A SCHOLARLY BOOK REPOSITORY
Results by Title
32 books about Hong Kong
32 books about Hong Kong
The Appearing Demos
Hong Kong During and After the Umbrella Movement
Pang Laikwan
University of Michigan Press, 2020
As the waves of Occupy movements gradually recede, we soon forget the political hope and passions these events have offered. Instead, we are increasingly entrenched in the simplified dichotomies of Left and Right, us and them, hating others and victimizing oneself. Studying Hong Kong’s Umbrella Movement, which might be the largest Occupy movement in recent years, The Appearing Demos urges us to re-commit to democracy at a time when democracy is failing on many fronts and in different parts of the world.
The 79-day-long Hong Kong Umbrella Movement occupied major streets in the busiest parts of the city, creating tremendous inconvenience to this city famous for capitalist order and efficiency. It was also a peaceful collective effort of appearance, and it was as much a political event as a cultural one. The urge for expressing an independent cultural identity underlined both the Occupy movement and the remarkably rich cultural expressions it generated. While understanding the specificity of Hong Kong’s situations, The Appearing Demos also comments on some global predicaments we are facing in the midst of neoliberalism and populism. It directs our attention from state-based sovereignty to city-based democracy, and emphasizes the importance of participation and cohabitation. The book also examines how the ideas of Hannah Arendt are useful to those happenings much beyond the political circumstances that gave rise to her theorization. The book pays particular attention to the actual intersubjective experiences during the protest. These experiences are local, fragile, and sometimes inarticulable, therefore resisting rationality and debates, but they define the fullness of any individual, and they also make politics possible. Using the Umbrella Movement as an example, this book examines the “freed” political agents who constantly take others into consideration in order to guarantee the political realm as a place without coercion and discrimination. In doing so, Pang Laikwan demonstrates how politics means neither to rule nor to be ruled, and these movements should be defined by hope, not by goals.
The 79-day-long Hong Kong Umbrella Movement occupied major streets in the busiest parts of the city, creating tremendous inconvenience to this city famous for capitalist order and efficiency. It was also a peaceful collective effort of appearance, and it was as much a political event as a cultural one. The urge for expressing an independent cultural identity underlined both the Occupy movement and the remarkably rich cultural expressions it generated. While understanding the specificity of Hong Kong’s situations, The Appearing Demos also comments on some global predicaments we are facing in the midst of neoliberalism and populism. It directs our attention from state-based sovereignty to city-based democracy, and emphasizes the importance of participation and cohabitation. The book also examines how the ideas of Hannah Arendt are useful to those happenings much beyond the political circumstances that gave rise to her theorization. The book pays particular attention to the actual intersubjective experiences during the protest. These experiences are local, fragile, and sometimes inarticulable, therefore resisting rationality and debates, but they define the fullness of any individual, and they also make politics possible. Using the Umbrella Movement as an example, this book examines the “freed” political agents who constantly take others into consideration in order to guarantee the political realm as a place without coercion and discrimination. In doing so, Pang Laikwan demonstrates how politics means neither to rule nor to be ruled, and these movements should be defined by hope, not by goals.
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At Full Speed
Hong Kong Cinema in a Borderless World
Esther Yau
University of Minnesota Press, 2001
An original and incisive account of one of the world's most exciting cinemas.
Breathtaking swordplay and nostalgic love, Peking opera and Chow Yun-fat's cult followers-these are some of the elements of the vivid and diverse urban imagination that find form and expression in the thriving Hong Kong cinema. All receive their due in At Full Speed, a volume that captures the remarkable range and energy of a cinema that borrows, invents, and reinvents across the boundaries of time, culture, and conventions.
At Full Speed gathers film scholars and critics from around the globe to convey the transnational, multilayered character that Hong Kong films acquire and impart as they circulate worldwide. These writers scrutinize the films they find captivating: from the lesser known works of Law Man and Yuen Woo Ping to such film festival notables as Stanley Kwan and Wong Kar-wai, and from the commercial action, romance, and comedy genres of Jackie Chan, Peter Chan, Steven Chiau, Tsui Hark, John Woo, and Derek Yee to the attempted departures of Evans Chan, Ann Hui, and Clara Law.
In this cinema the contributors identify an aesthetics of action, gender-flexible melodramatic excesses, objects of nostalgia, and globally projected local history and identities, as well as an active critical film community. Their work, the most incisive account ever given of one of the world's largest film industries, brings the pleasures and idiosyncrasies of Hong Kong cinema into clear close-up focus even as it enlarges on the relationships between art and the market, cultural theory and the movies.
Contributors: Jinsoo An, David Bordwell, Rey Chow, Steve Fore, Elaine Yee-Lin Ho, Law Kar (Lau Yiu-kuen), Kwai-cheung Lo, Linda Lai Chiu-han, Gina Marchetti, Hector Rodriquez, Bhaskar Sarkar, Marc Siegel, and Stephen Teo.
Esther C. M. Yau is associate professor of film and new media at Occidental College.
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Be Water
Collective Improvisation in Hong Kong's Anti-Extradition Protests
Ming-sho Ho
Temple University Press, 2025
During the eventful summer of 2019 in Hong Kong, the Be Water Revolution formed to resist the proposed extradition of fugitives to mainland China’s courts. With its name derived from martial arts master Bruce Lee’s adage to be “formless and shapeless like water,” the movement turned out to be the city’s largest episode of contentious politics and was unique for using impromptu communication among participants and the absence of central leadership.
In Be Water, Ming-sho Ho examines the dynamics of the city-wide uprising from the perspective of agency power. He seeks to understand how numerous and anonymous Hongkongers contributed to this epoch-making campaign as well as how they responded to the full-scale state repression that enveloped them. Ho praises and questions the durability of the inventive Be Water Revolution and how the activists encouraged protests spontaneously, through interpersonal networks and by voluntarily collaborating with strangers at great personal risk.
