A SCHOLARLY BOOK REPOSITORY71 start with C start with C
In Call Him Mac, Gary L. Stuart renders a nuanced portrait of a young, ambitious, restless, and smiling man on the verge of becoming a political force headed for the highest levels of governance in Arizona and America. Stuart reveals how Mac became an expert on water law and a visionary in Arizona’s agricultural future. Using interviews with friends and family and extensive primary source research, Stuart spotlights Mac’s unerring focus as a loving husband, father, and grandfather, even in times of great personal tragedy. Mac’s commitments to his family mirrored his sense of fiduciary duty in public life. His enormous political successes were answers to how he dealt with threats to his own life in 1919, the loss of his first wife and three children in the 1930s, and a political loss in 1952 that no one saw coming.
Stuart writes the little-known story of how Arizona’s culture and citizens shaped this energetic, determined, likable lawyer. The fame Mac created was not for himself but for those he served in Arizona and beyond. Mac’s unparalleled political success was fermented during his early Arizona years, the bridge that brought him to his future as an approachable and likable elder statesman of Arizona politics.
The Great Recession of 2008 restored John Maynard Keynes to prominence. After decades when the Keynesian revolution seemed to have been forgotten, the great British theorist was suddenly everywhere. The New York Times asked, “What would Keynes have done?” The Financial Times wrote of “the undeniable shift to Keynes.” Le Monde pronounced the economic collapse Keynes’s “revenge.” Two years later, following bank bailouts and Tea Party fundamentalism, Keynesian principles once again seemed misguided or irrelevant to a public focused on ballooning budget deficits. In this readable account, Backhouse and Bateman elaborate the misinformation and caricature that have led to Keynes’s repeated resurrection and interment since his death in 1946.
Keynes’s engagement with social and moral philosophy and his membership in the Bloomsbury Group of artists and writers helped to shape his manner of theorizing. Though trained as a mathematician, he designed models based on how specific kinds of people (such as investors and consumers) actually behave—an approach that runs counter to the idealized agents favored by economists at the end of the century.
Keynes wanted to create a revolution in the way the world thought about economic problems, but he was more open-minded about capitalism than is commonly believed. He saw capitalism as essential to a society’s well-being but also morally flawed, and he sought a corrective for its main defect: the failure to stabilize investment. Keynes’s nuanced views, the authors suggest, offer an alternative to the polarized rhetoric often evoked by the word “capitalism” in today’s political debates.
Early in 1885 Americans learned that General Grant was writing his Memoirs in a desperate race for time against an incurable cancer. Not generally known was the General’s precarious personal finances, made so by imprudent investments, and his gallant effort to provide for his family by his writing. For six months newspaper readers followed the dramatic contest, and the hearts of Americans were touched by the General’s last battle.
Grant’s last year was one of both personal and literary triumph in the midst of tragedy, as Thomas M. Pitkin shows in this memorable and inspiring book. The Memoirs was completed; its remarkable literary quality made ita triumph. Ultimately more than 300,000sets of the two-volume work were sold. And Grant accepted the inevitable with quiet courage, and faded away in a manner sadly familiar to many American families.
Though told without maudlin touches, the story of Grant’s last year will leave few readers emotionally uninvolved, for itis an account of pain and suffering as well as mighty deeds, and truly deserves to be considered the General’s final victory.
The Career of a Tsarist Officer was first published in 1975. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
General Anton I. Denikin served as an officer in the Russian army throughout a notable career until 1920 when, as commander in chief of the White Russian armies, he was forced to flee from Bolshevik forces at Novorossiisk. In these memoirs, which cover his childhood, youth, and military service up to 1916, we have an unusually candid autobiography and one which illuminates some little-known aspects of Russian social as well as military history.
General Denikin was born in 1872 in the Warsaw province of Russian Poland. He was a graduate of the prestigious General Staff Academy in St. Petersburg, and during his years at the academy he launched a literary career which continued for the rest of his life, enabling him to support his family in their later exile.
Distinguished service in the Russo-Japanese War earned his promotion to colonel in the army, and from that time in 1905 to his tragic fate in 1920 when he left Russia never to return, he served his country with a deep and abiding loyalty, matched only by his devotion to the Orthodox religion. After living in exile in several European countries, principally in France, he moved in 1945 to the United States, where he died in 1947.
The present volume is a translation from the Russian-language edition which was published in 1953 by the Chekhov Publishing house in New York. In this, General Denikin's last work, he provides the social and intellectual background for an understanding of the traits of the Russian officer corps which enabled them to continue the fight for a unified, non-Bolshevik Russia even after the tsar was dead and the cause obviously lost. Through Denikin's eyes one sees also a revealing picture of the efforts of Russo-Japanese War participants to renovate the Russian army in the interwar period, their recognition of the growing threat from Germany as well as from the revolutionaries, and the futility they felt as they entered prematurely into World War I.
A long overdue account of the pioneering life and work of controversial African American Congressman Arthur Wergs Mitchell of Chicago
Nellie Campobello, a prominent Mexican writer and "novelist of the Revolution," played an important role in Mexico's cultural renaissance in the 1920s and early 1930s, along with such writers as Rafael Muñoz and Gregorio López y Fuentes and artists Diego Rivera, Orozco, and others. Her two novellas, Cartucho (first published in 1931) and My Mother's Hands (first published as Las manos de Mamá in 1938), are autobiographical evocations of a childhood spent amidst the violence and turmoil of the Revolution in Mexico. Campobello's memories of the Revolution in the north of Mexico, where Pancho Villa was a popular hero and a personal friend of her family, show not only the stark realism of Cartucho but also the tender lyricism of My Mother's Hands. They are noteworthy, too, as a first-person account of the female experience in the early years of the Mexican Revolution and unique in their presentation of events from a child's perspective.
This is the first digital version of Cases of Circumstantial Evidence, a collection of three historical novels by noted American writer Janet Lewis. For the first time, these works have been brought together in a single edition, each with a new introduction by Kevin Haworth:
The Wife of Martin Guerre
Based on a notorious trial in sixteenth-century France, The Wife of Martin Guerre follows Bertrande de Rois and her lost-and-returned husband through a tale of impersonation, conspiracy, and small-town intrigue. Their fascinating story has also inspired a bestselling historical study and two films, including The Return of Martin Guerre.
The Trial of Sören Qvist
Although set in seventeenth-century Denmark, The Trial of Sören Qvist has a contemporary feel and has been praised for its intriguing plot and for Lewis’s powerful writing. In this second novel in the Cases of Circumstantial Evidence, Lewis recounts the story of a murder, an investigation, and a pious town pastor who confesses to the crime, driven perhaps more by a recognition of his own moral flaws than by guilt for the acts of which he stood accused.
