William Sloane Coffin offers here a powerful antidote to the politics of the religious right with a clarion call to passive intellectuals and dispirited liberals to reenter the fray with an unabashedly Christian view of social justice. Refusing to cede the battlefield of morality to conservatives, he argues that “compassion demands confrontation,” as he considers such topics as homophobia, diversity, nuclear weapons, and civil discourse. Coffin became famous while chaplain at Yale in the 1960s for his active opposition to the Vietnam War. Jailed as a civil rights “Freedom Rider,” indicted by the government in the Benjamin Spock conspiracy trial, he attained popular immortality as Reverend Sloan in the Doonesbury comic strip. The seven pieces collected here are peppered with memorable aphorisms and pithy, political one-liners meant to turn bitterness to anger and anger to action.

From the foreword by Geneva Overholser.

What is it about really fine writers, how they delight, intrigue, compel us?

Style, you say. But style is not something you begin with. Rather, it's what you end up with, a result of far more fundamental traits. Traits such as an ear and an eye and a heart, traits that Madeliene Blais has honed superbly well.

This is a book well named: The Heart Is an Instrument: Portraits in Journalism. The heart is surely first among Blais's gifts. Whether she is writing about the famous--playwright tennessee Williams, novelist Mary Gordon--or about the least elevated among us--a teenage prostitute infected with the AIDS virus, a homeless schizophrenic--she brings to her subjects an incomparable empathy.