Children are thoroughly, shockingly queer, as Kathryn Bond Stockton explains in The Queer Child, where she examines children’s strangeness, even some children’s subliminal “gayness,” in the twentieth century. Estranging, broadening, darkening forms of children emerge as this book illuminates the child queered by innocence, the child queered by color, the child queered by Freud, the child queered by money, and the grown homosexual metaphorically seen as a child (or as an animal), alongside the gay child. What might the notion of a “gay” child do to conceptions of the child? How might it outline the pain, closets, emotional labors, sexual motives, and sideways movements that attend all children, however we deny it?

Engaging and challenging the work of sociologists, legal theorists, and historians, Stockton coins the term “growing sideways” to describe ways of growing that defy the usual sense of growing “up” in a linear trajectory toward full stature, marriage, reproduction, and the relinquishing of childish ways. Growing sideways is a mode of irregular growth involving odd lingerings, wayward paths, and fertile delays. Contending that children’s queerness is rendered and explored best in fictional forms, including literature, film, and television, Stockton offers dazzling readings of works ranging from novels by Henry James, Radclyffe Hall, Virginia Woolf, Djuna Barnes, and Vladimir Nabokov to the movies Guess Who’s Coming to Dinner, The Hanging Garden, Heavenly Creatures, Hoop Dreams, and the 2005 remake of Willy Wonka and the Chocolate Factory. The result is a fascinating look at children’s masochism, their interactions with pedophiles and animals, their unfathomable, hazy motives (leading them at times into sex, seduction, delinquency, and murder), their interracial appetites, and their love of consumption and destruction through the alluring economy of candy.

Queer Diasporas presents essays that explore how sexuality and sexual identity change when individuals, ideologies, and media move across literal and figurative boundaries. Speaking from a diverse range of ethnic, racial, and national sites, the contributors to this volume illustrate how queer identity in particular is affected in ways that are as varied and nuanced as the cultural, social, and physical environments themselves.
Incorporating literary analysis, ethnographic research, and theories of diaspora, migration, and transnationalism, the essays in this volume address an impressive range of topics, from the divergent medical and epidemiological understandings of the AIDS pandemic to 1950s lesbian pulp fiction. While one chapter focuses on the appropriation of religious ceremony by gay Filipino immigrants in New York City, another investigates the implicit connection between Jewishness and homosexuality in the work of Freud. The gendering of domestic roles in food preparation and consumption in Japanese society gives way to a discussion of Cuban and Jamaican homoeroticism as seen in the works of Reinaldo Arenas and Claude McKay. Chilean author D’Halmar’s orientalization of Spain as queer space and the hybrid nature of queer ‘zine culture in Quebec are the subject of others. The collection concludes with a monologue by “Walid,” a young gay Arab living in the occupied territory, whose sexual and national identities change according to his sexual and social needs.
Illuminating the complex nature of queerness in the postmodern world, Queer Diasporas contributes to the advancement of gay and lesbian studies. It will be important to those working in cultural, literary, and postcolonial studies.

Contributors. Michele Aina Barale, Daniel Boyarin, Sandra Buckley, Rhonda Cobham, Amir Sumaka’i Fink, Marcie Frank, Martin F. Manalansan IV, Sylvia Molloy, Cindy Patton, Jacob Press, Jennifer Robertson, Benigno Sánchez-Eppler

In the first collection of its kind, twenty-three scholars, artists, and critics forecast the impact of queer theory on the future of sexuality. Arguing that queer theory is poised to transform society’s perception of gender itself, this thoroughly interdisciplinary anthology locates itself at the forefront of various debates both inside and outside the academy.
    From the history of gay and lesbian studies to the emergence of video bars, from an interview with playwright Cherrie Moraga to a photo record of 1950s gay Los Angeles, these original essays tackle the past, present, and future of queer sexuality from all directions. Queer Frontiers brings together the most vital and energetic voices around; whether promising young scholar or veteran of gay activism, each contributor is helping to move the debate into uncharted territory.