The Ghost of Monsieur Scarron
The court of Louis XIV and a modest Paris street provide the incongruous settings for this tale of a humble bookbinder, his wife, and the young craftsman who seduces her and blackmails her husband into covering up a terrible crime. This third and last case of circumstantial evidence bristles with character, the smell of blood, and considerable suspense against a backdrop of national political unrest in the cruel and dingy Paris of the seventeenth century.
The book opens the doors to Jaggi's Brodhead Swiss Cheese Factory - largest factory of its kind in Wisconsin in the 1950s. Archival photos help illustrate, step-by-step, the process Jaggi and his workers followed to transform 2,000 pounds of milk in a copper kettle into a 200-pound wheel of Swiss cheese.
In neighborhoods, schools, community centers, and workplaces, people are using oral history to capture and collect the kinds of stories that the history books and the media tend to overlook: stories of personal struggle and hope, of war and peace, of family and friends, of beliefs, traditions, and values—the stories of our lives.
Catching Stories: A Practical Guide to Oral History is a clear and comprehensive introduction for those with little or no experience in planning or undertaking oral history projects. Opening with the key question, “Why do oral history?” the guide outlines the stages of a project from idea to final product—planning and research, the interviewing process, basic technical principles, and audio and video recording techniques. The guide covers interview transcribing, ethical and legal issues, archiving, funding sources, and sharing oral history with audiences.
Intended for teachers, students, librarians, local historians, and volunteers as well as individuals, Catching Stories is the place to start for anyone who wants to document the memories and collect the stories of community or family.
In 1986 Soviet Ukraine, two boys and two girls are welcomed into the world in a Donetsk maternity ward. Following a Soviet tradition of naming things after prominent Communist leaders from far away, a local party functionary offers great material benefits for naming children after Ernst Thälmann, the leader of the German Communist Party from 1925 to 1933. The fateful decision is made, and the local newspaper presents the newly born Ernsts and Thälmas in a photo on the front page, forever tying four families together.
In Cecil the Lion Had to Die, Olena Stiazhkina follows these families through radical transformations when the Soviet Union unexpectedly implodes, independent Ukraine emerges, and neoimperial Russia occupies Ukraine’s Crimea and parts of the Donbas. Just as Stiazhkina’s decision to transition to writing in Ukrainian as part of her civic stance—performed in this book that begins in Russian and ends in Ukrainian—the stark choices of family members take them in different directions, presenting a multifaceted and nuanced Donbas.
A tour de force of stylistic registers, intertwining stories, and ironic voices, this novel is a must-read for those who seek deeper understanding of how Ukrainian history and local identity shapes war with Russia.
Set during the Spanish Civil War (1936–39), Celia in the Revolution is the last in a series of young adult novels written by Encarnación Aragoneses, known by the pen name Elena Fortún, one of the most prolific and popular Spanish authors of the mid-twentieth century.
In a series of more than twenty novels, Fortún’s protagonist is Celia Gálvez de Montalbán, a precocious and rebellious girl from an affluent family who’s not afraid to question authority and dream, and that often gets her into trouble. Readers watch her grow from age seven through adolescence to the threshold of womanhood at seventeen, which is her age in this dark, inspiring novel about the war that changed Spain.
In this last narrative in the legendary series, Celia has an awakening that not even her lively imagination could have anticipated. The once carefree, innocent child prone to playful fantasies must suddenly confront a world that’s utterly changed, finding herself amid a bloody conflict, la Guerra Civil. Celia, now a madrecita, a little mother to her two younger sisters since the death of their mother, is forced into a life of hardship, a world of hunger, witness to violence, executions, bombing raids, and death. With Celia’s sorrows come her courageous and profound compassion, consoling and caring for virtually every war victim that crosses her path, no matter their political inclinations, and no matter all that Celia must contend with herself. Celia, despite all her travails, manages to survive with determination, defiance, and dignity.
Written immediately after the war, Celia in the Revolution was not published during Elena Fortún’s lifetime, until after the death of the dictator, Francisco Franco, due to censorship. This first major English translation by eminent scholar and Hispanist Michael Ugarte captures the narrative and nuances of Celia’s voice and others in this character-rich novel, and fellow eminent scholar and Hispanist Nuria Capdevila-Arguëlles’s preface brings powerful insights into this remarkable work by Elena Fortún that transcends young adult literature.
Can the novel survive in an age when tales of historical figures and contemporary personalities dominate the reading lists of the book-buying public?
Naomi Jacobs addresses this question in a study of writers such as William Styron, E. L. Doctorow, and Robert Coover, who challenge the dominance of nonfiction by populating their fictions with real people, living and dead. Jacobs explores the genesis, varieties, and implications of this trend in a prose as lively as that of the writers she critiques.
Using as a case study Robert Coover’s portrait of Richard Nixon in The Public Burning, Jacobs addresses the important legal and ethical questions raised by this trend and applies contemporary libel law to the fictionalization of living people, such as Richard Nixon. She closes her study by speculating on the future of this device and of the novel.
When Charlemagne died in 814 CE, he left behind a dominion and a legacy unlike anything seen in Western Europe since the fall of Rome. Distinguished historian and author of The Middle Ages Johannes Fried presents a new biographical study of the legendary Frankish king and emperor, illuminating the life and reign of a ruler who shaped Europe’s destiny in ways few figures, before or since, have equaled.
Living in an age of faith, Charlemagne was above all a Christian king, Fried says. He made his court in Aix-la-Chapelle the center of a religious and intellectual renaissance, enlisting the Anglo-Saxon scholar Alcuin of York to be his personal tutor, and insisting that monks be literate and versed in rhetoric and logic. He erected a magnificent cathedral in his capital, decorating it lavishly while also dutifully attending Mass every morning and evening. And to an extent greater than any ruler before him, Charlemagne enhanced the papacy’s influence, becoming the first king to enact the legal principle that the pope was beyond the reach of temporal justice—a decision with fateful consequences for European politics for centuries afterward.
Though devout, Charlemagne was not saintly. He was a warrior-king, intimately familiar with violence and bloodshed. And he enjoyed worldly pleasures, including physical love. Though there are aspects of his personality we can never know with certainty, Fried paints a compelling portrait of a ruler, a time, and a kingdom that deepens our understanding of the man often called “the father of Europe.”
Charles IV, King of Bohemia and Holy Roman Emperor, has been called “one of the most learned and diplomatically skillful sovereigns” of the fourteenth century. Having moved the seat of the Holy Roman Empire to Prague and founding the first university in Central Europe, Charles IV is a towering figure in Czech history and a crucial character in the story of medieval Europe.
