front cover of Making Sex
Making Sex
Body and Gender from the Greeks to Freud
Thomas Laqueur
Harvard University Press, 1990

This is a book about the making and unmaking of sex over the centuries. It tells the astonishing story of sex in the West from the ancients to the moderns in a precise account of developments in reproductive anatomy and physiology. We cannot fail to recognize the players in Thomas Laqueur’s story—the human sexual organs and pleasures, food, blood, semen, egg, sperm—but we will be amazed at the plots into which they have been woven by scientists, political activists, literary figures, and theorists of every stripe.

Laqueur begins with the question of why, in the late eighteenth century, woman’s orgasm came to be regarded as irrelevant to conception, and he then proceeds to retrace the dramatic changes in Western views of sexual characteristics over two millennia. Along the way, two “master plots” emerge. In the one-sex story, woman is an imperfect version of man, and her anatomy and physiology are construed accordingly: the vagina is seen as an interior penis, the womb as a scrotum, the ovaries as testicles. The body is thus a representation, not the foundation, of social gender. The second plot tends to dominate post-Enlightenment thinking while the one-sex model is firmly rooted in classical learning. The two-sex story says that the body determines gender differences, that woman is the opposite of man with incommensurably different organs, functions, and feelings. The two plots overlap; neither ever holds a monopoly. Science may establish many new facts, but even so, Laqueur argues, science was only providing a new way of speaking, a rhetoric and not a key to female liberation or to social progress. Making Sex ends with Freud, who denied the neurological evidence to insist that, as a girl becomes a woman, the locus of her sexual pleasure shifts from the clitoris to the vagina; she becomes what culture demands despite, not because of, the body. Turning Freud’s famous dictum around, Laqueur posits that destiny is anatomy. Sex, in other words, is an artifice.

This is a powerful story, written with verve and a keen sense of telling detail (be it technically rigorous or scabrously fanciful). Making Sex will stimulate thought, whether argument or surprised agreement, in a wide range of readers.

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Manhood Impossible
Men's Struggles to Control and Transform Their Bodies and Work
Melzer, Scott
Rutgers University Press, 2018
In Manhood Impossible, Scott Melzer argues that boys’ and men’s bodies and breadwinner status are the two primary sites for their expression of control. Controlling selves and others, and resisting being dominated and controlled is most connected to men’s bodies and work. However, no man can live up to these culturally ascendant ideals of manhood. The strategies men use to manage unmet expectations often prove toxic, not only for men themselves, but also for other men, women, and society. Melzer strategically explores the lives of four groups of adult men struggling with contemporary body and breadwinner ideals. These case studies uncover men’s struggles to achieve and maintain manhood, and redefine what it means to be a man.  
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The Manly Eunuch
Masculinity, Gender Ambiguity, and Christian Ideology in Late Antiquity
Mathew Kuefler
University of Chicago Press, 2001
The question of masculinity formed a key part of the intellectual life of late antiquity and was crucial to the development of Christian society. This idea is at the heart of Mathew Kuefler's new book, which revisits the Roman Empire during the third and fifth centuries of the common era. Kuefler argues that the collapse of the Roman army, an increasingly autocratic government, and growing restrictions on the traditional rights of men within marriage and sexuality all led to an endemic crisis in masculinity: men of Roman aristocracy, who had always felt themselves to be soldiers, statesmen, and the heads of households, became, by their own definition, unmanly.

The cultural and demographic success of Christianity during this epoch lay in the ability of its leaders to recognize and respond to this crisis. Drawing on the tradition of gender ambiguity in early Christian teachings, which included Jesus's exhortation that his followers "make themselves eunuchs for the sake of the kingdom of heaven," Christian writers and thinkers crafted a new masculine ideal, one that took advantage of the changing social realities in Rome, inverted the Roman model of manliness, and helped solidify Christian ideology by reinstating the masculinity of its adherents.
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Mema's House, Mexico City
On Transvestites, Queens, and Machos
Annick Prieur
University of Chicago Press, 1998
Mema's house is in the poor barrio Nezahualcoyotl, a crowded urban space on the outskirts of Mexico City where people survive with the help of family, neighbors, and friends. This house is a sanctuary for a group of young, homosexual men who meet to do what they can't do openly at home. They chat, flirt, listen to music, and smoke marijuana. Among the group are sex workers and transvestites with high heels, short skirts, heavy make-up, and voluminous hairstyles; and their partners, young, bisexual men, wearing T-shirts and worn jeans, short hair, and maybe a mustache.

Mema, an AIDS educator and the leader of this gang of homosexual men, invited Annick Prieur, a European sociologist, to meet the community and to conduct her fieldwork at his house. Prieur lived there for six months between 1988 and 1991, and she has kept in touch for more than eight years. As Prieur follows the transvestites in their daily activities—at their work as prostitutes or as hairdressers, at night having fun in the streets and in discos—on visits with their families and even in prisons, a fascinating story unfolds of love, violence, and deceit.