Ho posits a new concept of “collective improvisation” to make sense of such a decentralized yet creative way of protesting. Be Water seeks to understand the rise and long afterlife of this movement and illustrate its efficacy. As Ho shows, these dynamics of collective improvisation have implications for contemporary protest movements around the world.
In Be Water, Ming-sho Ho examines the dynamics of the city-wide uprising from the perspective of agency power. He seeks to understand how numerous and anonymous Hongkongers contributed to this epoch-making campaign as well as how they responded to the full-scale state repression that enveloped them. Ho praises and questions the durability of the inventive Be Water Revolution and how the activists encouraged protests spontaneously, through interpersonal networks and by voluntarily collaborating with strangers at great personal risk.
Ho posits a new concept of “collective improvisation” to make sense of such a decentralized yet creative way of protesting. Be Water seeks to understand the rise and long afterlife of this movement and illustrate its efficacy. As Ho shows, these dynamics of collective improvisation have implications for contemporary protest movements around the world.
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Challenging Beijing's Mandate of Heaven
Taiwan's Sunflower Movement and Hong Kong's Umbrella Movement
Ming-sho Ho
Temple University Press, 2019
In 2014, the Sunflower Movement in Taiwan grabbed international attention as citizen protesters demanded the Taiwan government withdraw its free-trade agreement with China. In that same year, in Hong Kong, the Umbrella Movement sustained 79 days of demonstrations, protests that demanded genuine universal suffrage in electing Hong Kong’s chief executive. It too, became an international incident before it collapsed. Both of these student-led movements featured large-scale and intense participation and had deep and far-reaching consequences. But how did two massive and disruptive protests take place in culturally conservative societies? And how did the two “occupy”-style protests against Chinese influences on local politics arrive at such strikingly divergent results?
Challenging Beijing’s Mandate of Heaven aims to make sense of the origins, processes, and outcomes of these eventful protests in Taiwan and Hong Kong. Ming-sho Ho compares the dynamics of the two movements, from the existing networks of activists that preceded protest, to the perceived threats that ignited the movements, to the government strategies with which they contended, and to the nature of their coordination. Moreover, he contextualizes these protests in a period of global prominence for student, occupy, and anti-globalization protests and situates them within social movement studies.
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Contract Law in Hong Kong
Michael J. Fisher and Desmond G. Greenwood
Hong Kong University Press, 2024
A new edition of the textbook for Hong Kong contract law students.
This fourth edition of Contract Law in Hong Kong is the most comprehensive contemporary textbook on Hong Kong contract law written primarily for law students. The sixteen chapters of the book cover all basic contract concepts in a reader-friendly style and make ample use of case illustrations, including over 200 new cases since the third edition. The book deals with the core areas of contract law. The new legislative rules, such as the Contract Ordinance regarding the rights of third parties, have also been covered.
The first two chapters introduce the major themes and explain the multiple sources of law in Hong Kong. The subsequent thirteen chapters cover the formation of a valid contract, its contents, "vitiating" elements, the consequences of illegality, the termination of contracts, and remedies for breach of contract. The book concludes with an explanation of the doctrine of privity and the legislative reform of the operation of privity in Hong Kong. Particular attention is given to what makes Hong Kong law different from other common law jurisdictions, and to the continuing significance of English case law in Hong Kong.
This fourth edition of Contract Law in Hong Kong is the most comprehensive contemporary textbook on Hong Kong contract law written primarily for law students. The sixteen chapters of the book cover all basic contract concepts in a reader-friendly style and make ample use of case illustrations, including over 200 new cases since the third edition. The book deals with the core areas of contract law. The new legislative rules, such as the Contract Ordinance regarding the rights of third parties, have also been covered.
The first two chapters introduce the major themes and explain the multiple sources of law in Hong Kong. The subsequent thirteen chapters cover the formation of a valid contract, its contents, "vitiating" elements, the consequences of illegality, the termination of contracts, and remedies for breach of contract. The book concludes with an explanation of the doctrine of privity and the legislative reform of the operation of privity in Hong Kong. Particular attention is given to what makes Hong Kong law different from other common law jurisdictions, and to the continuing significance of English case law in Hong Kong.
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Early Film Culture in Hong Kong, Taiwan, and Republican China
Kaleidoscopic Histories
Emilie Yueh-yu Yeh, Editor
University of Michigan Press, 2018
This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema’s relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more.
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Ecologies of Comparison
An Ethnography of Endangerment in Hong Kong
Tim Choy
Duke University Press, 2011
A rich ethnography of ecopolitics in Hong Kong in the late 1990s, as the region shifted to Chinese sovereignty, Ecologies of Comparison describes how ecological concepts of uniqueness and scale resonated among environmentalists, including those seeking to preserve a species of white dolphin, to protect an aging fishing village from redevelopment, and to legitimize air quality as an object of political and medical concern. During his research, Tim Choy became increasingly interested in the power of the notion of specificity. While documenting the expert and lay production of Hong Kong’s biological, cultural, and political specificities, he began comparing the logics and narrative forms that made different types of specificity—such as species, culture, locality, and state autonomy—possible and meaningful. He came to understand these logics and forms as “ecologies of comparison,” conceptual practices through which an event or form of life comes to matter in environmentalist and other political terms. Choy’s ethnography is about environmentalism, Hong Kong, and the ways that we think about environmentalism in Hong Kong and other places. It is also about how politics, freedom, culture, expertise, and other concepts figure in comparison-based knowledge practices.