Martyred saints, Moors, Jews, viragoes, hermaphrodites, sodomites, kings, queens, and cross-dressers comprise the fascinating mosaic of historical and imaginative figures unearthed in Queer Iberia. The essays in this volume describe and analyze the sexual diversity that proliferated during the period between the tenth and the sixteenth centuries when political hegemony in the region passed from Muslim to Christian hands.
To show how sexual otherness is most evident at points of cultural conflict, the contributors use a variety of methodologies and perspectives and consider source materials that originated in Castilian, Latin, Arabic, Catalan, and Galician-Portuguese. Covering topics from the martydom of Pelagius to the exploits of the transgendered Catalina de Erauso, this volume is the first to provide a comprehensive historical examination of the relations among race, gender, sexuality, nation-building, colonialism, and imperial expansion in medieval and early modern Iberia. Some essays consider archival evidence of sexual otherness or evaluate the use of “deviance” as a marker for cultural and racial difference, while others explore both male and female homoeroticism as literary-aesthetic discourse or attempt to open up canonical texts to alternative readings.
Positing a queerness intrinsic to Iberia’s historical process and cultural identity, Queer Iberia will challenge the field of Iberian studies while appealing to scholars of medieval, cultural, Hispanic, gender, and gay and lesbian studies.

Contributors. Josiah Blackmore, Linde M. Brocato, Catherine Brown, Israel Burshatin, Daniel Eisenberg, E. Michael Gerli, Roberto J. González-Casanovas, Gregory S. Hutcheson, Mark D. Jordan, Sara Lipton, Benjamin Liu, Mary Elizabeth Perry, Michael Solomon, Louise O. Vasvári, Barbara Weissberger

In Queer in Russia Laurie Essig examines the formation of gay identity and community in the former Soviet Union. As a sociological fieldworker, she began her research during the late 1980s, before any kind of a public queer identity existed in that country. After a decade of conducting interviews, as well as observing and analyzing plays, books, pop music, and graffiti, Essig presents the first sustained study of how and why there was no Soviet gay community or even gay identity before perestroika and the degree to which this situation has—or has not—changed.
While male homosexual acts were criminalized in Russia before 1993, women attracted to women were policed by the medical community, who saw them less as criminals than as diseased persons potentially cured by drug therapy or transsexual surgery. After describing accounts of pre-perestroika persecution, Essig examines the more recent state of sexual identities in Russia. Although the fall of communism brought new freedom to Russian queers, there are still no signs of a mass movement forming around the issue, and few identify themselves as lesbians or gay men, even when they are involved in same-sex relations. Essig does reveal, however, vibrant manifestations of gay life found at the local level—in restaurants, discos, clubs, and cruising strips, in newspapers, journals, literature, and the theater. Concluding with a powerful exploration of the surprising affinities between some of Russia’s most prominent nationalists and its queers, Queer in Russia fills a gap in both Russian and cultural studies.

In August 1934, young Cyril L. wrote to his friend Billy about all the exciting men he had met, the swinging nightclubs he had visited, and the vibrant new life he had forged for himself in the big city. He wrote, "I have only been queer since I came to London about two years ago, before then I knew nothing about it." London, for Cyril, meant boundless opportunities to explore his newfound sexuality. But his freedom was limite: he was soon arrested, simply for being in a club frequented by queer men.

Cyril's story is Matt Houlbrook's point of entry into the queer worlds of early twentieth-century London. Drawing on previously unknown sources, from police reports and newspaper exposés to personal letters, diaries, and the first queer guidebook ever written, Houlbrook here explores the relationship between queer sexualities and modern urban culture that we take for granted today. He revisits the diverse queer lives that took hold in London's parks and streets; its restaurants, pubs, and dancehalls; and its Turkish bathhouses and hotels—as well as attempts by municipal authorities to control and crack down on those worlds. He also describes how London shaped the culture and politics of queer life—and how London was in turn shaped by the lives of queer men. Ultimately, Houlbrook unveils the complex ways in which men made sense of their desires and who they were. In so doing, he mounts a sustained challenge to conventional understandings of the city as a place of sexual liberation and a unified queer culture.

A history remarkable in its complexity yet intimate in its portraiture, Queer London is a landmark work that redefines queer urban life in England and beyond.

Berlin is once more capital of queer arts and tourism. Queerness is more visible today than it has been for decades, but at what cost? In Queer Lovers and Hateful Others, Jin Haritaworn argues that queer subjects have become a lovely sight only through being cast in the shadow of the new folk devil, the 'homophobic migrant' who is rendered by society as hateful, homophobic, and disposable.

At the centre of this book is the concept of 'queer regeneration.' Haritaworn sees the queer lover as a transitional object which allows the present-day neoliberal regime to make punishment and neglect appear as signs of care and love for diversity. Alongside this shift, in the wake of older moral panics over crime, violence, patriarchy, integration, and segregation, the new Other, that is, the homophobic migrant appears. To understand this transition, Queer Lovers and Hateful Others looks at the environments in which queer bodies have become worthy of protection, and the everyday erasures that shape life in the inner city, and how queer activists actively seek out and dispel the myths of sites of nostalgia for the 'invented traditions' of women-and-gay-friendliness.

