What is it about “the homosexual” that incites vitriolic rhetoric and violence around the world? How and why do some people hate queers? Does homophobia operate differently across social, political, and economic terrains? What are the ambivalences in homophobic discourses that can be exploited to undermine its hegemonic privilege? This volume addresses these questions through critical interrogations of sites where homophobic discourses are produced. It provides innovative analytical insights that expose the complex and intersecting cultural, political, and economic forces contributing to the development of new forms of homophobia. And it is a call to action for anthropologists and other social scientists to examine more carefully the politics, histories, and contexts of places and people who profess hatred for queerness.

The contributors to this volume open up the scope of inquiry into processes of homophobia, moving the analysis of a particular form of “hate” into new, wider sociocultural and political fields. The ongoing production of homophobic discourses is carefully analyzed in diverse sites including New York City, Australia, the Caribbean, Greece, India, and Indonesia, as well as American Christian churches, in order to uncover the complex operational processes of homophobias and their intimate relationships to nationalism, sexism, racism, class, and colonialism. The contributors also critically inquire into the limitations of the term homophobia and interrogate its utility as a cross-cultural designation.

Contributors. Steven Angelides, Tom Boellstorff, Lawrence Cohen, Don Kulick, Suzanne LaFont, Martin F. Manalansan IV, David A. B. Murray, Brian Riedel, Constance R. Sullivan-Blum

Margaret Mead Made Me Gay is the intellectual autobiography of cultural anthropologist Esther Newton, a pioneer in gay and lesbian studies. Chronicling the development of her ideas from the excitement of early feminism in the 1960s to friendly critiques of queer theory in the 1990s, this collection covers a range of topics such as why we need more precise sexual vocabularies, why there have been fewer women doing drag than men, and how academia can make itself more hospitable to queers. It brings together such classics as “The Mythic Mannish Lesbian” and “Dick(less) Tracy and the Homecoming Queen” with entirely new work such as “Theater: Gay Anti-Church.”
Newton’s provocative essays detail a queer academic career while offering a behind-the-scenes view of academic homophobia. In four sections that correspond to major periods and interests in her life—”Drag and Camp,” “Lesbian-Feminism,” “Butch,” and “Queer Anthropology”—the volume reflects her successful struggle to create a body of work that uses cultural anthropology to better understand gender oppression, early feminism, theatricality and performance, and the sexual and erotic dimensions of fieldwork. Combining personal, theoretical, and ethnographic perspectives, Margaret Mead Made Me Gay also includes photographs from Newton’s personal and professional life.
With wise and revealing discussions of the complex relations between experience and philosophy, the personal and the political, and identities and practices, Margaret Mead Made Me Gay is important for anyone interested in the birth and growth of gay and lesbian studies.