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Experts in Action
Transnational Hong Kong–Style Stunt Work and Performance
Lauren Steimer
Duke University Press, 2021
Action movie stars ranging from Jackie Chan to lesser-known stunt women and men like Zoë Bell and Chad Stahelski stun their audiences with virtuosic martial arts displays, physical prowess, and complex fight sequences. Their performance styles originate from action movies that emerged in the industrial environment of 1980s Hong Kong. In Experts in Action Lauren Steimer examines how Hong Kong--influenced cinema aesthetics and stunt techniques have been taken up, imitated, and reinvented in other locations and production contexts in Hollywood, New Zealand, and Thailand. Foregrounding the transnational circulation of Hong Kong--influenced films, television shows, stars, choreographers, and stunt workers, she shows how stunt workers like Chan, Bell, and others combine techniques from martial arts, dance, Peking opera, and the history of movie and television stunting practices to create embodied performances that are both spectacular and, sometimes, rendered invisible. By describing the training, skills, and labor involved in stunt work as well as the location-dependent material conditions and regulations that impact it, Steimer illuminates the expertise of the workers whose labor is indispensable to some of the world's most popular movies.
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Fantasies of Hong Kong Disneyland
Attempted Indigenizations of Space, Labor, and Consumption
Jenny Banh
Rutgers University Press, 2025
Fantasies of Hong Kong Disneyland: Attempted Indigenizations of Space, Labor, and Consumption examines the attempt to transplant Disney's "happiest place on Earth" ethos to Hong Kong—with unhappy results. Focusing on the attempted localization/indigenization of this idea in a globalized transnational park, the book delves into the three-way dynamics of an American culture-corporation's intentions, Hong Kong, China's government investment and Hong Konger audience, and the Hong Kong Chinese locale. The triple actors introduce an especially complex case as two of the world's most powerful entities, the nominally Communist state of China and corporate behemoth Disney, come together for a project in the third space of Hong Kong. The situation poses special challenges for Disney's efforts to manage space, labor, and consumption to achieve local adaptation and business success.
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Ghetto at the Center of the World
Chungking Mansions, Hong Kong
Gordon Mathews
University of Chicago Press, 2011
There is nowhere else in the world quite like Chungking Mansions, a dilapidated seventeen-story commercial and residential structure in the heart of Hong Kong’s tourist district. A remarkably motley group of people call the building home; Pakistani phone stall operators, Chinese guesthouse workers, Nepalese heroin addicts, Indonesian sex workers, and traders and asylum seekers from all over Asia and Africa live and work there—even backpacking tourists rent rooms. In short, it is possibly the most globalized spot on the planet.
But as Ghetto at the Center of the World shows us, a trip to Chungking Mansions reveals a far less glamorous side of globalization. A world away from the gleaming headquarters of multinational corporations, Chungking Mansions is emblematic of the way globalization actually works for most of the world’s people. Gordon Mathews’s intimate portrayal of the building’s polyethnic residents lays bare their intricate connections to the international circulation of goods, money, and ideas. We come to understand the day-to-day realities of globalization through the stories of entrepreneurs from Africa carting cell phones in their luggage to sell back home and temporary workers from South Asia struggling to earn money to bring to their families. And we see that this so-called ghetto—which inspires fear in many of Hong Kong’s other residents, despite its low crime rate—is not a place of darkness and desperation but a beacon of hope.
Gordon Mathews’s compendium of riveting stories enthralls and instructs in equal measure, making Ghetto at the Center of the World not just a fascinating tour of a singular place but also a peek into the future of life on our shrinking planet.
But as Ghetto at the Center of the World shows us, a trip to Chungking Mansions reveals a far less glamorous side of globalization. A world away from the gleaming headquarters of multinational corporations, Chungking Mansions is emblematic of the way globalization actually works for most of the world’s people. Gordon Mathews’s intimate portrayal of the building’s polyethnic residents lays bare their intricate connections to the international circulation of goods, money, and ideas. We come to understand the day-to-day realities of globalization through the stories of entrepreneurs from Africa carting cell phones in their luggage to sell back home and temporary workers from South Asia struggling to earn money to bring to their families. And we see that this so-called ghetto—which inspires fear in many of Hong Kong’s other residents, despite its low crime rate—is not a place of darkness and desperation but a beacon of hope.
Gordon Mathews’s compendium of riveting stories enthralls and instructs in equal measure, making Ghetto at the Center of the World not just a fascinating tour of a singular place but also a peek into the future of life on our shrinking planet.
[more]
Hong Kong Art
Culture and Decolonization
David Clarke
Duke University Press, 2002
Hong Kong Art is the first comprehensive survey of contemporary art from Hong Kong presented within the changing social and political context of the territory’s 1997 handover from British to Chinese sovereignty. Tracing a distinctive and increasingly vibrant art scene from the late 1960s through the present, David Clarke discusses a wide range of media, including painting, sculpture, photography, video, and installations, as well as other kinds of visual production such as architecture, fashion, graphic design, and graffiti.
Clarke shows how a sense of local identity emerged in Hong Kong as the transition approached and found expression in the often politicized art produced. Given the recent international exposure of mainland Chinese contemporary art, this book considers the uniqueness of the art of China’s most cosmopolitan city. With a modern visual culture that was flourishing even when the People’s Republic was still closed to the outside world, Hong Kong has established itself as an exemplary site for both local and transnational elements to formulate into brilliant and groundbreaking art.
The author writes about individual artists and art works with a detail that will appeal to artists, curators, and art historians, as well as to postcolonial scholars, cultural studies scholars, and others.
Clarke shows how a sense of local identity emerged in Hong Kong as the transition approached and found expression in the often politicized art produced. Given the recent international exposure of mainland Chinese contemporary art, this book considers the uniqueness of the art of China’s most cosmopolitan city. With a modern visual culture that was flourishing even when the People’s Republic was still closed to the outside world, Hong Kong has established itself as an exemplary site for both local and transnational elements to formulate into brilliant and groundbreaking art.
The author writes about individual artists and art works with a detail that will appeal to artists, curators, and art historians, as well as to postcolonial scholars, cultural studies scholars, and others.
[more]
Hong Kong Connections
Transnational Imagination in Action Cinema
Meaghan Morris, Siu-Leung Li, and Stephen Chan Ching-kiu, eds.
