front cover of Civilizing War
Civilizing War
Imperial Politics and the Poetics of National Rupture
Nasser Mufti
Northwestern University Press, 2018
Winner of the Gustave O. Arlt Award in the Humanities, awarded by the Council of Graduate Schools
Honorable Mention for the 2019 Sonya Rudikoff Prize, awarded by the Northeast Victorian Studies Association


Civilizing War
traces the historical transformation of civil war from a civil affair into an uncivil crisis. Civil war is today synonymous with the global refugee crisis, often serving as grounds for liberal-humanitarian intervention and nationalist protectionism.

In Civilizing War, Nasser Mufti situates this contemporary conjuncture in the long history of British imperialism, demonstrating how civil war has been and continues to be integral to the politics of empire. Through comparative readings of literature, criticism, historiography, and social analysis, Civilizing War shows how writers and intellectuals of Britain’s Anglophone empire articulated a “poetics of national rupture” that defined the metropolitan nation and its colonial others.

Mufti’s tour de force marshals a wealth of examples as diverse as Thomas Carlyle, Benjamin Disraeli, Friedrich Engels, Arthur Conan Doyle, Rudyard Kipling, Joseph Conrad, V. S. Naipaul, Nadine Gordimer, and Michael Ondaatje to examine the variety of forms this poetics takes—metaphors, figures, tropes, puns, and plot—all of which have played a central role in Britain’s civilizing mission and its afterlife. In doing so, Civilizing War shifts the terms of Edward Said’s influential Orientalism to suggest that imperialism was not only organized around the norms of civility but also around narratives of civil war.
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front cover of Eclipse of the Assassins
Eclipse of the Assassins
The CIA, Imperial Politics, and the Slaying of Mexican Journalist Manuel Buendía
Russell H. Bartley and Sylvia Erickson Bartley
University of Wisconsin Press, 2015
This is a stellar, courageous work of investigative journalism and historical scholarship—grippingly told, meticulously documented, and doggedly pursued over thirty years. Tracking a Cold War confrontation that has compromised the national interests of both Mexico and the United States, Eclipse of the Assassins exposes deadly connections among historical events usually remembered as isolated episodes.
            Authors Russell and Sylvia Bartley shed new light on the U.S.-instigated “dirty wars” that ravaged all of Latin America in the 1960s, ’70s, and ’80s and reveal—for the first time—how Mexican officials colluded with Washington in its proxy contra war against the Sandinista government of Nicaragua. They draw together the strands of a clandestine web linking:
  • the assassination of prominent Mexican journalist Manuel Buendía
  • the torture and murder of U.S. Drug Enforcement Administration agent Enrique Camarena
  • the Iran-Contra scandal
  • a major DEA sting against key CIA-linked Bolivian, Panamanian, and Mexican drug traffickers
  • CIA-orchestrated suppression of investigative journalists
  • criminal collusion of successive U.S. and Mexican administrations that has resulted in the unprecedented power of drug kingpins like “El Chapo” Guzmán.
            Eclipse of the Assassins places a major political crime—the murder of Buendía—in its full historical perspective and shows how the dirty wars of the past are still claiming victims today.

Best books for public & secondary school libraries from university presses, American Library Association
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front cover of Mexican Consuls and Labor Organizing
Mexican Consuls and Labor Organizing
Imperial Politics in the American Southwest
By Gilbert G. González
University of Texas Press, 1999

Chicano history, from the early decades of the twentieth century up to the present, cannot be explained without reference to the determined interventions of the Mexican government, asserts Gilbert G. González. In this pathfinding study, he offers convincing evidence that Mexico aimed at nothing less than developing a loyal and politically dependent emigrant community among Mexican Americans, which would serve and replicate Mexico's political and economic subordination to the United States.

González centers his study around four major agricultural workers' strikes in Depression-era California. Drawing on a wide variety of sources, he documents how Mexican consuls worked with U.S. growers to break the strikes, undermining militants within union ranks and, in one case, successfully setting up a grower-approved union. Moreover, González demonstrates that the Mexican government's intervention in the Chicano community did not end after the New Deal; rather, it continued as the Bracero Program of the 1940s and 1950s, as a patron of Chicano civil rights causes in the 1960s and 1970s, and as a prominent voice in the debates over NAFTA in the late 1980s and early 1990s.

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front cover of Resurrecting the First Great American Play
Resurrecting the First Great American Play
Imperial Politics and Colonial Ambitions in Frontier Detroit
Sämi Ludwig
University of Wisconsin Press, 2020
In the mid-eighteenth century, the Ottawa chief Pontiac (also spelled Ponteach) led an intertribal confederacy that resisted British power in the Great Lakes region. This event was immortalized in the play Ponteach, or the Savages of America: A Tragedy, attributed to the infamous frontier soldier Robert Rogers. Never performed, it is one of the earliest theatrical renderings of the region, depicting its hero in a way that called into question eighteenth-century constructions of Indigenous Americans.
Sämi Ludwig contends that Ponteach's literary and artistic merits are worthy of further exploration. He investigates questions of authorship and analyzes the play's content, embracing its many contradictions as enriching windows into the era. In this way, he suggests using Ponteach as a tool to better understand British imperialism in North America and the emerging theatrical forms of the Young Republic.
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front cover of Sweet Tyranny
Sweet Tyranny
Migrant Labor, Industrial Agriculture, and Imperial Politics
Kathleen Mapes
University of Illinois Press, 2008
In this innovative grassroots to global study, Kathleen Mapes explores how the sugar beet industry transformed the rural Midwest through the introduction of large factories, contract farming, and foreign migrant labor. Sweet Tyranny calls into question the traditional portrait of the rural Midwest as a classless and homogenous place untouched by industrialization and imperialism. Identifying rural areas as centers for modern American industrialism, Mapes contributes to the ongoing expansion of labor history from urban factory workers to rural migrant workers. She engages with a full range of people involved in this industry, including midwestern family farmers, industrialists, eastern European and Mexican immigrants, child laborers, rural reformers, Washington politicos, and colonial interests.

Engagingly written, this book demonstrates that capitalism was not solely a force from above but was influenced by the people below who defended their interests in an ever-expanding market of imperialist capitalism. The fact that the United States acquired its own sugar producing empire at the very moment that its domestic sugar beet industry was coming into its own, as well as the fact that the domestic sugar beet industry came to depend on immigrant workers as the basis of its field labor force, magnified the local and global ties as well as the political battles that ensued. As such, the issue of how Americans would satiate their growing demand for sweetness--whether with beet sugar grown at home or with cane sugar raised in colonies abroad--became part of a much larger debate about the path of industrial agriculture, the shape of American imperialism, and the future of immigration.

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