A timely and provocative discussion of alienation as an intersectional category of life under racial capitalism and white supremacy
 

From the divisiveness of the Trump era to the Covid-19 pandemic, alienation has become an all-too-familiar contemporary concept. In this groundbreaking book, James A. Tyner offers a novel framework for understanding the alienated subject, situating it within racial capitalism and white supremacy. Directly addressing current economic trends and their rhetoric of xenophobia, discrimination, and violence, The Alienated Subject exposes the universal whitewashing of alienation. 

Drawing insight from a variety of sources, including Marxism, feminism, existentialism, and critical race theory, Tyner develops a critique of both the liberal subject and the alienated subject. Through an engagement with the recent pandemic and the Black Lives Matter movement, he demonstrates how the alienated subject is capable of both compassion and cruelty; it is a sadomasochist. Tyner goes on to emphasize the importance of the particular places we find the alienated subject and how the revolutionary transformation of alienation is inherently a spatial struggle. Returning to key interlocutors from Sartre to Fromm, he examines political notions of distance and the spatial practices of everyday life as well as the capitalist conditions that give rise to the alienated subject.

For Tyner, the alienated subject is not the iconic, romanticized image of Marx’s proletariat. Here he calls for an affirmation of love as a revolutionary concept, necessary for the transformation of a society marred by capitalism into an emancipated, caring society conditioned by socially just relations.

Trauma is a disease of epidemic proportions that preys on the young, killing more Americans up to age thirty-seven than all other afflictions combined. Every year an estimated 2.8 million people are hospitalized for injuries and more than 180,000 people die. We take for granted that no matter how or where we are injured, someone will call 911 and trained first responders will show up to insert IVs, stop the bleeding, and swiftly deliver us to a hospital staffed by doctors and nurses with the expertise necessary to save our lives. None of this happened on its own. Told through the eyes of a surgeon who has flown on rescue helicopters, resuscitated patients in trauma centers in Houston and Chicago, and operated on hundreds of trauma victims of all ages, Hurt takes us on a tour of the advancements in injury treatment from the battlefields of the Civil War to the state-of-the-art trauma centers of today.

William Monroe addresses what William J. Bennett ignores in The Book of Virtues: How do readers use literature as "equipment for living"? Tackling modernism and postmodernism, Monroe outlines "virtue criticism," an alternative to current theory. Focusing on works by T. S. Eliot, Vladimir Nabokov, and Donald Barthelme, he demonstrates that these alienistic texts are not just filled with belligerence but are also endowed with virtues, such as trust and the promise of solidarity with the reader. By considering these vital texts as responses to personal situations and institutional practices, Monroe brings literature back to the common reader and shows how it offers functional responses to the dysfunctional situations of modern life. Readers interested in literary criticism, American culture, and the relationship between ethics and literature will be fascinated by virtue criticism and this fresh look at the virtues and vices of alienation.

Chosen as a Choice Magazine's Outstanding Academic Book for 1999.