front cover of Early American Almanac Humor
Early American Almanac Humor
Smith
University of Wisconsin Press, 1987

front cover of Early Royko
Early Royko
Up Against It in Chicago
Mike Royko
University of Chicago Press, 2010

Combining the incisive pen of a newspaperman and the compassionate soul of a poet, Mike Royko became a Chicago institution—in Jimmy Breslin’s words, "the best journalist of his time." Early Royko: Up Against It in Chicago will restore to print the legendary columnist’s earliest writings, which chronicle 1960s Chicago with the moral vision, ironic sense, and razor-sharp voice that would remain Royko’s trademark.

This collection of early columns from the Chicago Daily News ranges from witty social commentary to politically astute satire. Some of the pieces are falling-down funny and others are tenderly nostalgic, but all display Royko’s unrivaled skill at using humor to tell truth to power. From machine politicians and gangsters to professional athletes, from well-heeled Chicagoans to down-and-out hoodlums, no one escapes Royko’s penetrating gaze—and resounding judgment. Early Royko features a memorable collection of characters, including such well-known figures as Hugh Hefner, Mayor Richard J. Daley, and Dr. Martin Luther King. But these boldfaced names are juxtaposed with Royko’s beloved lesser knowns from the streets of Chicago: Mrs. Peak, Sylvester "Two-Gun Pete" Washington, and Fats Boylermaker, who gained fame for leaning against a corner light pole from 2 a.m. Saturday until noon Sunday, when his neighborhood tavern reopened for business.

Accompanied by a foreword from Rick Kogan, this new edition will delight Royko’s most ardent fans and capture the hearts of a new generation of readers. As Kogan writes, Early Royko "will remind us how a remarkable relationship began—Chicago and Royko, Royko and Chicago—and how it endures."

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front cover of Edward Lear's Nonsense Birds
Edward Lear's Nonsense Birds
Edward Lear
Bodleian Library Publishing, 2013
The Stripy Bird. The Scroobius Bird. The Obsequious Ornamental Ostrich who wore boots to keep his feet quite dry. Of all the animals that sprang from the idiosyncratic imagination of Edward Lear, few feature as frequently as birds, which appear throughout his work, from the flamboyant flock in the Nonsense Alphabet to the quirky avian characters of his limericks, stories, and songs. Lear drew himself as a bird on numerous occasions. In a popular self-portrait—later reproduced on a postage stamp—Lear even represented himself as a portly, bespectacled bird.

Edward Lear’s Nonsense Birds collects more than sixty of Lear’s bird illustrations from across his entire body of work. Often, the birds have hilariously human characteristics. There is, for instance, a Good-Natured Grey Gull, a Hasty Hen, and a Querulous Quail. The Judicious Jay is chiefly concerned with good grooming. The Vicious Vulture, meanwhile, turns out to be a wordsmith whose verses on vellum celebrate veal. Each bird is endowed with a unique personality, while collectively they form a wonderfully amusing flock. Also included are a series of twenty-four hand-colored illustrations.

Bright and beautifully illustrated, this book will make a perfect gift for children of all ages and will also be welcomed by all who love Lear’s work or are interested in learning more about his fascination with birds.
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front cover of Engaging Humor
Engaging Humor
Elliott Oring
University of Illinois Press, 2002

Exploring the structure, motives, and meanings of humor in everyday life

In Engaging Humor, Elliott Oring asks essential questions concerning humorous expression in contemporary society, examining how humor works, why it is employed, and what its messages might be. This provocative book is filled with examples of jokes and riddles that reveal humor to be a meaningful--even significant--form of expression.

Oring scrutinizes classic Jewish jokes, frontier humor, racist cartoons, blonde jokes, and Internet humor. He provides alternate ways of thinking about humorous expressions by examining their contexts--not just their contents. He also shows how the incongruity and absurdity essential to the production of laughter can serve serious communicative ends.

Engaging Humor examines the thoughts that underlie jokes, the question of racist motivation in ethnic humor, and the use of humor as a commentary on social interaction. The book also explores the relationship between humor and sentimentality and the role of humor in forging national identity. Engaging Humor demonstrates that when analyzed contextually and comparatively, humorous expressions emerge as communications that are startling, intriguing, and profound.

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front cover of Even the Rhinos Were Nymphos
Even the Rhinos Were Nymphos
Best Nonfiction
Bruce Jay Friedman
University of Chicago Press, 2000
A few years ago, Christopher Buckley wrote of Bruce Jay Friedman in the New York Times Book Review that he "has been likened to everyone from J. D. Salinger to Woody Allen," but that "he is: Bruce Jay Friedman, sui generis, and no mean thing. No further comparisons are necessary." We are happy to report that he remains the same Bruce Jay Friedman in his unique, unblinking, and slightly tilted essays—collected here for the first time—in Even the Rhinos Were Nymphos.

A butler school in Houston, a livestock auction in Little Rock, a home for "frozen guys" in California, JFK's humidor in Manhattan—all are jumping off points for Friedman's baleful and sharply satirical scrutiny of American life and behavior in the second half of the twentieth century. Travel with Friedman from Harlem to Hollywood, from Port-au-Prince to Etta's Eat Shop in Chicago. In these pieces, which were published in literary and mass-circulation magazines from the 1960s to the 1990s, you'll meet such luminaries as Castro and Clinton, Natalie Wood and Clint Eastwood, and even Friedman's friends Irwin Shaw, Nelson Algren, and Mario Puzo. Friedman is a master of the essay, whether the subject is crime reporting ("Lessons of the Street"), Hollywood shenanigans ("My Life among the Stars"), or his outrageous adventures as the editor of pulp magazines (the classic "Even the Rhinos Were Nymphos"). We could sing his praises as a journalist, humorist, and social critic. But, as Buckley tells us, being Bruce Jay Friedman is enough.

Bruce Jay Friedman is the author of seven novels (including The Dick, Stern, and A Mother's Kisses), four collections of short stories, four full-length plays (including Scuba Duba and Steambath), and the screenplays for the movies Splash and Stir Crazy.
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