Presents a comparative and textual exploration of Gramsci's interpretation of Machiavelli's political analyses. This valuable contribution to our understanding of Gramsci includes a comparison of the major Machiavellian ideas such as the nature of political knowledge, the new principality, the concept of the people, and the relation between thought and action, to Gramsci's concepts of hegemony, moral and intellectual reform, and the collective will.
In the first work to examine both nazification and denazification of a major German university, Steven Remy offers a sobering account of the German academic community from 1933 to 1957. Deeply researched in university archives, newly opened denazification records, occupation reports, and contemporary publications, The Heidelberg Myth starkly details how extensively the university's professors were engaged with National Socialism and how effectively they frustrated postwar efforts to ascertain the truth.
Many scholars directly justified or implemented Nazi policies, forming a crucial element in the social consensus supporting Hitler and willingly embracing the Nazis' "German spirit," a concept encompassing aggressive nationalism, anti-Semitism, and the rejection of objectivity in scholarship. In elaborate postwar self-defense narratives, they portrayed themselves as unpolitical and uncorrupted by Nazism. This "Heidelberg myth" provided justification for widespread resistance to denazification and the restoration of compromised scholars to their positions, and set the remarkably long-lasting consensus that German academic culture had remained untainted by Nazi ideology.
The Heidelberg Myth is a valuable contribution to German social, intellectual, and political history, as well as to works on collective memory in societies emerging from dictatorship.
Germans have been one of the most mobile and dispersed populations on earth. Communities of German speakers, scattered around the globe, have long believed they could recreate their Heimat (homeland) wherever they moved, and that their enclaves could remain truly German. Furthermore, the history of Germany is inextricably tied to Germans outside the homeland who formed new communities that often retained their Germanness. Emigrants, including political, economic, and religious exiles such as Jewish Germans, fostered a nostalgia for home, which, along with longstanding mutual ties of family, trade, and culture, bound them to Germany.
The Heimat Abroad is the first book to examine the problem of Germany's long and complex relationship to ethnic Germans outside its national borders. Beyond defining who is German and what makes them so, the book reconceives German identity and history in global terms and challenges the nation state and its borders as the sole basis of German nationalism.
Krista O'Donnell is Associate Professor of History, William Paterson University.
Nancy Reagin is Professor of History, Pace University.
Renete Bridenthal is Emerita Professor of History, Brooklyn College of the City University of New York.
Beginning with the dim prehistory of the mythical gods and their descendants, Heimskringla recounts the history of the kings of Norway through the reign of Olaf Haraldsson, who became Norway's patron saint. Once found in most homes and schools and still regarded as a national treasure, Heimskringla influenced the thinking and literary style of Scandinavia over several centuries.
Author Pat Pascoe, herself a former Colorado senator, uses newspapers, legislative materials, Robinson's published writings, and her own expertise as a legislator to craft the only biography of this contradictory and little-known woman. Robinson had complex politics as a suffragist, peace activist, international activist, and strong supporter of the war effort in World War I and a curious personal life with an often long-distance marriage to lawyer Ewing Robinson, yet close relationship with her stepdaughter, Alycon. Pascoe explores both of these worlds, although much of that personal life remains a mystery. This fascinating story will be a worthwhile read to anyone interested in Colorado history, women's history, labor history, or politics.
The American West has taken on a rich and evocative array of regional identities since the late nineteenth century. Wilderness wonderland, Hispanic borderland, homesteader’s frontier, cattle kingdom, urban dynamo, Native American homeland. Hell of a Vision explores the evolution of these diverse identities during the twentieth century, revealing how Western regionalism has been defined by generations of people seeking to understand the West’s vast landscapes and varied cultures.
Focusing on the American West from the 1890s up to the present, Dorman provides us with a wide-ranging view of the impact of regionalist ideas in pop culture and diverse fields such as geography, land-use planning, anthropology, journalism, and environmental policy-making.
Going well beyond the realm of literature, Dorman broadens the discussion by examining a unique mix of texts. He looks at major novelists such as Cather, Steinbeck, and Stegner, as well as leading Native American writers. But he also analyzes a variety of nonliterary sources in his book, such as government reports, planning documents, and environmental impact studies.
Hell of a Vision is a compelling journey through the modern history of the American West—a key region in the nation of regions known as the United States.
Although John Wesley Powell and party are usually given credit for the first river descent through the Grand Canyon, the ghost of James White has haunted those claims. White was a Colorado prospector, who, almost two years before Powell's journey, washed up on a makeshift raft at Callville, Nevada. His claim to have entered the Colorado above the San Juan River with another man (soon drowned) as they fled from Indians was widely disseminated and believed for a time, but Powell and his successors on the river publically discounted it. Colorado River runners and historians have since debated whether White's passage through Grand Canyon even could have happened.