Haritaworn guides the reader through a rich archive of media, arts, policy, and activism, including posters, newspaper reports, hate crime action plans, urban projects, psychological studies, demonstrations, kiss-ins, political speeches, and films. In the process, queer lovers, drag kings, criminalised youth, homosexuals persecuted under National Socialism, and other figures of degeneracy and regeneration appear on a shared plane, where new ways of sharing space become imaginable.

In Queer Marxism in Two Chinas Petrus Liu rethinks the relationship between Marxism and queer cultures in mainland China and Taiwan. Whereas many scholars assume the emergence of queer cultures in China signals the end of Marxism and demonstrates China's political and economic evolution, Liu finds the opposite to be true. He challenges the persistence of Cold War formulations of Marxism that position it as intellectually incompatible with queer theory, and shows how queer Marxism offers a nonliberal alternative to Western models of queer emancipation. The work of queer Chinese artists and intellectuals not only provides an alternative to liberal ideologies of inclusion and diversity, but demonstrates how different conceptions of and attitudes toward queerness in China and Taiwan stem from geopolitical tensions. With Queer Marxism in Two Chinas Liu offers a revision to current understandings of what queer theory is, does, and can be.

 

In this groundbreaking work, Sara Ahmed demonstrates how queer studies can put phenomenology to productive use. Focusing on the “orientation” aspect of “sexual orientation” and the “orient” in “orientalism,” Ahmed examines what it means for bodies to be situated in space and time. Bodies take shape as they move through the world directing themselves toward or away from objects and others. Being “orientated” means feeling at home, knowing where one stands, or having certain objects within reach. Orientations affect what is proximate to the body or what can be reached. A queer phenomenology, Ahmed contends, reveals how social relations are arranged spatially, how queerness disrupts and reorders these relations by not following the accepted paths, and how a politics of disorientation puts other objects within reach, those that might, at first glance, seem awry.

Ahmed proposes that a queer phenomenology might investigate not only how the concept of orientation is informed by phenomenology but also the orientation of phenomenology itself. Thus she reflects on the significance of the objects that appear—and those that do not—as signs of orientation in classic phenomenological texts such as Husserl’s Ideas. In developing a queer model of orientations, she combines readings of phenomenological texts—by Husserl, Heidegger, Merleau-Ponty, and Fanon—with insights drawn from queer studies, feminist theory, critical race theory, Marxism, and psychoanalysis. Queer Phenomenology points queer theory in bold new directions.

In Queer Social Philosophy, Randall Halle analyzes key texts in the tradition of German critical theory from the perspective of contemporary queer theory, exposing gender and sexuality restrictions that undermine those texts' claims of universal truth. Addressing such figures as Kant, Hegel, Marx, Nietzsche, Adorno, and Habermas, Halle offers a unique contribution to contemporary debates about sexuality, civil society, and politics. 
 

Queer Subjects in Modern Japanese Literature: Male Love, Erotics, and Intimacy, 1886–2014 is an anthology of translated Japanese literature about men behaving lovingly, erotically, and intimately with other men. Covering more than 125 years of modern and contemporary Japanese history, this book aims to introduce a diverse array of authors to an English-speaking audience and provide further context for their works. While no anthology can comprehensively represent queer Japanese literature, these selections nonetheless expand our understanding of queerness in Japanese culture.

In Queer/Early/Modern, Carla Freccero, a leading scholar of early modern European studies, argues for a reading practice that accounts for the queerness of temporality, for the way past, present, and future time appear out of sequence and in dialogue in our thinking about history and texts. Freccero takes issue with New Historicist accounts of sexual identity that claim to respect historical proprieties and to derive identity categories from the past. She urges us to see how the indeterminacies of subjectivity found in literary texts challenge identitarian constructions and she encourages us to read differently the relation between history and literature. Contending that the term “queer,” in its indeterminacy, points the way toward alternative ethical reading practices that do justice to the aftereffects of the past as they live on in the present, Freccero proposes a model of “fantasmatic historiography” that brings together history and fantasy, past and present, event and affect.