Duke University Press, 2005
Since the 1960s, Hong Kong cinema has helped to shape one of the world’s most popular cultural genres: action cinema. Hong Kong action films have proved popular over the decades with audiences worldwide, and they have seized the imaginations of filmmakers working in many different cultural traditions and styles. How do we account for this appeal, which changes as it crosses national borders?
Hong Kong Connections brings leading film scholars together to explore the circulation of Hong Kong cinema in Japan, Korea, India, Australia, France, and the United States, as well as its links with Taiwan, Singapore, and the Chinese mainland. In the process, this collection examines diverse cultural contexts for action cinema’s popularity and the problems involved in the transnational study of globally popular forms, suggesting that in order to grasp the history of Hong Kong action cinema’s influence we need to bring out the differences as well as the links that constitute popularity.
Contributors. Nicole Brenez, Stephen Chan Ching-kiu, Dai Jinhua, David Desser, Laleen Jayamanne, Kim Soyoung, Siu Leung Li, Adrian Martin, S. V. Srinivas, Stephen Teo, Valentina Vitali, Paul Willemen, Rob Wilson, Wong Kin-yuen, Kinnia Yau Shuk-ting, Yung Sai-shing
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Hong Kong
Culture and the Politics of Disappearance
Ackbar Abbas
University of Minnesota Press, 1997
A consideration of what the culture of Hong Kong tells us about the state of the world at the fin-de-siècle.
On June 30, 1997, Hong Kong as we know it will disappear, ceasing its singular and ambiguous existence as a colonial holdover and becoming part of the People’s Republic of China. In an intriguing and provocative exploration of its cinema, architecture, photography, and literature, Ackbar Abbas considers what Hong Kong, with its unique relations to decolonization and disappearance, can teach us about the future of both the colonial city and the global city.
The culture of Hong Kong encompasses Jackie Chan and John Woo, British colonial architecture and postmodern skyscrapers. Ironically, it was not until they were faced with the imposition of Mainland power—with the signing of the Sino-British Joint Agreement in 1984—that the denizens of the colony began the search for a Hong Kong identity. According to Abbas, Hong Kong’s peculiar lack of identity is due to its status as “not so much a place as a space of transit,” whose residents think of themselves as transients and migrants on their way from China to somewhere else. Abbas explores the way Hong Kong’s media saturation changes its people’s experience of space so that it becomes abstract, dominated by signs and images that dispel memory, history, and presence.Hong Kong disappears through simple dualities such as East/West and tradition/modernity. What is missing from a view of Hong Kong as merely a colony is the paradox that Hong Kong has benefited from and made a virtue of its dependent colonial status, turning itself into a global and financial city and outstripping its colonizer in terms of wealth.Combining sophisticated theory and a critical perspective, this rich and thought-provoking work captures the complex situation of the metropolis that is contemporary Hong Kong. Along the way, it challenges, entertains, and makes an important contribution to our thinking about the surprising processes and consequences of colonialism.Copublished with Hong Kong University Press[more]
Hong Kong in Revolt
The Protest Movement and the Future of China
Au Loong-Yu
Pluto Press, 2020
Hong Kong is in turmoil, with a new generation of young and politically active citizens shaking the regime. From the Umbrella Movement in 2014 to the defeat of the Extradition Bill and beyond, the protestors' demands have become more radical, and their actions more drastic. Their bravery emboldened the labor movement and launched the first successful political strike in half a century, followed by the broadening of the democratic movement as a whole. The book also sets the new protest movements within the context of the colonization, revolution and modernization of China. Au Loong-Yu explores Hong Kong's unique position in this history and the reaction the protests have generated on the Mainland. But the new generation's aspiration goes far beyond the political. It is a generation that strongly associates itself with a Hong Kong identity, with inclusivity and openness. Looking deeper into the roots and intricacies of the movement, the role of 'Western Values' vs 'Communism' and 'Hong Kongness' vs 'Chineseness', the cultural and political battles are understood through a broader geopolitical history. For good or for bad, Hong Kong has become one of the battle fields of the great historic contest between the US, the UK and China.
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Hong Kong
Migrant Lives, Landscapes, and Journeys
Caroline Knowles and Douglas Harper
University of Chicago Press, 2009
In 1997 the United Kingdom returned control of Hong Kong to China, ending the city’s status as one of the last remnants of the British Empire and initiating a new phase for it as both a modern city and a hub for global migrations. Hong Kong is a tour of the city’s postcolonial urban landscape, innovatively told through fieldwork and photography.
Caroline Knowles and Douglas Harper’s point of entry into Hong Kong is the unusual position of the British expatriates who chose to remain in the city after the transition. Now a relatively insignificant presence, British migrants in Hong Kong have become intimately connected with another small minority group there: immigrants from Southeast Asia. The lives, journeys, and stories of these two groups bring to life a place where the past continues to resonate for all its residents, even as the city hurtles forward into a future marked by transience and transition. By skillfully blending ethnographic and visual approaches, Hong Kong offers a fascinating guide to a city that is at once unique in its recent history and exemplary of our globalized present.
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Hong Kong Movers and Stayers
Narratives of Family Migration
Janet W. Salaff, Siu-lun Wong, and Arent Greve
University of Illinois Press, 2010
Half a million Hong Kong residents fled their homeland during the thirteen years before Hong Kong's reversion to China in 1997. Nearly half of those returned within the next several years. Filled with detailed, first-hand stories of nine Hong Kong families over nearly two decades, Hong Kong Movers and Stayers is a multifaceted yet intimate look at the forces behind Hong Kong families' successful, and failed, efforts at migration and settlement.
Defining migration as a process, not a single act of leaving, Hong Kong Movers and Stayers provides an antidote to ethnocentric and simplistic theories by uncovering migration stories as they relate to social structures and social capital. The authors meld survey analysis, personal biography, and sociology and compare multiple families in order to give voice to the interplay of gender, age, and diverse family roles as motivating factors in migration.