Hell or High Water is the first full account of White's story and how it became distorted and he disparaged over time. It is also a fascinating detective story, recounting how White's granddaughter, Eilean Adams, over decades and with the assistance of a couple of notable Colorado River historians who believed he could have done what he claimed, gradually uncovered the record of James White's adventure and put together a plausible narrative of how and why he ended up floating helplessly down a turbulent river, entrenched in massive cliffs, with nothing but a driftwood raft to carry him through.
A continuation of Thucydides.
Xenophon (ca. 430 to ca. 354 BC) was a wealthy Athenian and friend of Socrates. He left Athens in 401 and joined an expedition including ten thousand Greeks led by the Persian governor Cyrus against the Persian king. After the defeat of Cyrus, it fell to Xenophon to lead the Greeks from the gates of Babylon back to the coast through inhospitable lands. Later he wrote the famous vivid account of this “March Up-Country” (Anabasis); but meanwhile he entered service under the Spartans against the Persian king, married happily, and joined the staff of the Spartan king, Agesilaus. But Athens was at war with Sparta in 394 and so exiled Xenophon. The Spartans gave him an estate near Elis where he lived for years writing and hunting and educating his sons. Reconciled to Sparta, Athens restored Xenophon to honor, but he preferred to retire to Corinth.
Xenophon’s Anabasis is a true story of remarkable adventures. Hellenica, a history of Greek affairs from 411 to 362, begins as a continuation of Thucydides’ account. There are four works on Socrates (collected in LCL 168). In Memorabilia Xenophon adds to Plato’s picture of Socrates from a different viewpoint. The Apology is an interesting complement to Plato’s account of Socrates’ defense at his trial. Xenophon’s Symposium portrays a dinner party at which Socrates speaks of love; and Oeconomicus has him giving advice on household management and married life. Cyropaedia, a historical romance on the education of Cyrus (the Elder), reflects Xenophon’s ideas about rulers and government; the Loeb edition is in two volumes.
We also have his Hiero, a dialogue on government; Agesilaus, in praise of that king; Constitution of Lacedaemon (on the Spartan system); Ways and Means (on the finances of Athens); Manual for a Cavalry Commander; a good manual of Horsemanship; and a lively Hunting with Hounds. The Constitution of the Athenians, though clearly not by Xenophon, is an interesting document on politics at Athens. These eight books are collected in the last of the seven volumes of the Loeb Classical Library edition of Xenophon.
A continuation of Thucydides.
Xenophon (ca. 430 to ca. 354 BC) was a wealthy Athenian and friend of Socrates. He left Athens in 401 and joined an expedition including ten thousand Greeks led by the Persian governor Cyrus against the Persian king. After the defeat of Cyrus, it fell to Xenophon to lead the Greeks from the gates of Babylon back to the coast through inhospitable lands. Later he wrote the famous vivid account of this “March Up-Country” (Anabasis); but meanwhile he entered service under the Spartans against the Persian king, married happily, and joined the staff of the Spartan king, Agesilaus. But Athens was at war with Sparta in 394 and so exiled Xenophon. The Spartans gave him an estate near Elis where he lived for years writing and hunting and educating his sons. Reconciled to Sparta, Athens restored Xenophon to honor, but he preferred to retire to Corinth.
Xenophon’s Anabasis is a true story of remarkable adventures. Hellenica, a history of Greek affairs from 411 to 362, begins as a continuation of Thucydides’ account. There are four works on Socrates (collected in LCL 168). In Memorabilia Xenophon adds to Plato’s picture of Socrates from a different viewpoint. The Apology is an interesting complement to Plato’s account of Socrates’ defense at his trial. Xenophon’s Symposium portrays a dinner party at which Socrates speaks of love; and Oeconomicus has him giving advice on household management and married life. Cyropaedia, a historical romance on the education of Cyrus (the Elder), reflects Xenophon’s ideas about rulers and government; the Loeb edition is in two volumes.
We also have his Hiero, a dialogue on government; Agesilaus, in praise of that king; Constitution of Lacedaemon (on the Spartan system); Ways and Means (on the finances of Athens); Manual for a Cavalry Commander; a good manual of Horsemanship; and a lively Hunting with Hounds. The Constitution of the Athenians, though clearly not by Xenophon, is an interesting document on politics at Athens. These eight books are collected in the last of the seven volumes of the Loeb Classical Library edition of Xenophon.
