front cover of Falling
Falling
Trebor Healey
University of Wisconsin Press, 2019
In award-winning author Trebor Healey’s newest collection, Falling, characters lose their way, figuratively and literally, and confront the profound displacement of modern life. These are stories of hard-won redemption and transformation—a widower who finds meaning adopting refugee children, a painter who reconnects with his son after losing everything, a nun victimized and haunted by state terror, and a peripatetic gay man in utter despair and fatigue who finally bonds with his dying father. In Healey’s skilled hands, there is a flicker of hope in the hopeless, a way forward in the pathless wood, and a bridge—though rickety and swaying—across even the most harrowing chasm.
Together, these vignettes cover the dizzying breadth of human experience. From a contemporary reimagination of the life of Evita Perón with a gay man in the starring role to the story of an abandoned building full of ghosts in the center of Mexico City, this collection suggests other ways of seeing in a world overburdened by history.
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front cover of A Horse Named Sorrow
A Horse Named Sorrow
Trebor Healey
University of Wisconsin Press, 2012
Selection, Over the Rainbow Project, GLBT Round Table of the American Library Association
Finalist, General Fiction, Lambda Literary Awards
Winner, Ferro-Grumley Award for LGBT Fiction, Publishing Triangle
Winner, Duggins outstanding Mid-Career novelist Award, Lambda Literary Foundation

Award-winning novelist Trebor Healey depicts San Francisco in the 1980s and ’90s in poetic prose that is both ribald and poignant, and a crossing into the American West that is dreamy, mythic, and visionary.
    When troubled twenty-one-year-old Seamus Blake meets the strong and self-possessed Jimmy (just arrived in San Francisco by bicycle from his hometown in Buffalo, New York), he feels his life may finally be taking a turn for the better. But the ensuing romance proves short-lived as Jimmy dies of an AIDS-related illness. The grieving Seamus is obliged to keep a promise to Jimmy: “Take me back the way I came.”
    And so Seamus sets out by bicycle on a picaresque journey with the ashes, hoping to bring them back to Buffalo. He meets truck drivers, waitresses, college kids, farmers, ranchers, Marines, and other travelers—each one giving him a new perspective on his own life and on Jimmy’s death. When he meets and becomes involved with a young Native American man whose mother has recently died, Seamus’s grief and his story become universal and redemptive.

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