She analyzes the complicated relations between the effeminate homosexuals, most of them transvestites, and their partners, the masculine-looking bisexual men, ultimately asking why these particular gender constructions exist in the Mexican working classes and how they can be so widespread in a male-dominated society—the very society from which the term machismo stems. Expertly weaving empirical research with theory, Prieur presents new analytical angles on several concepts: family, class, domination, the role of the body, and the production of differences among men.

A riveting account of heroes and moral dilemmas, community gossip and intrigue, Mema's House, Mexico's City offers a rich story of a hitherto unfamiliar culture and lifestyle.
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front cover of Misers, Shrews, and Polygamists
Misers, Shrews, and Polygamists
Sexuality and Male-Female Relations in Eighteenth-Century Chinese Fiction
Keith McMahon
Duke University Press, 1995
Having multiple wives was one of the mainstays of male privilege during the Ming and Qing dynasties of late imperial China. Based on a comprehensive reading of eighteenth-century Chinese novels and a theoretical approach grounded in poststructuralist, psychoanalytic, and feminist criticism, Misers, Shrews, and Polygamists examines how such privilege functions in these novels and provides the first full account of literary representations of sexuality and gender in pre-modern China.
In many examples of rare erotic fiction, and in other works as well-known as Dream of the Red Chamber, Keith McMahon identifies a sexual economy defined by the figures of the "miser" and the "shrew"—caricatures of the retentive, self-containing man and the overflowing, male-enervating woman. Among these and other characters, the author explores the issues surrounding the practice of polygamy, the logic of its overvaluation of masculinity, and the nature of sexuality generally in Chinese society. How does the man with many wives manage and justify his sexual authority? Why and how might he escape or limit this presumed authority, sometimes to the point of portraying himself as abject before the shrewish woman? How do women accommodate or coddle the man, or else oppose, undermine, or remold him? And in what sense does the man place himself lower than the spiritually and morally superior woman?
The most extensive English-language study of Chinese literature from the eighteenth century, this examination of polygamy will interest not only students of Chinese history, culture, and literature but also all those concerned with histories of gender and sexuality.
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front cover of The Misfit of the Family
The Misfit of the Family
Balzac and the Social Forms of Sexuality
Michael Lucey
Duke University Press, 2003
In more than ninety novels and novellas, Honoré de Balzac (1799–1850) created a universe teeming with over two thousand characters. The Misfit of the Family reveals how Balzac, in imagining the dense, vividly rendered social world of his novels, used his writing as a powerful means to understand and analyze—as well as represent—a range of forms of sexuality. Moving away from the many psychoanalytic approaches to the novelist's work, Michael Lucey contends that in order to grasp the full complexity with which sexuality was understood by Balzac, it is necessary to appreciate how he conceived of its relation to family, history, economics, law, and all the many structures within which sexualities take form.

The Misfit of the Family is a compelling argument that Balzac must be taken seriously as a major inventor and purveyor of new tools for analyzing connections between the sexual and the social. Lucey’s account of the novelist’s deployment of "sexual misfits" to impel a wide range of his most canonical works—Cousin Pons, Cousin Bette, Eugenie Grandet, Lost Illusions, The Girl with the Golden Eyes—demonstrates how even the flexible umbrella term "queer" barely covers the enormous diversity of erotic and social behaviors of his characters. Lucey draws on the thinking of Michel Foucault and Pierre Bourdieu and engages the work of critics of nineteenth-century French fiction, including Naomi Schor, D. A. Miller, Franco Moretti, and others. His reflections on Proust as Balzac’s most cannily attentive reader suggest how the lines of social and erotic force he locates in Balzac’s work continued to manifest themselves in twentieth-century writing and society.

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Mostly Straight
Sexual Fluidity among Men
Ritch C. Savin-Williams
Harvard University Press, 2017

Most of us assume that sexuality is fixed: either you’re straight, gay, or bisexual. Yet an increasing number of young men today say that those categories are too rigid. They are, they insist, “mostly straight.” They’re straight, but they feel a slight but enduring romantic or sexual desire for men. To the uninitiated, this may not make sense. How can a man be “mostly” straight? Ritch Savin-Williams introduces us to this new world by bringing us the stories of young men who consider themselves to be mostly straight or sexually fluid. By hearing about their lives, we discover a radically new way of understanding sexual and romantic development that upends what we thought we knew about men.

Today there are more mostly straight young men than there are gay and bisexual young men combined. Based on cutting-edge research, Savin-Williams explores the personal stories of forty young men to help us understand the biological and psychological factors that led them to become mostly straight and the cultural forces that are loosening the sexual bind that many boys and young men experience. These young men tell us how their lives have been influenced by their “drop of gayness,” from their earliest sexual memories and crushes to their sexual behavior as teenagers and their relationships as young adults. Mostly Straight shows us how these young men are forging a new personal identity that confounds both traditional ideas and conventional scientific opinion.

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