“Fowler’s . . . own insights are apparent throughout, and they seem to distill the personal appreciation and understanding of a scholar who has devoted much of her career to both contemplating and enjoying Hellenistic poetry. . . . [This book] would make an excellent background text for courses in later Greek and Roman art, and it can be read with profit by anyone interested in exploring the character of Hellenistic culture.”—J. J. Pollitt, American Journal of Archaeology
“Outstanding is the range of examples discussed both in poetry and art. Theocritus, Callimachus, Appolonius, the epigrammatists, and others—that is, the major figures of the time—are considered at length and in several different contexts. Passages are quoted in the original Greek, translated, and analyzed. Fowler’s sensitivity to poetic forms, evident in her other published writings, is again evident here. In addition, however, the philosophical context is not overlooked. . . . Also highly commendable are the liberal references to works of art. Sculpture in the round and in relief, portraits, terracotta figurines, original paintings (grave stelai) and Campanian murals, mosaics, gold and silver vessels, and jewelry are introduced at various points. Every work of art discussed is illustrated in astonishingly clear photographs, which are interspersed in the body of the text.”—Christine Mitchell Havelock
“The Hellenistic Aesthetic provides classicists with their first thorough discussion of the aesthetic unity found in Hellenistic art and literature. . . . Fowler examines parallels both in subject matter and in artistic approach among a diverse group of literary genres and artistic forms. In twelve chapters, The Hellenistic Aesthetic surveys Alexandrian epigrams, pastorals, epics, sculptural groups, mosaics, paintings, and jewelry to supply a convincing, and frequently unexpected, picture of a unified aesthetic vision.”—Jeffrey Buller, Classical Outlook
In 1918, the U.S. Army Signal Corps sent 223 women to France at General Pershing’s explicit request. They were masters of the latest technology: the telephone switchboard. While suffragettes picketed the White House and President Wilson struggled to persuade a segregationist Congress to give women of all races the vote, these courageous young women swore the army oath and settled into their new roles. Elizabeth Cobbs reveals the challenges they faced in a war zone where male soldiers wooed, mocked, and ultimately celebrated them.
The army discharged the last Hello Girls in 1920, the year Congress ratified the Nineteenth Amendment. When they sailed home, they were unexpectedly dismissed without veterans’ benefits and began a sixty-year battle that a handful of survivors carried to triumph in 1979.
“What an eye-opener! Cobbs unearths the original letters and diaries of these forgotten heroines and weaves them into a fascinating narrative with energy and zest.”
—Cokie Roberts, author of Capital Dames
“This engaging history crackles with admiration for the women who served in the U.S. Army Signal Corps during the First World War, becoming the country’s first female soldiers.”
—New Yorker
“Utterly delightful… Cobbs very adroitly weaves the story of the Signal Corps into that larger story of American women fighting for the right to vote, but it’s the warm, fascinating job she does bringing her cast…to life that gives this book its memorable charisma… This terrific book pays them a long-warranted tribute.”
—Christian Science Monitor
“Cobbs is particularly good at spotlighting how closely the service of military women like the Hello Girls was tied to the success of the suffrage movement.”
—NPR
McCann explores the links between the growth of the culture industry, rapid industrialization, and the rise and fall of Getúlio Vargas’s Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid–twentieth century continue to structure Brazilian cultural life in the early twenty-first.
The popular veneer of Denver's present-day Market Street - its fancy bars, posh restaurants, and Coors Field - is stripped away to reveal the street's former incarnation: a mecca of loose morals entrenched in prostitution, liquor, and money. Hell's Belles examines the neglected topics of vice and crime in Denver and utilizes a unique and invaluable historic source - the scrapbooks of Detective Sam Howe.
A biography of Bruce Crawford, a southwest Virginia journalist-writer of the radical tradition and one of the first to interpret Appalachian labor history.
Hell’s Not Far Off is a grounded, politically engaged study of the Appalachian journalist and political critic Bruce Crawford, a scourge of coal and railway interests. Crawford fought injustices wherever he saw them at major risk to his own life and became an early interpreter of Appalachian labor history.
His writings and actions from the 1920s to the 1960s helped shape southwest Virginia and West Virginia. Through Crawford’s Weekly, a newspaper active from 1920 to 1935, Crawford challenged the Ku Klux Klan, lynch mobs, and the private police forces of coal barons. The wounds received for these efforts were the closing of his paper and a bullet to his leg during a Harlan County strike in the 1930s. In his work after journalism, he led the West Virginia branch of the Federal Writers’ Project during the political standoff over the contents of the state’s official guidebook.
In Hell’s Not Far Off, Josh Howard resurrects strands of a radical tradition centered especially on matters of labor, environment, and race, drawing attention to that tradition’s ongoing salience: “Present-day Appalachia’s fights were [Crawford’s], and his fights are still ours.”
The name “Helots” evokes one of the most famous peculiarities of ancient Sparta, the system of dependent labor that guaranteed the livelihood of the free citizens. The Helots fulfilled all the functions that slaves carried out elsewhere in the Greek world, allowing their masters the leisure to be full-time warriors. Yet, despite their crucial role, Helots remain essentially invisible in our ancient sources and peripheral and enigmatic in modern scholarship.
This book is devoted to a much-needed reassessment of Helotry and of its place in the history and sociology of unfree labor. The essays deal with the origins and historical development of Helotry, with its sociological, economic, and demographic aspects, with its ideological construction and negotiation.
