Haunting Bollywood is a pioneering, interdisciplinary inquiry into the supernatural in Hindi cinema that draws from literary criticism, postcolonial studies, queer theory, history, and cultural studies. Hindi commercial cinema has been invested in the supernatural since its earliest days, but only a small segment of these films have been adequately explored in scholarly work; this book addresses this gap by focusing on some of Hindi cinema’s least explored genres.

From Gothic ghost films of the 1950s to snake films of the 1970s and 1980s to today’s globally influenced zombie and vampire films, Meheli Sen delves into what the supernatural is and the varied modalities through which it raises questions of film form, history, modernity, and gender in South Asian public cultures. Arguing that the supernatural is dispersed among multiple genres and constantly in conversation with global cinematic forms, she demonstrates that it is an especially malleable impulse that routinely pushes Hindi film into new formal and stylistic territories. Sen also argues that gender is a particularly accommodating stage on which the supernatural rehearses its most basic compulsions; thus, the interface between gender and genre provides an exceptionally productive lens into Hindi cinema’s negotiation of the modern and the global. Haunting Bollywood reveals that the supernatural’s unruly energies continually resist containment, even as they partake of and sometimes subvert Hindi cinema’s most enduring pleasures, from songs and stars to myth and melodrama.

This fourth volume in the series exploring religions and the environment investigates the role of the multifaceted Hindu tradition in the development of greater ecological awareness in India.

The twenty-two contributors ask how traditional concepts of nature in the classical texts might inspire or impede an eco-friendly attitude among modern Hindus, and they describe some grassroots approaches to environmental protection. They look to Gandhian principles of minimal consumption, self-reliance, simplicity, and sustainability. And they explore forests and sacred groves in text and tradition and review the political and religious controversies surrounding India’s sacred river systems.

A bold retelling of the origins of contemporary Hinduism, and an argument against the long-established notion of religious reform.

By the early eighteenth century, the Mughal Empire was in decline, and the East India Company was making inroads into the subcontinent. A century later Christian missionaries, Hindu teachers, Muslim saints, and Sikh rebels formed the colorful religious fabric of colonial India. Focusing on two early nineteenth-century Hindu communities, the Brahmo Samaj and the Swaminarayan Sampraday, and their charismatic figureheads—the “cosmopolitan” Rammohun Roy and the “parochial” Swami Narayan—Brian Hatcher explores how urban and rural people thought about faith, ritual, and gods. Along the way he sketches a radical new view of the origins of contemporary Hinduism and overturns the idea of religious reform.

Hinduism Before Reform challenges the rigid structure of revelation-schism­-reform-sect prevalent in much history of religion. Reform, in particular, plays an important role in how we think about influential Hindu movements and religious history at large. Through the lens of reform, one doctrine is inevitably backward-looking while another represents modernity. From this comparison flows a host of simplistic conclusions. Instead of presuming a clear dichotomy between backward and modern, Hatcher is interested in how religious authority is acquired and projected.

Hinduism Before Reform asks how religious history would look if we eschewed the obfuscating binary of progress and tradition. There is another way to conceptualize the origins and significance of these two Hindu movements, one that does not trap them within the teleology of a predetermined modernity.

The man whom Indian nationalists perceived as the “George Washington of India” and who was President of the Indian National Congress in 1938–1939 is a legendary figure. Called Netaji (“leader”) by his countrymen, Subhas Chandra Bose struggled all his life to liberate his people from British rule and, in pursuit of that goal, raised and led the Indian National Army against Allied Forces during World War II. His patriotism, as Gandhi asserted, was second to none, but his actions aroused controversy in India and condemnation in the West.

Now, in a definitive biography of the revered Indian nationalist, Sugata Bose deftly explores a charismatic personality whose public and private life encapsulated the contradictions of world history in the first half of the twentieth century. He brilliantly evokes Netaji’s formation in the intellectual milieu of Calcutta and Cambridge, probes his thoughts and relations during years of exile, and analyzes his ascent to the peak of nationalist politics. Amidst riveting accounts of imprisonment and travels, we glimpse the profundity of his struggle: to unite Hindu and Muslim, men and women, and diverse linguistic groups within a single independent Indian nation. Finally, an authoritative account of his untimely death in a plane crash will put to rest rumors about the fate of this “deathless hero.”

This epic of a life larger than its legend is both intimate, based on family archives, and global in significance. His Majesty’s Opponent establishes Bose among the giants of Indian and world history.

The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.

Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.

The eighth and final volume spans the thirty-ninth to fiftieth years of Akbar’s reign, detailing the conquest of Ahmadnagar, Prince Salim’s rebellion, and the emperor’s final days.

The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.

The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.

Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.

The seventh volume details the twenty-ninth to thirty-eighth years of Akbar’s reign, including accounts of the marriage of his son and heir Salim (Jahangir); conquests of Swat, Orissa, Kashmir, Sind, and the Saurashtra Peninsula; the pacification of Bengal; and the emperor’s visits to Kashmir, the Punjab, and Kabul.

The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.

The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.

Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.

The sixth volume details the twenty-third to twenty-eighth years of Akbar’s reign, including accounts of the quelling of rebellions in Bihar, Bengal, and Kabul, and final victory in Gujarat.

The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.

The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.

Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.

The fifth volume details the bellicose seventeenth to twenty-second years of Akbar’s reign, including accounts of the conquest of Gujarat, the capture of Rohtas fort from rebel Afghans, and the invasions of Patna and Bengal.

The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.

The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.

Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.

The fourth volume narrates the second eight years of Akbar’s reign, including an account of his visit to Ajmer, the arrival of an embassy from the Safavid court, and the beginning of the author’s brother Faizi’s career as court poet.

The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.

The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.

Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.

The third volume details the first eight years of Akbar’s reign, when he consolidated his power, quelled the rebellion of his guardian Bayram Khan, conquered Malwa, and married a Rajput princess.

The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.

The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.

Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.

The second volume details the turbulent reign of his father Humayun, his years in exile, his return to power, and his untimely death that brought Akbar to the throne as a youth.

The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.

The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.

Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians throughout the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.

The first volume details the birth of Akbar, his illustrious genealogy, and in particular the lives and exploits of his grandfather, Babur, and his father, Humayun, who laid the foundations of the Mughal Empire.

The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.