Recent research, especially in art history, has tended to present Charles IV in a purely positive, unblemished light: viewing him and his imperial court as the engine behind a flourishing of culture in the region. This book views Charles IV through a more critical lens, examining the careful construction that went into the way he presented himself and the characteristic manifestations of Charles’ execution of royal power. The first part of the book offers a chronological description of Charles’ life within the broader context of the times and the House of Luxembourg. The second part provides a close look into Charles IV’s style of rule while focusing on phenomena that reveal his personal conception of power and how it was wielded.
Received an Honorable Mention for the American Revolution Round Table of Richmond's 2014 Book Award
Dominick Mazzagetti presents an engaging account of the life of Charles Lee, the forgotten man of the American Revolution. History has not been kind to Lee—for good reason. In this compelling biography, Mazzagetti compares Lee’s life and attributes to those of George Washington and offers significant observations omitted from previous Lee biographies, including extensive correspondence with British officers in 1777 that reflects Lee’s abandonment of the Patriots’ cause.
Lee, a British officer, a veteran of the French and Indian War, and a critic of King George III, arrived in New York City in 1773 with an ego that knew no bounds and tolerated no rivals. A highly visible and newsworthy personality, he quickly took up the American cause and encouraged rebellion. As a result of this advocacy and his military skills, Lee was granted a commission as a major general in the Continental Army and soon became second-in-command to George Washington. He helped organize the defense of Boston, designed defenses for New York City, and commanded the force that repelled the British attack on Charleston.
Upon his return to New York in 1776, Lee was considered by some leaders of the Revolution to be an alternative to George Washington, who was in full retreat from British forces. Lee’s capture by the British in December 1776 put an end to that possibility. Lee’s subsequent release in a prisoner exchange in 1778 and return to an American command led to a dramatic confrontation with Washington on the battlefield at Monmouth, New Jersey, in June 1778. Washington chastised Lee publicly for ordering an unnecessary retreat. Lee suffered the ignominy of a court-martial conviction for this blunder and spent the remaining years to his death in 1782 attacking Washington. Although few doubted Lee’s loyalty at the time, his actions at Monmouth fueled speculation that he switched sides during his imprisonment.
A discovery years after his death completed Lee’s tale. In 1862, a researcher discovered “Mr. Lee’s Plan,” a detailed strategy for the defeat of the American rebels delivered to British General William Howe while Lee was held in captivity. This discovery sealed Lee’s historical record and ended all further discussion of his contributions to the American Revolution. Today, few people even realize that Fort Lee, on the New Jersey side of the George Washington Bridge, was named in his honor.
Charlotte’s Rose—justifiably back in print—tells the story of a young Welsh girl, Charlotte Edwards, who, soon after her mother dies, sails with her father from England to the United States to become part of a company of Mormon handcart pioneers—emigrants with no horses or oxen who themselves pulled the heavy carts filled with their belongings. These were arduous journeys. While on the Mormon Trail, Charlotte befriends a young mother who later dies in childbirth. Though only 12 years old, Charlotte assumes responsibility for the infant and carries her to Utah. Over the course of their journey together, Charlotte becomes deeply attached to the baby she calls Rose, which makes Charlotte’s choice at the novel’s end particularly poignant.
The author, A. E. Cannon, is adept at creating vivid, multifaceted, believable characters and has crafted a story of pioneers that will seem relevant to today’s young people. The reader will quickly be drawn into the story as Charlotte struggles to navigate the trials of an adolescent moving into adulthood. Although this is a book about Mormon pioneers, it is in fact about the larger American experience of immigration—a drama still unfolding today—and Charlotte’s coming-of-age journey will resonate with readers young and old.
Citizen covers the first half of Addams's life, from 1860 to 1899. Knight recounts how Addams, a child of a wealthy family in rural northern Illinois, longed for a life of larger purpose. She broadened her horizons through education, reading, and travel, and, after receiving an inheritance upon her father's death, moved to Chicago in 1889 to co-found Hull House, the city's first settlement house. Citizen shows vividly what the settlement house actually was—a neighborhood center for education and social gatherings—and describes how Addams learned of the abject working conditions in American factories, the unchecked power wielded by employers, the impact of corrupt local politics on city services, and the intolerable limits placed on women by their lack of voting rights. These experiences, Knight makes clear, transformed Addams. Always a believer in democracy as an abstraction, Addams came to understand that this national ideal was also a life philosophy and a mandate for civic activism by all.
As her story unfolds, Knight astutely captures the enigmatic Addams's compassionate personality as well as her flawed human side. Written in a strong narrative voice, Citizen is an insightful portrait of the formative years of a great American leader.
“Knight’s decision to focus on Addams’s early years is a stroke of genius. We know a great deal about Jane Addams the public figure. We know relatively little about how she made the transition from the 19th century to the 20th. In Knight’s book, Jane Addams comes to life. . . . Citizen is written neither to make money nor to gain academic tenure; it is a gift, meant to enlighten and improve. Jane Addams would have understood.”—Alan Wolfe, New York Times Book Review
“My only complaint about the book is that there wasn’t more of it. . . . Knight honors Addams as an American original.”—Kathleen Dalton, Chicago Tribune
Against this backdrop, The City of Palaces opens in a Mexico City jail with the meeting of Miguel Sarmiento and Alicia Gavilán. Miguel is a principled young doctor, only recently returned from Europe but wracked by guilt for a crime he committed as a medical student ten years earlier. Alicia is the spinster daughter of an aristocratic family. Disfigured by smallpox, she has devoted herself to working with the city’s destitute. This unlikely pair—he a scientist and atheist and she a committed Christian—will marry. Through their eyes and the eyes of their young son, José, readers follow the collapse of the old order and its bloody aftermath.
The City of Palaces is a sweeping novel of interwoven lives: Miguel and Alicia; José, a boy as beautiful and lonely as a child in a fairy tale; the idealistic Francisco Madero, who overthrows Díaz but is nevertheless destroyed by the tyrant’s political system; and Miguel’s cousin Luis, shunned as a “sodomite.” A glittering mosaic of the colonial past and the wealth of the modern age, The City of Palaces is a story of faith and reason, cathedrals and hovels, barefoot street vendors and frock-coated businessmen, grand opera and silent film, presidents and peasants, the living and the dead.
Winner, International Latino Book Award for Latino Fiction, Latino Literacy Now
Second place, International Latino Book Award for Historical Fiction, Latino Literacy Now
Finalist, Gay Fiction, Lambda Literary Awards
Honorable Mention in Drama, Latino Books into Movies Award, International Latino Book Awards
Best Books for General Audiences, selected by the American Association of School Librarians
Outstanding Book, selected by the Public Library Reviewers
The City of Trembling Leaves by Walter Van Tilburg Clark was first published in 1945 by Random House and reprinted by the University of Nevada Press in paperback in 1991 with a new foreword by Robert Laxalt.
