical approach to the physical world is offered as an antidote to the suicidal impulses of modern society and our persistent ambivalence about the facts of our biology and earthly condition. Home Waters contributes a perspective from within the Mormon religious experience to the tradition of such Western writers as Wallace Stegner, Terry Tempest Williams, Steven Trimble, and Amy Irvine.

Winner of the Mormon Letters Award for Memoir.

Look Away! considers the U.S. South in relation to Latin America and the Caribbean. Given that some of the major characteristics that mark the South as exceptional within the United States—including the legacies of a plantation economy and slave trade—are common to most of the Americas, Look Away! points to postcolonial studies as perhaps the best perspective from which to comprehend the U.S. South. At the same time it shows how, as part of the United States, the South—both center and margin, victor and defeated, and empire and colony—complicates ideas of the postcolonial. The twenty-two essays in this comparative, interdisciplinary collection rethink southern U.S. identity, race, and the differences and commonalities between the cultural productions and imagined communities of the U.S. South and Latin America.

Look Away! presents work by respected scholars in comparative literature, American studies, and Latin American studies. The contributors analyze how writers—including the Martinican Edouard Glissant, the Cuban-American Gustavo Pérez Firmat, and the Trinidad-born, British V. S. Naipaul—have engaged with the southern United States. They explore William Faulkner’s role in Latin American thought and consider his work in relation to that of Gabriel García Márquez and Jorge Luis Borges. Many essays re-examine major topics in southern U.S. culture—such as race, slavery, slave resistance, and the legacies of the past—through the lens of postcolonial theory and postmodern geography. Others discuss the South in relation to the U.S.–Mexico border. Throughout the volume, the contributors consistently reconceptualize U.S. southern culture in a way that acknowledges its postcolonial status without diminishing its distinctiveness.

Contributors. Jesse Alemán, Bob Brinkmeyer, Debra Cohen, Deborah Cohn, Michael Dash, Leigh Anne Duck, Wendy Faris, Earl Fitz, George Handley, Steve Hunsaker, Kirsten Silva Gruesz, Dane Johnson, Richard King, Jane Landers, John T. Matthews, Stephanie Merrim, Helen Oakley, Vincent Pérez, John-Michael Rivera, Scott Romine, Jon Smith, Ilan Stavans, Philip Weinstein, Lois Parkinson Zamora