front cover of Picturing the Beast
Picturing the Beast
Animals, Identity, and Representation
Steve Baker
University of Illinois Press, 1993
From Mickey Mouse to the teddy bear, from the Republican elephant to the use of "jackass" as an all-purpose insult, images of animals play a central role in politics, entertainment, and social interactions. In this penetrating look at how Western culture pictures the beast, Steve Baker examines how such images--sometimes affectionate, sometimes derogatory, always distorting--affect how real animals are perceived and treated.

Baker provides an animated discussion of how animals enter into the iconography of power through wartime depictions of the enemy, political cartoons, and sports symbolism. He examines a phenomenon he calls the "disnification" of animals, meaning a reduction of the animal to the trivial and stupid, and shows how books featuring talking animals underscore human superiority. He also discusses how his findings might inform the strategies of animal rights advocates seeking to call public attention to animal suffering and abuse. Until animals are extricated from the baggage of imposed images, Baker maintains, neither they nor their predicaments can be clearly seen.

For this edition, Baker provides a new introduction, specifically addressing an American audience, that touches on such topics as the Cow Parade, animal imagery in the presidential race, and animatronic animals in recent films.
 
 
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front cover of Pig
Pig
Brett Mizelle
Reaktion Books, 2011

Known as much for their pink curly tails and pudgy snouts as their low-brow choice of diet and habitat, pigs are prevalent in popular culture—from the Three Little Pigs to Miss Piggy to Babe. Today there are more than one billion pigs on the planet, and there are countless representations of pigs and piggishness throughout the world’s cultures.

In Pig, Brett Mizelle provides a richly illustrated and compelling look at the long, complicated relationship between humans and these highly intelligent, sociable animals. Mizelle traces the natural and cultural history of the pig, focusing on the contradictions between our imaginative representation of pigs and the real-world truth of the ways in which pigs are prized for their meat, used as subjects in medical research, and killed in order to make hundreds of consumer products. Pig begins with the evolution of the suidae, animals that were domesticated in multiple regions 9,000 years ago, and points toward a future where pigs and humans are even more closely intertwined as a result of biomedical breakthroughs. Pig both examines the widespread art, entertainment, and literature that imagines human kinship with pigs and the development of modern industrial pork production.

In charting how humans have shaped the pig and how the pig has shaped us, Mizelle focuses on the unresolved contradictions between the fiction and the reality of our relations with pigs.

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front cover of Playing with Fish and Other Lessons from the North
Playing with Fish and Other Lessons from the North
Robert J. Wolfe
University of Arizona Press, 2006
According to the Yup’ik Eskimo of Alaska, fish are not to be played with. It’s an adage instilled in children that’s as basic as looking both ways before crossing the street, but at its heart lies a concern for nature. Yup’ik traditions are tested each generation by this people’s struggle for survival, the admonition not to play with fish has been further tested by the arrival of sport fishing from the south. Worlds are colliding—whose will emerge unscathed? Robert J. Wolfe, a cultural anthropologist from California, spent twenty years in Alaska documenting the traditional hunting and fishing practices of Alaska Natives. During that northern sojourn he discovered much about sustainable relationships between people and nature and about the basis of meaningful communities. In Playing with Fish he has crafted a series of thought-provoking essays on nature, culture, and the human condition that convey unsuspected lessons from the North. In contrasting California and Alaska—worlds far apart yet connected by peoples, cultural traditions, and ecology—Wolfe not only draws distinctions between compass points, he also conveys memorable stories about nature and life. He depicts bears and humans as both neighbors and ancient adversaries, and how cultural views about bears can destroy or preserve those relationships. He shows us Alaskan villages where security is found not in locks but in neighbors, unlike electronically sealed suburban California homes, their lawns studded with security signs. And he describes the peaceful resolution of conflict between California bird hunters and Eskimos of the Bering Sea coast over declining geese numbers, where small humanizing acts tipped the balance in favor of cooperation. Blending insights into subjects as diverse as music and chaos theory, Wolfe challenges readers to reflect on their own personal conduct within nature and within our multicultural world. Playing with Fish is a delightful and insightful collection of modern parables that offer a new way of looking at cultural and ecological issues, reminding us that the road between two worlds is always a two-way street.
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front cover of Prairie Ghost
Prairie Ghost
Pronghorn and Human Interaction in Early America
Richard E. McCabe
University Press of Colorado, 2010

A Wildlife Management Institute Book

In this lavishly illustrated volume Richard E. McCabe, Bart W. O'Gara and Henry M. Reeves explore the fascinating relationship of pronghorn with people in early America, from prehistoric evidence through the Battle of Little Bighorn in 1876. The only one of fourteen pronghorn-like genera to survive the great extinction brought on by human migration into North America, the pronghorn has a long and unique history of interaction with humans on the continent, a history that until now has largely remained unwritten.

 With nearly 150 black-and-white photographs, 16 pages of color illustrations, plus original artwork by Daniel P. Metz, Prairie Ghost: Pronghorn and Human Interaction in Early America tells the intriguing story of humans and these elusive big game mammals in an informative and entertaining fashion that will appeal to historians, biologists, sportsmen and the general reader alike.

Winner of the Wildlife Society's Outstanding Book Award for 2005

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front cover of Precarious Partners
Precarious Partners
Horses and Their Humans in Nineteenth-Century France
Kari Weil
University of Chicago Press, 2020
From the recent spate of equine deaths on racetracks to protests demanding the removal of mounted Confederate soldier statues to the success and appeal of War Horse, there is no question that horses still play a role in our lives—though fewer and fewer of us actually interact with them. In Precarious Partners, Kari Weil takes readers back to a time in France when horses were an inescapable part of daily life. This was a time when horse ownership became an attainable dream not just for soldiers but also for middle-class children; when natural historians argued about animal intelligence; when the prevalence of horse beatings led to the first animal protection laws; and when the combined magnificence and abuse of these animals inspired artists, writers, and riders alike.
 
Weil traces the evolving partnerships established between French citizens and their horses through this era. She considers the newly designed “races” of workhorses who carried men from the battlefield to the hippodrome, lugged heavy loads through the boulevards, or paraded women riders, amazones, in the parks or circus halls—as well as those unfortunate horses who found their fate on a dinner plate. Moving between literature, painting, natural philosophy, popular cartoons, sports manuals, and tracts of public hygiene, Precarious Partners traces the changing social, political, and emotional relations with these charismatic creatures who straddled conceptions of pet and livestock in nineteenth-century France.
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