Clark’s novel broke new ground in his telling of the story of the rites of passage of a boy, Tim Hazard, into adulthood in the setting of the Western town of Reno, Nevada. The descriptions of Reno’s landscape and the realistic characters depict the role of nature during the tumultuous stages of adolescence and the potential risk of obstruction and loss in the attainment of maturity.
This combination of biography, history, and environmental primer written with the flair and the technical skill of a novelist who could masterfully evoke scenes and sustain a gripping factual narrative sprang from Clarence Edward Dutton: An Appraisal. Seldom has such a classic book had such a humble beginning.
Stegner was a young English instructor at the University of Utah when he produced the Dutton essay. He was ambitious and desperate for recognition, a raise (he was earning $1,700 a year), and steady employment in the Depression years. The essay contains hints, in terms of style and content, of what Stegner would eventually produce. Dutton was Stegner’s first published work of nonfiction, and it is fair to say that it lead him, in conjunction with Bernard DeVoto’s prodding, to the subject of conservation."
—from the foreword
Clarence Edward Dutton: An Appraisal was first published by the University of Utah in 1936 and has since become a rarity on the antiquarian book market. It is reproduced in facsimile for this edition.
Was Brasillach in fact guilty of treason? Was he condemned for his denunciations of the resistance, or singled out as a suspected homosexual? Was it right that he was executed when others, who were directly responsible for the murder of thousands, were set free? Kaplan's meticulous reconstruction of Brasillach's life and trial skirts none of these ethical subtleties: a detective story, a cautionary tale, and a meditation on the disturbing workings of justice and memory, The Collaborator will stand as the definitive account of Brasillach's crime and punishment.
A National Book Award Finalist
A National Book Critics Circle Award Finalist
"A well-researched and vivid account."—John Weightman, New York Review of Books
"A gripping reconstruction of [Brasillach's] trial."—The New Yorker
"Readers of this disturbing book will want to find moral touchstones of their own. They're going to need them. This is one of the few works on Nazism that forces us to experience how complex the situation really was, and answers won't come easily."—Daniel Blue, San Francisco Chronicle Book Review
"The Collaborator is one of the best-written, most absorbing pieces of literary history in years."—David A. Bell, New York Times Book Review
"Alice Kaplan's clear-headed study of the case of Robert Brasillach in France has a good deal of current-day relevance. . . . Kaplan's fine book . . . shows that the passage of time illuminates different understandings, and she leaves it to us to reflect on which understanding is better."—Richard Bernstein, The New York Times
Winner of the Western Writers of America's Spur Award for Best Western Non-Fiction Book
"A solid account of a southwestern 'character' who has flitted in and out of frontier and economic history."—American Historical Review
"A creditable work on a fascinating individual. In delightful writing style [Sonnichsen] has reconstructed Greene's life, explaining the ambitions as well as the frailties of this extraordinary entrepreneur."—History
"A rewarding study of the later days of mining."—Arizona and the West
Charles Waddell Chesnutt (1858-1932) was an African American writer, essayist, Civil Rights activist, legal-stenography businessman, and lawyer whose novels and short stories explore race, racism, and the problematic contours of African Americans’ social and cultural identities in post-Civil War South. He was the first African American to be published by a major American publishing house and served as a beacon-point for future African American writers.
The Colonel’s Dream, written in 1905, is a compelling tale of the post-Civil War South’s degeneration into a region awash with virulent racist practices against African Americans: segregation, lynchings, disenfranchisement, convict-labor exploitation, and endemic violent repression. The events in this novel are powerfully depicted from the point of view of a philanthropic but unreliable southern white colonel. Upon his return to the South, the colonel learns to abhor this southern world, as a tale of vicious racism unfolds. Throughout this narrative, Chesnutt confronts the deteriorating position of African Americans in an increasingly hostile South. Upon its publication The Colonel’s Dream was considered too controversial and unpalatable because of its bitter criticisms of southern white prejudice and northern indifference, and so this groundbreaking story failed to gain public attention and acclaim.
This is the first scholarly edition of The Colonel’s Dream. It includes an introduction and notes by R. J. Ellis and works to reestablish this great novel’s reputation.
At the end of the 1976 football season, more than forty Harvard athletes went to Boston's Combat Zone to celebrate. In the city's adult entertainment district, drugs and prostitution ran rampant, violent crime was commonplace, and corrupt police turned the other way. At the end of the night, Italian American star athlete Andy Puopolo, raised in the city's North End, was murdered in a stabbing. Three African American men were accused of the crime. His murder made national news and led to the eventual demise of the city's red-light district.
Starting with this brutal murder, The Combat Zone tells the story of the Puopolo family's struggle with both a devastating loss and a criminal justice system that produced two trials with opposing verdicts, all within the context of a racially divided Boston. Brogan traces the contentious relationship between Boston’s segregated neighborhoods during the busing crisis; shines a light on a court system that allowed lawyers to strike potential jurors based purely on their racial or ethnic identity; and lays bare the deep-seated corruption within the police department and throughout the Combat Zone. What emerges is a fascinating snapshot of the city at a transitional moment in its recent past.
Most of us, however, give up a few generations back. We run into a gap, get embarrassed by a ne’er-do-well, or simply find our ancestors are less glamorous than we’d hoped. That didn’t stop Alison Light: in the last weeks of her father’s life, she embarked on an attempt to trace the history of her family as far back as she could reasonably go. The result is a clear-eyed, fascinating, frequently moving account of the lives of everyday people, of the tough decisions and hard work, the good luck and bad breaks, that chart the course of a life. Light’s forebears—servants, sailors, farm workers—were among the poorest, traveling the country looking for work; they left few lasting marks on the world. But through her painstaking work in archives, and her ability to make the people and struggles of the past come alive, Light reminds us that “every life, even glimpsed through the chinks of the census, has its surprises and secrets.”
What she did for the servants of Bloomsbury in her celebrated Mrs. Woolf and the Servants Light does here for her own ancestors, and, by extension, everyone’s: draws their experiences from the shadows of the past and helps us understand their lives, estranged from us by time yet inextricably interwoven with our own. Family history, in her hands, becomes a new kind of public history.
Dickinson’s hard work on behalf of his clients brought him success in other areas of his public life. In October 1759, he was elected to his first public position as a representative for Kent County, Del., the following year he was elevated to the position of speaker, and in 1762, he became a representative for Philadelphia County, Pa. As a legislator in two colonies, learning his craft as a global war unfolded, he contributed to bills on military and defense, Indian relations, infrastructure improvements and city management, and served on various committees. The death of George II occasioned debates over laws and judges, in which Dickinson participated. This era concludes with Dickinson playing a central role in managing the unfolding Paxton Riots, in which frontiersmen massacred peaceful Indians and threatened the Quaker leadership of Pennsylvania.