Helvetia: A Swiss Village in the Hills of West Virginia explores the unique founding and development of a community nestled within the wilderness of Appalachia. Established in 1869, this tiny Swiss settlement embodies the American immigrant experience, reflecting the steadfast desire of settlers to preserve cultural traditions and values while adapting to new and extraordinary surroundings. From ramp suppers to carnivals, traditional architecture, folk music, and cheese making, this book documents a living community by exploring the ethnic customs, farming practices, community organization, and language maintenance of Helvetia residents. Drawing upon a diverse body of resources such as Swiss and American archival documents and local oral accounts, this chronicledepicts the everyday social and economic life of this village during the past two centuries. Helvetia celebrates a small community where residents and visitors alike continue to practice a Swiss American culture that binds an international history to a local heritage.
In 1937 and 1938, Ernest Hemingway made four trips to Spain to cover its civil war for the North American News Alliance wire service and to help create the pro-Republican documentary film The Spanish Earth. Hemingway’s Second War is the first book-length scholarly work devoted to this subject.
This special issue of SubStance (2007) celebrates the centennial of Henri Bergson’s Creative Evolution, published in 1907. Since evolution is a living process and not a completed history, any understanding of it must necessarily be open-ended. If no one can have the last word, Bergson writes, the project of understanding evolution “will only be built up by the collective and progressive effort of many thinkers, of many observers also, completing, correcting and improving one another.”
Included in the issue are articles from Bergson scholars from the United States, Japan, France and Great Britain. Topics in the issue range from Bergson’s encounters with Darwin, Nietzsche, Derrida and Deleuze, and from the analytical to the metaphysical.
Henry Adams sought, late in life, to thwart prospective biographers by writing his own biography. Published soon after his death in 1918, The Education of Henry Adams was rightly greeted as a masterpiece. Not until thirty years later, with the appearance of the first volume of Ernest Samuels’s biography, did it become apparent how much the story had been colored by Adams’s singular philosophy of history and how great was the disparity between the protagonist of the Education and Adams as he actually was. Upon its completion in 1964, Samuels’s life of Henry Adams was hailed as “one of the great biographical achievements of our time”; its laurels included a Pulitzer Prize.
Ernest Samuels has now distilled his ample narrative into a single absorbing volume. We see Adams as a lively undergraduate, in contrast to the jaded young man of the Education; as budding writer, newspaper correspondent, eager participant in political maneuverings in Washington and at the American embassy in London; as teacher at Harvard and editor of the North American Review; settled in Washington, as scholar, biographer, historian, novelist; as insatiable traveler; as friend and adviser to statesmen; as elderly cosmopolite spending half of each year abroad; and always as witty chronicler of the social scene and trenchant commentator on the events of his time. We are drawn into the personal drama of Adams’s middle years: his married life with Clover; the halcyon period in Washington in the early 1880s, catastrophically terminated by Clover’s depression and suicide; his growing passion for Elizabeth Cameron; and his flight to the South Seas. Throughout the book we follow the genesis and progress of his writings, from his muck-raking journalism in President Grant’s Washington, through the social and political criticism of his novels, his biographies, and his great History, to the classic Mont Saint Michel and Chartres, the daring theories of the Education, and his last essays.
Few biographies have so broad a canvas—sixty years of American political, social, and intellectual life, from the pre–Civil War years to the First World War. And few offer so revealing a portrait of a complex human being and an extraordinary career.
Henry Adams has been called an indispensable figure in American thought. Although he famously “took his own life” in the autobiographical Education of Henry Adams, his letters—more intimate and unbuttoned, though hardly unselfconscious—are themselves indispensable for an understanding of the man and his times.
This selection, the first based on the authoritative 6-volume Letters, represents every major private and public event in Adams’s life from 1858 to 1918 and confirms his reputation as one of the greatest letter writers of his time. Adams knew everyone who was anyone and went almost everywhere, and—true to the Adams family tradition—recorded it all. These letters to an array of correspondents from American presidents to Henry James to 5-year-old honorary nieces reveal Adams’s passion for politics and disdain for politicians, his snobbish delight in society and sincere affection for friends, his pose of dilettantism and his serious ambitions as writer and historian, his devastation at his wife’s suicide and his acquiescence in the role of Elizabeth Cameron’s “tame cat,” his wicked humor at others’ expense and his own reflexive self-depreciation.
This volume allows the reader to experience 19th-century America through the eyes of an observer on whom very little was lost, and to make the acquaintance of one of the more interesting personalities in American letters. As Ernest Samuels says in his introduction, “The letters lift the veil of old-age disenchantment that obscures the Education and exhibit Adams as perhaps the most brilliant letter writer of his time. What most engages one in the long course of his correspondence is the tireless range of his intellectual curiosity, his passionate effort to understand the politics, the science, and the human society of the world as it changed around him… It is as literature of a high order that his letters can finally be read.”
