BiblioVault - Books about Hirabayashi, Lane Ryo

Barbed Voices

Oral History, Resistance, and the World War II Japanese American Social Disaster

Arthur A. Hansen

University Press of Colorado, 2021

Barbed Voices is an engaging anthology of the most significant published articles written by the well-known and highly respected historian of Japanese American history Arthur Hansen, updated and annotated for contemporary context. Featuring selected inmates and camp groups who spearheaded resistance movements in the ten War Relocation Authority–administered compounds in the United States during World War II, Hansen’s writing provides a basis for understanding why, when, where, and how some of the 120,000 incarcerated Japanese Americans opposed the threats to themselves, their families, their reference groups, and their racial-ethnic community.

What historically was benignly termed the “Japanese American Evacuation” was in fact a social disaster, which, unlike a natural disaster, is man-made. Examining the emotional implications of targeted systemic incarceration, Hansen highlights the psychological traumas that transformed Japanese American identity and culture for generations after the war. While many accounts of Japanese American incarceration rely heavily on government documents and analytic texts, Hansen’s focus on first-person Nikkei testimonies gathered through powerful oral history interviews gives expression to the resistance to this social disaster.

Analyzing the evolving historical memory of the effects of wartime incarceration, Barbed Voices presents a new scholarly framework of enduring value. It will be of interest to students and scholars of oral history, US history, public history, and ethnic studies as well as the general public interested in the WWII experience and civil rights.

[more]

Common Ground

The Japanese American National Museum and the Culture of Collaborations

Akemi Kikumura-Yano

University Press of Colorado, 2005

Los Angeles's Japanese American National Museum, established in 1992, remains the only museum in the United States expressly dedicated to sharing the story of Americans of Japanese ancestry. The National Museum is a unique institution that operates in collaboration with other institutions, museums, researchers, audiences, and funders. In this collection of seventeen essays, anthropologists, art historians, museum curators, writers, designers, and historians provide case studies exploring collaboration with community-oriented partners in order to document, interpret, and present their histories and experiences and provide a new understanding of what museums can and should be in the United States.

Current scholarship in museum studies is generally limited to interpretations by scholars and curators. Common Ground brings descriptive data to the intellectual canon and illustrates how museum institutions must be transformed and recreated to suit the needs of the twenty-first century.

[more]

Cultural Capital

Mountain Zapotec Migrant Associations in Mexico City

Lane Ryo Hirabayashi

University of Arizona Press, 1993

This book shows how Zapotec peasants migrating to Mexico City utilize paisanazgo--which prescribes solidarity among people from the same locale--as the basis for cooperation and mutual aid within a new environment. This study focuses on three groups of Mountain Zapotecs to explain why migrant associations were created and why they took different forms, citing regional variations in ethnicity, solidarity, occupational pursuits, and sociopolitical articulation to the nation in the three points of origin.

[more]

Japanese American Resettlement through the Lens

Hikaru Iwasaki and the WRA's Photographic Section, 1943-1945

Lane Ryo Hirabayashi

University Press of Colorado, 2009

Photographs by Hikaru C. IwasakiForeword by the Honorable Norman Y. Mineta
In Japanese American Resettlement through the Lens, Lane Ryo Hirabayashi gathers a unique collection of photographs by War Relocation Authority photographer Hikaru Iwasaki, the only full-time WRA photographer from the period still living.

With substantive focus on resettlement - and in particular Iwasaki's photos of Japanese Americans following their release from WRA camps from 1943 to 1945 - Hirabayashi explores the WRA's use of photography in its mission not only to encourage "loyal" Japanese Americans to return to society at large as quickly as possible but also to convince Euro-Americans this was safe and advantageous. Hirabayashi also assesses the relative success of the WRA project, as well as the multiple uses of the photographs over time, first by the WRA and then by students, scholars, and community members in the present day.

Although the photos have been used to illustrate a number of publications, this book is the first sustained treatment addressing questions directly related to official WRA photographs. How and under what conditions were they taken? Where were they developed, selected, and stored? How were they used during the 1940s? What impact did they have during and following the war?

By focusing on the WRA's Photographic Section, Japanese American Resettlement through the Lens makes a unique contribution to the body of literature on Japanese Americans during World War II.

[more]

The Politics of Fieldwork

Research in an American Concentration Camp

Lane Ryo Hirabayashi

University of Arizona Press, 1999

During World War II, over thirty American anthropologists participated in empirical and applied research on more than 110,000 Japanese Americans subjected to mass removal and incarceration by the federal government. While that experience has been widely discussed, what has received little critical attention are the experiences of the Japanese and Japanese American field assistants who conducted extensive research within the camps. How did these field researchers carry out data collection in American-style concentration camps? What kinds of constraints and pressures did they face? How did they respond to practical, ethical, and political challenges?

In addressing these questions, author Lane Hirabayashi examines the case of the late Dr. Tamie Tsuchiyama. At the time an advanced doctoral student in anthropology, Tsuchiyama was hired in 1942 to conduct ethnographic fieldwork for the University of California at Berkeley's Japanese American Evacuation and Resettlement Study. Drawing from personal letters, ethnographic fieldnotes, reports, interviews, and other archival sources, The Politics of Fieldwork describes Tsuchiyama's experiences as a researcher at Poston, Arizona—a.k.a. the Colorado River Relocation Center. The book relates the daily life, fieldwork methodology, and politics of the residents and researchers at the Poston camp, as well as providing insight into the pressures that led to Tsuchiyama's ultimate resignation, in protest, from the JERS project in 1945.

Facilitating the critical analysis of Tsuchiyama's role in the JERS research are questions regarding the relationships between Japanese American research and the nature of "colonial science" that merit discussion in contemporary field research. A multidisciplinary synthesis of anthropological, historical, and ethnic studies perspectives, The Politics of Fieldwork is rich with lessons about the ethics and politics of ethnographic fieldwork.

[more]

Reversing the Lens

Ethnicity, Race, Gender, and Sexuality through Film

Jun Xing

University Press of Colorado, 2003

Reversing the Lens brings together noted scholars in history, anthropology, sociology, ethnic studies and film studies to promote film as a powerful classroom tool that can be used to foster cross-cultural communication with respect to race and ethnicity. Through such films as Skin Deep, Slaying the Dragon, and Mississippi Masala, contributors demonstrate why and how visual media help delineate various forms of "critical visual thinking" and examine how racialization is either sedimented or contested in the popular imagination. Not limited to classroom use, Reversing the Lens is relevant to anyone who is curious about how video and film can be utilized to expose race as a social construction in dialogue with other potential forms of difference and subject to political contestation.

[more]