In private, Dickinson lost the two most prominent male figures in his life in 1760, his father, Samuel, and soon thereafter, his mentor, colleague, and friend, John Moland. In honor of Moland, Dickinson published a poem and became a proxy head to Moland’s large family. Though his extant correspondence during this period is small, he exchanged letters with Mary Cadwalader Dickinson, Israel Pemberton, William Allason, George Read, Thomas McKean, and others. Perhaps most significant, he wrote a lengthy, unpublished essay on the flag-of-truce trade and also maintained commonplace books as he considered his place within the British Empire, opening up the next phase in Dickinson’s life as a leader of the resistance against Britain.
Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.
Composition in the University examines the required introductory course in composition within American colleges and universities. Crowley argues that due to its association with literary studies in English departments, composition instruction has been inappropriately influenced by humanist pedagogy and that modern humanism is not a satisfactory rationale for the study of writing. Crowley envisions possible nonhumanist rationales that could be developed for vertical curricula in writing instruction, were the universal requirement not in place.
Composition in the University examines the required introductory course in composition within American colleges and universities. According to Sharon Crowley, the required composition course has never been conceived in the way that other introductory courses have been—as an introduction to the principles and practices of a field of study. Rather it has been constructed throughout much of its history as a site from which larger educational and ideological agendas could be advanced, and such agendas have not always served the interests of students or teachers, even though they are usually touted as programs of study that students “need.”
If there is a master narrative of the history of composition, it is told in the institutional attitude that has governed administration, design, and staffing of the course from its beginnings—the attitude that the universal requirement is in place in order to construct docile academic subjects.
Crowley argues that due to its association with literary studies in English departments, composition instruction has been inappropriately influenced by humanist pedagogy and that modern humanism is not a satisfactory rationale for the study of writing. She examines historical attempts to reconfigure the required course in nonhumanist terms, such as the advent of communications studies during the 1940s. Crowley devotes two essays to this phenomenon, concentrating on the furor caused by the adoption of a communications program at the University of Iowa.
Composition in the University concludes with a pair of essays that argue against maintenance of the universal requirement. In the last of these, Crowley envisions possible nonhumanist rationales that could be developed for vertical curricula in writing instruction, were the universal requirement not in place.
Crowley presents her findings in a series of essays because she feels the history of the required composition course cannot easily be understood as a coherent narrative since understandings of the purpose of the required course have altered rapidly from decade to decade, sometimes in shockingly sudden and erratic fashion.
The essays in this book are informed by Crowley’s long career of teaching composition, administering a composition program, and training teachers of the required introductory course. The book also draw on experience she gained while working with committees formed by the Conference on College Composition and Communication toward implementation of the Wyoming Resolution, an attempt to better the working conditions of post-secondary teachers of writing.
The book tells of Stephen R. Mallory's support of naval inventions, strategy, and ideas. It also sheds light on the the successes and failures of Jefferson Davis. Durkin gives a well-balanced biography of Mallory and his life in the Confederate navy.
“Memory, of course, is sometimes like a bucking horse, sometimes a runaway one, and one must control the reins until finally it stops, snorting with exhausted relief,” writes Natalie L. M. Petesch in her haunting new collection, The Confessions of Señora Francesca Navarro and Other Stories.
Petesch immerses readers in the lives of people caught up in the 1936–39 Spanish Civil War, which left more than five hundred thousand dead. She captures the hand-to-mouth existence on the streets of Madrid of two war orphans; an old soldier’s memories of a fallen militiawoman; the dilemma of Franco’s laundress as she seeks to duplicate a stolen religious icon she finds in his home; and a man’s struggle to find his bride among thousands of Republican refugees waiting for ships to evacuate them before Franco’s Fascists arrive to kill them.
In the title novella, an elderly woman describes to her granddaughter how the families of Franco’s officers fighting against Republican militiamen endured hunger, filth, and danger in an underground fortress. Petesch conveys the humiliating details of war through the sensibility of a cultured woman who recalls only too vividly latrines made of laundry tubs, the smell of unwashed humans, and the stench of death.
Brilliant in its imaginative power and heartbreaking in its access to the bottomless well of human tears, The Confessions of Señora Francesca Navarro and Other Stories is the work of a mature artist able to convey a particular world so vividly that we know these people as our own.
Written only a decade after George Rogers Clark’s conquest of Illinois, this firsthand account shows the region as it existed in the 1770s, explains how British occupation affected Kentucky settlers, and exhibits Clark’s enormous diplomatic skills in convincing the French settlers and Indians along the rivers of Illinois that they were better off under the jurisdiction of the Americans rather than the British. In his new foreword to this book, Rand Burnette refers to Clark as a psychologist and an expert in human relations.
Believing the British responsible for Indian raids on the people of Kentucky, Clark determined to capture that area, which was claimed by his home state of Virginia. “His plan, which he presented to Governor Patrick Henry,” Burnette notes, “was to take possession of the Illinois country by defeating the British at Kaskaskia, win the support of the French in that area, and thus control both the Mississippi and the Ohio Rivers. The British support of the Indians, who raided the Kentucky settlements from the Illinois country, would be at an end.”
Clark’s stirring narrative—written between 1789 and 1791 and covering 1773–1779—chronicles the events in the Old Northwest in the second half of the eighteenth century. Life on the frontier was dangerous and uncertain at this time. As Clark points out and Milo Milton Quaife underlines in his footnotes, death came to many at the hands of Indians or in military battles and skirmishes.
First published in 1920 and long out of print, the Quaife edition of Clark’s The Conquest of The Illinois reprinted here is for the modern reader superior to the original. First, Quaife provided an index. Equally important for modern readers, he standardized Clark’s spelling. (Clark had little formal education, and his spelling was even more eccentric than that found in a typical eighteenth-century account.) Finally, Quaife’s footnotes often include biographical sketches of the people in the book.
The definitive story of a top Chinese politician’s ill-fated quest to reform the Communist Party.
When Hu Yaobang died in April 1989, throngs of mourners converged on the Martyrs’ Monument in Tiananmen Square to pay their respects. Following Hu’s 1987 ouster by party elders, Chinese propaganda officials had sought to tarnish his reputation and dim his memory, yet his death galvanized the nascent pro-democracy student movement, setting off the dramatic demonstrations that culminated in the Tiananmen massacre.