This volume is written on the same comprehensive scale as its predecessors, The Young Henry Adams and Henry Adams: The Middle Years, which the New York Times called “eminently sympathetic, inclusive, sensible and satisfying.” Ernest Samuels' narrative is mainly chronological, showing the growth and maturity of a long, full, and varied career, but the principal focus is on the internal drama of Adams' life and on the expression of his opinions and ideas.
Drawing on a wealth of unpublished material, including correspondence with such figures as John Hay, William and Henry James, Bernard Berenson, and Theodore Roosevelt, the author discerningly records significant moments in Adams' lifelong dialogue in letters with his friends and acquaintances. Particularly illuminating is the series of brilliant and romantic letters Adams wrote to Elizabeth Cameron which go far to correct the dehumanized image implicit in the Education. As before, Samuels maintains an artistic balance between pure biography and literary history and criticism; his definitive study of Adams' life and works adds a major chapter to American intellectual and social history.
"Education had ended in 1871, life was complete in 1890." With this paradoxical statement from The Education of Henry Adams, Adams apparently dismissed from the record twenty of the most interesting and active years of his career. Those two decades embraced the first great productive season of his literary genius and the most significant years of his emotional life. Opening on the highest note of expectation and closing with his desperate flight to the South Seas in 1890, a divided and lonely figure, that season of fulfillment and inner growth is the subject of this book.
The relationship between Adams' life and writings grew steadily richer as his literary artistry matured, and with that process as his main concern, Mr. Samuels has written a book equally rewarding as a biography and as a critical study. Perhaps the greatest achievement biographically is a definitive and absorbing account of the true relationship between Henry Adams and his wife and an introduction to the grand passion for Elizabeth Cameron which was to affect the rest of his life. The whole intense inner drama of his feelings is really opened up for the first time, as often as possible in his own words, to the tragedy of his wife's suicide, the embittered years of work concluding the great History, and, finally, the escape to the South Seas in an effort to overcome the intolerable intensity of his love for Mrs. Cameron.
Through detailed analyses of Adams' writings, Mr. Samuels shows how all this drama had its counterpoint in his literary activities and eventually became transformed into works of literary art. Equally interesting is the way in which the ideas for his biographical and historical writing emerged from the wide sources of his reading, were tested in the remarkable give and take of hiscircle, and finally adapted to the themes of his writing.
This is the most exhaustive biographical and critical study of Adams' middle years ever made, and probably answers, so far as it is humanly possible, every unanswered question about Adams' life and the writing of his books. From the wealth of family papers deposited with the Massachusetts Historical Society and numerous other sources, Mr. Samuels has unveiled an increasingly complex personality - a brilliant mind in the grip of many prejudices and contradictions, yet one so terrifyingly honest that it more than ever defies explanation in any ordinary terms.
The mass of fresh materials used includes letters from correspondents around the world and admits us to the other side of the enormous dialogue which Adams carried on with the members of his circle. Certain finds have revealed some invaluable sidelights including a striking fragment of Adams' diary for 1888-1889; a sheaf of his sonnets to Elizabeth Cameron, and the unpublished remainder of his letters to his wife. Much untouched material has also come to light in newspapers, magazines, public archives, court records, memoirs, and biographies.
This is the second of three volumes of Mr. Samuels' definitive study of Henry Adams. The other two are The Young Henry Adams and Henry Adams: The Major Phase.
From a hotel in Marrakech in The Man Who Knew Too Much, to small-town Alabama in To Kill a Mockingbird, to Mission Control in Space Cowboys, creating a fictional, yet wholly believable world in which to film a movie has been the passion and life's work of Henry Bumstead, one of Hollywood's most celebrated production designers. In a career that has spanned nearly seventy years, Bumstead has worked on more than one hundred movies and television films. His many honors include Academy Awards for Art Direction for To Kill a Mockingbird and The Sting, as well as nominations for Vertigo and The Unforgiven.
This popularly written and extensively illustrated book tells the intertwining stories of Henry Bumstead's career and the evolution of Hollywood art direction. Andrew Horton combines his analysis of Bumstead's design work with wide-ranging interviews in which Bumstead talks about working with top directors, including Alfred Hitchcock, George Roy Hill, Robert Mulligan, and Clint Eastwood, as well as such stars as Paul Newman, Robert Redford, Doris Day, Jimmy Stewart, Sidney Poitier, Bill Cosby, Jerry Lewis, and James Cagney. Numerous production drawings, storyboards, and film stills illustrate how Bumstead's designs translated to film. This portrait of Bumstead's career underscores an art director's crucial role in shaping the look of a film and also tracks the changes in production design from the studio era through location shooting to today's use of high-tech special effects.
When championing the commercial buildings and homes that made the Windy City famous, one can’t help but mention the brilliant names of their architects—Daniel Burnham, Louis Sullivan, and Frank Lloyd Wright, among others. But few people are aware of Henry Ives Cobb (1859–1931), the man responsible for an extraordinarily rich chapter in the city’s turn-of-the-century building boom, and fewer still realize Cobb’s lasting importance as a designer of the private and public institutions that continue to enrich Chicago’s exceptional architectural heritage.