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The Idea of a China Arrest Warrant
Surrender of Fugitive Offenders between Mainland China, Hong Kong, and Macau
Yanhong Yin
Hong Kong University Press, 2025
A theoretical model for extradition between China, Hong Kong SAR, and Macau SAR.
Hong Kong and Macau have both been Special Administrative Regions of China since 1999. To this day, however, the two SARs and mainland China have yet to form a cohesive agreement for extradition. Yanhong Yin proposes a theoretical model, the China Arrest Warrant, that fulfills three essential criteria: compliance with the framework of “one country, two systems,” allowance for differences within the three divergent legal systems, and sufficient human rights protection.
This model takes direct inspiration from the European Arrest Warrant, which is undergirded by the principle of mutual recognition—the idea that while states may make different decisions on a wide range of matters, results will be accepted equivalently to decisions made by one’s own state. The success of the European Union’s adoption of mutual recognition across political, economic, and legal situations is instrumental in providing a blueprint for judicial cooperation among mainland China, Hong Kong SAR, and Macau SAR.
The Idea of a China Arrest Warrant seeks to resolve a legal quandary that has existed for decades without resolution, and is essential reading in criminal and constitutional law.
Hong Kong and Macau have both been Special Administrative Regions of China since 1999. To this day, however, the two SARs and mainland China have yet to form a cohesive agreement for extradition. Yanhong Yin proposes a theoretical model, the China Arrest Warrant, that fulfills three essential criteria: compliance with the framework of “one country, two systems,” allowance for differences within the three divergent legal systems, and sufficient human rights protection.
This model takes direct inspiration from the European Arrest Warrant, which is undergirded by the principle of mutual recognition—the idea that while states may make different decisions on a wide range of matters, results will be accepted equivalently to decisions made by one’s own state. The success of the European Union’s adoption of mutual recognition across political, economic, and legal situations is instrumental in providing a blueprint for judicial cooperation among mainland China, Hong Kong SAR, and Macau SAR.
The Idea of a China Arrest Warrant seeks to resolve a legal quandary that has existed for decades without resolution, and is essential reading in criminal and constitutional law.
[more]
Inconvenient Strangers
Transnational Subjects and the Politics of Citizenship
Shui-yin Sharon Yam
The Ohio State University Press, 2019
Winner, 2021 CCCC Outstanding Book Award
Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship draws attention to how intersecting networks of power—particularly race and ethnicity, gender, and social class—marginalize transnational subjects who find themselves outside a dominant citizenship that privileges familiarity and socioeconomic and racial superiority. In this study of how neoliberal ideas limit citizenship for marginalized populations in Hong Kong, Shui-yin Sharon Yam examines how three transnational groups—mainland Chinese maternal tourists, Southeast Asian migrant domestic workers, and South Asian permanent residents—engage with the existing citizenry and gain recognition through circulating personal narratives.
Coupling transnational feminist studies with research on emotions, Yam analyzes court cases, interviews, social media discourse, and the personal narratives of Hong Kong’s marginalized groups to develop the concept of deliberative empathy—critical empathy that prompts an audience to consider the structural sources of another’s suffering while deliberating one’s own complicity in it. Yam argues that storytelling and familial narratives can promote deliberative empathy among the audience as both a political and ethical response—carrying the affective power to jolt the dominant citizenry out of their usual xenophobic attitudes and ultimately prompt them to critically consider the human conditions they share with the marginalized and move them toward more ethical coalitions.
Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship draws attention to how intersecting networks of power—particularly race and ethnicity, gender, and social class—marginalize transnational subjects who find themselves outside a dominant citizenship that privileges familiarity and socioeconomic and racial superiority. In this study of how neoliberal ideas limit citizenship for marginalized populations in Hong Kong, Shui-yin Sharon Yam examines how three transnational groups—mainland Chinese maternal tourists, Southeast Asian migrant domestic workers, and South Asian permanent residents—engage with the existing citizenry and gain recognition through circulating personal narratives.
Coupling transnational feminist studies with research on emotions, Yam analyzes court cases, interviews, social media discourse, and the personal narratives of Hong Kong’s marginalized groups to develop the concept of deliberative empathy—critical empathy that prompts an audience to consider the structural sources of another’s suffering while deliberating one’s own complicity in it. Yam argues that storytelling and familial narratives can promote deliberative empathy among the audience as both a political and ethical response—carrying the affective power to jolt the dominant citizenry out of their usual xenophobic attitudes and ultimately prompt them to critically consider the human conditions they share with the marginalized and move them toward more ethical coalitions.
[more]
Macao and the British, 1637–1842
Prelude to Hong Kong
Austin Coates
Hong Kong University Press, 2009
The story of the British acquisition of Hong Kong is intricately related to that of the Portuguese enclave of Macao. The British acquired Hong Kong in 1841, following 200 years of European endeavours to induce China to engage in foreign trade. As a residential base of European trade, Portuguese Macao enabled the West to maintain continuous relations with China from 1557 onwards. Opening with a vivid description of the first English voyage to China in 1637. Macao and the British traces the ensuing course of Anglo-Chinese relations, during which time Macao skillfully—and without fortifications—escaped domination by the British and Chinese. The account covers the opening of regular trade by the East India Company in 1770, including the ‘country’ trade between India and China and Britain’s first embassies to Peking, and relates the bedeviling effect of the opium trade. The story culminates in the resulting war from which Britain won, as part of its concessions, the obscure island of Hong Kong. Among those who feature in this lucid and lively account are the merchant princes Jardine and Matheson, the missionary Robert Morrison, the artist George Chinnery, and Captain Charles Elliot, Hong Kong’s maligned founder.