The Conscience of the Party is the comprehensive, authoritative biography of the Chinese Communist Party’s most avid reformer and its general secretary for a key stretch of the 1980s. A supremely intelligent leader with an exceptional populist touch, Hu Yaobang was tapped early by Mao Zedong as a capable party hand. But Hu’s principled ideas made him powerful enemies, and during the Cultural Revolution he was purged, brutally beaten, and consigned to forced labor. After Mao’s death, Hu rose again as an ally of Deng Xiaoping, eventually securing the party’s top position. In that role, he pioneered many of the economic reforms subsequently attributed to Deng. But Hu also pursued political reforms with equal vigor, pushing for more freedom of expression, the end of lifetime tenure for CCP leaders, and the dismantling of Mao’s personality cult. Alarmed by Hu’s growing popularity and increasingly radical agenda, Deng had him purged again in 1987.
Historian and former intelligence analyst Robert L. Suettinger meticulously reconstructs Hu’s life, providing the kind of eye-opening account that remains impossible in China under state censorship. Hu Yaobang, a decent man operating in a system that did not always reward decency, suffered for his principles but inspired millions in the process.
The Conservative Turn tells the story of postwar America’s political evolution through two fascinating figures: Lionel Trilling and Whittaker Chambers. Born at the turn of the twentieth century, they were college classmates who went on to intellectual prominence, sharing the questions, crises, and challenges of their generation.
A spy for the Soviet Union in the 1930s, Chambers became the main witness in the 1948 trial of Alger Hiss, which ended in Hiss’s conviction for perjury. The trial advanced the careers of Richard Nixon and Joseph McCarthy and marked the beginning of the Cold War mood in America. Chambers was also a major conservative thinker, a theorist of the postwar conservative movement.
Meanwhile, in the 1940s and 1950s, the literary critic Trilling wrote important essays that encouraged liberals to disown their radical past and to embrace a balanced maturity. Trilling’s liberal anti-communism was highly influential, culminating politically in the presidency of John F. Kennedy.
Kimmage argues that the divergent careers of these two men exemplify important developments in postwar American politics: the emergence of modern conservatism and the rise of moderate liberalism, crucially shaped by anti-communism. Taken together, these developments constitute a conservative turn in American political and intellectual life—a turn that continues to shape America’s political landscape.
The participle in its title—Constructing—acknowledges that any articulation of nineteenth-century religion is never just a work of the past: scholars also actively construct religion as their disciplinary assumptions (and indeed personal and lived investments) shape their research and findings. Constructing NineteenthCentury Religion newly analyzes the diverse ways in which religion was debated and deployed in a wide range of nineteenthcentury texts and contexts. While focusing primarily on nineteenthcentury Britain, the collection also contributes to the increasingly transnational and transcultural outlook of postsecular studies, drawing connections between Britain and the United States, continental Europe, and colonial India.
Analyzing the cultural texts of filmmakers such as Ava DuVernay, Tanya Hamilton, Kasi Lemmons, Gina Prince-Bythewood, and Dee Rees—and including interviews she conducted with three of the filmmakers—Baker emphasizes the importance of applying an intersectional perspective that centers on the shared experiences of Black women and the role of film as a form of artistic expression and a tool of social resistance.
The search for durable peace in lands torn by ethno-national conflict is among the most urgent issues of international politics. Looking closely at five flashpoints of regional crisis, Sumantra Bose asks the question upon which our global future may depend: how can peace be made, and kept, between warring groups with seemingly incompatible claims? Global in scope and implications but local in focus and method, Contested Lands critically examines the recent or current peace processes in Israel-Palestine, Kashmir, Bosnia, Cyprus, and Sri Lanka for an answer.
Israelis and Palestinians, Turkish and Greek Cypriots, Bosnia's Muslims, Serbs, and Croats, Sinhalese and Tamil Sri Lankans, and pro-independence, pro-Pakistan, and pro-India Kashmiris share homelands scarred by clashing aspirations and war. Bose explains why these lands became zones of zero-sum conflict and boldly tackles the question of how durable peace can be achieved. The cases yield important general insights about the benefits of territorial self-rule, cross-border linkages, regional cooperation, and third-party involvement, and the risks of a deliberately gradual ("incremental") strategy of peace-building.
Rich in narrative and incisive in analysis, this book takes us deep into the heartlands of conflict--Jerusalem, Kashmir's Line of Control, the divided cities of Mostar in Bosnia and Nicosia in Cyprus, Sri Lanka's Jaffna peninsula. Contested Lands illuminates how chronic confrontation can yield to compromise and coexistence in the world's most troubled regions--and what the United States can do to help.
Cordelia Harvey: Civil War Angel includes sidebars on medical care, early nursing, and military prisons. A timeline, glossary of terms, and suggestions for activities and discussion round out this spirited narrative.
Recent biographies of John Chapman, better known as Johnny Appleseed, have portrayed him as anything from a schizophrenic wandering ascetic to a hedonistic pleasure-seeker. But who was the real man behind the misconceptions?
In this spiritual biography, Ray Silverman explores the stories and the popular misconceptions about Johnny Appleseed as well as the truths behind the legends. As a businessman, Chapman owned nineteen nurseries and twenty other land holdings throughout Pennsylvania, Ohio, and Indiana, brokering deals that belie the popular image of him as a wandering nomad with a tin pot on his head. But it is only once we talk about Chapman’s spiritual convictions that we come to the core of who he was: a thoughtful and also joyful Christian who was deeply moved by the writings of Emanuel Swedenborg.
The picture that emerges is of a lighthearted person whose convictions led him to seek harmony not only in nature but in the spiritual realms also—and to share his bounty with as many people as he could.
"I use the camera to block my view," says Lisette. This is the start of her double vision—trying to forget and trying to recall—and her struggle to come to terms with the human capacity for cruelty. But the grim reality in Peru is so overpowering that she carries it with her back to New York and through the rest of her life. Having abandoned a lover along with the fight, she desperately tries to find meaning beyond that of mere survival.
Volume I of the three-volume Freud-Ferenczi correspondence closes with Freud's letter from Vienna, dated June 28, 1914, to his younger colleague in Budapest: "I am writing under the impression of the surprising murder in Sarajevo, the consequences of which cannot be foreseen!' "Now," he continues in a more familiar vein, "to our affairs!" The nation-shattering events of World War I form a somber canvas for "our affairs" and the exchanges of the two correspondents in volume 2 (July 1914 through December 1919). Uncertainty pervades these letters: Will Ferenczi be called up? Will food and fuel-and cigar-shortages continue? Will Freud's three enlisted sons and son-in-law come through the war intact? And will Freud's "problem-child," psychoanalysis, survive?At the same time, a more intimate drama is unfolding: Freud's three-part analysis of Ferenczi in 1914 and 1916 ("finished but not terminated"); Ferenczi's concomitant turmoil over whether to marry his mistress, Gizella Pálos, or her daughter, Elma; and the refraction of all these relationships in constantly shifting triads and dyads. In these, as in other matters, both men display characteristic contradictions and inconsistencies, Freud restrained, Ferenczi more effusive and revealing. Freud, for example, unswervingly favors Ferenczi's marriage to Gizella and views his indecision as "resistance"; yet several years later, commenting on Otto Rank's wife, Freud remarks, "One certainly can't judge in these matters...on behalf of another." Ferenczi, for his part, reacts to the paternal authority of the "father of psychoanalysis" as an alternately obedient and rebellious son.