Henry Ives Cobb’s Chicago is the first book about this distinguished architect and the magnificent buildings he created, including the Newberry Library, the Chicago Historical Society, the Chicago Athletic Association, the Fisheries Building for the 1893 World’s Fair, and the Chicago Federal Building. Cobb filled a huge institutional void with his inventive Romanesque and Gothic buildings—something that the other architect-giants, occupied largely with residential and commercial work, did not do. Edward W. Wolner argues that these constructions and the enterprises they housed—including the first buildings and master plan for the University of Chicago—signaled that the city had come of age, that its leaders were finally pursuing the highest ambitions in the realms of culture and intellect.
Assembling a cast of colorful characters from a free-wheeling age gone by, and including over 140 images of Cobb’s most creative buildings, Henry Ives Cobb’s Chicago is a rare achievement: a dynamic portrait of an architect whose institutional designs decisively changed the city’s identity during its most critical phase of development.
What made Henry Kissinger the kind of diplomat he was? What experiences and influences shaped his worldview and provided the framework for his approach to international relations? Jeremi Suri offers a thought-provoking, interpretive study of one of the most influential and controversial political figures of the twentieth century.
Drawing on research in more than six countries in addition to extensive interviews with Kissinger and others, Suri analyzes the sources of Kissinger's ideas and power and explains why he pursued the policies he did. Kissinger's German-Jewish background, fears of democratic weakness, belief in the primacy of the relationship between the United States and Europe, and faith in the indispensable role America plays in the world shaped his career and his foreign policy. Suri shows how Kissinger's early years in Weimar and Nazi Germany, his experiences in the U.S. Army and at Harvard University, and his relationships with powerful patrons--including Nelson Rockefeller and Richard Nixon--shed new light on the policymaker.
Kissinger's career was a product of the global changes that made the American Century. He remains influential because his ideas are rooted so deeply in dominant assumptions about the world. In treating Kissinger fairly and critically as a historical figure, without polemical judgments, Suri provides critical context for this important figure. He illuminates the legacies of Kissinger's policies for the United States in the twenty-first century.
Henry Ware Lawton’s nearly four decades as a professional soldier in the U.S. Army tie his story closely to that of America in the nineteenth century, from the Civil War to the settlement of the West, to the experiment with empire. Lawton served the country nearly uninterrupted from the day he enlisted at age 18—soon after Lincoln’s first call for volunteers to fight in the Civil War, where he earned a Medal of Honor—to his death at age 56, a major general in the Philippine War. In between, he fought in the Spanish-American War and the Indian Wars; during that time he rose to national prominence as the man who captured Geronimo.
"Convincingly argues for the importance of these middle years to understanding American science and vividly illustrates the effect of the Civil War on science. . . . Ravenel, a geographically isolated planter with a college degree but no scientific training, managed to serve as one of America's leading mycologists, despite continual financial and medical problems and the disruption of the Civil War. This lively account of his life and work is at once inspiring and tragic."
Journal of the History of Biology
"A thoroughly enjoyable biography of one of the important American naturalists, botanists, and mycologists of the 1800s. . . . Truly an outstanding contribution to the history of American science."
—Brittonia
Rick Kuhn’s Henryk Grossman and the Recovery of Marxism is the definitive study of the life and work of this renowned economist, activist, and intellectual. As a young man, Grossman joined the socialist movement and participated in Jewish workers' strikes and demonstrations, as well as in boycotts against employers and the Austro-Hungarian state. He moved to Vienna, but was driven back to Poland by the Austrian state's racist citizenship policies. A member of the illegal Polish Communist Party, Grossman was frequently arrested and jailed, finally leaving Poland for a post at the Institute for Social Research in Frankfurt am Main, which gave rise to the famous 'Frankfurt School'.
Grossman published his best known work in Frankfurt, including studies of Marx's method in Capital and theories of economic crisis that remain influential today. In tracing Grossman's experiences, from Kraków to New York, and offering a detailed account of his ideas, the biography provides an intimate account of key events in twentieth century history, including the politicization of east European Jewry, the World Wars, the rise of Stalinism and Nazism, and the cold war.
For the ancient Maya, food was both sustenance and a tool for building a complex society. This collection, the first to focus exclusively on the social uses of food in Classic Maya culture, deploys a variety of theoretical approaches to examine the meaning of food beyond diet—ritual offerings and restrictions, medicinal preparations, and the role of nostalgia around food, among other topics. For instance, how did Maya feasts build community while also reinforcing social hierarchy? What psychoactive substances were the elite Maya drinking in their caves, and why? Which dogs were good for eating, and which breeds became companions? Why did even some non-elite Maya enjoy cacao, but rarely meat? Why was meat more available for urban Maya than for those closer to hunting grounds on the fringes of cities? How did the molcajete become a vital tool and symbol in Maya gastronomy?