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Merchants' Daughters
Women, Commerce, and Regional Culture in South China
Edited by Helen F. Siu
Hong Kong University Press, 2010
Historians and anthropologists have long been interested in South China where powerful lineages and gendered hierarchies are juxtaposed with unorthodox trading cultures, multi-ethnic colonial encounters, and market-driven consumption. The divergent paths taken by women in Hong Kong and Guangdong during thirty years of Maoist closure, and the post-reform cross-border fluidities have also gained analytical attention. This collection provides further theoretical application of a “regional construct” that appreciates process, transcends definitive powers of administrative borders, and brings out nuanced gender notions. An interdisciplinary team uses fine-grained historical and ethnographic materials to map out three crucial historical junctures in the evolution of South China, from late imperial to contemporary periods, that have significantly shaped the construction of gendered space. Stressing process and human agency, the volume uses women’s experiences to challenge dichotomous analytical perspectives on lineage patriarchy, colonial institutions, power, and social activism. For scholars of modern Hong Kong society, Merchants’ Daughters refocuses attention to cultural dynamics in the South China region of which Hong Kong is an integral part. For audiences generally interested in gender issues, this book illuminates the analytical importance of long historical periods in which layers of social, political, and economic activities intersected to constitute the complicated positioning of women.
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A New Documentary History of Hong Kong, 1945–1997
Edited by Florence Mok and Fung Chi Keung Charles
Hong Kong University Press, 2025
A deeply rich and new history of post-war Hong Kong from 1945 to 1997.
Through analyzing newly released archival records from the National Archives in London and the Public Records Office in Hong Kong, A New Documentary History of Hong Kong, 1945–1997 provides an updated and improved understanding of basic aspects of the city such as governance, economy, society, and culture. It also aims to investigate topics that are under-explored in previous sourcebooks, such as race and diasporas, gender and familial relations, medicine and healthcare, and environment and natural disasters. Overall, this book offers an innovative and comprehensive long-term perspective of Hong Kong’s colonial history.
Through analyzing newly released archival records from the National Archives in London and the Public Records Office in Hong Kong, A New Documentary History of Hong Kong, 1945–1997 provides an updated and improved understanding of basic aspects of the city such as governance, economy, society, and culture. It also aims to investigate topics that are under-explored in previous sourcebooks, such as race and diasporas, gender and familial relations, medicine and healthcare, and environment and natural disasters. Overall, this book offers an innovative and comprehensive long-term perspective of Hong Kong’s colonial history.
[more]
Pacific Crossing
California Gold, Chinese Migration, and the Making of Hong Kong
Elizabeth Sinn
Hong Kong University Press, 2014
During the nineteenth century tens of thousands of Chinese men and women crossed the Pacific to work, trade, and settle in California. Drawn initially by the gold rush, they took with them skills and goods and a view of the world which, though still Chinese, was transformed by their long journeys back and forth. They in turn transformed Hong Kong, their main point of embarkation, from a struggling infant colony into a prosperous international port and the cultural center of a far-ranging Chinese diaspora. Making use of extensive research in archives around the world, Pacific Crossing charts the rise of Chinese Gold Mountain firms engaged in all kinds of transpacific trade, especially the lucrative export of prepared opium and other luxury goods. Challenging the traditional view that the migration was primarily a “coolie trade,” Elizabeth Sinn uncovers leadership and agency among the many Chinese who made the crossing. In presenting Hong Kong as an “in-between place” of repeated journeys and continuous movement, Sinn also offers a fresh view of the British colony and a new paradigm for migration studies.
[more]
Pandemic Minds
COVID-19 and Mental Health in Hong Kong
Kate Whitehead
Hong Kong University Press, 2024
Uses stories of life under Hong Kong’s strict pandemic restrictions to inspire mental health awareness.
The COVID-19 pandemic was a global crisis that affected millions of lives and brought mental health challenges to the forefront. In Hong Kong, the situation was worsened by uniquely strict COVID-19 regulations, quarantine measures, and travel restrictions. The mental health issues associated with the pandemic did not end with the lifting of the mask mandate. On the contrary, the repercussions are only just beginning to surface and their impact will be felt for years to come.
This eye-opening book shares the stories of ordinary Hongkongers who faced extraordinary challenges during the pandemic. Through a blend of first-person accounts, psychological insights, and hard data, it offers a compelling and accessible exploration of the toll that the COVID-19 pandemic has taken on mental health in Hong Kong.
However, Pandemic Minds is not only a chronicle of suffering—it is also a guide to healing and hope. It offers practical advice on how to overcome the mental health issues caused by the pandemic, and how to build resilience and well-being. It reveals the lessons that can be learned from Hong Kong’s experience, and how they can help individuals and policymakers around the world.
The COVID-19 pandemic was a global crisis that affected millions of lives and brought mental health challenges to the forefront. In Hong Kong, the situation was worsened by uniquely strict COVID-19 regulations, quarantine measures, and travel restrictions. The mental health issues associated with the pandemic did not end with the lifting of the mask mandate. On the contrary, the repercussions are only just beginning to surface and their impact will be felt for years to come.
This eye-opening book shares the stories of ordinary Hongkongers who faced extraordinary challenges during the pandemic. Through a blend of first-person accounts, psychological insights, and hard data, it offers a compelling and accessible exploration of the toll that the COVID-19 pandemic has taken on mental health in Hong Kong.
However, Pandemic Minds is not only a chronicle of suffering—it is also a guide to healing and hope. It offers practical advice on how to overcome the mental health issues caused by the pandemic, and how to build resilience and well-being. It reveals the lessons that can be learned from Hong Kong’s experience, and how they can help individuals and policymakers around the world.
[more]
The Placemakers of Hong Kong
Roger Nissim
Hong Kong University Press, 2025
The story of Hong Kong’s urban development.
The Placemakers of Hong Kong pays homage to what local development companies, charitable organizations, as well as the government have been able to achieve in contributing to the enhancement of Hong Kong’s evolving urban and rural landscape. Far from being solely profit-driven, developers and urban planners have been vital to the community by creating and designing urban spaces for the public, increasing walkability, and embracing sustainable design—a process called ‘placemaking.’ The book also recognizes that the subsequent placekeeping activities necessary to keep each project site relevant and up-to-date are just as important.
