The Capital Hotel is uniquely beautiful, with its cast-iron façade and marble lobby, its high-ceilinged rooms, and its rich history. Since its opening in 1876, it has been the stage for the struggles, schemes, and dreams of generations of politicians, debutantes, prostitutes, carpenters, and businessmen. And a wide variety of owners and visionaries has shaped the hotel's fortunes, among them the Yankee entrepreneur who started it all; the Italian immigrant family who kept it going in its worst days; the architect who envisioned new lives for old buildings; and the financiers and craftsmen who brought the Capital to its current glory as a luxury hotel. The story of the Capital Hotel is also the story of Little Rock, and of many American cities: built in the commercial boom of the 1870s, in full flower at the turn of the century, battered by the Depression, optimistic in the postwar era, but decrepit by the late 1960s, then renovated in the 1980s and thriving today. This lavishly illustrated volume traces the history of the hotel from its origins as a commercial building to its spectacular renovation into a jewel of downtown Little Rock.

In his introduction to a collection of criticism on the Anglo-Irish author Elizabeth Bowen, Harold Bloom wrote, “What then has Bowen given us except nuance, bittersweet and intelligent? Much, much more.” Born in 1899, Bowen became part of the famous Bloomsbury scene, and her novels have a much-deserved place in the modernist canon. In recent years, however, her work has not been as widely read or written about, and as Bloom points out, her evocative and sometimes enigmatic prose requires careful parsing. Yet in addition to providing a fertile ground for criticism, Bowen’s novels are both wonderfully entertaining, with rich humor, deep insight, and a tragic sense of human relationships.

Bowen’s first novel, The Hotel, is a wonderful introduction to her disarming, perceptive style. Following a group of British tourists vacationing on the Italian Riviera during the 1920s, The Hotel explores the social and emotional relationships that develop among the well-heeled residents of the eponymous establishment. When the young Miss Sydney falls under the sway of an older woman, Mrs. Kerr, a sapphic affair simmers right below the surface of Bowen’s writing, creating a rich story that often relies as much on what is left unsaid as what is written on the page. Bowen depicts an intense interpersonal drama with wit and suspense, while playing with and pushing the English language to its boundaries.