These chapters, written by some of the leading scholars in the field, showcase a variety of approaches and present new evidence from faunal remains, hieroglyphic texts, chemical analyses, and art. Thoughtful and revealing, Her Cup for Sweet Cacao unlocks a more comprehensive understanding of how food was instrumental to the development of ancient Maya culture.
This book is a study of the historical record of Muslim women’s property rights and equity. Based on Islamic court documents of fifteenth-century Granada—documents that show a high degree of women’s involvement—the book examines women’s legal entitlements to acquire property as well as the social and economic significance of these rights to Granada’s female population and, by extension, to women in other Islamic societies.
The microhistory of women’s property rights is placed in a comparative historical, social, and economic context and is examined using a theoretical framework that suggests how this book’s conclusions might coexist with the Islamic feminist discourse on the law as a patriarchal system, serving to highlight both the uniqueness and the limitations of the Islamic case. The specifics presented in the case studies reveal the broader structures, constructs, rules, conditions, factors, and paradigms that shaped women’s property rights under Islamic law. They show that women’s property rights were more than just part of a legal system; they were the product of a legal philosophy and a pervasive paradigm that made property ownership a normal construct of the Muslim woman’s legal persona and a norm of her existence.
Sayre P. Sheldon chose the twentieth century for this collection of women's war writing because women's roles in war have changed dramatically in this century. The twentieth century has redefined the meaning of combat and expanded the territory of war to include women in larger numbers than ever before. When the technological advances of modern war began to target civilians, the home front became the front line. Women took an active part in war whether or not by choice, often by moving into occupations previously closed to them. Women covered wars for their newspapers, wrote war propaganda for their governments, published their wartime diaries, described fighting alongside men, and used wartime experience for their fiction and poetry.
Women writers also chose the right to imagine war, just as men for centuries had written about war without actually experiencing it. Women writers anthologized here include Anna Akhmatova, Vera Brittain, Gwendolyn Brooks, Willa Cather, Colette, Martha Gellhorn, H.D., Etty Hillesum, Käthe Kollwitz, Doris Lessing, Amy Lowell, Katherine Mansfield, Mary McCarthy, Toni Morrison, Dorothy Parker, Mary Lee Settle, Gertrude Stein, Huong Tram, Edith Wharton, Virginia Woolf, and Mitsuye Yamada.
In the late 1800s, archaeologists began discovering engraved stone plaques in Neolithic (3500-2500 BC) graves in southern Portugal and Spain. About the size of one's palm, usually made of slate, and incised with geometric or, more rarely, zoomorphic and anthropomorphic designs, these plaques have mystified generations of researchers. What do their symbols signify? How were the plaques produced? Were they worn during an individual's lifetime, or only made at the time of their death? Why, indeed, were the plaques made at all?
Employing an eclectic range of theoretical and methodological lenses, Katina Lillios surveys all that is currently known about the Iberian engraved stone plaques and advances her own carefully considered hypotheses about their manufacture and meanings. After analyzing data on the plaques' workmanship and distribution, she builds a convincing case that the majority of the Iberian plaques were genealogical records of the dead that served as durable markers of regional and local group identities. Such records, she argues, would have contributed toward legitimating and perpetuating an ideology of inherited social difference in the Iberian Late Neolithic.
Salsa and guacamole wouldn’t be the same without cilantro, and you can’t make pizza without oregano or a mojito without mint. You can use peppermint to settle an upset stomach, ease arthritis pain with stinging nettle, and heal burns and wounds with aloe vera. And then there is cannabis—perhaps the most notorious and divisive herb of all. Despite the fact that herbs are often little more than weeds, cultures around the globe have found hundreds of uses for them, employing them in everything from ancient medicines to savory dishes. While much has been written on cooking and healing with herbs, little has been told about the history of the plants themselves and the incredible journeys they have made.
Winner of the 2023 New England Society Book Award in the Historical Nonfiction category
Winner of an Award of Excellence, American Association for State and Local History (AASLH)
In 1822, settlers pushed north from Massachusetts and other parts of New England into Monson, Maine. On land taken from the Penobscot people, they established prosperous farms and businesses. Focusing on the microhistory of this village, Andrew Witmer reveals the sometimes surprising ways that this small New England town engaged with the wider world across the nineteenth and twentieth centuries. Townspeople fought and died in distant wars, transformed the economy and landscape with quarries and mills, and used railroads, highways, print, and new technologies to forge connections with the rest of the nation.
Here and Everywhere Else starts with Monson’s incorporation in the early nineteenth century, when central Maine was considered the northern frontier and over 90 percent of Americans still lived in rural areas; it ends with present-day attempts to revive this declining Maine town into an artists’ colony. Engagingly written, with colorful portraits of local characters and landmarks, this study illustrates how the residents of this remote place have remade their town by integrating (and resisting) external influences.