The letters vividly record the use--and misuse--of analysis and self-analysis and the close interweaving of personal and professional matters in the early history of psychoanalysis. Ferenczi's eventual disagreement with Freud about "head and heart," objective detachment versus subjective involvement and engagement in the analytic relationship--an issue that would emerge more clearly in the ensuing years--is hinted at here. As the decade and the volume end, the correspondents continue their literary conversation, unaware of the painful and heartrending events ahead.
The world’s most powerful man, Qiánlóng, emperor of China, invites the famous eighteenth-century clockmaker Alister Cox to his court in Beijing. There, in the heart of the Forbidden City, the Englishman and his assistants are to build machines that mark the passing of time as a child or a condemned man might experience it and that capture the many shades of happiness, suffering, love, and loss that come with that passing.
Mystified by the rituals of a rigidly hierarchical society dominated by an unimaginably wealthy, god-like ruler, Cox musters all his expertise and ingenuity to satisfy the emperor’s desires. Finally, Qiánlóng, also known by the moniker Lord of Time, requests the construction of a clock capable of measuring eternity—a perpetuum mobile. Seizing this chance to realize a long-held dream and honor the memory of his late beloved daughter, yet conscious of the impossibility of his task, Cox sets to work. As the court is suspended in a never-ending summer, festering with evil gossip about the monster these foreigners are creating, the Englishmen wonder if they will ever escape from their gilded cage. More than a meeting of two men, one isolated by power, the other by grief, this is an exploration of mortality and a virtuoso demonstration that storytelling alone can truly conquer time.
This superb biography provides for the first time a candid look at the remarkable life of Walter Williams, the man who founded the world's first school of journalism and perhaps contributed more toward the promotion of professional journalism than any other person of his time.
Williams, the youngest of six children, was born in Boonville, Missouri, in 1864. Never an athletic child, he always had a love of books and of learning; yet, he scarcely had a high school education. He began his journalistic career as a printer's devil at seventy cents per week and eventually became editor and part- owner of a weekly in Columbia, Missouri. During his time as an editor, Williams became convinced that journalism would never reach its potential until its practitioners had the opportunity for university training in their field. After years of crusading, he established the first journalism school, on the University of Missouri campus. Later, he was chosen president of the University of Missouri, which he led with distinction during the Great Depression.
Williams was an unwavering advocate of high professional standards. His Journalist's Creed became one of the most widely circulated codes of professional ethics. Williams inspired the confidence of his fellow journalists, and he carried his message to nearly every country in which newspapers were published. Not only did he invent journalism education, he also created global organizations of journalists and spread the gospel of professionalism throughout the world. His death, in 1935, was mourned throughout the United States, and editorial tributes came from around the world. As one British editor succinctly put it, "Williams was not born to greatness. Neither was it thrust upon him. Literally, he achieved greatness."
In Creekside, dedicated archaeologist Meg Harrington guides her students in a race against time to protect the legacy of the past before bulldozers rip it to shreds.
The setting is a Kentucky pasture slated for development—the construction of the new Creekside subdivision. Once, that same beautiful stretch of land was home to three generations who experienced love, loss, and tragedy in their log cabin beside the creek. It was here during the late 18th century that Estelle Mullins struggled to build her home on the dangerous frontier.
In Meg’s 21st-century world of archaeology we read about excavation techniques, daily experiences at a dig, tight construction deadlines, the use of heavy equipment, report writing, artifact analysis, damage from looters and collectors, and the reality of site destruction in the path of modern development. The depiction of Estelle’s frontier life includes Kentucky’s early Euro-American settlement of the Cumberland Gap, encounters with Shawnee defending their land, Protestant fragmentation, the rise of religious fundamentalism, the immigrant stampede down the Ohio River, and the persistent issue of class-based land ownership.
The two partially interwoven story lines link artifact and place, ancestors and descendants, the present and the past, and inspire us to explore the personal connections between them all in fresh and vital ways.
This third edition includes a new introduction, based on updated information about the assassination since the second edition was published in 1993, including material from the National Archives and several major recent interpretations of the events. Drawing on a variety of primary source materials from the National Archives and the FBI’s and CIA’s declassified assassination files, Crime of the Century remains a book of importance not only to students of the Kennedy assassination but also scholars of government response to political violence.
By the end of the Civil War, Champ Ferguson had become a notorious criminal whose likeness covered the front pages of Harper’s Weekly, Leslie’s Illustrated, and other newspapers across the country. His crime? Using the war as an excuse to steal, plunder, and murder Union civilians and soldiers.
Cumberland Blood: Champ Ferguson’s Civil War offers insights into Ferguson's lawless brutality and a lesser-known aspect of the Civil War, the bitter guerrilla conflict in the Appalachian highlands, extending from the Carolinas through Tennessee, Kentucky, Virginia, and West Virginia. This compelling volume delves into the violent story of Champ Ferguson, who acted independently of the Confederate army in a personal war that eventually garnered the censure of Confederate officials.
Author Thomas D. Mays traces Ferguson's life in the Cumberland highlands of southern Kentucky, where—even before the Civil War began—he had a reputation as a vicious killer.
Ferguson, a rising slave owner, sided with the Confederacy while many of his neighbors and family members took up arms for the Union. For Ferguson and others in the highlands, the war would not be decided on the distant fields of Shiloh or Gettysburg: it would be local—and personal.
Cumberland Blood describes how Unionists drove Ferguson from his home in Kentucky into Tennessee, where he banded together with other like-minded Southerners to drive the Unionists from the region. Northern sympathizers responded, and a full-scale guerrilla war erupted along the border in 1862. Mays notes that Ferguson's status in the army was never clear, and he skillfully details how raiders picked up Ferguson's gang to work as guides and scouts. In 1864, Ferguson and his gang were incorporated into the Confederate army, but the rogue soldier continued operating as an outlaw, murdering captured Union prisoners after the Battle of Saltville, Virginia.
Cumberland Blood, enhanced by twenty-one illustrations, is an illuminating assessment of one of the Civil War's most ruthless men.