Featuring five case studies from the past and one that examines the ambitious and far-reaching plans for the Northern Metropolis, this book tells the story of Hong Kong’s miraculous urban development over the past few decades.
The Placemakers of Hong Kong pays homage to what local development companies, charitable organizations, as well as the government have been able to achieve in contributing to the enhancement of Hong Kong’s evolving urban and rural landscape. Far from being solely profit-driven, developers and urban planners have been vital to the community by creating and designing urban spaces for the public, increasing walkability, and embracing sustainable design—a process called ‘placemaking.’ The book also recognizes that the subsequent placekeeping activities necessary to keep each project site relevant and up-to-date are just as important.
Featuring five case studies from the past and one that examines the ambitious and far-reaching plans for the Northern Metropolis, this book tells the story of Hong Kong’s miraculous urban development over the past few decades.
[more]
Psychosis and Schizophrenia in Hong Kong
Navigating Clinical and Cultural Crossroads
Eric Yu Hai Chen and Yvonne Treffurth
Hong Kong University Press, 2024
Fills a gap in research by focusing psychosis studies on those affected in Hong Kong.
Psychosis and Schizophrenia in Hong Kong covers some of the most serious mental health conditions that top the global disease burden and affect three percent of the general population. However, most research on psychotic disorders is undertaken in the West, and few studies have been systematically carried out in Asia despite global interest in regional differences. This work offers a unique and coherent account of these disorders and their treatment in Hong Kong over the last thirty years.
Chen and his research program’s pioneering work has ranged from the impact of early intervention on outcomes and relapse prevention to the renaming of psychosis to reduce stigma. The studies have contributed to wider international debates on the optimal management of the condition. Their investigations in semantics and cognition, as well as cognition-enhancing exercise interventions, have provided novel insights into deficits encountered in the treatment of psychotic disorders and how they might be ameliorated. The research has also explored subjective experiences of psychosis and elicited unique perspectives in patients of Asian origin.
Each topic is divided into three sections: a global background of the challenges encountered; research findings from Hong Kong; and reflections that place the data in scientific and clinical contexts and offer future directions.
Psychosis and Schizophrenia in Hong Kong covers some of the most serious mental health conditions that top the global disease burden and affect three percent of the general population. However, most research on psychotic disorders is undertaken in the West, and few studies have been systematically carried out in Asia despite global interest in regional differences. This work offers a unique and coherent account of these disorders and their treatment in Hong Kong over the last thirty years.
Chen and his research program’s pioneering work has ranged from the impact of early intervention on outcomes and relapse prevention to the renaming of psychosis to reduce stigma. The studies have contributed to wider international debates on the optimal management of the condition. Their investigations in semantics and cognition, as well as cognition-enhancing exercise interventions, have provided novel insights into deficits encountered in the treatment of psychotic disorders and how they might be ameliorated. The research has also explored subjective experiences of psychosis and elicited unique perspectives in patients of Asian origin.
Each topic is divided into three sections: a global background of the challenges encountered; research findings from Hong Kong; and reflections that place the data in scientific and clinical contexts and offer future directions.
[more]
Remixing Wong Kar-wai
Music, Bricolage, and the Aesthetics of Oblivion
Giorgio Biancorosso
Duke University Press, 2025
Like his fellow filmmakers Stanley Kubrick, Quentin Tarantino, and Sofia Coppola, Wong Kar-wai crafts the soundtracks of his films by jettisoning original scores in favor of commercial recordings. In Remixing Wong Kar-wai, Giorgio Biancorosso examines the combinatorial practice at the heart of Wong’s cinema to retheorize musical borrowing, appropriation, and repurposing. Wong’s irrepressible penchant for poaching music from other films—whether old Chinese melodramas, Hollywood blockbusters, or European art films—subsumes familiar music under his own brand of cinema. As Wong combs through musical and cinematic archives and splices disparate music together, exceedingly well-known music loses its previous associations and acquires an infinite new constellation of meanings in his films. Drawing on Claude Lévi-Strauss’s concept of bricolage, Biancorosso contends that Wong’s borrowing is akin to a practice of creative destruction in which Wong becomes a bricoleur who remixes music at hand to create new and complete, self-sustaining statements. By outlining Wong’s modus operandi of indiscriminate borrowing and remixing, Biancorosso prompts readers to reconsider the significance of transforming preexisting music into new compositions for film and beyond.
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Resistance in the Era of Nationalisms
Performing Identities in Taiwan and Hong Kong
Hsin-I Cheng
Michigan State University Press, 2023
The desire of the people of Taiwan and Hong Kong to exercise democratic self-rule, fully embody their local identities, and become global citizens challenges the big-power politics between China and the United States. Occupying a critical stance on the margins, the local perspectives and international relations of these two cosmopolitan and postcolonial societies challenge both narratives centered on China and those focused on the U.S.–China power struggle. Taking a culture-centered approach to the communicative process of “glocalized resistance” in an era of rising nationalisms, the chapters in this volume address topics ranging from the rhetoric of political leaders and the language games of mass protesters on social media to resistant street performance. These chapters showcase the geocultural identity-in-the-making of the Taiwanese and Hong Kong people and offer insights into societies under imminent threat by an aggressive neighbor.
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The Rise of Cantonese Opera
Wing Chung Ng
University of Illinois Press, 2015
Defined by its distinct performance style, stage practices, and regional and dialect based identities, Cantonese opera originated as a traditional art form performed by itinerant companies in temple courtyards and rural market fairs.