Is Ancient Greece still meaningful to the twenty-first-century world? The vitality of the classical tradition, which has been a long-enduring and important element in our culture, is the concern of the seven scholars who in this book present their answers to this question.
In various ways their essays support editor Frederic Will's statement that the "complex and mature group of awarenesses" embodied in the classical tradition still help to maintain the continuity of human culture, thus sharing in the unbroken process of developing a Western civilization. These awarenesses are not self-perpetuating but must be sustained by the guardians of tradition—schools, literary creators and critics, libraries, and scholars. In this book, particular attention is devoted to the literary creators. In discussing the impact of Greek myth, Greek literature, and Greek philosophy on modern writers, the present essayists try to determine how alive Greek classical culture is today, how meaningful it is, and how it can be perpetuated. Through their presentations in these seven essays, the contributors prove that the tradition does not suffer from lack of able guardians.
These studies in the interpretation of literature and thought afford stimulating evidence that the classical tradition is still alive in our modern age.
The Herero-German war led to the destruction of Herero society. Yet Herero society reemerged, reorganizing itself around the structures and beliefs of the German colonial army and Rhenish missionary activity.
This book describes the manner in which the Herero of Namibia struggled to maintain control over their own freedom in the face of advancing German colonialism. Taking advantage of the South AFrican invasion in of Namibia in World War One the Herero established themselves in areas of their own choosing. The effective reoccupation of land by the Herero forced the new colonial state, anxious to maintain peace and cut costs, to come to terms with the existence of Herero society.
The study ends in 1923 when the death and funeral of Samuel Maherero — first paramount of the Herero and then resistance leader — was the catalyst that brought the disparate groups of Herero together to establish a single unitary Herero identity.
The prevailing assumption regarding the Victorians’ relationship to ancient Greece is that Greek knowledge constituted an exclusive discourse within elite male domains. Heretical Hellenism: Women Writers, Ancient Greece, and the Victorian Popular Imagination challenges that theory and argues that while the information women received from popular sources was fragmentary and often fostered intellectual insecurities, it was precisely the ineffability of the Greek world refracted through popular sources and reconceived through new fields of study that appealed to women writers’ imaginations.
Examining underconsidered sources such as theater history and popular journals, Shanyn Fiske uncovers the many ways that women acquired knowledge of Greek literature, history, and philosophy without formal classical training. Through discussions of women writers such as Charlotte Brontë, George Eliot, and Jane Harrison, Heretical Hellenism demonstrates that women established the foundations of a heretical challenge to traditional humanist assumptions about the uniformity of classical knowledge and about women’s place in literary history.
Heretical Hellenism provides a historical rationale for a more expansive definition of classical knowledge and offers an interdisciplinary method for understanding the place of classics both in the nineteenth century and in our own time.
The Masses was the most dynamic and influential left-wing magazine of the early twentieth century, a touchstone for understanding radical thought and social movements in the United States during that era. As a magazine that supported feminist issues, it played a crucial role in shaping public discourse about women's concerns. Women editors, fiction writers, poets, and activists like Mary Heaton Vorse, Louise Bryant, Adriana Spadoni, Elsie Clews Parsons, Inez Haynes Gillmore, and Helen Hull contributed as significantly to the magazine as better-known male figures.
In this major revisionist work, Margaret C. Jones calls for reexamination of the relevance of Masses feminism to that of the 1990s. She explores women contributors' perspectives on crucial issues: patriarchy, birth control, the labor movement, woman suffrage, pacifism, and ethnicity. The book includes numerous examples of the writings and visual art of Masses women and a series of biographical/bibliographical sketches designed to aid other researchers.
Punctuated with remarkable case studies, this book explores extraordinary encounters between hermaphrodites--people born with "ambiguous" sexual anatomy--and the medical and scientific professionals who grappled with them. Alice Dreger focuses on events in France and Britain in the late nineteenth century, a moment of great tension for questions of sex roles. While feminists, homosexuals, and anthropological explorers openly questioned the natures and purposes of the two sexes, anatomical hermaphrodites suggested a deeper question: just how many human sexes are there? Ultimately hermaphrodites led doctors and scientists to another surprisingly difficult question: what is sex, really?
Hermaphrodites and the Medical Invention of Sex takes us inside the doctors' chambers to see how and why medical and scientific men constructed sex, gender, and sexuality as they did, and especially how the material conformation of hermaphroditic bodies--when combined with social exigencies--forced peculiar constructions. Throughout the book Dreger indicates how this history can help us to understand present-day conceptualizations of sex, gender, and sexuality. This leads to an epilogue, where the author discusses and questions the protocols employed today in the treatment of intersexuals (people born hermaphroditic). Given the history she has recounted, should these protocols be reconsidered and revised?
A meticulously researched account of a fascinating problem in the history of medicine, this book will compel the attention of historians, physicians, medical ethicists, intersexuals themselves, and anyone interested in the meanings and foundations of sexual identity.
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