Ferguson's arrest, trial, and execution after the war captured the attention of the nation in
1865, but his story has been largely forgotten. Cumberland Blood: Champ Ferguson's Civil War returns the story of Ferguson's private civil war to its place in history.
A dark, lyrical blend of historical fiction and magical realism, The Curators examines a critically underexplored event in American history through unlikely eyes. All of Atlanta is obsessed with the two-year-long trial and subsequent lynching of Jewish factory superintendent Leo Frank in 1915. None more so than thirteen-year-old Ana Wulff and her friends, who take history into their own hands—quite literally—when they use dirt from Ana’s garden to build and animate a golem in Frank’s image. They’ll do anything to keep his story alive, but when their scheme gets out of hand, they must decide what responsibility requires of them. The Curators tells the story of five zealous girls and the cyclonic power of their friendship as they come of age in a country riven by white supremacy.
When Earl "Curly" Lambeau was a young boy growing up in Green Bay in the early 1900s, he and his friends didn't have money for a football. Instead, they kicked around a salt sack filled with sand, leaves, and pebbles. That humble beginning produced a single-minded drive for the figure whose name now graces the Green Bay Packers' stadium.
This title in the Badger Biographies series charts the course of Curly Lambeau's career as a flamboyant player and coach, which paralleled the rise of professional football in this country. Lambeau revolutionized the way football is played by legitimizing passing in a game that had previously centered on running. His dedication to popularizing football in Green Bay and in the state helped build the Packer organization into the institution it has become. Yet, he was not without flaws, and this biography presents a full picture of a man whose ambitions complicated his legacy.
Nichols uses money in myriad forms—a grandfather‘s silver dollar, stocks and bonds, salaries, pallets of coins at the U.S. Mint, on-the-job dealings with coin collectors—as touchstones for reflections on relationships, motives, and a career "like one of those moving walkways in airports." His father's health is measured, tested, and evaluated in part by the health of his finances; at the same time, the turmoil and mystery surrounding both money and relationships are reflected in this memorable story.
Cy Young was one of the hardest-throwing pitchers of all time. He recorded three no-hitters—including a perfect game—and accumulated more than 2,800 strikeouts on his way to the National Baseball Hall of Fame. Scott H. Longert uses Young’s life story to introduce middle-grade readers to the game, explaining balls, strikes, and outs in an easy-to-understand way. Longert narrates each season and each milestone game with an enthusiastic play-by-play that is sure to draw readers into the excitement on the field and in the crowd, fostering a better understanding of and a passion for baseball.
Baseball fans today know Cy Young’s name chiefly through the award given in his honor each year to the best pitcher in the National and the American Leagues. Denton True “Cyclone” Young won more than five hundred games over a career that spanned four decades, a record that no other major league pitcher has come close to matching. In addition to being the winningest pitcher in baseball history, he was also a kind, self-effacing, and generous man. Born into a farm family in rural Ohio, he never lost touch with the small-town values he grew up with.
A royal education.
Xenophon (ca. 430 to ca. 354 BC) was a wealthy Athenian and friend of Socrates. He left Athens in 401 and joined an expedition including ten thousand Greeks led by the Persian governor Cyrus against the Persian king. After the defeat of Cyrus, it fell to Xenophon to lead the Greeks from the gates of Babylon back to the coast through inhospitable lands. Later he wrote the famous vivid account of this “March Up-Country” (Anabasis); but meanwhile he entered service under the Spartans against the Persian king, married happily, and joined the staff of the Spartan king, Agesilaus. But Athens was at war with Sparta in 394 and so exiled Xenophon. The Spartans gave him an estate near Elis where he lived for years writing and hunting and educating his sons. Reconciled to Sparta, Athens restored Xenophon to honor, but he preferred to retire to Corinth.
Xenophon’s Anabasis is a true story of remarkable adventures. Hellenica, a history of Greek affairs from 411 to 362, begins as a continuation of Thucydides’ account. There are four works on Socrates (collected in LCL 168). In Memorabilia Xenophon adds to Plato’s picture of Socrates from a different viewpoint. The Apology is an interesting complement to Plato’s account of Socrates’ defense at his trial. Xenophon’s Symposium portrays a dinner party at which Socrates speaks of love; and Oeconomicus has him giving advice on household management and married life. Cyropaedia, a historical romance on the education of Cyrus (the Elder), reflects Xenophon’s ideas about rulers and government; the Loeb edition is in two volumes.
We also have his Hiero, a dialogue on government; Agesilaus, in praise of that king; Constitution of Lacedaemon (on the Spartan system); Ways and Means (on the finances of Athens); Manual for a Cavalry Commander; a good manual of Horsemanship; and a lively Hunting with Hounds. The Constitution of the Athenians, though clearly not by Xenophon, is an interesting document on politics at Athens. These eight books are collected in the last of the seven volumes of the Loeb Classical Library edition of Xenophon.
A royal education.
Xenophon (ca. 430 to ca. 354 BC) was a wealthy Athenian and friend of Socrates. He left Athens in 401 and joined an expedition including ten thousand Greeks led by the Persian governor Cyrus against the Persian king. After the defeat of Cyrus, it fell to Xenophon to lead the Greeks from the gates of Babylon back to the coast through inhospitable lands. Later he wrote the famous vivid account of this “March Up-Country” (Anabasis); but meanwhile he entered service under the Spartans against the Persian king, married happily, and joined the staff of the Spartan king, Agesilaus. But Athens was at war with Sparta in 394 and so exiled Xenophon. The Spartans gave him an estate near Elis where he lived for years writing and hunting and educating his sons. Reconciled to Sparta, Athens restored Xenophon to honor, but he preferred to retire to Corinth.
Xenophon’s Anabasis is a true story of remarkable adventures. Hellenica, a history of Greek affairs from 411 to 362, begins as a continuation of Thucydides’ account. There are four works on Socrates (collected in LCL 168). In Memorabilia Xenophon adds to Plato’s picture of Socrates from a different viewpoint. The Apology is an interesting complement to Plato’s account of Socrates’ defense at his trial. Xenophon’s Symposium portrays a dinner party at which Socrates speaks of love; and Oeconomicus has him giving advice on household management and married life. Cyropaedia, a historical romance on the education of Cyrus (the Elder), reflects Xenophon’s ideas about rulers and government; the Loeb edition is in two volumes.
We also have his Hiero, a dialogue on government; Agesilaus, in praise of that king; Constitution of Lacedaemon (on the Spartan system); Ways and Means (on the finances of Athens); Manual for a Cavalry Commander; a good manual of Horsemanship; and a lively Hunting with Hounds. The Constitution of the Athenians, though clearly not by Xenophon, is an interesting document on politics at Athens. These eight books are collected in the last of the seven volumes of the Loeb Classical Library edition of Xenophon.
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