In the early 1900s, however, Cantonese opera began to capture mass audiences in the commercial theaters of Hong Kong and Guangzhou--a transformation that changed it forever. Wing Chung Ng charts Cantonese opera's confrontations with state power, nationalist discourses, and its challenge to the ascendancy of Peking opera as the country's preeminent "national theatre." Mining vivid oral histories and heretofore untapped archival sources, Ng relates how Cantonese opera evolved from a fundamentally rural tradition into urbanized entertainment distinguished by a reliance on capitalization and celebrity performers. He also expands his analysis to the transnational level, showing how waves of Chinese emigration to Southeast Asia and North America further re-shaped Cantonese opera into a vibrant part of the ethnic Chinese social life and cultural landscape in the many corners of a sprawling diaspora.
In the early 1900s, however, Cantonese opera began to capture mass audiences in the commercial theaters of Hong Kong and Guangzhou--a transformation that changed it forever. Wing Chung Ng charts Cantonese opera's confrontations with state power, nationalist discourses, and its challenge to the ascendancy of Peking opera as the country's preeminent "national theatre." Mining vivid oral histories and heretofore untapped archival sources, Ng relates how Cantonese opera evolved from a fundamentally rural tradition into urbanized entertainment distinguished by a reliance on capitalization and celebrity performers. He also expands his analysis to the transnational level, showing how waves of Chinese emigration to Southeast Asia and North America further re-shaped Cantonese opera into a vibrant part of the ethnic Chinese social life and cultural landscape in the many corners of a sprawling diaspora.
[more]
Sexuality and the Rise of China
The Post-1990s Gay Generation in Hong Kong, Taiwan, and Mainland China
Travis S. K. Kong
Duke University Press, 2023
In Sexuality and the Rise of China Travis S. K. Kong examines the changing meanings of same-sex identities, communities, and cultures for young Chinese gay men in contemporary Hong Kong, Taiwan, and mainland China. Drawing on ninety life stories, Kong’s transnational queer sociological approach shows the complex interplay between personal biography and the dramatically changing social institutions in these three societies. Kong conceptualizes coming out as relational politics and the queer/tongzhi community and commons as an affective, imaginative means of connecting, governed by homonormative masculinity. He shows how monogamy is a form of cruel optimism and envisions state and sexuality intertwining in different versions of homonationalism in each location. Tracing the alternately diverging and converging paths of being young, "Chinese," gay, and male, Kong reveals how both Western and emerging inter- and intra- Asian queer cultures shape queer/tongzhi experiences. Most significantly, at this historical juncture characterized by the rise of China, Kong criticizes the globalization of sexuality by emphasizing inter-Asia modeling, referencing, and solidarities and debunks the essentializing myth of Chineseness, thereby decolonizing Western sexual knowledge and demonstrating the differential meanings of Chineseness/queerness across the Sinophone world.
[more]
Underground Front
The Chinese Communist Party in Hong Kong, Second Edition
Christine Loh
Hong Kong University Press, 2019
Underground Front is a pioneering examination of the role that the Chinese Communist Party has played in Hong Kong since the creation of the party in 1921, through to the present day. The second edition goes into greater depth on the party’s view on “one country, two systems”, “patriotism”, and “elections”. The introduction has been extensively revised and the concluding chapter has been completely rewritten in order to give a thorough account of the post-1997 governance and political system in Hong Kong, and where challenges lie. Christine Loh endeavours to keep the data and the materials up to date and to include the discussion of some recent events in Hong Kong. The appendices on the key targets of the party’s united front activities also make the book an especially useful read for all who are interested in Hong Kong history and politics, and the history of modern China.
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Unruly Comparison
Queerness, Hong Kong, and the Sinophone
Alvin K. Wong
Duke University Press, 2025
In Unruly Comparison, Alvin K. Wong examines queerness in Hong Kong through a transdisciplinary analysis of Sinophone literature, cinema, visual culture, and civil society. Moving beyond Eurocentrism in queer theory and China-centrism in area studies, Wong frames Hong Kong as a model for global comparison by theorizing a method of unruly comparison—acknowledging the incommensurability of cultural texts and queer figures across different temporal and spatial locations. Here, unruly comparison positions Hong Kong as an undefinable time-space that troubles historicist, colonial, and China-centric renderings of the city as merely a site of British colonial legacy, Chinese rule, or global capital. Wong analyzes queer interracial desire in WWII; a cinema of gay male cosmopolitanism; queer intimacy among migrant workers; trans visuality and legality; cross-border sex work; and the queer diaspora of Hong Kong after the 2019 protests. Through Wong’s readings, Hong Kong becomes a queer region of racial, gender, and sexual incommensurability. By foregrounding the friction, asymmetry, and perverse juxtapositions of unruly comparison of Hong Kong with the Sinophone world, Wong reframes key debates in queer theory and East Asian studies.
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World Film Locations
Hong Kong
Edited by Linda Chiu-Han Lai and Kimburley Wing-Yee Choi
Intellect Books, 2013
The rapid development of Hong Kong has occasioned the demolition of buildings and landscapes of historic significance, but film acts as a repository for memories of lost places, vanished vistas, and material objects. Location shoots in Hong Kong have preserved many disappearing landmarks of the city, and the resulting films function as valuable and irreplaceable archives of the city’s evolution.
Far more than a simple collection of movie locations, this book delivers a rare glimpse into the history of film production practices in Hong Kong. The locations described here are often not the most iconic; rather, they are the anonymous streets and back alleys used by local film studios in the 1960s and 70. They are the garden cafes with outdoor seating near the Chinese University of Hong Kong where moments of conflict in romantic comedies erupt and dissipate. They are the old Kai Tak Airport, which channels rage and desire, and the tenement housing, which splits citizens into greedy landlords and the diligent working class and embodies old-day communal values. Modern Hong Kong horror films draw their power from the material character of home-grown convenient stores, shopping arcades, and lost mansions found under modern high rises.
As in the films of Wong Kar-wai and Johnnie To, readers will drift and dash through the streets of Central to the district’s periphery, almost recklessly, automatically, or for the sheer pleasure of roaming. The first of its kind in English, this book is more than a city guide to Hong Kong through the medium of film; it is a unique exploration of relationship between location and place and genre innovations in Hong Kong cinema.
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