Combining feminist theory, queer theory, psychoanalysis, deconstruction, and literary criticism, Freccero takes up a series of theoretical and historical issues related to debates in queer theory, feminist theory, the history of sexuality, and early modern studies. She juxtaposes readings of early and late modern texts, discussing the lyric poetry of Petrarch, Louise Labé, and Melissa Ethridge; David Halperin’s take on Michel Foucault via Apuleius’s The Golden Ass and Boccaccio’s Decameron; and France’s domestic partner legislation in connection with Marguerite de Navarre’s Heptameron. Turning to French cleric Jean de Léry’s account, published in 1578, of having witnessed cannibalism and religious rituals in Brazil some twenty years earlier and to the twentieth-century Brandon Teena case, Freccero draws on Jacques Derrida’s concept of spectrality to propose both an ethics and a mode of interpretation that acknowledges and is inspired by the haunting of the present by the past.

In Queering Black Atlantic Religions Roberto Strongman examines Haitian Vodou, Cuban Lucumí/Santería, and Brazilian Candomblé to demonstrate how religious rituals of trance possession allow humans to understand themselves as embodiments of the divine. In these rituals, the commingling of humans and the divine produces gender identities that are independent of biological sex. As opposed to the Cartesian view of the spirit as locked within the body, the body in Afro-diasporic religions is an open receptacle. Showing how trance possession is a primary aspect of almost all Afro-diasporic cultural production, Strongman articulates transcorporeality as a black, trans-Atlantic understanding of the human psyche, soul, and gender as multiple, removable, and external to the body.

Queering the Color Line transforms previous understandings of how homosexuality was “invented” as a category of identity in the United States beginning in the late nineteenth century. Analyzing a range of sources, including sexology texts, early cinema, and African American literature, Siobhan B. Somerville argues that the emerging understanding of homosexuality depended on the context of the black/white “color line,” the dominant system of racial distinction during this period. This book thus critiques and revises tendencies to treat race and sexuality as unrelated categories of analysis, showing instead that race has historically been central to the cultural production of homosexuality.
At about the same time that the 1896 Supreme Court Plessy v. Ferguson decision hardened the racialized boundary between black and white, prominent trials were drawing the public’s attention to emerging categories of sexual identity. Somerville argues that these concurrent developments were not merely parallel but in fact inextricably interrelated and that the discourses of racial and sexual “deviance” were used to reinforce each other’s terms. She provides original readings of such texts as Havelock Ellis’s late nineteenth-century work on “sexual inversion,” the 1914 film A Florida Enchantment, the novels of Pauline E. Hopkins, James Weldon Johnson’s Autobiography of an Ex-Coloured Man, and Jean Toomer’s fiction and autobiographical writings, including Cane. Through her analyses of these texts and her archival research, Somerville contributes to the growing body of scholarship that focuses on discovering the intersections of gender, race, and sexuality.
Queering the Color Line will have broad appeal across disciplines including African American studies, gay and lesbian studies, literary criticism, cultural studies, cinema studies, and gender studies.

Queering the Renaissance offers a major reassessment of the field of Renaissance studies. Gathering essays by sixteen critics working within the perspective of gay and lesbian studies, this collection redraws the map of sexuality and gender studies in the Renaissance. Taken together, these essays move beyond limiting notions of identity politics by locating historically forms of same-sex desire that are not organized in terms of modern definitions of homosexual and heterosexual.
The presence of contemporary history can be felt throughout the volume, beginning with an investigation of the uses of Renaissance precedents in the 1986 U.S. Supreme Court decision Bowers v. Hardwick, to a piece on the foundations of 'our' national imaginary, and an afterword that addresses how identity politics has shaped the work of early modern historians. The volume examines canonical and noncanonical texts, including highly coded poems of the fifteenth-century Italian poet Burchiello, a tale from Marguerite de Navarre's Heptameron, and Erasmus's letters to a young male acolyte. English texts provide a central focus, including works by Spenser, Shakespeare, Bacon, Donne, Beaumont and Fletcher, Crashaw, and Dryden. Broad suveys of the complex terrains of friendship and sodomy are explored in one essay, while another offers a cross-cultural reading of the discursive sites of lesbian desire.

Contributors. Alan Bray, Marcie Frank, Carla Freccero, Jonathan Goldberg, Janet Halley, Graham Hammill, Margaret Hunt, Donald N. Mager, Jeff Masten, Elizabeth Pittenger, Richard Rambuss, Alan K. Smith, Dorothy Stephens, Forrest Tyler Stevens, Valerie Traub, Michael Warner