Newsweek calls him “exhilarating and deeply engaging.” Time Out New York calls him “smart, provocative, and a great writer.” Critic Peter Schjeldahl, meanwhile, simply calls him “My hero.” There’s no one in the art world quite like Dave Hickey—and a new book of his writing is an event.
 
25 Women will not disappoint. The book collects Hickey’s best and most important writing about female artists from the past twenty years. But this is far more than a compilation: Hickey has revised each essay, bringing them up to date and drawing out common themes. Written in Hickey’s trademark style—accessible, witty, and powerfully illuminating—25 Women analyzes the work of Joan Mitchell, Bridget Riley, Fiona Rae, Lynda Benglis, Karen Carson, and many others. Hickey discusses their work as work, bringing politics and gender into the discussion only where it seems warranted by the art itself. The resulting book is not only a deep engagement with some of the most influential and innovative contemporary artists, but also a reflection on the life and role of the critic: the decisions, judgments, politics, and ethics that critics negotiate throughout their careers in the art world.
 
Always engaging, often controversial, and never dull, Dave Hickey is a writer who gets people excited—and talking—about art. 25 Women will thrill his many fans, and make him plenty of new ones.

Finalist, 2021 Writers’ League of Texas Book Award

Regarded as both a legend and a villain, the critic Dave Hickey has inspired generations of artists, art critics, musicians, and writers. His 1993 book The Invisible Dragon became a cult hit for its potent and provocative critique of the art establishment and its call to reconsider the role of beauty in art. His next book, 1997’s Air Guitar, introduced a new kind of cultural criticism—simultaneously insightful, complicated, vulnerable, and down-to-earth—that propelled Hickey to fame as an iconoclastic thinker, loved and loathed in equal measure, whose influence extended beyond the art world.

Far from Respectable is a focused, evocative exploration of Hickey’s work, his impact on the field of art criticism, and the man himself, from his Huck Finn childhood to his drug-fueled periods as both a New York gallerist and Nashville songwriter to, finally, his anointment as a tenured professor and MacArthur Fellow. Drawing on in-person interviews with Hickey, his friends and family, and art world comrades and critics, Daniel Oppenheimer examines the controversial writer’s distinctive takes on a broad range of subjects, including Norman Rockwell, Robert Mapplethorpe, academia, Las Vegas, basketball, country music, and considers how Hickey and his vision of an “ethical, cosmopolitan paganism” built around a generous definition of art is more urgently needed than ever before.

The Invisible Dragon made a lot of noise for a little book When it was originally published in 1993 it was championed by artists for its forceful call for a reconsideration of beauty—and savaged by more theoretically oriented critics who dismissed the very concept of beauty as naive, igniting a debate that has shown no sign of flagging.

With this revised and expanded edition, Hickey is back to fan the flames. More manifesto than polite discussion, more call to action than criticism, The Invisible Dragon aims squarely at the hyper-institutionalism that, in Hickey’s view, denies the real pleasures that draw us to art in the first place. Deploying the artworks of Warhol, Raphael, Caravaggio, and Mapplethorpe and the writings of Ruskin, Shakespeare, Deleuze, and Foucault, Hickey takes on museum culture, arid academicism, sclerotic politics, and more—all in the service of making readers rethink the nature of art. A new introduction provides a context for earlier essays—what Hickey calls his "intellectual temper tantrums." A new essay, "American Beauty," concludes the volume with a historical argument that is a rousing paean to the inherently democratic nature of attention to beauty.

Written with a verve that is all too rare in serious criticism, this expanded and refurbished edition of The Invisible Dragon will be sure to captivate a new generation of readers, provoking the passionate reactions that are the hallmark of great criticism.

 A collection of essays by American art critic Dave Hickey, nicknamed “The Bad Boy of Art Criticism.”
 
When Dave Hickey was twelve, he rode the surfer’s dream: the perfect wave. And, like so many things in life we long for, it didn’t quite turn out—he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which nearly killed him.
 
Hickey went on to develop a career as one of America’s foremost critical iconoclasts, a trusted no-nonsense voice commenting on the worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey’s career, displaying his breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge—or to surprise us in doing so—Hickey relates his wincing disappointment in the later career of his early hero Susan Sontag and shows us the appeal to our commonality that we’ve been missing in Norman Rockwell.
 
Bookended by previously unpublished personal essays that offer a new glimpse into Hickey’s own life—including the aforementioned conclusion to his surfing career—Perfect Wave is a welcome addition to the Hickey canon.